LAMINATED ROTIS: ROOTS, ROCK, REGGAE

The next Mondays @ Six programme at St Clements takes place on April 7 and is titled Laminated Rotis: Roots, Rock, Reggae.

Friends of Pieter Scholtz invite patrons on a nostalgic musical journey. Be transported, entertained, engaged and enlightened by architect of note and preeminent Durban musician, Iqbal Naroth and friends. Paul Mikula will do the introductions.

Get ready for a nostalgic musical journey with Laminated Rotis, a group of friends who have been making music together for 15 years!

Last year, Iqbal Naroth’s Rotis delighted a huge Mondays at Six audience with ragas and sagas, a unique and fascinating event that combined music, spirituality and friends, and featured Indian classical music played on authentic instruments like sitar, tabla and santoor.

This time, Iqbal and friends will share with us his jazz, rock, roots band / sounds.

He says: “As seasoned musicians who have lost fellow music lovers along the way, we cherish every moment we share through music. Our set list features timeless classics from iconic artists like Santana, Eric Clapton, Dollar Brand and Bob Marley, infused with our unique Rotis flavour. To enhance our performance, we've crafted special backing tracks that complement our message."

Meet the friends who make up Laminated Rotis…

Stefano: Architect by day, guitarist by night

Iqbal: Architect and bassist, bringing harmony to music and buildings

Kosi: Shoe designer turned vocalist, adding soul to our sound

Rajan: Financial advisor by day, percussionist by night, keeping the beat alive

 

Join us for an unforgettable hour of music as the four musicians revisit the classics, Laminated Rotis style.

Iqbal Naroth has been playing music for 65 years (since he was five years old).

When the donation box is passed around, there is a suggested minimum of R50 per person.

Weather permitting, the show will be outdoors. Indoors if it rains.

Bookings limited to diners in support of St Clements restaurant and staff. (They stay open specially for us.)

Be there in time to order before the performance, scheduled to start at 18h00.

Please cancel if you book then can’t make it.

Table Bookings Essential: RSVP ST Clements 031 202 2511

St Clements is situated at 191 Musgrave Road in Durban.

INVITATION TO KZNSA EXHIBITION OPENINGS

The KZNSA Gallery invites patrons to attend the openings of the two exhibitions, Transformative Journeys in Mentorship and New Abstractions this Saturday March 22 at 12h00.

Transformative Journeys through Mentorship, is a project of the collective Unlearn to Learn and is opening in the Main Gallery. Funded by the National Arts Council, the exhibition challenges traditional educational paradigms by promoting personal and communal growth through mentorship. The showcased works, created by artists who participated in the Unlearn to Learn mentorship programme, highlight the profound impact of mentorship in fostering creativity, critical thinking, and community dialogue.

The selected body of work spans diverse mediums and subject matters, reflecting how unlearning preconceived notions and embracing new perspectives can ignite artistic and personal transformation.

 

In the Mezzanine Gallery there is an opening of New Abstractions, a solo exhibition of paintings by Austin Konchira who states:

"I like to paint machines. I pay my tribute to the thousands of known and unknown people who have devoted their lives for the evolution of modern machinery.

“I consider my art as a performance to heal my existence. It is a long journey to some unknown destination that one cannot reach till his life is spent. Motifs of machines fill my recent works. Machines and discarded mechanical objects began to appear in my paintings way back in the 80’s. But then, all of them were used as supportive elements to the main theme. Now, I am fascinated by their appearances and functions. Machines are manmade and have served as a productive force throughout Time."

 

Opportunities

PESP5 internships at the KZNSA

Are you a graduate under 35 years with a NQF6 or higher qualification? Do you want to participate in an internship at the KZNSA? Apply to participate in the internship programme taking place from April to September 2025. The criteria to take part are:

-Between 18-35 years old

-Hold a diploma or degree of NQF6 level or higher preferably in the visual arts sector

-Did not participate on a previous internship funded by the National Museum

-Not already benefiting from the PESP 5 programme

 

Only interns who meet the above criteria will be allowed to participate in the programme.

Each intern will receive a monthly stipend of R5,700 for six (6) months totaling R34,200 (before statutory deductions).

To apply please send a CV, a certified copy of your certificate of graduation, a certified copy of your ID and a short 300 word motivation to kznsagallery@gmail.com.

The deadline for applications is March 31, 2025.

The KZNSA Gallery is situated at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1705 or cell 082 220 0368 or visit www.kznsagallery.co.za

 

BODIES OF WATER

 

FLATFOOT DANCE COMPANY presents Bodies Of Water; a soulful contemporary dance experience that navigates both our human condition and the ecology of our planet. Thrilling dance accompanied by live music with Refiloe Olifant (violin) and Mandla Matsha (percussion).

Award-winning choreographer Lliane Loots joins forces with celebrated Durban musicians Refiloe Olifant on violin, and Mandla Matsha on percussion, to offer a beautiful, soulful and thought-provoking new season of contemporary dance.

Loots says: “Bodies Of Water embraces a double meaning as the dance work negotiates the ecology of water alongside an awareness that the human body is made up of 70% water. Setting the dancing moving body as a breathing metaphor for climate justice, the six FLATFOOT dancers face what happens to bodies in times of personal and political crisis”.

She goes on to say, “Set against our own African geopolitics, and a larger ‘body’ of social dis-ease, Bodies Of Water comes back to the ideas of how we relate to ‘bodies of water’ as both artistic and political metaphors for survival. Even though the human body is made up of mostly water, this fluidity is not our daily reality as we see a world becoming more intractable. The remarkable thing about water is that it is always travelling back to source, back home”.

Loots always acknowledges the six FLATFOOT dances (Sifiso Khumalo, Jabu Siphika, Zinhle Nzama, Siseko Duba, Sbonga Ndlovu and Ndumiso Dube) as her co-creators. “In this work the dancers courageously face off with their own flow and sometimes immovability as Bodies Of Water open space for all of us to examine the very beating of our own hearts and the (wished for) lightness of our footsteps on this Earth. Bodies Of Water is a daring and deeply beautiful navigation of both the human condition and the ecology of our planet.”

Bodies Of Water Is performed to an original and live score jointly created in rehearsals with Refiloe Olifant (violin) and Mandla Matsha (percussion). Refiloe (aka Fifi) is a violinist who hails from Bloemfontein and is currently employed by The KZN Philharmonic Orchestra as a principal violinist where she also features as an assistant concert master with a baroque ensemble based in Durban called Baroque 2000.  Loots says: “Her ability to improvise and create a score with the dancers is a unique talent and I am so grateful to have her beauty in the room when we are working. I consider her and her music to be the 7th dancer in Bodies Of Water”.

Fifi is joined by long time FLATFOOT collaborator Mandla Matsha, who Loots says, “is a percussionist whose particular ability to score when working with dancers, is what hold Bodies Of Water together. His range of instruments from djembe drums to the istolotolo (mouth harp) are truly phenomenal”.

Bodies Of Water sees FLATFOOT partnering once again with lighting designer Wesley Maherry whose bespoke designs for this dance company has seen him win numerous awards. His lighting design is supported by his audio visual/cinematic stage projection designs that give Bodies Of Water a unique performance landscape.

There is a special schools’ performance on Friday April 11 at 10h30 where learners can watch the show and engage in a special one-off Q&A with FLATFOOT after the performance. Scholars pay R60 and accompanying teachers get a free ticket. This is via prior booking only via Lootsl@ukzn.ac.za.

Bodies Of Water is made possible by a partnership with the Elizabeth Sneddon Theatre (UKZN)

Tickets are available through Webtickets at Pick n Pay outlets or online at:

https://www.webtickets.co.za/event.aspx?itemid=1565681310

General admission R120 (R95 students, scholars, pensioners). Block Booking of 10 or more tickets R95. School’s Consignment R60. 

Smart Shopper Discounted Ticket (buy 1 full price ticket and get 1 @ discounted cost of R95)

Age restriction: No under six years or babies in arms

 

Performance schedule

April 10–19h00

April 11 – 10h30 (Closed School’s Performance)

April 11 – 19h00

April 12 – 14h30

April 13 – 14h30

 

For additional information visit https://www.facebook.com/flatfootdancecompany

10 STEPS TO SETTING UP A PERFORMANCE STAGE

 

(Thompho Nyabane. Pic supplied)

Thompho Nyabane, Lecturer and Avid Venue Certified Instructor at the Academy of Sound Engineering, shares 10 important steps to setting up a performance stage, offering insights into the technical and creative expertise required to deliver flawless live events.

 Setting up a performance stage is a complex process that requires careful planning, technical expertise, and perfect coordination between multiple teams. The success of a live performance is dependent on this and to ensure the audience experiences the show as intended.

As live entertainment and music festivals continue to expand across the country, the demand for skilled live sound engineers is growing. Institutions like Academy of Sound Engineering play a crucial role in equipping the next generation of professionals with hands-on training. Aspiring sound engineers should embrace continuous learning and mentorship to build a rewarding and dynamic career in this fast-paced industry.

Whether you’re planning to host a concert, festival, or corporate event, below are 10 essential steps to consider when setting up a stage:

 

1. Pre-event planning

Stage setup starts long before the equipment arrives on-site. This phase involves understanding the event’s technical requirements, coordinating with performers, and ensuring all logistical details, such as permits, staffing, and schedules are in place.

 

2. Choosing the right venue

Selecting the venue is crucial, as it determines the available space, acoustics, power sources, and accessibility. Outdoor and indoor venues require different considerations, such as weather protection and sound reinforcement strategies.

 

3. Assembling the stage structure

Once on-site, the physical stage is built. Platforms, rigging, and safety rails are securely positioned to provide a stable foundation for performers and equipment. Rigging must be carefully designed to support lighting, screens, and sound systems safely.

 

4. Setting up power distribution

Power is the backbone of any live production. Proper cable management ensures a safe and efficient power supply to lighting, audio, and visual systems. Tripping hazards and electrical failures are prevented through careful planning and organisation.

 

5. Positioning the backline equipment

The backline consists of instruments, amplifiers, and microphones as per the performers' technical rider. The correct placement of these elements is essential for sound balance and accessibility during the performance.

 

6. Installing the sound system

A well-designed PA (public address) system, including subwoofers and monitor speakers, is installed and aligned for optimal acoustics. Sound engineers meticulously place speakers to ensure clear, balanced audio across the entire venue.

 

7. Integrating lighting and visual effects

Lighting transforms the atmosphere and enhances audience engagement. Lights are rigged to highlight performers and create dynamic effects. LED screens, projectors, and special effects (such as fog machines or pyrotechnics) are integrated and tested for synchronisation.

 

8. Conducting sound checks and system calibration

Before doors open, each microphone, instrument, and speaker are tested individually to identify and resolve technical issues. The sound engineer fine-tunes the mix to suit the venue’s acoustics and the performers’ needs.

 

9. Managing the live performance

During the show, sound and lighting teams continuously monitor and adjust settings in real time. Sound engineers ensure the audio mix remains balanced while lighting technicians execute programmed cues to enhance the visual experience.

 

10. Load-out and breakdown

Once the performance concludes, the teardown process begins. Equipment is safely powered down, dismantled, and packed for transportation. The venue is restored to its original condition, and rental gear is returned.

 

Setting up a performance stage is both a technical and creative process, requiring expertise in multiple disciplines. For those passionate about live sound, Academy of Sound Engineering offers industry-leading training to develop the skills needed for success in this exciting field.

HUGEST HAPPINESS BLANKET UNVEILED

 

The Hugest Happiness Blanket Unveiled to Joyful Applause in Gqeberha

On March 20, 2025, Nelson Mandela University’s Second Avenue Campus is being transformed into a breathtaking display of warmth and unity as the 67 Blankets for Nelson Mandela Day movement unveils the world’s Hugest Happiness Blanket. Hundreds gathered to celebrate this historic moment on the United Nations International Day of Happiness, as a sea of vibrant, handcrafted blankets – meticulously stitched together by South African KnitWits create an unforgettable display of kindness in action.

The centrepiece, a massive yellow smiley emoji, radiated joy, embodying the spirit of giving that has defined this movement since its inception in 2013. More than just a spectacular installation, the event serves as a tangible act of compassion, with every single blanket destined to provide warmth to individuals and families in need.

(Left: Carolyn Steyn, founder of 67 Blankets)

 

A Resounding Success

 “The energy and love that filled the air today were absolutely electric. It was more than an installation, it was a celebration of humanity,” said Carolyn Steyn, founder of 67 Blankets for Nelson Mandela Day. “It was particularly meaningful to bring this event to the Eastern Cape, Madiba’s birthplace, where his legacy of service and kindness continues to inspire us all.”

 A quarter of the blankets will remain in Gqeberha, with special distributions taking place across the Eastern Cape, including to Bethsaida Ministry in Nieu-Bethesda, Paterson High School (which received 100 blankets in honour of its centenary), Missionvale Care Centre, Umphanda Foundation for Autism, and Ekuphumleni Elderly Home.

 Nelson Mandela University played a pivotal role in hosting the event. Oyama Soga, expressed her gratitude, stating: “This collaboration has been a testament to what can be achieved when different sectors of society come together within a shared purpose. The University provides an inspiring space for engagement, and the enthusiasm from students and staff made the initiative even more impactful. It’s been incredible to see how seamlessly everyone worked together to turn a simple act of knitting into a powerful gesture of care and solidarity."

 

Creativity, Culture, and Community

The event was a feast for the senses, with moving performances from the Nelson Mandela University Choir, The Quintessentials Acapella Group, Toynbee Ballet Academy, and the Lawson Brown Steel Band. Acclaimed artists PJ Powers, Monique Hellenberg, and Tim Moloi bring their musical magic to the celebration, while renowned artist Muneeb Wassin captures the essence of giving with a live painting created on-site.

Adding to the excitement is a special moment for young creatives. A T-shirt design competition saw learners from Khulile Primary School – Daliso Amila, Khonzani Achumile, and Moyakhe Lathitha – honoured on stage for their winning design. Their artwork beautifully captured the event’s message of happiness and unity, further proving that the next generation is already embracing Madiba’s ethos of service and kindness.

A Grateful Acknowledgment

The event garnered international support with United Nations Multi-Country Coordinator Ms Anthea Hurling saying: "The 67 Blankets Giant Blanket of Happiness is a powerful symbol of unity, kindness, and shared humanity. As it ties into the UN International Day of Happiness, it reminds us that true joy comes from acts of generosity and compassion. In South Africa and across the world, this initiative weaves together diverse communities, proving that small actions – stitch by stitch – can create a fabric of hope, resilience, and warmth for those in need. It is a testament to the spirit of Ubuntu and the collective effort to build a happier, more inclusive world for all."

 General Bantu Holomisa, who delivered a powerful address, commended all those involved, saying, “This event was a testament to the strength of collective goodwill. My deepest gratitude to every person who knitted, organised, and participated in this extraordinary day.”

Professor Andre Keet, Deputy Vice-Chancellor of Nelson Mandela University, echoed this sentiment, stating: “Nelson Mandela University has a strong ethos of community engagement rooted in social justice, ubuntu and the transformative power of education. Our Hubs of Convergence (HoC) at Nelson Mandela University are a unique model of engagement, collaboration and co-creation aimed at fostering deep, transformative partnerships between the university and society. This initiative moves beyond traditional community engagement by creating physical and intellectual spaces where academia, civil society, government and communities come together to address pressing social issues.”

 (Left: Stuttafords - a major supporter - offloading masses of blankets)

As the blankets were laid out and the giant smiley beamed across the campus, attendees were reminded of the power of small acts to create massive change. The Hugest Happiness Blanket has not only set a new benchmark for kindness but has left an indelible mark on the hearts of all who took part.

 #67blankets #thehugesthappinessblankets

Website: www.67blankets.co.za

Facebook: 67 Blankets for nelson Mandela Day  / 67 Blankets for Nelson Mandela Day (South Africa) 

Instagram: 67blankets

 

For Nelson Mandela University:

University Instagram: https://www.instagram.com/mandelauniversity/

Engagement Office Instagram: https://www.instagram.com/engagementoffice_nmu/

Instagram: https://www.linkedin.com/school/nelson-mandela-university/posts/?feedView=all

Facebook page: https://www.facebook.com/@MandelaUni

THE GOLDEN DAYS OF SPRINGBOK RADIO

 

Rhumbelow Northlands will present well-known actor and comedian Frank Graham in a show titled The Golden Days Of Springbok Radio on March 23, 2025.

Frank Graham comments: “Do you remember a time when the only home entertainment we had was our precious radio? Do you remember our universally popular Springbok Radio with its plethora of music shows and quiz shows? And, particularly, do you recall the vast numbers of plays, serials, and series? Do you remember, above all, the comedies that could help to lift your spirits at the end of a hard day?

“Of course you do - and with affection, I would suggest. Those were the days of Inspector Carr, Henry Simon of the Missing Persons Bureau, of Doctor Paul and Mary Livingston, MD. They were the days of No 1 and No 2, Sir Gregory Pitkin, Mildred Murfin and Humbert and Lolita Snetherswaite; the days of Able Seaman Johnson

From 1968 on, the vast majority of comedies was recorded right here in Durban, many of them in front of “live” audiences.”

Come and spend a nostalgic evening at the Rhumbelow Northlands with Frank Graham, one of South Africa’s most versatile character actors and comedians as he re-invokes those memories with his hugely popular brand of humour.

You’ll go home with a song in your heart!

The show takes place on March 23 at 15h00. Tickets R200. Book through Webtickets or email Roland on roland@stansell.co.za or call 082 499 8636 for more information.

Rhumbelow Theatre Northlands Bowling Club is located at 50 Margaret Maytom Avenue, Durban North

 

THE BLACK LAPELS FOR RHUMBELOW

 

Rhumbelow Theatre in Durban presents Back to You: An Acoustic Tribute to Bryan Adams, by The Black Lapels – Rob and Garth Warren.

 

Performances:

FRIDAY              March 21- Show starts 19h30

SATURDAY        March 22 - Show starts 19h30

SUNDAY            March 23 - Show starts 14h00

The venue opens 90 minutes before show  

Experience the timeless music and legacy of Bryan Adams like never before with Back to You: An Acoustic Tribute to Bryan Adams. Rob and Garth Warren of The Black Lapels bring their signature acoustic style to the songs that have defined a generation, delivering a fresh yet heartfelt homage to one of rock’s greatest icons.

This one-of-a-kind performance revisits Bryan Adams’ greatest hits, from Summer of ’69 to (Everything I Do) I Do It for You, reimagined with stripped-back arrangements that capture the raw emotion and storytelling at the heart of his music.

Whether you’ve loved Bryan Adams’ music for decades or are discovering it anew, Back to You is an unforgettable celebration of the power of acoustic sound and the enduring magic of these classic songs.

Don’t miss this unique journey through the soundtrack of a generation.

Tickets R200. Bring food picnic baskets or buy at the venue. Bar available (no alcohol may be brought on to the premises)

Limited secure parking available   

Booking is essential: roland@stansell.co.za or WEBTICKETS

For more information contact 0824998636 or visit http://events.durbantheatre.com/

Rhumbelow Theatre is located at 42 Cunningham Road off Bartle Road, Durban

KZNPO SINFONIA SERIES

 

Bongani Tembe, the Chief Executive and Artistic Director of the KZN Philharmonic, is delighted to announce the first instalment of the orchestra’s Sinfonia series for 2025, on Sunday March 30 at 15h00.

“With Chad Hendricks on the podium, we'll fill the halls of the St Thomas Anglican Church with a programme of beautiful music:”

Stravinsky: Pulcinella Suite

Bach: Jesus bleibet meine Freude choral from Cantata

Haydn: Trumpet Concerto in E-flat Major

Schubert: Symphony No. 8, “Unfinished”

“Marking the 340th anniversary of Bach’s birth, the concert will feature Weien Amy Luo, a talented young musician who has graced the KZN Philharmonic stage for many a year, and our very own Principal trumpeter Yosuke Matsui.”

Tickets are available at R150 for adults, R125 for pensioners & students, and R80 for youngsters under 12, from 031 369 9438 / info@kznphil.org.za or Quicket.

 

ODYSSEY: REVIEW

 

Odyssey is an intriguing narrative, weaving a remarkable and eminently readable tale of love, despair, deceit and hope, and is well worth a read, whether you are interested in Greek mythology or not. Review by Barry Meehan for ARTSMART

 

Stephen Fry is a true legend, in my humble opinion, master of all that he tackles. He started out as a comedian alongside Hugh Laurie in the award-winning show A Bit of Fry and Laurie (which he co-wrote with Laurie), then excelled in Jeeves and Wooster and Blackadder as General Melchett. 

As a presenter, he has to date hosted over 180 episodes of the very entertaining QI, and is the narrator of several Harry Potter audiobooks. Coupled with all the above, he has authored four best-selling novels and produced three volumes of his autobiography.

But our focus here must be on Odyssey, the fourth in a remarkable series of his incredibly successful history of the Greek wars. The previous books in the series are Mythos, Heroes and Troy, all best-sellers on the Sunday Times lists. If you haven’t read any of these, you will still get true enjoyment out of Odyssey, as Fry’s meticulously researched footnotes explain the relationships between the Gods and the mortals, the mortals themselves, and snippets on the background and battles leading up to the end of the decade-long Trojan war.

So, Troy has finally fallen and the Greeks head home with their victory spoils, the hero Odysseus amongst them. All he desires is to be reunited with his beloved wife, Penelope, and his son, Telemachus. Unfortunately for Odysseus, Poseidon – god of the seas – has other plans. He hurls a monster storm at the Greek fleet and curses Odysseus to wander the oceans for a further ten years.

His journey is fraught with dangers, amongst them encounters with giants, monsters, storms, giant whirlpools, seductive sirens, witches and scheming goddesses, all determined to disrupt his epic journey home.

Odyssey is an intriguing narrative, weaving a remarkable and eminently readable tale of love, despair, deceit and hope, and is well worth a read, whether you are interested in Greek mythology or not. Unfortunately, it would appear that it is destined to be the last in the series, so miss it at your peril. Better still, get hold of the first three epics and binge-read to your heart’s content. – Barry Meehan

Odyssey is published by Penguin Random House UK: ISBN  978-0-241-48636-8

 

 

11TH ANNUAL INGOMA COMPETITION

 

Presented by the Playhouse Company, the annual Ingoma Competition has been a resounding success over the years, and 2025 sings no different tune! Now in its 11th year, this vibrant celebration of traditional Zulu dance continues to grow in momentum, bringing together some of the most talented dance groups in the province.

This year’s competition takes place at Curries Fountain Stadium (Berea) on March 21, 2025, with free entrance for all attendees.

Over 42 Zulu dance groups will compete in seven distinct dance categories, showcasing exhilarating performances of Isigekle, uShameni, Ingoma Yenzinsizwa, Ingoma Yezintombi, Ingoma Sikhuze, Indlamu, and Umzansi. These dynamic dance forms, deeply rooted in Zulu cultural traditions, highlight the energy, precision, and storytelling power of indigenous dance.

The Ingoma Competition is more than just a contest - it is a celebration of our diverse cultural identity and a tribute to the artistry of indigenous dance. The thunderous beats of the drums, the synchronized movements of the dancers, and the electric atmosphere create an experience that is both visually and emotionally captivating.

Gather your family and friends and join in for an unforgettable day of rhythm, movement, and cultural pride.

EDGAR MUZAH AND FRIENDS

 

(Right: Edgar Muzah)

The Centre for Jazz for Jazz and Popular Music proudly presents Edgar Muzah and Friends on Tuesday March 25 2025 at 17h30.

Through this performance, Edgar Muzah and friends will be illustrating how their distinct sounds shape the cultural identity and emotional connection of their inhabitants. 

Ultimately, it highlights both the unity and discord of music as a universal language, capturing the essence of an evolving sonic experience in the heart of South Africa.

 Eastern Cape Ensemble Edgar Muzah and Friends, supported by the Concerts SA Mobility Fund, will bring their award-winning album Son of a Tribe to life with live performances The Centre of Jazz and Popular Music in Durban.

This "Tapestry of Sound" exemplifies the dynamic fusion of diverse musical influences, showcasing a rich interplay between the refined elegance of the Royalty edition and the raw energy of Son of a Tribe. By transcending conventional genres, it invites listeners on an adventurous auditory journey, where innovative rhythms and creative melodies collide, enriching the listening experience and redefining the essence of modern music.

The musical odyssey promises to immerse the audience in the rich culture of South Africa, exploring the vibrant contrasts between the bustling coastal city of Cape Town (his other show) and the scenic coastlines of Durban. Through each performance, the ensemble will craft a captivating sonic narrative that showcases the nation’s incredible diversity, highlighting music's ability to unify and celebrate the heritage and experiences that define South Africa.

Edgar Muzah and friends deliver an extraordinary musical journey seamlessly merging South African classical music with the contemporary and the traditional with the innovative. This fusion will envelop audiences in enchanting rhythms and melodies, showcasing music as a powerful universal language that evokes harmony and shared identity.

 

Gig listing:

Edgar Muzah and Friends

Tuesday March 25, 2025

UKZN, Centre for Jazz and Popular Music

Doors open at 17h00, Music starts at 17h30

Tickets available at the door: R120, R90 for pensioners, R60 for students

Tickets are also available on Webtickets: https://www.webtickets.co.za/v2/event.aspx?itemid=1563347546 for R130 for adults, R95 for pensioners and R65 for students

The Centre for Jazz and Popular Music is located at the University of KwaZulu-Natal, Howard College Campus, Dennis Shepstone Building, Level 2

This concert is made possible through the support of Concerts SA, the Festival Enterprise Catalyst, SAMRO, the National Treasury Jobs Fund, and IKS Cultural Consulting.

 

BAROQUE 2000 MOVES TO ST JAMES CHURCH

 

The popular Baroque 2000 programme will hold their next Season opening concert at St James Church in Venice Road, Durban (pictured above).

The concert will take place on March 30 at 11h30.

Programme:

Purcell - King Arthur

Hasse - Sinfonia 5 No6

Handel - Concerto Grosso Op6 No2

Corelli - Concerto Grosso

 

Become a subscriber for the whole Season of 8 concerts, pay for 7 (R1260.00)!

Reserved seat of your choice. Please call Michel on email: sursouth@iafrica.com or phone 082 303 5241

Tickets at the door @ R180. Children enter free.

Parking in Venice Road. or Sir Arthur cul-de-sac, adjacent to the church.