PIANO MAN BACK BY POPULAR DEMAND

 

Rhumbelow Theatre presents Piano Man, back by popular demand.

Performed by Evan Cullum, this is a Tribute to Elton John and Piano Legends. There will be two performances this coming weekend:

 

SATURDAY: June 14 - show starts at 19h30

SUNDAY June 15 - show starts at 14h00

(Venue opens 90 minutes before show for snacks/drinks)

Get ready for an unforgettable musical experience as Evan Cullum, one of Durban's most versatile and dynamic pianists, takes the stage in Piano Man: A Tribute to Elton John and Piano Legends. 

This show promises to be a spectacular journey through the greatest hits of some of the world's most iconic pianists, including Ray Charles, Bruce Hornsby, Jerry Lee Lewis, Billy Joel and, of course, Elton John.

Evan extends his extraordinary talents to pay tribute to these legendary artists, delivering hit after hit that will have you tapping your feet and singing along. From the soulful sounds of Ray Charles to the rock 'n' roll energy of Jerry Lee Lewis and on to the timeless classics of Elton John and Billy Joel.

Whether you're a fan of Rock 'n' Roll, Soul, R&B, or just Piano-driven hits, then this show is for you!

Tickets R200. Bring food picnic baskets. A full is bar available (no alcohol may be brought on to the premises)

Booking is essential. Bookings on email please: roland@stansell.co.za or WEBTICKETS

There is limited secure parking available.

For more information, contact 0824998636 or visit http://events.durbantheatre.com/

Rhumbelow is located at Cunningham Road, Umbilo, Durban.

 

AIR: REVIEW

 

I found this book to be the epitome of John Boyne’s writing – a masterclass in everything a reader wants an author to be. (Review by Fiona de Goede)

 

Air is the final novella in the Elements quartet – after finishing the book, I immediately thought it was a pity the author only concentrated on four elements. He should definitely consider expanding this series to the entire periodic table!

 

After the harrowing read that Fire offered, it was calming to return to relative normality with Air.

 

We first meet Aaron Umber as the young intern mentored by Freya Petrus – now it is several years later and Aaron, just turned 40, has a 14-year-old son, Jake, and they are traveling thousands of kilometres to meet a woman that is not expecting them.

Being 30,000 feet in the air, with no escape, forces Aaron to come to grips with many aspects of his life.

His relationship with Jake is challenging and he feels out of his depth on how to get through to his son without alienating him even further. It is the typical teenage angst scenario but deftly handled as only Boyne can.

The various facets of trauma and love and the ultimate act of forgiveness is superbly highlighted in this little gem of a book. The supreme gift one can give oneself is self-forgiveness and being content with what life has in store for you.

I found this book to be the epitome of John Boyne’s writing – a masterclass in everything a reader wants an author to be. - Fiona de Goede

Published by Amazon: ISBN 978-0-8575-2985-5

KZNPO: NO MORNING CONCERTS FOR WINTER SEASON

 Please note: there will be no open morning rehearsals during the Winter Symphony Season.

The KZN Philharmonic invites music-lovers to secure your Season Tickets for the evening performances with a 15-20% discount, via the KZNPO offices on info@kznphil.org.za or 031 369 9438.

 

Maestro Daniel Boico returns to the rostrum to open the Winter Season with Qinisela Sibisi's Umnkenenezo (Serenade). The multi-award-winning Russian pianist Andrey Gugnin then takes centre stage in Rachmaninoff’s Piano Concerto No. 1, which was conceived as a vehicle for the composer's dazzling pianistic skill. Dvořák's Symphony No. 7 is the finale for concert 1, a work of “greater dramatic power, deeper emotional feeling, and a breadth of vision unparalleled in anything else Dvořák had previously composed”.

 

Following a curtain-raiser appearance by the KZN Youth Orchestra, internationally-acclaimed Conrad van Alphen takes the KZN Philharmonic podium for the second and final concert of the season. Plunging into the heart of the programme, the celebrated Russian violinist Andrey Baranov steps into the solo spot to put his stamp on Édouard Lalo’s virtuosic Symphonie Espagnole. Beethoven’s Sixth Symphony, in all its serenity, peaceful contentment, and untroubled enjoyment of nature, brings the evening - and the Winter Season - to a close.

This season’s repertoire is lovingly geared to bring audiences hours of fulfilment, and your support is deeply appreciated. All details may be found in the brochure, available for download here.

Single tickets may be purchased through Quicket for Concert 1 and Concert 2.

Looking forward to making music together at our Winter Season concerts!

For more information, click on the KZNPO advert at the top right hand of this article which will link you to the orchestra’s website.

FIRE: REVIEW

 

This is not a book for the fainthearted – I can well imagine that many a reader will shut the book in horror, if not disgust. It does, however, pose the age-old question of nature versus nurture. (Review by Fiona de Goede)

Fire is the third book in the Elements series by John Boyne – I have read the second one, Earth, as well as the final one, Air. 

I have not read the first one, Water, and whilst these novellas do not need to be read in order, I am sure it will increase one’s reading pleasure to do so.

Not that there is much pleasure in Fire. It is dark, cruel and utterly disturbing. The main character, Dr Freya Petrus, is a burns surgeon, specializing in skin grafts.

 She ostensibly lives the perfect life living in a luxurious apartment, drives an expensive car and has her career on the right trajectory.

 

A young intern, Dr Aaron Umber, is mentored by Freya and he attempts to get to know her – he tells her that she inspired him to become a doctor after she had given a talk at his school whilst he was studying towards his final exams. Despite this revelation, Freya continues to be dismissive of Dr Umber and treats him with thinly disguised contempt.

The childhood trauma she suffered impacts severely on her adult life and she cannot form any friendships or work relationships, let alone any personal relationships. She is unlikeable, aloof and psychologically scarred – and the way she exacts her revenge for the trauma she endured as a young girl, is on a level that I have never imagined possible. The cold-hearted and calculating way she goes about targeting her victims is ruthless. It is as if she is stripped of any humane instincts or feelings.

This is not a book for the fainthearted – I can well imagine that many a reader will shut the book in horror, if not disgust. It does, however, pose the age-old question of nature versus nurture. You read it and be the judge of that. -     Fiona de Goede

Fire by John Boyne is published by Amazon - ISBN 978-0-8575-2987-9

KURT EGELHOF LAUNCHES FOUR-BOOK COLLECTION

 (Kurt Egelhof, courtesy of Facebook)

South African Arts icon, Kurt Egelhof, launched four-book collection in May and June 2025.

Renowned South African actor, director, playwright, and producer, Kurt Egelhof, is set to embark on an exciting new chapter in his illustrious career with the physical launch of his four books in May and June 2025. These in-person events will take place in Johannesburg, Durban, and Cape Town, offering readers the chance to engage with one of the country’s most respected creative minds.

With a career spanning over 40 years, Egelhof has made an indelible mark in film, theatre, and television. His work in The Ghost and the Darkness, Zulu Love Letter, The Last Victims, and The Native Who Caused All the Trouble has solidified his reputation as a powerhouse performer. Behind the camera, he has directed over 250 episodes of South Africa’s most beloved TV dramas, including Isidingo, Scandal!, and Backstage. Additionally, he served as Head of the Creative Department at Endemol South Africa and pioneered the SoloAfrica Festival of Monodrama, Africa’s first monodrama festival.

Born and raised in Durban, and now residing in Cape Town, Egelhof holds a Bachelor of Arts in Speech and Drama from the University of Natal. Beyond his creative contributions, he has remained deeply committed to mentoring young artists and advancing South African storytelling.

 

Upcoming Book Launch Events – May & June 2025

Egelhof will be personally presenting his books in Johannesburg, Durban, and Cape Town at exclusive launch events where fans, literary enthusiasts, and members of the arts community can engage with him, gain insight into his storytelling process, and purchase signed copies.

 

Direct links to purchase each book digitally:

1. Adventure Boys -  https://www.lulu.com/shop/kurt-egelhof/the-adventure-boys/ebook/product-w4ry666.html?q=Adventure+boys&page=1&pageSize=4&fbclid=IwY2xjawJZzwxleHRuA2FlbQIxMQABHWUJd8Fg8yjkJ-W_OOV5ricjtsnhjWmCO1szQdGh7q_Zv5kA-dKYo2h24g_aem_dMqbuTQEZdwWGDCznIYR9w

2. Palace of Broken Dreams - https://www.lulu.com/shop/kurt-egelhof/the-palace-of-broken-dreams/ebook/product-57vpvpm.html?q=PALACE+OF+BROKEN+DREAMS&fbclid=IwY2xjawJZzq9leHRuA2FlbQIxMQABHTdPozUBP6pyg5IBtMHShhORA3PBkuj358SKMuxg23hxN0P7w9kUCXnMzA_aem_d_x96S_3kTml4A2XrayiUQ&page=1&pageSize=4

3. Man Overboard - https://www.lulu.com/shop/kurt-egelhof/man-overboard/ebook/product-e74pmye.html?q=MAN+OVERBOARD&page=1&pageSize=4&fbclid=IwY2xjawJZzl1leHRuA2FlbQIxMQABHTE4Gm6NbegOGsW_5ENP_aarZbgWRY3wgahLg055Sqg6jvsoYndGl2EX6w_aem_DqvzZFIPW7omHfnLTxUJew

4. The Accidental Death of a Good Coloured Man - https://www.lulu.com/shop/kurt-egelhof/the-accidental-death-of-a-good-coloured-man/ebook/product-w4kwk56.html?q=THE+ACCIDENTAL+DEATH+OF+A+GOOD+COLOURED+MAN&fbclid=IwY2xjawJZzdtleHRuA2FlbQIxMQABHUIrDg8DBGgbXjjttSY_5SoeJd8lnguI4nmk6I7s2vhNdIoE80KckL7EQg_aem_mdvz_4yUkQ4h1MmLXye5Dg&page=1&pageSize=4

Kurt Egelhof is a veteran South African actor, playwright, director, and producer whose career spans over four decades in film, theatre, and television. He has played significant roles in productions such as The Ghost and the Darkness, Zulu Love Letter, The Last Victims, and The Native Who Caused All the Trouble. As a writer, Egelhof explores themes of identity, social justice, and personal history, drawing from his own life experiences and South Africa’s complex socio-political landscape. His work continues to shape and inspire the local creative industry.

Connect with Kurt Egelhof

For updates on his book launches, interviews, and upcoming projects, follow Kurt Egelhof on social media:

●       Facebook: https://m.facebook.com/people/Kurt-Egelhof/61571492430606/

●       Twitter/X: https://x.com/thekurtski

●       Instagram: https://www.instagram.com/thebookfella05

HOMEGROWN LEADERSHIP AT THE NAF

 The National Arts Festival is making moves behind the scenes. The NAF Board appointed Prof Siphiwo Mahala as its new Chairperson, and welcomed Mr Keith Ngesi as a new board member. 

Both Mahala and Ngesi are proud descendants of Makhanda and are longstanding supporters of the National Arts Festival. Their deep-rooted connection to the community and their commitment to its cultural legacy make their appointments especially meaningful.

Mahala, a consummate professional and a prolific author and playwright, takes the reins from Mr Sikkie Kajee, having served as his deputy since 2023. Mr Kajee will stay on as a board member.

The National Arts Festival would like to thank Mr Kajee for his service as Chair and congratulates Professor Mahala and Mr Ngesi on their appointments.

 

Professor Mahala is the new Chairperson of the National Arts Festival’s board. Mr Keith Ngesi joins as a new board member. Both are originally from Makhanda.

 

Counting Down the Days

"It’s now just past over a month till we gather for #NAF2025. We’re getting ready to welcome you to our hometown," say the organisers.

"It’s not just time that’s running out, accommodation is selling out fast and although there are options in nearby Kenton-on-Sea, Port Alfred and Bathurst, you’ll want to head to our Festival guide or contact Makana Tourism on 046 622 3241 soon.

"We can’t wait to welcome you!"

 The National Arts Festival Team

Plan Your Stay In Makhanda

Copyright (C) National Arts Festival 2025. All rights reserved.

Mailing address is: media@nationalartsfestival.co.za

URBAN HEAT ON THE NATIONAL ARTS FESTIVAL FRINGE

 

(Lisa Bobbert in “Ethel” which premiered at the 031 Festival in Durban in June. Pic supplied)

 

This year’s Fringe is packed with new work from across the country. Representing the distinctive flavour of three South African cities come a trio of collectives gathered around landmark venues at the Festival.

031 Collective from Durban sees festival stalwarts Lisa Bobbert and Aaron McIlroy, along with daughter Kaylee McIlroy and Michael Taylor-Broderick, presenting a collection of works spanning comedy to drama at various dates and times at Victoria Girls’ venue.

 

From Cape Town comes the Spark Hub collective (based at Gymnasium), championed by frequent Festival performers from Cape Town including Sophie Joans, Sibuyiselo Dywili, Dara Beth, Aldo Brincat, Christie van Niekerk and Tshiamo Moretlwe – among others.

Johannesburg's TX Collective has formed a gathering of works from key Johannesburg players including the Tx Theatre, Soetry Media, The independent Theatre Makers Zone and The Generation of Stars. Catch them at Princess Alice.

Families can also look forward to a hub. ASSITEJ South Africa is collaborating with the Festival to present a programme of family theatre productions for young children to teens.

With less than a month to go, it’s time to get those tickets booked…For more information contact 0860 002 004.

ATHOL FUGARD RECOGNISED AT NATIONAL ARTS FESTIVAL

 

(Left: Athol Fugard, courtesy of Facebook)

The passing of Athol Fugard has rekindled a conversation about how artists tell the stories of their era. 

Fugard’s gritty depictions of Apartheid-era South Africa were pared down - and drenched in pain and loss - but with characters who shared their hope and humanity. They also form a definitive record of the invisible people of the time.

 

Fugard spent much of his life in the Eastern Cape. In his earlier years, he collaborated with John Kani and Winston Ntshona before later writing his solo works. This year, the National Arts Festival remembers Athol Fugard, his collaborations, and the legacy he left behind after passing away in March this year. To pay tribute to this theatre legend, two of his works with Ntshona and Kani, The Island and Sizwe Banzi is Dead, will be staged at the Festival in collaboration with the Mandela Bay Theatre Complex.

The tribute incorporates the stories and interpretations of a new generation of artists. Gqeberha-based director, Xabiso Zweni’s sharp directorial eye reimagines The Island and Sizwe Banzi is Dead for a new generation of Festival-goers.

Festival dates: June 26 to July 6, 2025. For more information visit https://nationalartsfestival.co.za/2025-programme/

031 FESTIVAL: ETHEL: REVIEW

 

(Right: Lisa Bobbert. Pic supplied)

In this classic cabaret Lisa Bobbert brings the essence of Ethel to the stage with aplomb – in both her portrayal of the very large character that was Ethel and in her big voice, perfect for belting the hit songs for which she became famous. (Review by Shannon Kenny)

Ethel - The voice that defined Broadway - 031 Festival 2025 – Seabrookes Theatre DHS

•           Co-written and performed by multi-award-winning Lisa Bobbert

•           Co-written and directed by Darren King

 

The Ethel Merman story is brought to life by Lisa Bobbert on the Seabrookes stage, prior to its appearance at the forthcoming National Art Festival.

Ethel Merman, born Ethel Agnes Zimmerman, was Broadway’s first real star. Uniquely talented, inimitable, brassy and as inexorable as a mortal could be, Ethel lit up the stage with her loud, powerful voice and iconic performances in shows from her big break in Girl Crazy in 1930 to Hello Dolly in 1970.

And what better performer than Lisa Bobbert, who channels this star so believably – imbuing her role with energy, skill and talent.

The story of Ethel’s life and career from stenographer-who-moonlights-as-nightclub singer to Broadway star is charted through anecdotes and consummately performed musical hits. Lisa brings Ethel’s energy and strength to this tribute - “The Exorcist with sequins and jazz hands” – as she flits deftly between raconteur Lisa and Broadway star Ethel Merman.

Lisa’s handling of the triumph and tragedy in big, bold, brassy Ethel’s life is superb. There is a particularly touching moment in the recollection of the loss of a loved one. 

The audience was rapt throughout and cheering for Ethel as she recounted the barbs directed at her - and her witty ripostes.

Ethel Merman was known to be hilariously funny – and Lisa’s comic nous and timing are the perfect tools for her skilful delivery of some deliciously juicy lines. She produces a fabulously withering response to former husband Ernest Borgnine’s attempt at demeaning her.

 

Memorable lines abound.

Lisa/Ethel recounting Irving Berlin: “You give her a good song and she will make it sound great. And you better write her a good lyric because, when she sings a word, the guy up in the last row of the second balcony is going to hear every syllable of it.”

Ethel on Broadway: “Broadway has been very good to me. But then, I’ve been very good to Broadway.”

Standout moments for me included Lisa/Ethel’s rendition of Sam and Delilah from Girl Crazy and her portrayal of Mama Rose from the musical, Gypsy.

With a career and repertoire as remarkable and illustrious as Ethel’s, one can only imagine it was quite a task compiling the songs and stories for the show. Kudos to Darren and Lisa.

Darren King’s direction has allowed for Lisa Bobbert to shine. This is no “sit on a barstool for 50 minutes” performance. Lisa fills the stage in numbers like the raunchy Sam and Delilah, the unforgettable There’s No Business Like Show Business and Hello Dolly amongst others.

In this classic cabaret Lisa Bobbert brings the essence of Ethel to the stage with aplomb – in both her portrayal of the very large character that was Ethel and in her big voice, perfect for belting the hit songs for which she became famous.

Bobbert and King have pulled off a fitting tribute to arguably the biggest star of 20th century musical theatre. To have had George Gershwin, Porter, Irving Berlin and others write for you!

031 Festival audiences should count themselves privileged to be at the genesis of a show that will see many more performances.

National Arts Festival 2025, this one’s a goodie! - Shannon Kenny

NB: “Ethel“ will have performances back in Durban from October 3 to 5 at Northlands Supper Club and from October 10 to 12 at Rhumbelow Theatre.

031 FESTIVAL: I CAN BUY MYSELF FLOWERS: REVIEW

 

Natalie’s journey from victim of circumstance and upbringing to a woman living life on her own terms is beautifully handled in the writing, direction and Erika’s sensitive portrayal of this gradual, yet powerful transformation. (Review by Shannon Kenny)

 

I Can Buy Myself Flowers at the 031 Festival 2025 – Seabrookes Theatre DHS

•           performed by Erika Breytenbach - Fleur du Cap nominated actress of The Unlikely Secret Agent

•           directed by Toni Morkel - Fleur du Cap nominated director for Firefly

•           written by Mike van Graan – multi-award-winning playwright and director

 

A fresh bouquet of warmth and wit in this comedy-drama starring Erika Breytenbach which is booked to appear at the 2025 National Arts Festival in Makhanda (Grahamstown)

I Can Buy Myself Flowers made its Durban debut at the third annual 031 Festival of theatre this weekend.

Audiences are invited into the life of Natalie Jackson, a suburban single mum, estate agent – or, as she prefers, business owner – in her early-fifties and member of the Six-In-The-City WhatsApp group in this warm and wry one-woman comedy-drama.

Named for the Miley Cyrus song - now a universal anthem for single women - I Can Buy Myself Flowers explores family; societal expectations; parenting; disappointment; hope; the gift of friendship and the joy of love in all its forms – as Natalie reflects with much humour on her life.

The play opens with an introduction to the fresh bouquet of characters that make up the Six-in-the-City WhatsApp group who are “old enough to be on their second or third marriages, young enough not to be blamed for apartheid and women enough for menopause.” Much like how our memories and recollections of our lives are often not linear, Natalie provides us vignettes of the people who – for good or for ill – have populated her life. Doriaan (English mother, Afrikaans father - IYKYK), Robyn, Jacqui, meathead brother Rob, Mum and Dad amongst others – who have significantly impacted Natalie’s life and choices are embodied with deft artistry and authenticity by Erika.

Natalie’s journey from victim of circumstance and upbringing to a woman living life on her own terms is beautifully handled in the writing, direction and Erika’s sensitive portrayal of this gradual, yet powerful transformation.

As a thirty-something theatre-goer remarked, “The story is of a woman in her fifties, a mother who has been married and divorced. And even though I’ve experienced none of those things, the story and characters were very engaging and relatable.”

Natalie’s epiphany of her ignorance about the lives of others – sparked by her growing friendship with her Mum’s new beau - is subtly and sensitively realised, presenting a challenge to all of us to go beyond the familiar.

I Can Buy Myself Flowers is a coming-of-age story; of triumph over adversity; a story about finding your tribe and healing with and through the family you choose and the family you are given.

The story is in the beautiful, safe hands of Erika Breytenbach - skilled performer, teller of stories.

National Arts Festival 2025 audiences are in for a treat. – Shannon Kenny

SBONAKALISO NDABA NAMED 2025 JOMBA! LEGACY ARTIST

 

(Above: Sbonakaliso Ndaba. Pic by Val Adamson

South African dance-maker and teacher, Sbonakaliso Ndaba, named the 2025 JOMBA! LEGACY ARTIST

The 27th annual JOMBA! Contemporary Dance Experience, hosted by UKZN’s Centre for Creative Arts, has announced that it will honour South African dance-maker and teacher Sbonakaliso (or Sbo as she likes to be called) Ndaba as the 2025 JOMBA! Legacy Artist.

Born and raised in Durban, KZN, Sbonakaliso Ndaba received her primary dance training at Jazzart Dance Theatre in Cape Town under the direction of Alfred Hinkel. Over the course of her long and illustrious career, she has had the privilege of dancing and choreographing for a great many South African companies including Jazzart Dance Theatre, Moving into Dance, Vuyani Dance Theatre and Tshwane Dance Theatre in Johannesburg, Phenduka Dance Theatre, FLATFOOT Dance Company and Fantastic Flying Fish Dance Company in Durban. International companies she has worked with include Southern Edge Art and Barking Gecko in Australia, Lina's Dance Production in Denmark, and Introdans in the Netherlands.

Also deeply significant to the JOMBA! Legacy award, is her lifelong commitment to initiating many performance training initiatives including Phenduka Dance Theatre, Indoni Dance Arts Academy and recently SboNdaba Dance, a non-profit company dedicated to strengthening the performing arts in Cape Town.

JOMBA!’s artistic director Dr Lliane Loots says: “Sbo’s long term impact on training professional contemporary dancers and the legacy of this is felt throughout South Africa and we are deeply humbled that we get to honour her and her work in this way”.

Recognised as one of South Africa’s leading African Contemporary choreographers, Ndaba has won a number of awards, including Best Choreographer from Daimler Chrysler SA 2002/3, and the Western Cape Cultural Affairs Award for Best Contribution to Performance: Dance 2016

Her dance company, SboNdaba Dance (which formed in 2021) focuses on not just delivering excellence in performance but on creating employment by building professional capacity and platforms for the under-developed performing arts industry in Cape Town, and, more specifically, creating opportunities for the under-resourced performing artists of the Western Cape townships.

Loots says: “The JOMBA! festival’s 2025 overall curatorial theme and provocation is “Moving Border/Lands” and we can think of no other South African artist who has exemplified this moving across physical, economic and access borders in her dance work, whether this has been training and teaching, or choreography. We are also delegated to honour Sbo back in her home city!”

Sbo and SboNdaba Dance will offer a rich programme of new works on the opening two nights of the festival, and will then travel onto JOMBA! @ the Market Theatre in Johannesburg.

JOMBA! takes place at The Sneddon Theatre in Durban from 26 August to 7 September, and the satellite festival takes place at The Market Theatre in Johannesburg from 10 to 13 September 2054.

For more information go to www.jomba.ac.za

KZNSA SCREENING: BLUE BURNING

 

The KZNSA Gallery in Durban is proud to screen the film Blue Burning, a documentary by Janet Solomon and Viki van den Baarselaar-Smith on Friday, June 6, 2025, from 18h00 to 20h30.

The film is a response to the state’s intention to “maximise” utilisation of South African offshore petroleum potential. 

Filmed between 2019 and 2024, Blue Burning chronicles the grassroots refusal of consent to offshore oil and gas development that has been called the largest environmental campaign in South Africa’s history. 

Experimental in form, the documentary exposes the theatre of ‘mitigation’ and ‘public consultation’ in the state’s push for 30 new offshore oil and gas wells by 2030.

 

The film offers a haunting aesthetic of irreconcilable worlds, peeling back a state economic development imaginary to reveal an ancient, maritime heritage and remarkable ocean at the heart of ongoing social resistance. This is the story of the growing social opposition to these plans, uniting fisher and traditional healer collectives, coastal communities, indigenous groups, scientists, environmental NGOs, academics, and the general public in defence of the ocean commons and climate futures.

Expect a visually stunning, well-paced documentary with a magnificent musical score.

This film is in conversation with the exhibition currently at the KZNSA Gallery groundWork: 25 Years of Activism for Environmental Justice.

Event is Free. Please RSVP on whatsapp on 083 789 1067

The KZNSA Gallery is situated at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1705 or cell 082 220 0368 or visit www.kznsagallery.co.za