national Arts Festival Banner

Tuesday, November 18, 2025

THE LONELINESS OF SONIA AND SUNNY: REVIEW


Desai’s clever humour, sharp observations and skillful writing made it a pleasure to read.  (Reviewed by Margaret von Klemperer, courtesy of The Witness)

 

Kiran Desai’s novel The Loneliness Of Sonia And Sunny was shortlisted for the Booker Prize, and although she was not this year’s eventual winner, Desai knows what it is like to win one of literature’s most prestigious awards – she won in 2006 with The Inheritance of Loss. But it has been almost 20 years since she published a novel – a long wait for her readers.

When I tackled The Loneliness of Sonia and Sunny from my reviewing pile, I have to admit to being a little nervous. It is daunting to pick up a book of almost 700 pages, because, if it doesn’t hook you in, it is going to be a very long slog to the end. But I need not have worried. Desai’s clever humour, sharp observations and skillful writing made it a pleasure to read.

When the novel opens, both Sonia and Sunny are in America where they have gone to study – both have aspirations to be writers. Their families back home in India know each other slightly, and their grandparents cook up a plan to arrange a marriage for them – not something they have any interest in and that they find embarrassing. Both are soon in relationships with other people – in Sonia’s case with a considerably older artist who is controlling, abusive and ultimately destructive. Sunny meanwhile also has an American girlfriend, and here Desai deals cleverly – and very amusingly - with the clash of cultures. But the conundrums she raises are very real, and are central to the book.

Throughout the novel, both main characters and their wider families are coping with issues of belonging, exile and the inner alienation that comes from having two sides to your life that will never quite synchronise. For Sunny, working as a journalist in America, there is an added problem – how can he write as a brown person in a white world, and if he returns to India, has America not skewed his perceptions? Cultural appropriation is an issue South Africans are very aware of, but it is a universal problem.

Both Sonia and Sunny have wider families, often difficult, often embarrassing, but always very much there. And when the pair do finally get together, things are never going to run smoothly. The novel is a love story, but not a tale of star-crossed lovers who will eventually ride off happily into the sunset. Maybe they will, but they are going to have to face down their demons for ever.

And that raises another question, and one that I was not entirely comfortable with. Desai adds a component of magic realism to her writing, which, while it is interesting in itself, sits a little uneasily with the convincing reality and humour of the characters and situations she creates. But, taken as a whole, The Loneliness of Sonia and Sunny is a great read. - Margaret von Klemperer

The Loneliness of Sonia and Sunny is published by Hamish Hamilton: ISBN 978-0-241-77084-9

DFMI CALL FOR SUBMISSIONS FOR TALENTS DURBAN

 


Submission deadline: February 9 2026.

 

The Durban FilmMart Institute (DFMI) is thrilled to announce the official Call for Submissions for the 19th edition of Talents Durban, set to take place in conjunction with the Durban FilmMart (DFM) in Durban, South Africa, from July 24 to 27, 2026.

As the official African satellite programme of Berlinale Talents, the Berlin International Film Festival's talent development platform, Talents Durban is the continent’s premier platform for up-and-coming film professionals to network, learn, and collaborate. The programme offers an intensive, hybrid experience designed to foster creative development and industry connections.

This comprehensive structure includes an eight-week online mentorship, a four-day in-person event, culminating at the 17th Durban FilmMart for sustained growth and collaboration.

DFMI Director, Magdalene Reddy says: "African storytelling is experiencing an unprecedented global surge, and Talents Durban is right at the heart of nurturing the next generation of industry leaders. We are actively seeking bold, innovative, and distinctive voices across all disciplines. Whether you are a filmmaker with a compelling project or an emerging critic ready to shape the narrative, this is your opportunity to join a vibrant pan-African community and take your career to the global stage. We encourage all eligible applicants to seize this opportunity and submit their work."

 

Programme Overview

Talents Durban is inviting applications from all emerging film professionals and critics from the African continent and diaspora who have completed a minimum of two professional projects (e.g., short films, features, documentaries, or published reviews). The programme covers several core disciplines:

 

Filmmaking: Fiction Features, Documentary Features, Shorts, Series, and Animation.

Film Criticism: Talents Press

 

The selection process is highly competitive, and applicants are encouraged to ensure their submissions are polished and reflect exceptional potential. Last year’s edition saw over 500 applications, resulting in a highly curated cohort.

Selected Talents will participate in a series of project-oriented, hands-on skills development programmes, including masterclasses, one-on-one mentorship with established industry experts, and the crucial Story Junction sessions, where participants get to present their projects to producers and potential financiers. The experience is designed to turn promising concepts into screen realities.

Nikola Joetze and Tobias Pausinger, Programme Manager and Project Manager of Berlinale Talents, added: “The calibre and determination of the cinematic voices emerging from Africa never ceases to impress. The partnership between Berlinale Talents and the Durban FilmMart Institute is vital in strengthening the international community and supporting those voices. We are already eager to meet the 19th edition’s cohort, with the fresh perspectives and powerful stories they will bring to light. We enthusiastically encourage all talents to apply and become part of this essential network.”

 

Application criteria:

Emerging filmmakers, animation directors, series creators, and film critics are invited to submit their applications online. Full submission requirements and eligibility criteria can be found on the Durban FilmMart Institute’s website.

You have submitted a complete application, including a sample of past work and a project in development.

Please note that the application is based on individual submissions and we cannot accept team applications – you may apply as a screenwriter, director, animation director or film critic.

You must have obtained the written consent of the other copyright owners for the use of the work sample and project submitted.

You work in one of the following areas: screenwriting, directing, film criticism and animation.

You are an emerging film professional OR student in the final year of your studies, OR film school graduate, OR have comparable work experience in the film and media industry.

You have worked on at least one short/feature film that has been screened at a recognized film festival, OR you have worked on a TV drama series that has aired widely, OR you have worked on a web or mobile drama series that has around 5,000 views OR (for the Talent Press programme), you have at least one-year experience as a film critic/reviewer/journalist/vlogger/podcaster.

You must be a citizen of an African/Caribbean country, residing in Africa/Caribbean.

You must be at least 18 years of age by July 1, 2026

For more information about the terms and conditions, visit the DFM website.

Submission deadline: February 9 2026.

 

Apply here:

https://durbanfilmmart.co.za/talents-durban-application/

SINBAD THE SAILOR FOR KICKSTART

 


KickstArt presents their 2025 Durban festive panto which is Sinbad the Sailor, a riotous romp over the Seven Seas, in the company of the famous sailor, Sinbad, and his madcap crew and family, which comes to the Elizabeth Sneddon Theatre on UKZN campus from December 4 until January 11.

With gloriously colourful sets and costumes that evoke the exotic mystery and magic of the Arabian Nights, and exciting music and dance, inspired by Bollywood, this is a unique, unforgettable pantomime experience for the entire family.

Sinbad the Sailor is written and directed by Steven Stead, and designed by Greg King, with spirited choreography by Evashnee Pillay.

Sinbad the Sailor runs from December 4 to January 11 at the Elizabeth Sneddon Theatre. Performances are Tuesday to Sunday at 14h30 and 11h00 and 15h30 on Saturdays.

Running time is 2 hours 25 mins (including a 20-minute interval).

No under-three’s permitted. More information at https://kickstarttheatre.co.za/Booking through Webtickets

MiTH – 19 NOVEMBER 2025

 


Where can you meet with friends, enjoy great music in a beautiful environment with roaring fires, hearty food and a cash bar – all for just R50? Music in The Hills (MiTH) at The Knoll Historic Guest Farm in Hilton every second Wednesday! Your best bet for an affordable, soul-stirring musical experience with your friends.

The next Music in the Hills takes place on November 19 at The Knoll Historic Guest Farm

Entrance: R50.00 (cash or zapper at the door). For more information contact 082 331 7271.

 

20h30: Tongue-in-Cheek

Born out of a one-night-only tribute show that refused to stay a one-night-only tribute show, Tongue-in-Cheek is a playful, high-energy quartet celebrating the greatest music ever written - with a wink, a grin, and harmonies that hit you right in the nostalgia.

What began as “A Tribute to the GREATS in GREYTOWN” - a themed night honouring icons like The Beatles, Koos Doep, CCR, Theuns Jordaan, and Simon & Garfunkel - revealed a chemistry too good to ignore. The crowd dressed up, sang along, danced, laughed, and the performers discovered they had stumbled into something special.

Formed by the charismatic blend of Charles Webster, Grace Botha, Rebecca Webster and Rudi Engelbrecht, Tongue-in-Cheek delivers a warm, witty, and wonderfully crowd-friendly performance style. Their shows mix heartfelt musicianship with a sense of fun that invites every audience to let loose, sing loudly, and enjoy a night of pure musical joy.

 

19h45: Bruere Venter

Blending folk and indie influences from artists like Jack Johnson, Mumford & Sons, and The Beatles, Bruere brings a warm energy to the stage, drifting between easy-going grooves and heartfelt melodies. Performing familiar covers with his own distinctive touch, he creates an atmosphere that feels both relaxed and genuine. Having played in various bands and duos, he now performs mostly solo — with the occasional duet alongside his partner, Ellena. For Bruere, music is a space to express, connect, and share moments that are honest and full of heart.

 

19h00: Skippy Kubheka

Skippy Kubheka is a local musician from Hilton who has been performing since 2014. He’s been seen performing with out-of-this-world musicians, like bass with Mali Zulu, and drums for Matt Gardiner. He’s the current front-person for the MMM…Band, and has been known to appear in an occasional collaboration or two.

But this time around, he’s about to do something rare; something that hasn’t been done in quite some time… He will be performing a solo act for the first time at MiTH in years. It’s gonna rock!

  

ABOUT MiTH

KZN Midlands’ favourite music venue! MiTH is a platform for beginners, pros, and music lovers to celebrate the joy of music. Every second Wednesday at The Knoll Historic Guest Farm, Hilton.

Food and soft drinks for sale. Cash bar available.

Visit www.mith.co.za for more info or email mithbookings@gmail.com to perform.

  

DIRECTIONS TO MiTH

Take the N3 to Hilton. Turn into Hilton Village and drive 5.2km along Hilton Avenue, which becomes Dennis Shepstone Drive. Look for Knoll Drive on your right; the entrance to MiTH is the second left into The Knoll Historic Guest Farm.

BONJOUR MONSIEUR BREL

 

Jannie du Toit and Ensemble bring Jacque Brel’s timeless songs to life in Bonjour Monsieur Brel at The Old Mushroom Farm in Howick on November 22, 2025, at 17h30.

Described as "a journey through the world of a brilliant dreamer", this is a moving multi-lingual performance with piano, cello and guitar. A masterful celebration of song craft.

Tickets R150 (R120 pensioners and scholars) Booked through Quicket.

BYOB. Food available on site.

The Old Mushroom Farm is located at 11 Karkloof Road in Howick.

CHRISTMAS AT PÉPÈRE CAVE

The lights will glow a little warmer this Christmas. Join in for Christmas at Pépère Cave with Holley and Grace for an evening of festive food, soulful music and Christmas spirit. All in support of Life Changer.

The event takes place on November 19, 2025, at 18h00.

Tickets R850 per adult booked through Quicket. On offer is a three-course dinner and welcome drink. Vegetarian option available

Adults only, limited tables.

Celebrate with purpose. Dine with joy. A night that gives back this Christmas

Pépère Cave is situated in 16 Hilton College Road, KZN

 

Monday, November 17, 2025

DR THOKOZANI MHLAMBI AT THE KZNSA

 

(Left: Dr Thokozani Mhlambi with cello. Pic supplied)

 

An evening of Afrofuturism: the music of John Knox Bokwe

Internationally-acclaimed cellist, vocalist, and cultural pioneer, Dr Thokozani Mhlambi, will present a one-of-a-kind concert, playing music by John Knox Bokwe at the KZNSA Gallery, on Friday November 28, 2025, at 18h00.

Entitled, Thokozani Mhlambi: Playing John Knox Bokwe Today, Mhlambi will be joined by special guest, award-winning storyteller Dr Gcina Mhlophe. He says: “I hope that this performance is more than a concert; it’s an invitation to witness a stunning exploration of sound, words, and shared history.”

“We hope guests will experience a genre-bending evening where tradition meets the future,” says Mhlambi who plays a custom-made baroque cello and sings in isiZulu, blending the rhythms of African traditional anthems like indlamu and umtshotsho with the ethereal soundscapes of Afrofuturism.

With fellowships at prestigious institutions in Germany and France, and as an honorary member of the Vancouver Folk Song Society, Mhlambi’s influence spans continents. He has performed at renowned venues in Chicago, Berlin, New Orleans, New York, and São Paulo, but his return to Durban audiences promises an intimate and immersive experience.

The show coincides with the release of Mhlambi’s new single, Plea for Africa, a heritage piece originally composed by John Knox Bokwe. Mhlambi explains the influence of the piece on his work:

“John Knox Bokwe was a South African journalist, Presbyterian minister and one of the most celebrated Xhosa hymn writers and musicians (March 15, 1855 – February 22, 1922). A writer on the Imvo Zabantsundu newspaper ("African Opinion") in (what was) King Williams Town, he is best known for his compositions Vuka Deborah, Plea for Africa, and Marriage Song. Bokwe is recognized as the first-known Black South African composer to have notated his own music, marking a significant point in South African musical history.

“Back in the 1870s, John Knox Bokwe, while at Lovedale Missionary Institute, started to compose music fusing the Western hymn-style with Xhosa lyrics. I consider John Knox Bokwe the Father of African composition. He is my role model. His music is timeless and imagine the music of the future.”

The performance in Durban promises to be informative and entertaining—creating an unforgettable evening of connection and collaboration.

In his album Zulu Song Cycle (2019), Mhlambi explores the limits of creative expression by blurring the distinction between European early classical music and African ancient sounds, this is in ways that defy the orthodoxy of his own classical education. Contending with orthodoxies and the rules they impose is what Mhlambi does best, by inverting, subverting what (to some) might be the norm.

Mhlambi has dedicated his time to retrieving historical sounds from archives, based on collections in Africa and elsewhere. The result has been compositions that reflects different epochs, different time zones in human evolution.

He has an interest in the relationship between art and technology, an interest he explores through his research on African traditions of metallurgy. This has allowed Mhlambi to think about the nature of artistic expertise in correlation with metallurgical expertise, in his musical compositions.  Chief amongst Mhlambi’s theoretical concerns is about thinking beyond the colonial sound archive, in imagining a sonic past and future.

In 2023, Mhlambi was invited to be part of the Reimagining America Program 2023, where he worked with youth string-players from the city of Providence (Rhode Island).

He is an Honorary Member of the Vancouver Folk Song Society and has also been a visiting lecturer at Simon Fraser University also in Vancouver, where he performed at the World Arts Centre. He has performed at the venues such as Elastic Arts in Chicago, Prachtwerk in Berlin, Minneapolis, New Orleans (Tulane), São Paulo, Maputo (Mozambique) and New York (Performa).

Tickets through Webtickets - https://www.webtickets.co.za/v2/event.aspx?itemid=1580090440

Thokozani Mhlambi: Playing John Knox Bokwe Today takes place on November 28, 2025, at 18h00 at the KZNSA Gallery, 166 Bulwer Road, Berea, Durban.

For more information visit his website at thokozanimhlambi.com

 

Saturday, November 15, 2025

BASSEY AND ME

 


(Left: Tonya Koenderman. Pic supplied)

 

Acclaimed international cabaret artist Tonya Koenderman is set to dazzle audiences with her latest show, Bassey and Me — a heartfelt tribute to the legendary Dame Shirley Bassey.

Rhumbelow Theatre will present this show as follows:

November 21 - Rhumbelow Northlands Bowling Club. Show starts 19h30

November 22 – Rhumbelow Umbilo. Show starts at 19h30

November 23 – Rhumbelow Umbilo. Show starts at 14h00

 

(Venues open 90 minutes before show for snacks/drinks)

After more than 60 years in show business, Dame Shirley Bassey remains an icon, and Bassey and Me celebrates her extraordinary journey from humble beginnings to international superstardom. The show features many of the timeless hits that defined her career, including Diamonds Are Forever, Goldfinger, Never Never Never, Big Spender, Nobody Does It Like Me, and This Is My Life, amongst others.

Koenderman not only delivers Bassey’s powerful songs but also narrates her story — the struggles, the heartbreaks, and the triumphs. She shares the personal impact Bassey had on her own life, recalling how a shy little girl with a big belting voice was inspired by Sundays spent listening to Bassey records over and over again. The show draws parallels between the two performers, highlighting the qualities that first drew Tonya to her idol.

Don’t miss this unforgettable tribute to one of the greatest voices of our time.

Tickets R180.00. Booking is essential on email: roland@stansell.co.za or through WEBTICKETS http://events.durbantheatre.com/

Full bar available (no alcohol may be brought on to the premises)

Durban – Bring food picnic baskets or buy at the venue

Northlands - Bring food picnic baskets.

 

Performance on Friday November 21 R160 for Northlands Members

Limited secure parking available.

For more information contact 0824998636.

DRAKENSBERG BOYS CHOIR NOËL TOUR 2025

 


The wait is over! Tickets are now LIVE for the Drakensberg Boys Choir Noël Tour 2025 The Promise of Light. Experience a journey from sacred stillness to joyous celebration across KwaZulu-Natal this festive season.

 

Tour dates:

22 Nov – DBCS Ken Mackenzie Auditorium, Drakensberg (10h30)

23 Nov – Michaelhouse, Balgowan (14h30)

24 Nov – Wembley College, Greytown (18h00)

25 Nov – Newcastle High (18h00)

26 Nov – Grantleigh, Richards Bay (18h00)

27 Nov – Reddam Ballito (18h00)

28 Nov – St Agnes, Kloof (19h00)

30 Nov – Reddam Umhlanga (18h00)

 

Special guest artist: Jannie du Toit joins the opening shows in Drakensberg (November 22) and Balgowan (November 23) – don’t miss this icon performing his hits and timeless Jacques Brel classics.

Book now at www.dbchoir.com/bookings.

#DBCS #NoelTour2025 #PromiseOfLight #MusicIsOurMinistry

 

SAKHILE GUMEDE FOR 47th INTERNATIONAL FILM FESTIVAL

 

(Right: Sakhile Gumede. Photo supplied)

The University of KwaZulu-Natal’s Centre for Creative Arts (CCA) is pleased to announce the appointment of Sakhile Gumede as the Festival Manager for  the 47th edition of the Durban International Film Festival (DIFF) in 2026.

Gumede is no stranger to the CCA and has been working  in various roles since 2006.  Since 2018 Gumede has led DIFF’s Isiphethu Programme, the festival’s training and development arm with core components that include Student Films, the IsiZulu Scriptwriting Workshop, and an Industry Programme of workshops and masterclasses. 


He previously served for many years as coordinator and programmer of the DIFF Shorts section, and in 2007 completed a course in Event Organising and Film Festival Management at DW Akademie (Germany).


Currently, Sakhile curates the Science Film Festival (in collaboration with the Goethe-Institut Johannesburg) and the Poetry Africa Film Festival, which forms part of the renowned Poetry Africa Festival. He has built strong relationships with art centres and communities across KwaZulu-Natal, as well as with Durban-based film schools.


Gumede has represented DIFF globally at prestigious events such as the Berlinale in Germany, in Switzerland  and in Brazil at Mostra de Cinemas Africanos. He recently visited to Fuzhou, China as part of the South African film delegation and will serve as a jury member at Luxor African Film Festival in Egypt during March 2026.


“My vision is to continue to position DIFF as a leading festival for African and South African films,” says Gumede. “We will strengthen DIFF’s role as a bridge between filmmakers on the continent and those abroad, deepen our relationship with South African audiences, and uphold integrity and promote excellence in filmmaking through diverse perspectives in our programming and through robust engagement with an advisory committee. Guided by the values of our Constitution, we will celebrate human resilience, freedom of speech, and democracy, while building strong partnerships with festivals across Africa through skill-sharing, collaboration and exchanges. I look forward to this new role and  engaging with the industry to find innovative and collaborative ways to grow this iconic festival.


Ismail Mahomed, Director of the Centre for Creative Arts, says: We are delighted to welcome Sakhile into this role. His track record in development and community engagement, alongside his African outlook in the context of South Africa’s role on the global stage, positions DIFF for a dynamic new chapter.

For more information on the Centre for Creative Arts, click on the advert to the right of this article and you will be connected to the CCA website.

Friday, November 14, 2025

THE PREDICAMENT: REVIEW

 

Overall, I enjoyed this offering, by one of my favourite authors, and I will certainly be on the lookout for the final Gabriel Dax novel. (Review by Fiona de Goede)

 

In the preface, the author has cited a quotation (which he translated from French) by Jean-Baptiste Charbonneau, 1957: There is the story – and then there is the story within the story.  And then there is another story, buried, that only a select few are able to read.

This indeed sums up the premise of The Predicament. Gabriel Dax, travel writer and reluctant operative for MI6, is sent to Guatemala to try and ascertain whether a political coup of the current regime is being plotted.

Whilst there, he encounters various unsavoury characters and events hot up. Gabriel has to leave Guatemala in somewhat of a hurry and he then finds himself in West Berlin. Much to his horror, he then stumbles upon an audacious plan to assassinate the young President John F Kennedy, whilst on a state visit to Berlin. Several of the unsavoury characters that he encountered in the Guatemala scenario, crop up again. Gabriel has to thwart this assassination attempt but time is very much against him.

The story is set in 1963 – when spies and agents were a very different breed than they are (I would imagine) today. Gabriel is taught the basic skills of self-defense and the artifice of following a suspect. That more or less is the extent of his training – no gadgets, no frills.  Just his innate sense of knowing what to do and how to react.  And this is what made reading this novel such a treat.

The elegance, style and polish that is Gabriel Dax was a pleasure to read and I found myself enthralled with this character. His sartorial elegance, his fine dining menu choices and his overall man-about-town aura is just too wonderful.

Gabriel’s love interest is the mysterious Faith Green, his MI6 handler. She never allows him to get too close to her but Gabriel does manage to win her over, to some extent, albeit mostly on her terms.  Clearly a woman ahead of her time…

The Predicament is the second book in the Gabriel Dax trilogy – the prequel, which I have not read, being Gabriel’s Moon. Overall, I enjoyed this offering, by one of my favourite authors, and I will certainly be on the lookout for the final Gabriel Dax novel. Hopefully soon. - Fiona de Goede 

The Predicament is published by Penguin Random House South Africa   ISBN 978-0-241-76114-4

Thursday, November 13, 2025

THE ORIGINAL DAUGHTER: REVIEW

 

The creation of highly competitive working-class life in Singapore is interesting and convincing (Review by Margaret von Klemperer, courtesy of The Witness)

 

Jemimah Wei’s debut novel, The Original Daughter, is a complex tale of messy family dynamics, sibling rivalry, affection turning to resentment and, above all, perceived betrayal.

The story opens in 2015, in Singapore, where the Yang family live. Downtrodden Gen is caring for her dying mother who wants her to contact her estranged sister Arin who is living a glamorous and successful life abroad and to ask her to come back and say goodbye. But Gen cannot bring herself to do that.

We then go back to 1996 when eight-year-old Gen is living with her taxi-driver father, librarian mother and difficult grandmother in the same small flat as in the novel’s opening chapter, and is an only child. Until the sudden arrival of a “sister” who is not actually a sister but a family member through complicated and difficult relationships. A year younger than Gen, she has come from Malaysia and has been uprooted from the only family she has ever known, but is inevitably a disruption to the lives of the Yangs.

So Gen takes her under her wing and, as they negotiate childhood and adolescence, they become close. But rifts begin to develop – Gen is protective of “her” family and sees some of Arin’s actions as manipulative, and, while Gen was initially the driven one, the high achiever, that begins to change. Singapore is a relentlessly competitive society, one where coming second is never good enough. So, as things start to unravel once the girls reach adulthood, Gen moves to New Zealand.

However, it is not an entirely successful move, and when things go badly, Arin comes to help. And that is where their estrangement really takes hold and what seems to be a permanent rift between the two develops.

While Wei has drawn a lifelike picture of how close relationships can fall apart, and deals sensitively with the difficulties that can arise in families, towards the latter part of the book, before Gen does return to Singapore, the reader cannot help feeling that she makes too much of an issue of it all. The Original Daughter is a long novel, and towards the end, I was beginning to feel that it could have been written a little more tightly without losing any of its impact.

Nonetheless, the writing is descriptive and evocative. The creation of highly competitive working-class life in Singapore is interesting and convincing.  Gen, the first-person narrator of the novel, is a mostly sympathetic character, even as we regret some of the choices she makes. It is an impressive debut. - Margaret von Klemperer

The Original Daughter is published by Weidenfeld & Nicolson