AFRICAN MAMAS

“What a beautiful show indeed!” (Review by Caroline Smart

“What a beautiful show” was the comment I heard as the audience moved out of the Playhouse Drama last night after seeing the internationally celebrated musical, African Mamas.

I couldn’t have agreed more. It was a glorious evening of beautiful performances, top-class direction, vibrant music with good sound quality and excellent lighting and set design – all in celebration of the strengths and challenges of African womanhood. A perfect choice to open The Playhouse Company’s 14th South African Women’s Arts Festival.

Another memorable aspect of the evening was the guest appearance in the show - on this one night only - of three legendary South African jazz megastars, Abigail Kubeka, Thandi Klaasen and Dorothy Masuka who performed in memory of their friend and colleague, the late Busi Mhlongo. What a thrill for the cast and musicians to share the same stage with them.

The theatre complex was buzzing with three productions opening on the same night, all getting the festival off to a strong start.

International Netherlands-based producer Peter Ultee took his first African show to theatres in the Netherlands in 1988 and since then has created productions in Africa every year, using talented young people from South Africa, Senegal and Guinea. During his travels, he saw what African women meant in terms of survival, opportunities, talent and sheer determination.

This prompted him to produce a “new and different show” and, as he states in his programme notes, he found the ideal director in Leoni Jansen. Based in Haarlem in the Netherlands and knighted by Queen Beatrix of the Netherlands for her work with women’s groups, she shared his dream. From the original auditions five years ago, she developed his “vague premise” into a production that went on to play to packed houses in Europe. A year after the tour, Jansen and Ultee have now reassembled the cast on home soil for the first time to stage it in South Africa prior to touring the African continent. I heartily endorse Ultee’s own description of African Mamas: “It is not a glossed over and glibly produced showcase of tribes at war and township larks, but an often emotional, personal production, and always bursting with vitality.”

Essentially a vehicle to showcase some of the best contemporary music South Africa has produced, African Mamas is designed by Andrew Botha and Stan Knight, well-known in Durban for their collaborations in musicals directed by the late Geoffrey Sutherland.

The simple but effective storyline focuses on a young girl who is fortunate enough to have a group of strong women guiding her on her road to adulthood - Afro Fairy Godmothers, as it were.

Dressed in the highly attractive African haute couture styles of today, each performer shines with her individual skills, making them a compelling team to watch. Among them are KZN’s Nomasonto Khumalo, a fine actress and singer who appeared in several Mbongeni Ngema productions, and Lucia Gumede whose torchy tones resemble Eartha Kitt. Alongside them are Vicky Vilakazi, Londiwe Mthembu, Thembisile Portia, Aveline Twala, Nompumelelo Nhlapho, Edith Mudau and Mercy Meruti. Slindile Ntini, an audience favourite, is the vocal coach and responsible for the group’s accurate harmonies. Amo Chidi is pure enchantment as the young girl – delightful and outspoken, without being precocious.

There’s one more guiding spirit in the form of Mpumi Nhlapo who is the percussionist in the all-male band. The combo provides tight first-rate backing with clever arrangements ranging from isicathamiya to pop.

Gentlemen, please be assured that this is not a male-bashing exercise – in fact, the men seated around me were as enthusiastic in their response as the females. My advice is to catch it early before the word spreads and houses fill up.

African Mamas runs in the Playhouse Drama Theatre until August 8 with performances on July 31 and from August 4 to 7 at 19h30. Sunday performances take place on August 1 at 14h40 and August 8 at 14h30. Schools performances on August 3 and 5 at 11h30. Tickets R80 and R95 (R35 scholars) booked through Computicket on 083 915 8000 or Playhouse Box Office on 031 369 9540 (office hours). – Caroline Smart

JASON HARTMAN AT DBG

SA Idol 2009 winner for Old Mutual Music at the Lake concert on August 8.

Durban’s opportunity to support KZN’s very own SA Idol 2009 winner from Howick, Jason Hartman, will be the highlight of the Old Mutual Music at the Lake picnic concert, scheduled to take place on August 8 at the Durban Botanic Gardens, supported by East Coast Radio.

The talented singer was invited to open for Kelly Clarkson, a recent USA Idol herself, when she toured South Africa early this year. He is enjoying great success with his debut album released in 2009 under the Sony label with two of the tracks Break The Silence and On The Run becoming No 1 hits. Writing most of the songs on the album has been a big achievement for him.

Jason plays lead guitar and vocals while his brother Scott Hartman plays drums, percussion and vocals. His father Sam Hartman is on rhythm guitar and Donovan Thatcher plays bass and vocals. Jason started his career in 1996 playing in a young three-piece rock band called Triad. A new band called Samson Show Band emerged later with his brother Scott Hartman on drums and father Sam Hartman on rhythm guitar and vocals. The group performed extensively throughout South Africa, Botswana and Zimbabwe.

Red Light Stereo will open the concert at 14h30 with their funky and addictive sound of rock. With catchy lyrics and harmonies, supplemented by the infusion of some funky African bass lines and solid beats, they appeal to all listeners young and old. The make up of the band is Dylan Rhodes (rhythm guitar and vocals), Gareth “G” Purchase (lead guitar and vocals), Lliam “Lucky” Scholtz (bass) and Don Blom (drums).

There will be a Kids Zone where children are entertained from 13h30 until 16h30 giving parents a chance to relax and enjoy the music.

Early bird tickets at R80 (R20 children aged six to 12) can be obtained through DBG’s new online ticketing system www.ticketbreak.co.za The ticket price will go up to R100 pp on the day of the concert. Gates to the concert area open at 12h30 with the concert at 14h30. Secure parking is available on the Juventus soccer field off lower St Thomas Road and the Munies Sports field off lower Sydenham Road. For more information, contact the Office of the Friends on 031 202 5819 (office hours), the Info Centre on 031 309 1170 (weekends) or visit www.durbanbotanicgardens.org.za

DEATH OF PHILIP WALKER

One of the Durban International Blues Festival‘s favourite guest artists dies aged 73.

Last year, this axeman and blues singer had the crowds standing at their seats and refusing to let him go home as his drawling voice and cutting guitar lines belted forth from the stage at Wilson’s Wharf – a superb culmination to a successful Durban International Blues Festival.

“Phillip wanted to come back this year and informed us cheekily as we delivered him to his waiting aeroplane last year, that he had already set aside five days on each side of the proposed 2010 dates,” said Tanya van Agthoven Marais, Publicity Director for the Durban International Blues Festival. “We are saddened by his unexpected death on July 22 but will remember not only his superb blues music, but also his wonderful manner and the endless stories he would share with us long after load out and after all the people had gone.“

Walker, who died at his home in Palm Springs (LA) was Louisiana- born but moved to California in 1959 after a two-year touring stint with zydeco legend Clifton Chenier. He became a hit as one of the region’s top guitarists and performed for over 50 years, backing artists such as Etta James, Jimmy Reed and Little Richard. He continued to tour internationally, visiting Durban twice as a guest performer and main bill in the Durban International Blues Festival.

This year’s Durban International Blues Festival is scheduled to take place again at Wilson’s Wharf from September 28 to October 3. Visit www.durbanbluesfestival.co.za for more information and watch the press for details or call Publicity Director Tanya van Agthoven Marais on 082 747 9738 or email: tva_pr@global.co.za during office hours

SALLY SILVER FOR OPERA GALA

The cream of South African talent - for one night only in Roodepoort.

Former South African soprano Sally Silver, well-known by Durban classical music lovers and now firmly entrenched on the international scene, flies in from her UK home base to appear under the baton of Graham Scott, another Durban favourite, for a gala concert to be held in Roodepoort on August 15. Scott will preside over the JMI Orchestra and the Gauteng Choristers

Also appearing will be mezzo-soprano Teresa de Wit, who is a member of the Black Tie Ensemble, baritone Aubrey Lodewyk from the Cape Town Opera Studio and Otto Maidi who has taken his rich bass tones as far afield as Norway.

Audience favourites on the programme will include excerpts from Mascagni’s Cavalleria Rusticana, Mozart’s Cosi fan tutte, Bellini’s Norma, Verdi’s Il Trovatore and, of course, Puccini’s La Bohème.

The concert will take place at Promusica’s Main Auditorium in the Civic Centre at Florida Park, Roodepoort, at 18h30 on August 15. Tickets R150 booked through Computicket.

AFRICAN MAMAS

(Pic: Abigail Kubeka)

Three guest stars to pay tribute to the late Busi Mhlongo on July 30.

The internationally celebrated musical, African Mamas, marks the official opening this Friday (July 30) of the 14th South African Women’s Arts Festival at The Playhouse in Durban.

Three legendary Jazz stars, Abigail Kubeka, Thandi Klaasen and Dorothy Masuka, are set to make guest appearances in memory of Busi Mhlongo ... singing alongside the cast of African Mamas during the South African premiere performance only. Each of the three has achieved megastar status in their long careers, and they remain among the most revered singers in the South African musical firmament. Each is widely regarded as a role model for younger artists.

Their appearance alongside the younger generation stars of African Mamas speaks volumes about their deep regard for ‘Sis Busi’, as the late lamented Ms Mhlongo was affectionately known to the many artists. For Kubeka, with whom she shared the stage on many occasions, particularly on the Jazz festival circuit, “she was my younger sister”.

African Mamas features ten strong modern women, dressed in African haute couture, showing a young girl the road to adulthood. The brilliant production toured Europe, playing to packed houses in more than 300 performances. Directed by Leoni Jansen and designed by Andrew Botha and Stan Knight, the vibrant Afro-beat stage piece is performed by a starry line-up of female South African artists who put their collective stamp on a sequence of emotionally charged songs which tell intriguing African stories.

In their performance, the cast conjure up the Africa today - the Africa of challenges and possibilities, the energetic and creative Africa that conquers any problem…the Africa where strong women take responsibility for living, education, solidarity and social cohesion. Coupled with a live band, this production is a celebration of strong women who take responsibility in life.

The powerhouse cast includes Vicky Vilakazi, Londiwe Mthembu, Silindile Ntini, Nomasonto Khumalo, Amo Chidi, Aveline Twala, Nompumelelo Nhlapho, Mulalo Mudau, Lucia Gumede and Mercy Meruti. Tickets R80 and R95 (R35 scholars). Booking through Computicket on 083 915 8000 or Playhouse Box Office on 031-369 9540 (office hours).

African Mamas runs in the Playhouse Drama Theatre from July 30 to August 8.

HAROUN HANSROT

Durban designer to show his range in Umhlanga on July 29.

The new Oyster Box Hotel stands as a beacon of elegance and style on the beachfront of Umhlanga. Already one of the City’s most popular wining and dining venues, the hotel also houses a world class Spa, offering the widest range of wellness and beauty treatment options, including South Africa’s first and only authentic, Turkish Hammam.

Each month, The Spa at The Oyster Box hosts an exciting ladies’ lifestyle event, held in one of the elegant function rooms. The setting for the July event couldn’t be more perfect for showcasing one of the country’s leading designers.

Durban-based Haroun Hansrot, is one of the country’s leading couturiers. His designs are a perfect fusion of Indian and Western silhouettes. Haroun was chosen to create pieces for women from across the globe in the build-up parade to the 59th Miss World Pageant and is one of eight South African designers whose creations were worn by the Miss World contestants. He is known for his exceptional quality, style and attention to detail, having shared the ramp with internationally-renowned designers like Versace and Roberto Cavalli. He recently opened his signature store in Durban, called ‘75’.

Haroun’s menswear, Haute Couture and Prêt a Porter ranges will be brought to life on the catwalk in the magnificent Pearl Room at The Oyster Box on July 29 from 10h00 to 12h30. The ticket price of R270 includes a lavish, traditional ‘High Tea’ spread, the fashion show, a complimentary Spa gift voucher and a gift bag filled with goodies. For more information and to book call 031 514 5000 or e-mail reservations@oysterbox.co.za

BASA PARTNERS WITH ILANGA

Business and Arts South Africa partners with Ilanga to profile arts in KZN

Business and Arts South Africa (BASA) has announced a new media partnership with Ilanga newspaper in Durban. The popular, bi-weekly Zulu newspaper is now running a monthly column by highly regarded arts and culture personality, Edmund Mhlongo.

The Business and Arts South Africa-Ilanga column is aimed at increasing awareness of creative industries, understanding the complexities and dynamics of the industry, promoting arts and culture activities in Ilanga’s readers and developing knowledge about the arts and culture in Kwa-Zulu Natal.

Says David Gouldie, BASA’s representative in KZN: “Edmund is well respected in the Durban arts community. He has great knowledge of infrastructure, running an arts organisation and a history of delivering world-class productions. This knowledge is invaluable to outreach groups and individuals attempting to break into the market and create new work.”

In his Zulu-language column Mhlongo will also give insight into the hands on skills required to take an arts project from “seed to strength to sustainability” - in the words of Business and Arts South Africa’s vision. These will include how to write proposals, approaching sponsors, general arts organisation guidelines and much more.

Adds Gouldie: “Business and Arts South Africa is proud to be associated with this exciting initiative. The establishment of these types of relationships means that Durban’s creative and artistic community will become stronger, more organized and deliver better products.”

Ilanga Newspapers Content Editor, Ms Thobile Nxumalo thanked both Business and Arts South Africa and Mr Mhlongo for the partnership that is sure to empower artists who otherwise wouldn’t have known where to begin. “Business and arts have always been complicated for our readers, we see it in the letters they write to us, which is why Mr Mhlongo’s column has been really useful. Its ability to attract a sponsorship like this can only ensure the continuation of educating and advising artists who want not only to enter the theatre arts sector but also understanding that it is a business after all,” says Ms Nxumalo.

The column appears in ILANGA’s lifestyle sister-title, ILANGA LeTheku every last Thursday of the month.

YOU’RE MISSING THE POINT

“Communication is too alarming. To enter into someone else’s life is too frightening. To disclose to others the poverty within us is too fearsome a possibility” – Pinter.

You’re Missing the Point, a play focusing on the life of a married couple, explores the breakdown in communication in relationships and was this year's UKZN student entry to the Grahamstown Arts Festival. The play shows how the couple’s relationship deteriorates into absurdity and the arrival of an old, mutual friend, that both the Husband and Wife had fallen out of contact with, shakes things up a bit, as unexpected dinner guests normally do. The things left unsaid inevitably build walls between those in a relationship, between friends, couples and even countries, having far reaching effects.

Written and directed by Chris Couperthwaite, the play uses a variety of theatre styles to fully explore the breakdown in communication in relationships. It is suitable for all ages.

Performances take place at the Hexagon Studio Theatre on July 28 at 12h30 and on July 29 at 18h00 (July 30 show now cancelled). Tickets R20 at the door. Enquiries on 033 260 5537.

CLAIRE ANGELIQUE SCREENING

Exclusive screening of Standard Bank Young Artist of the Year’s second feature film on July 29

Claire Angelique, Durban's young multi–award-winning film-maker, writer and this year’s Standard Bank Young Artist Award winner for Film is staging an exclusive first edit screening of her compellingly mysterious sophomore feature film - Palace Of Bone at artSPACEdurban.

This premier director's cut, has literally just been ejected out of the edit room having only two weeks ago returned from critical and effusive reviews at the National Arts Festival in Grahamstown where the first 35 minutes of Palace of Bone was screened to a buzzing audience on the main programme.

Durban audiences get an exclusive chance to view the complete first edit of Palace of Bone at its second screening artSPACE durban on July 29 at 18h00. My Black Little Heart, Angelique's first feature film will be shown after that.

The Festival’s newspaper Cue reported: ''After the intensity and catharsis of My Black Little Heart, her new film Palace of Bone is a step away from savagely personal. In fact it’s anything but autobiographical. Still, Angelique’s trademark dark, beautiful imagery pervades, as do the thematic obsessions with the underbelly and the underdog.''

artSPACE durban is situated at 3 Millar Road (off Umgeni Road) close to the Waste Centre. More information on 031 312 0793 or visit www.artspacedurban.co.za or www.artspacedurban.blogspot.com

GIYANI LUSHA

(Pic: Pravika Nandkishore, Sifiso Khumalo, Ntombi Gasa and Vusi Makanya)

Durban's melting pot of culture notched up another successful year.

Some 120 youngsters performed in KZN DanceLink's Giyani Lusha 2010 on July 25 at North Beach in Durban.

While other children enjoyed a long holiday, the dancers on display at this year's youth dance performance rehearsed their hearts out for the two exuberant dance pieces that make up Giyani Lusha. One of KZN DanceLink's most successful projects, Giyani Lusha is staged annually on the last Sunday of July in celebration of the province's youth. Celebrating its 10th anniversary, this year's production was choreographed by Sifiso Khumalo, Pravika Nandkishore, Vusi Makanya and Ntombi Gasa.

Giyani Lusha 2010 featured young performers from various dance groups and outreach programmes - from KwaMashu to Phoenix and Chatsworth to Umlazi. These included the Aryan Benevolent Home, Dudlu Ntombi (KwaMashu), God's Golden Acre, Stonebridge Cultural Project, iGugu Lubasha Clermont, iGugu Lubasha Saturday Group, Siyakhula, Hheshe Nsizwa, Rise and Shine, KwaMashu School of Dance, Minette de Klerk School of Dance and The Young One's Kitsona's Kids. It also featured music and dancing from the colourful and vibrant Field Band Foundation.

KZN DanceLink organiser Lynn Maree said Giyani Lusha rated as the organisation's most fulfilling project of the year: “It introduces children, who would never normally have the opportunity, to the joy of dance and to performing on stage for an audience."

Award-winning choreographer Ntombi Gasa who has been involved with the project for several years, said she is constantly inspired by the young performers' passion and dedication: "They love coming to rehearsals and they really love being on stage," she said. "Giyani Lusha is a showcase of unity among diverse groups and the children certainly show this off wonderfully."

This year, Maree was overwhelmed by the demand from youngsters to be in the show: "We could have had 300 kids without making any effort at all," she said. "Everyone who has ever been in Giyani Lusha in the past 10 years wants to be in it again, and many other community dance groups, church groups and individual kids are lining up to offer themselves."

The performance was free, thanks to funding from the National Lotteries Distribution Trust Fund.

FLATFOOT AUDITIONS

Auditions for dancers with a high level of skill and training in Bharatha Natyam, Kathak or other classical Indian dance style.

In collaboration with KZN DanceLink, Flatfoot Dance Company is being commissioned to create a dance theatre work that will feature choreographic direction by Lliane Loots. This new work will engage a collaborative process of creation that will grow and develop dance and choreographic skills with the dancers selected to participate.

The created work will form part of KZN DanceLink’s dance celebration at the Playhouse Drama between November 1 to 7. Places for four professional/semi-professional dancers are on offer for this short contract that will involve working alongside the resident Flatfoot Dance Company for a five-week period from October 1 to November 7. The fee ranges from R900 to R1,200 per week, depending on experience and expertise.

Given the nature of this dance theatre work, Lliane Loots is particularly interested (though not exclusively) in dancers who have a high level of skill and training in Bharatha Natyam, Kathak or any other classical Indian dance style. Dancers who come from a classical Indian dance background will need to be open and available to work with, and in, the contemporary idiom that exemplifies Flatfoot Dance Company.

This is a full-time contract! Dancers need to be available Monday to Fridays from 09h00 to 14h00 and Saturdays from 11h00 to 14h00 for the first four weeks of the contract and then will be needed full day for the last week. No negotiation of this time frame is possible. Auditionees need to bring a CV (no longer than two pages) to the audition which offers full personal details plus names of two people who will agree to be referees should they need to be contacted.

Auditionees need to book a place at the audition with Clare Craighead on 082 875 6065. Those who have not booked, will not be allowed to audition.

The auditions take place August 12 from 14h00 to 16h00 in the Dance Studio of the Drama Programme on the UKZN Howard College campus. No preparation is required for the audition – auditionees will do a contemporary-based class with the company and then be asked to fulfil a short choreographic/improvisation task. Flatfoot reserves the right not to cast or to request call-backs if necessary.

IT'S BEEN A LONG TIME COMING

Launch of a touching memoir about an astonishing life by Nomusa Xaba.

It's Been a Long Time Coming by Nomusa Xaba is the story of one woman's artistic and political journey from the tiny village of Robbins, Illinois, to East Africa - and her passage through the Westside of Chicago, the Civil Rights movement, and the Anti-Apartheid struggle on her way

Produced by Clearwater Publishing, this tenderly-written, hugely-personal reflection on the incredible life and personal journey of African American artist, storyteller and activist Nomusa Xaba will be launched at the Durban Art Gallery on August 6. The launch is part of the evening programme which celebrates Women’s Day in the gallery. Izikhwepha Zethu (Our Strength) is the Durban Art Gallery's annual exhibition which started in 1998 and which was initiated and curated by Phumzile Dlamini to celebrate Women's Day.

Nomusa Xaba (known affectionately as Mama Nomusa) took literally decades to complete what was originally planned as a book of poetry. She has written a charming collection – part memoir, part journal – chronicling her life as a veteran of both the civil rights movement in American and the international anti-Apartheid struggle. Her memories are interspersed with poetry, photographs and song lyrics. Its unique style makes it an easy read, a flight book or a holiday read.

Each carefully-chosen chapter could stand alone as a short story as the reader follows the author in her journey through the many phases of her life. From her childhood in Illinois through political, social, spiritual consciousness, finally to living and teaching in the ANC school (SOMAFCO) in East Africa. Xaba was a social activist specialising in using the arts as a vehicle to raise consciousness and forge reconciliation. Through poetry, storytelling, percussion and now the written word, her entire life has been spent in changing societies in order to render all citizens - especially women - a platform to grow and develop their talents unencumbered by racial and political restrictions.

Mama Nomusa is a multi-talented, multi-disciplined artist and a teacher by profession, she has spent many years teaching in the US, Canada and East Africa. Simultaneously, she raised her five children while performing as a poet and percussionist with her then exiled South African husband, pianist Ndikho Xaba. In 2000, her many years of teaching and performing experience propelled her to seamlessly wed all of these experiences and leave the classroom in order to become an educational consultant and storyteller. She has shared her storytelling prowess with thousands of students in the US, India and now South Africa.

Together with her husband she is now based in Durban. She recently returned to the US to interact with over 2,000 delighted students, showing them a self-produced film, Africa Through My Eyes which focuses mainly on Durban.

The book launch is sharing the spotlight with the opening of Izikhwepha Zethu /Our Strength. The exhibition involves a variety of artworks ranging from paintings, prints, drawings, sculptures, ceramics, textiles and basketry. The idea behind this exhibition is not only to celebrate the legacy of women’s struggle but it is also to facilitate and communicate awareness to the viewers about social problems/issues that affects society (particularly women and children) such as crime, rape, discrimination, disease, poverty and human trafficking.

This exhibition will be accompanied by a number of children and adult workshops that will be conducted during and after the exhibition (August-November 2010). Mama Nomusa has also just made an audio recording of her book for travellers and the hearing impaired.

The launch takes place on August 6 at 17h00 at the Durban Art Gallery on the second floor of the Durban City Hall, entrance in Anton Lembede (formerly Smith) Street opposite the Playhouse.
More information from Nomusa Xaba on 083 974 3788 or Mama Nomusa at www.mamanomusa.com

THE BUCCANEERS

(Pic: Lyle Buxton, Jessica Sole, Brendon Mendez, Bandile Hlope and Rory Booth)

Foot stomping, sing-along pirate party of note.

The upcoming show at the uShaka Marine World’s Upper Deck is going to be a foot stomping, sing-along pirate party of note.

The Buccaneers is a ship-shape, light-hearted musical and interactive dinner experience featuring musical gems like the McCulley’s Workshop song that shares its name with the show, traditional Irish number Whisky In the Jar (Thin Lizzy / Metallica), Don’t Stop Till You Get Enough (Michael Jackson), Ready to Run (Dixie Chicks) and sailor jigs aplenty.

Like its predecessor, Born in the RSA, The Buccaneers doesn’t follow the traditional supper theatre format, allowing for plenty of ad-libbing and audience participation. On arrival, guests can choose one item of pirate apparel – an eye patch, kerchief or a hook – and then prepare to find themselves sword-fighting, deck-swabbing and treasure hunting before they can yell Ship Ahoy!

Hosted by Captain Bess and her comely wenches (who just happen to serve up a few drinks before taking to the stage), the show is gate-crashed by a rowdy bunch of hard-drinking, sword-fighting pirates. That means a rollicking experience for the whole family

The Buccaneers stars Bandile Hlope, Rory Booth, Brendon Mendez, Krystle Temmerman and Lyle Buxton.

Opening on July 29, The Buccaneers runs every Thursday to Saturday until September 4. Booking is via Computicket. Buffet Dinner and show is R169 with complimentary cocktail on arrival. For more information call 031 328 8107.

NICKY SHRIRE

New York based jazz vocalist to perform at Centre for Jazz & Popular Music.

New York based jazz vocalist Nicky Schrire will perform at UKZN's Centre for Jazz & Popular Music on August 4. As a vocalist and saxophonist, she has performed with South African artists such as Arno Carstens, Judith Sephuma, Sibongile Khumalo and Dr Abdullah Ibrahim. Recent performances include singing a duet with Bobby Mcferrin at his concert at Boston Symphony Hall.

Nicky Schrire is currently pursing her Masters of Music Degree at the Manhattan School of Music, under the tutelage of Peter Eldridge and Darmon Meader (founding members of the New York Voices) and Theo Bleckmann. Having more than one city to call "home" has allowed Nicky the opportunity to explore the many different and exciting aspects of the jazz language with an adventurous spirit.

Nicky Schrire's performance at UKZN will include Mageshen Naidoo (guitar),Neil Gonsalves (piano),Prince Bulo (bass), and Bruce Baker (drums).

The performance takes place on August 4 at the Centre for Jazz and Popular Music, UKZN, at 17h30 (doors open at 17h00). Tickets R25 (R10 students R10). More information on 031 260 3385.

LiPS RENDEZVOUS

Next meeting of the Live Poets Society on August 4.

South Africa has applauded, cheered and brought to life the stadiums around the country with the sound of vuvuzelas. The game of soccer will never be the same again; South Africans have left an indelible imprint on the game, but most of all South Africa has demonstrated to the world that, as a people, we have the synergy and rhythm, we can in spontaneous unison sing and dance in sheer Poetic motion like the waves of the ocean, and the power, the beat and tempo of our voices and body movements are infectious and contagious. When we dance and sing the whole world sings and dances with us.

All good things must come to an end, as the curtain is lowered and the stage empties and the soccer fever subsides the euphoria and the accolades slowly fades into the mist of memories.

While soccer overshadowed our lives and took centre stage, other events like theatre, live shows, and poetry had to take second place, but not for long, the arts and culture are back with a vengeance and a lot is happening on the cultural front. People just have to search with a keen eye.
The Live Poets Society is back on the prowl at its usual stomping ground at the usual time of the month.

The Theme is Woman and the guest poet for the month of August is Khulani Maseko who was born 1986 December 29, and goes by the stage name of Ingonyama (Ingo) which means Royal Lion. He started as a hip hop artist in 2004, was heavily influenced by American Hip hop acts and South African artist Tumi Molekane of the band Tumi & the Volume. In 2007 he joined the “Pour A Tree” Society based at the Durban University of Technology. In 2008 he was the Slam Poetry Operations Team (SPOT) Slam champion. In 2008 & 2009 he was the Poetry Africa slam competition finalist.

Ingo says he fell in love with poetry somewhere in 2006, while he was still in high school and a friend of his invited him to a poetry session (Pour A Tree) at DUT. After high school he came to DUT to study Biotechnology and also to get closer to his new love, poetry. Ingo states that coming from a Hip hop background it was quite easy for him to adapt as a Slam poet.

Those wishing to hear the Royal Lion roar and proclaim that he is truly the king of Slam Poetry then follow the path through the African savanna that leads you to this landmark watering hole. The Live Poets Society Rendezvous takes place at the Point Yacht Club on Durban’s Victoria Embankment on August 4 at 17h30 for 18h00. Admission is free.

JULY HANDICAP WITH VIDEO VISION

Videovision Entertainment promises a winning Durban July event

Anant Singh and Videovision Entertainment will host their 25th Annual Durban July Handicap event at the Sea Cottage Room at Greyville Racecourse on July 31. The Videovision Entertainment event has developed a high profile over the years with invitations being much sought after.

Videovision Entertainment regularly attracts an exciting line-up of guests from the entertainment, business and government sectors. Among the guests this year are actors Leon Schuster, Leleti Khumalo and Presley Chweneyagae; singing diva Yvonne Chaka Chaka; CEO of the Playhouse Company, Linda Bukhosini; the KZNPO’s Bongani Tembe; award-winning film director Junaid Ahmed, Eddie Mbalo (CEO of the National Film and Video Foundation); Peter Dignan (Managing Director of United International Pictures); Fani Titi (Chairman of Investec Bank); Moses Tembe (former president of the Durban Chamber of Commerce), Minister of Justice, Jeff Radebe; Deputy Minister of Basic Education, Enver Surty and Deputy Minister of Arts and Culture, Paul Mashatile; KZN MEC of Economic Development and Tourism, Mike Mabuyakulu and speaker of the eThekwini Council, James Nxumalo.

This year, Videovision Entertainment will celebrate South Africa with the dress code being Fashionably African and has arranged prizes for the Most Original / Outrageously Dressed Couple among its guests who stand a chance of winning Business Class tickets on Jet Airways to Mumbai, India; a weekend away at KWV’s Laborie Estate in Paarl and other prizes.

The Durban July also comes amid the Durban International Film Festival which will see the World Premiere on July 30 of Videovision Entertainment’s latest production, My Hunter’s Heart which focuses on the plight of the Khomani San people. The screening will be attended by the guests attending the Durban July.

Commenting on the Durban July Fever, Anant Singh said, “We are delighted to be celebrating South Africa with our guests at our annual Durban July event. The July gives us an opportunity to interact with our friends and associates on an informal level while enjoying the excitement of the country’s premier horse race. We also celebrate the life of master winemaker and passionate racing fan, Graham Beck who passed on in London. He leaves an amazing legacy in South Africa and in the horseracing industry.”

SUNGHURSH

(Pic by Val Adamson: Back row: Samantha Misra, Uraysha Ramracheya, Aakashna Deokumar, Yaditha Singh with - front row: Shaneel Sookdeo, Kunaal Singh, Yasheen Bhagwandeen, Nirmesh Ranbhir))

Ambitious project honours the 150h anniversary of the arrival of Indians in SA. (Review by Caroline Smart)

Just opened in the Playhouse Opera and set to run through the South African Women’s Arts Festival next weekend, the Nateshwar Dance Academy’s Sunghursh (meaning ‘The Struggle’) is well-timed for this year’s 1860 celebrations of the 150th anniversary of the arrival of Indians in South Africa. The show particularly celebrates the resilience and success of Indian women in aspects of South African life.

Directed by Smeetha Maharaj, Sunghursh is scripted and designed by Rakesh Maharaj. Choreographed by Varsha Sharma, with Vusi Makanya as guest choreographer, the production once again offers a visual feast in terms of an ever-changing array of beautiful costumes. Nateshwar Dance Company combines with guest artists from the classical and contemporary Indian traditions, folk dancing, Zulu and contemporary styles.

“For you to move forward, you have to know where you’ve come from” says the grandfather (Dhaveshan Govender). He and his wife (Shika Budhoo) efficiently provide the narrative as they explain to their grandchildren (Khinali Bagwandeen, Meerachal Rambhir and Pratish Deonarian) the story of the historic struggle of the South African Indian.

Featuring 40 dancers, this is an ambitious project – not only in having to encapsulate 150 years of the growth of the Indian community in all its aspects but also in recording the constantly-changing political and sociological landscape of South Africa from the days of the British Colonial government to the present.

Another challenge is placing this production in The Playhouse Opera – a splendid but vast space to fill, both from a stage and an audience viewpoint. Irek Karamon’s set design is a series of rostra providing different levels of performance space with huts, sugar cane plants, mosques, shops and ships either flown or trucked in for numerous scene changes.

The first half of the programme goes smoothly but the second half needs attention. Technically, there are too many blackouts and use of the scrim. Scenes need to dovetail into each other more effectively. The stage is big enough to be able move scenery in the dark while focused lighting on another part of the stage allows the action to continue. Creatively, the second half lacks the focus of the first and more could be done to portray integration as the show builds to the final scene where the two World Cup soccer songs are guaranteed to rekindle the patriotic fervour of the past two months!

Dylan Heaton’s lighting is moody with many scenes in silhouette – the sections of political unrest being very dramatic - and his design for the impressive Vande Mataram after interval is most effective. Dealing with the rise of Indian women and their fight for equality, this piece starts off in stark simplicity with the female dancers all in white. As they become more militant, the lighting builds in colour and intensity.

Sunghursh is both entertaining and informative providing an important look at a community which has made a great contribution to the development of the South Africa of today.

Presented by Nateshwar Dance Company, in association with The Playhouse Company, Sunghursh runs in the Playhouse Opera until August 8 with evening performances at 20h00 (matinees at 15h00). Tickets range from R80 to R100 (R120 at the door). Schools performances are at 11h00 with tickets at R40 per learner. Booking is through Computicket on 083 915 8000 or call Playhouse Box Office 031 369 9540 (office hours). – Caroline Smart

SPIER CONTEMPORARY 2010 WINNERS

(“Pushing Iron”: Digital photographic print by Hasan and Husain Essop)

Winners’ Tour Exhibition to present artworks of the prize-winners at KZNSA Gallery.

Fresh from its successful stint in Cape Town, part of the Spier Contemporary 2010 Exhibition will be touring various centres in South Africa. The Winners’ Tour Exhibition will present the artworks of the prize winners that were drawn from the 132 pieces originally selected for the Spier Contemporary 2010. An independent judging panel made five career development awards of R100,000. The people of Cape Town made a further cash award (Audience Choice) and another seven artists won prestigious international artist-in-residency awards.

The Africa Centre, which presents the Spier Contemporary, is delighted that the Winners’ Tour will be bringing this interesting perspective on South Africa’s contemporary art to a broader national audience. Says Africa Centre Director, Tanner Methvin; “Moving the entire exhibition is a costly exercise. This abridged version is an exciting step that allows us to achieve our intention of sharing the Spier Contemporary 2010 with as many people in South Africa as possible.”

The Spier Contemporary 2010 Exhibition represents the present mood of South Africa, as perceived by the country’s artists. This ‘state of the nation’ brings important insight to the times we live in.

The Spier Contemporary 2010’s Career Advancement prize-winners included Araminta de Clermont, Hasan and Husain Essop, Dave Robertson, Jessica Gregory and Zen Marie, and Christopher Swift. The Artist-in-Residency Awards went to Lindi Arbi, Mohau Modisakeng, Sicelo Ziqubu, Jacki McInnes, Mlu Zondi, Angela De Jesus and Johann van der Schijff. Janine Allen and Rudolph Tshie won the Audience Choice Award jointly.

Commenting on their work Pushing Iron as well as and Fast Twins (not pictured), the Essop twins from Cape Town write: “This series of works forms part of a larger exhibition called Halaal Art. These images were chosen in particular as they tell a story of our experience in a foreign country. The photographs were taken in 2009 and shot in Havana, Cuba … We faced many challenges in this socialist country, and decided to document it by using our medium of digitally-enhanced photography. We tried to highlight the importance of having a balance between the physical and spiritual well being of the body, placing an emphasis on commitment to our faith.”

The Spier Contemporary 2010 is made possible with the generous support of Spier.

The Winner’s Tour exhibition runs from July 27 at 18h00 to August 15 at the KZNSA Gallery at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1703, fax 031 201 8051 or cell 082 220 0368 or visit www.kznsagallery.co.za

WARREN SHONE & TUFF GONG

Good line-up for Maritzburg Musicians Club on July 27.

Coming up at the Maritzburg Musicians Club on July 27 will be Warren Shone, a well-known guitar teacher who has been playing and singing for many years. An entertaining and melodic artist, he has a repertoire which includes a range of popular sings.

Also appearing will be Tuff Gong who have been sharing their reggae / funk/ rock music with a growing fan base for the past year or so and have developed a solid following who enjoy their individual style.

The evening kicks off at 20h00 on July 27 at Red Door and entrance is R20. The Red Door is in Quarry Rd, off Victoria Road, in Pietermaritzburg. Travelling from the City centre, go all the way down to Victoria Road, turn left and go through three robots (last one being West St). Drive on till you see Builders Suppliers on right. Turn down first little street right - before you get to Hirsch’s. Red Door is on the right. Car guards on duty. More information from Roger O’Neill on 083 230 6562

ABSA KOLLIG OP DIE ABSA KKNK

(Pic: Anna-Mart van der Merwe, Johann Nel, Martelize Kolver and Leon Kruger appear in “Die god van chaos”)

Bookings now open for second-oldest Afrikaans arts festival in South Africa.

Presented by Die Teatergilde, Durban, The Absa Kollig op die Absa KKNK take place from August 19 to 21. Originating from the Absa KKNK in Oudtshoorn, it is the second oldest Afrikaans arts festival in South Africa. The festival is unique in the sense that it presents a wide spectrum of genres in the performing arts, which include drama, music and visual arts.

The three-day Festival Programme for 2010 comprises top productions that attracted packed audiences at the 2010 Absa KKNK in Oudtshoorn and these productions will be presented at four different venues during the 2010 Absa Kollig Festival. These venues will be equipped with the best professional sound and lighting equipment to ensure that our local festival-goers, who could not attend these productions in Oudtshoorn, can experience the same top-quality performances on home soil here in Durban.

Plays include the moving drama Dinsdae by Morrie with Pedro Kruger and Chris van Niekerk featuring a portrayal of the vigorous relationship between a professor and his student. Die god van chaos (comedy), with Anna-Mart van der Merwe, Johann Nel, Martelize Kolver and Leon Kruger, is about the chaos that is caused when modern, busy, married couples and parents try to sort out their children’s arguments with school friends and at the same time trying to solve their own troubles and conflicts with other grown-ups and spouses.

There’s comedy music theatre with Die Rolmodelle (suitable for the whole family) with Thys die Bosveldklong, Zak van Niekerk, Jaco Labuschagne and “Vaatjie” Odendaal.; Dowwe Dolla 007: geskud nie gepluk nie with Magrit Meyer-Rödenbeck and Koos Kombuis en Nicole Holm – Vry voël.

Music Extravaganza on August 20 at 19h45 features appearances by Bok van Blerk, Gerhard Steyn, Elisma Theron and Thabo Pitse while the INNIKOL Afrikaans Rock Show on August 21 at 19h30 is for young people and the young at heart from all communities featuring groups such as Van Coke Kartel, Ef-El and Saarkie.

Absa, in collaboration with Pinotage SA, present two Absa/Pinotage Food and Wine Concerts on Friday evening and Saturday afternoon. Beyers Truter, with his passion for red wine, known world-wide as the Pinotage King, together with André Mostert, entrepreneur from Stellenbosch and owner of the wine farm, Mostertsdrift, De Wet Viljoen, renowned winemaker from Neethlingshof and Hannes Storm (ex-Durbanite), well-known winemaker from Hamilton Russel Vineyards, will entertain the guests with interesting stories about wine and winemaking. The function will take the form of a wine-tasting with light refreshments. Entertainment will be provided by the well-known André Schwartz.

Then there is the well-known Hap en Tap party-tent with free music shows! A first for the festival programme are appearances by winners of a local talent competition “East Coast’s Got Talent”. The competition presents the opportunity to discover new school talent and winners get the opportunity to appear before an audience. The competition is promoted at all schools in the greater Durban area and the preliminary rounds start on July 15. Other entertainment in the Hap en Tap Tent includes performances by artists from across the country just starting their careers in the Afrikaans music industry.

Love for the theatre is cultivated with young people by presenting a school presentation of Nadine Blom is Supercool on Friday, 20 August at 09:30. Primary School Learners from both English and Afrikaans schools are invited to this performance. There will be an Afrikaans book exhibition, as well as visual art by well-known local artists and flea market stalls.

Cultural togetherness will be created from 07h30 on August 20 with a fun-run and fun activities such as paintball, jumping castles and amusement park rides. There are also flea market stalls.

Presented by The Teatergilde for the 15th successful consecutive year, the Absa Kollig op die Absa KKNK runs at the Port Natal School, Umbilo, Durban from August 19 to 21. Bookings now open at Computicket. More details at www.teatergilde.co.za

14TH SA WOMEN’S ARTS FESTIVAL

(Pic: Darren King and Clare Mortimer in “From My Point of View”)

The 14th SAWAF to run at the Playhouse from July 30 to August 8, 2010.

High profile attractions in this year’s South African Women’s Arts Festival (SAWAF) line-up include the vibrant Afro-beat musical African Mamas directed by Leoni Jansen and designed by Andrew Botha and Stan Knight; Comedy Fever, a Stand-up Comedy Festival featuring some of South Africa’s finest comedians, DJ’s and television personalities; the highly-praised, adults-only two-handerFrom My Point of View starring Clare Mortimer and Darren King; the Bollywood-style spectacular Sunghursh presented in association with Nateshwar Dance Company; an Open Mic Poetry and Dialogue session; and a wide-ranging art exhibition.

African Mamas celebrates ten strong modern women, dressed in African haute couture, who show a young girl the road to adulthood. The hit stage piece has triumphantly toured Holland. Its starry line-up, backed by a live band, put their collective stamp on a sequence of emotionally charged songs that conjure an Africa whose women take responsibility for living, education, solidarity and social cohesion. The powerhouse cast includes Vicky Vilakazi, Silindile Ntini, Amo Chidi, Aveline Twala, Nompumelelo Nhlapho, Mulalo Mudau, Londiwe Mthembu, Lucia Gumede, Mercy Meruti and Nomasonto Khumalo. Tickets R75 and R95.

Laughter is a sure-fire means of getting people to come together and enjoy themselves in a spirit of goodwill. Adding a light-hearted spark to this year’s SAWAF programme, Comedy Fever features some our best-loved comedians, television personalities and DJ’s. The celebrity line-up includes Krijay Govender, Jailoshini Naidoo, Celeste Ntuli, Ben Voss, Felix Hlophe and DJ Cindo. With one performance only on July 30 at 20h00, early booking is advised for this hot-property show. The show’s running time is 90 minutes, including a 20-minute interval. Tickets R95 and R120.

Hailed as “a powerful piece of theatre that deserves local support” (The Mercury), From My Point of View, a powerful adults-only two-hander, stars multi-award-winning actors Clare Mortimer and Darren King in the Loft Theatre from July 30 to August 7. Reviewing this stage adaptation of Steven Berkoff’s contentious short story during its brief 2007 Durban run, which followed a hit season at the National Arts Festival in Grahamstown, Alex Sudheim in The Mail & Guardian wrote: “Incongruously weaving lyrical beauty with explosive language and hard-edged physicality, Mortimer and King engage in 50 minutes of relentless theatre, during which they lead audiences through a spellbinding tale that dangerously veers between anguish and hilarity, all lent a surreal edge by the big band that underscores the piece. Trapped in their mutual maelstrom, the characters prod and cajole, tango, wrestle and seduce, while carrying the furniture and sometimes one another.”

Set in London, the action revolves around a lonely, yearning woman whose attempts to find love, or even affection, are doomed to failure. Acclaimed Durban artist Andrew Verster assessed the piece as “emotionally exhilarating, un-missable theatre. An unlovable character made poignant by the genius of Mortimer, superbly strengthened by that of King.” Performances of From My Point of View are in the Playhouse Loft on July 30 at 19h30; on July 31 at 20h00; on August 5 and 6 at 19h30, and on August 7 at 14h30 and 19h30. Tickets R60.

Sunghursh, a spectacular dance drama featuring a cast of more than 40 dancers will be presented in association with Nateshwar Dance Company in the Drama theatre. Directed by Smeetha Maharaj, it celebrates the history of South Africa’s Indian community. It combines narration, dance, music, and backdrops featuring projections of historic slides, as it takes the audience on a journey from the distant shores of India to Durban Bay. Schools performances of Sunghursh are at 11h30 with evening performances at 19h30. Tickets R80 and R100.
The popular Women in Dialogue and Open Poetry Session again features in this year’s SAWAF programme, enabling enthusiasts who wish to make their own impromptu or rehearsed contributions to take part in these enlightening sessions. These will be held in the Playhouse Drama on July 31 at 13h00 and 15h00 respectively. An exhibition will run in the Playhouse’s Grand Foyer throughout the festival, displaying the work of South African women in various art mediums.

The 14th South African Women’s Arts Festival (SAWAF) is set to run at the Playhouse from July 30 to August 8. Booking is now open through Computicket on 083 915 8000 www.computicket.com, or through the Playhouse Box Office on 031-369 9540 (office hours).For more information about SAWAF, call the festival hotline on 031 369 9555, or visit www.playhousecompany.com

ABSA KKNK 2011

Closing date July 31 for production applications.

Artists and production houses can now apply for participation during next year’s Absa KKNK which takes place from April 2 to 9, 2011.

Application forms and programme guidelines for the 2011 festival are currently available in both Afrikaans and English on our official website at www.absakknk.co.za

The Absa KKNK welcomes applications in various disciplines, ranging from drama and comedy, dance, word art, visual art to musical theatre. Productions with classical or contemporary music can also apply. Artists interested to perform on the various music stages can also apply now. Submissions for open-air productions which form part of the Oudtshoorn Oraloor offering which, in 2010, included work like Grond, Betésda and Taraboemdery, are also welcome. There are also opportunities for street theatre and for artists who want to participate in the second colourful festival parade.

The Absa KKNK also encourages all writers and dramatists with new scripts to enter their work, even if they do not have a particular producer, director and/or actors in mind. These scripts will still be considered by the Arts Cabinet and if the Arts Cabinet recommends that the script could be performed, the festival will approach a producer and a creative team in cooperation with the writer.

The closing date for 2011 applications is July 31, 2010 – one month earlier than last year. The reason is to move forward the planning cycle in order to launch the festival programme earlier than for the 2010 festival.

The closing date for applications on the various music stages is on August 31, 2010. Application forms are also available by sending an e-mail to info@absakknk.co.za or by phoning the festival office during office hours on 044 203 8600.

BASA SUPPORTING GRANTS 2010

KZN projects receive acknowledgement for first cycle of 2010.

Business & Arts South Africa (BASA) is an internationally recognised South African development agency which incorporates the Arts into, and contributes to, Corporate's commercial success. With a suite of integrated programmes, BASA encourages mutually beneficial partnerships between Business and the Arts. BASA was founded in 1997 as a joint initiative of government and the business sector to secure the future development of the arts industry in South Africa through increased corporate sector involvement. Established as a Section 21 company, BASA is accountable to both government and its business members.

Congratulations are due a number of KZN projects which received a supporting grant in the first cycle of 2010. Among them are Rotary Club of Kloof’s project Art and Music in the Hills sponsored by TBWA Hunt Lascaris, Durban, the UKZN-hosted New Music SA’s eMusic Indaba, sponsored by SAMRO, and Africa Ignite which showcases KZN-proud art, craft and heritage at the King Shaka International Airport sponsored by the Airport Company South Africa Limited.

Also receiving the grant are the Field Band Foundation: Marketing and Raising Awareness sponsored by Ogilvy (Pty) Ltd Durban and the tour of the Kearsney College Choir Tour to World Olympics Game (July 2010 and its return upbeat Festival in August 2010).

TOLKSDORF AT FIBREWORKS VI

(Pic: “Vuvuzela Madonna” - textile work by Odette Tolksdorf)

Award-winning KZN fabric artist Odette Tolksdorf is also exhibiting on the Voyages of Discovery exhibition (see story on Joy Savage) at ArtB Gallery in Bellville until August 4. Her Vuvuzela Madonna (pictured) is a textile work showing an exuberant use of colour and bold pattern contributing to the graphic image.

A graphic design graduate living in Durban, Odette’s art quilts have often been influenced by the multi-layered African environment and by other personal experiences. In the mid 1980’s she became interested in the use of textile and fibre as a means of artistic expression. She gradually became drawn into this wonderfully tactile world which has been an absorbing and ever-changing part of her life ever since.

Her work is known for its rich and expressive colour, design and texture. Using mostly abstract images to create the surface design even though the departure point may be an actual object or scene, her motivation comes from the need to create and visually interpret her thoughts, feelings and experiences. Her work is often a commentary and interpretation of what she sees and experiences from day to day and from the past. Textiles and stitching are the media that Odette uses to express herself.

For many years Odette has been teaching a variety of classes in design and contemporary quilt-making at South African and international conferences and for guilds and other groups. A well-respected co-ordinator, she was responsible for the idea of The Peace Quilt which is displayed at the International Convention Centre in Durban. Quilters from 29 countries, including South Africa, sent 800 fabric “bricks” in colours of blue and white, which were made into a “wall of peace” by members of Grassroots Quilters Guild. The 26 quilts were exhibited at the Seasons National Quilt Festival in Durban in 1996, then travelled nationally and internationally until they were finally donated to the ICC in Durban.

Voyage of Discovery runs at the Bellville Library Centre until August 4. More information on 021 918 2301 or email info@artb.co.za

VOYAGE OF DISCOVERY

(Pic: Ceramic work of Joy Savage on the left with Ingrid de Haast’s glass work on the right)

Former KZN ceramist Joy Savage joins Fibreworks members, glass artist Ingrid de Haast and weaver Nora Ordman in the exhibition Voyage of Discovery: Fibreworks VI which is running until August 4 at the Bellville Library Centre in Cape Town.

Joy Savage, who presented the first of her solo exhibitions at the Alliance Francaise in Durban before she left KZN, has been living in Stellenbosch for just over three years but is still very much in touch with all her old KZN colleagues and friends. She serves on the Committee of Ceramics Southern Africa, Western Cape, and writes reviews of ceramics exhibitions for National Ceramics Quarterly magazine and the regional newsletters.

Voyage of Discovery runs at the Bellville Library Centre until August 4. More information on 021 918 2301 or email info@artb.co.za

DREAMS FOR AFRICA CHAIR

A Celebration of Hope exhibition draws capacity crowd and much traditional joy and energy. (Review by Dawn Haynes)

Dreams For Africa Chair: A Celebration of Hope opened at the Durban Art Gallery on July 22 with a capacity crowd and much traditional joy and energy.

The exhibition is “a photographic journey of a beaded chair, created by 160 women from the Hillcrest AIDS Centre Trust which is travelling around South Africa inviting people from all walks of life to share their dreams and to tell their stories. It is a celebration of hope in the true spirit of Ubuntu”

The second floor of the Durban Art Gallery buzzed as hundreds of people crowded into the room where the chair and the photographs were displayed, to be awed by the brightness, the mood of joy and the messages of hope displayed in the photographs.

Photographer Mathew Willman was responsible for most of the photographs with Peter Upfold and Xavier Vahed providing some stunning views of the chair. The photographs are large, colourful and vibrant with the energy of the South African people. We see Zapiro, Desmond Tutu, Jess Foord and little Zarah from the Cape, the known and the unknown faces of South Africa all conveying a strong message of Hope.

The exhibition was opened by Gcina Mhlophe in her typical storytelling style. As she welcomed everyone to this “hot, round room!” (no air conditioning in the Durban Art Gallery?), she expressed her joy in once again being associated with the Hillcrest Aids trust Centre, the previous occasion being the opening of the Little Traveller exhibition some two years ago. With songs and smiles, she recounted how the women at the centre lovingly create their beadwork beginning with “just ONE bead and a needle, then ten beads , then hundreds…”

We were entertained with live music and dancing provided by some of the ladies from the centre and then enjoyed refreshments including home-brewed beer.

Paula Thompson who spear-headed this project and has been responsible for the growth of Woza Moya, the craft centre at Hillcrest, recalled how eight years ago they began with one plastic bucket and now they have more than 300 crafters who are unable to cope with the orders pouring in from all over the world. They are hoping to raise enough money (1.2 million rand) from the sale of prints from this exhibition, to build new premises for their craft centre.

The exhibition is running in Durban until the end of September. It will then begin moving around the country, growing as it moves. At each new city, the chair will be photographed and the pictures will be added to the existing collection. An exciting concept, an amazing collection, and a worthy end point! Hopefully, the pictures will eventually be available in a coffee table book form, too.

We look forward to the opening of the new Woza Moya centre which I am sure will happen as a result of this stunning collection.

Dreams for Africa Chair: A Celebration of Hope is currently on show on the second floor of the Durban Art Gallery. Entrance is free. For more information contact the Gallery on 031 311 2262/6- Dawn Haynes

SUPER TROUPERS

Tribute to ABBA and the Bee Gees at Barnyard.

There’s disco fever at the Barnyard Theatre at Gateway with Super Troupers - a tribute to ABBA, the Bee Gees and the 70s, super groups that ruled the world in the 70s and best-selling artists of all time with more than 200 million records each!

Beyond the tight pants, blow-dried hair and sequins, the Swedish pop sensation ABBA and the singing trio of brothers known as The Bee Gees were known for the catchy song hooks, simple lyrics and beautiful melodies of superbly crafted songs which continue to endure 30 years later.

Singing three-part tight harmonies that were instantly recognisable, the Bee Gees emerged in the late 60’s. One brother's clear vibrato lead was a hallmark of their hits, while another’s R&B falsetto became a signature sound during the disco years. The Swedish group ABBA catapulted into the global spotlight in the 1970s with their infectious melodies, harmonious vocals and kitsch stage costumes.

A new show featuring a 10-member cast, Super Troupers, meshes the story of Agnetha, Bjorn, Benny and Anni-Frid (ABBA) with that of the brothers Gibb - Barry, Robin and Maurice (Bee Gees). Following Maurice Gibb’s sudden death on January 12, 2003, Barry and Robin temporarily ended the group after 45 years of activity but on September 7, 2009, Robin revealed that he and Barry had agreed that the Bee Gees would reform and perform again. ABBA, on the other hand, never performed again after their break-up.

There will be a repeat of Barnyard’s successful inaugural Ladies’ Night last year and this will take place on August 26, once again hosted by Dave Guselli of East Coast Radio.

Super Troupers runs until August 29. Tickets R120 pp from Wednesday to Saturday (R65 discounted specials on Tuesday nights and Sunday matinees). For bookings and enquiries, phone The Barnyard Theatre on 031 566 3045, e-mail gateway@barnyardtheatres.co.za or visit www.barnyardtheatres.co.za for more information.

GLOBAL MOGULS

Emerging bands and creatives – get ready to rock!

Global Moguls, a groundbreaking new interactive online platform, powered by an annual contest, could be the ticket to fame for budding musicians or members of the creative community looking to make their mark in the music biz.

Launching in South Africa before its UK debut in October, this entirely web-based talent search is not merely about finding the next big thing on the music scene – it’s also looking for the whole creative team behind the band, from graphic designers and photographers to music video filmmakers and editors.

Global Moguls is open to South African emerging, unsigned bands making original music, as well as creative teams. They must be over 18, have internet access as well as creativity by the bucketload; and be able to complete the required industry-related tasks and upload them onto the Global Moguls web platform. As crowd participation is central to this progressive online music and creative media concept, it will culminate in live music finals in Cape Town and London, with performances live-streamed to the greater online community.

Who gets through to the live finals all depends on how the music-loving public votes and rates the tasks online; and also on how effective the band’s creative team is at using social media to market and promote their portfolio of work to attract fans and get votes.

A successful band, after all, does not exist in a vacuum but has a support base of creative media gurus such as graphic designers, photographers, filmmakers and marketing geniuses to help shape and craft its image. Music-making is a collaborative process, and this is at the heart of the Global Moguls contest.

Klipdrift & Cola is proudly presenting Global Moguls in South Africa and will be sponsoring a limited number of downloads of the winning track by the victorious band from the Global Moguls website following the contest. This, and the purely online nature of the contest, is in recognition of the digital revolution and the rapidly changing nature of the music business.

Once the six top-rated bands have been chosen by the public, they will progress through to a live final at Ratanga Junction in Cape Town on November 27 with Jack Parow, the Afrikaans rapper who has taken the country by storm. In addition, the top-rated creative’s in each task will win prizes as well as the opportunity to work on a music video with the winning band and Sacha Waldman, one of the most innovative photographers in the global music industry. Arguably, the most important aspect of Global Moguls comes post-contest, when the top bands will not be flung to the industry wolves but will be managed by Global Moguls, which aims to become a key gateway for free-to-user music. They will receive extensive support with touring and concert bookings, and both the bands and creative members will be linked to sponsors and clients for songs, scores, jingles, photography, graphic design and film projects. Visit www.globalmoguls.com for more information.

HEAVEN ONLY KNOWS CD LAUNCH

Slick launch of debut CD by accomplished performer Jaziel "Jaz" Vaugh'hann. (Review by Maurice Kort)

Popular singer and actor Jaziel "Jaz" Vaugh'hann, has taken the next step in his performing career by launching his first CD, Heaven Only Knows, which is also the title of one of two songs on the CD he composed himself, the other being Gotta See Me. Theatregoers will have seen him as Prince Charming in the recent adult pantomimes Sleeping Beauty and Sinderella as well as in various music compilations at the Rhumbelow Theatre including the hits Elvis has Left the Building, Duets to Die For and Oh Boy! Bassey! as well as the Children's Theatre hit Jonah and the Whale at that same venue.

I was fortunate to have been invited to the launch of his CD at the Elizabeth Sneddon Theatre on July 20 and it was a most enjoyable event showcasing the endearing personality and very pleasant singing of Jaz. The evening opened with a video of snapshots of Jaziel from his babyhood and "cute" just doesn't do him justice. The audience is won over to him immediately and he received a huge welcome when he stepped onto the stage from the front row.

The evening continued with his giving a taste of what one can expect from the CD to excellent backing tracks starting with I Left My Heart in San Francisco (Douglas Cross/George Cory). This was followed by Cry Me a River (Arthur Hamilton). He introduced several of the songs by explaining how and why he chose them. His strong ties to, and love of, his family, particularly his mother and his two sisters - one older and one younger than him - are very apparent, as his gratitude to his friends. Some of the songs with which he delighted the audience were Let Me Let Go, Music of the Heart, On the Side of Angels and Close the Door. His renditions of the Robbie Williams/Guy Chambers Angels, Amy Winehouse Wake Up Alone and John D Loudermilk Turn Me On hits were hugely popular.

Two of the songs were preceded by videos of Jaziel Vaugh'hann singing them at auditions with no backing music, warts and all. This was most endearing, very entertaining and not without much humour. Of course the performances of the songs that followed with the music backing brought out the contrast and professionalism.

Further delights in the very entertaining launch were the presence of backing dancers in the form of Kirsty Randall, Graeme Harpham, Kerry Freshwater and Leigh Irwin, in various combinations, accompanying some of the songs. In addition, illustrating his gratitude to his friends and fellow singers in several of his shows, he brought onto the stage two guests. The first was Anthony Stonier, his partner in Oh Boy! Bassey!, to enchant with Impossible, ostensibly from his next CD, and later Belinda Dolphin, with whom he often performs, in another duet.

I hope Jaziel's debut CD will do exceptionally well, it certainly deserves to. I note from the artSMart website that there will be a further launch at Rythmic Beat in Hillcrest at 11h00 on July 24. – Maurice Kort

DETAIL

Essential new sourcebook to see and be seen in.

Detail, an essential new sourcebook for interiors will be launched at Decorex Joburg, shining a searchlight on top suppliers and services so buyers can find them. This exciting new annual publication will show consumers the way to the best, most useful and complete have-to-have details to do with interiors and stylish living in South Africa.

With its comprehensive pick of the country’s finest decorators, suppliers, retailers, manufacturers and craftsmen,Detail promises to be the most fabulously indispensable annual decor, design and lifestyle guide around – the proverbial ‘little black book; only bigger and better.

This nifty, pocket sized well-connected publication includes a most extensive listing section of interiors and decor-related products and services. Aimed at design minded consumers and trade professionals alike, it is set to connect upmarket suppliers with discerning buyers. With its fresh designer looks, international appeal and easy-scout layout, it matches the on-trend content filled with decor inspiration, trade secrets and innovative, yet practical tips.

Its pages will also sport up-to-date international trends and new directions on the local design scene. Adding further substance are the intriguing interviews and insightful opinion pieces featuring leading voices articulating their views on design and life.

The first edition of Detail will be launched at Decorex Joburg, August 5 to 9 2010, Gallagher Convention Centre, Midrand. More information from Errieda du Toit or Roxane Laker on 021 913 2248 or email: errieda@edtpr.co.za or roxane@edtpr.co.za

MAURITIUS

(Pic by Matthew Hirsch: Part of the swimming pool at Le Victoria hotel, with the hotel’s main restaurant in the background.)

Mauritius is still one of the most enjoyable holiday destinations in the world. (Review by Michael Green)

Mauritius is still the enchanted isle. I have been there nine or ten times in the past 30 years but a recent visit was my first after a five-year break, and I wondered whether I would find that the charm was wearing a little thin

Not a bit of it. In scenery, climate, and the general atmosphere involving the people, Mauritius is still one of the most enjoyable holiday destinations in the world.

My wife and I know our way around the island fairly well, but I was hosting a family group of nine people, and none of the seven others had been to Mauritius before. Their response was, well, enchantment. A venture of these dimensions involves expense and trouble, but I was richly rewarded for the outlay. My guests --- my children, their spouses and my grandchildren --- enjoyed every moment of the 10 days they spent on the island, and they ranged in age from mid-50’s to early 20’s.

We stayed at Le Victoria hotel on the north-west coast of the island. It is owned by the Beachcomber hotel organisation. I had had previous and pleasant experience of other Beachcomber hotels in Mauritius, but this one was new to me. We all found it excellent. It is big, 248 rooms, which means a maximum resident population of about 500, but there was no sense of crowding. The hotel buildings are laid out in a series of crescents which give every bedroom a sea view, with lush tropical gardens in the foreground. The rooms are big, 60 square metres, with lounge areas as well as terraces or balconies.

The public rooms and facilities are quite exceptional, even in an island where the hotel industry is highly developed. The main restaurant is, like some others in Mauritius, open at the sides, no walls, a style permitted by the balmy climate. Little birds fly in and perch on dining chairs. The two supplementary restaurants, one seafood, one Italian, are similarly alfresco; in one of them the chairs and tables rest on sea sand. And there is a bar, one far removed from the traditional dark, confined space with a bar counter. This bar is spacious, no side walls as usual, with tables and easy chairs and a magnificent view of the Indian Ocean and palm trees.

The recreational facilities are many and varied, and most of them are free. In the first three days our group had been out water-skiing, wind-surfing, kayak canoeing, snorkelling, scuba diving (there is a charge for this), cruising in a glass-bottom boat, playing table tennis, exercising in a gymnasium, and taking part in aquarobics, water exercises accompanied by music. And of course there is the simple pleasure of sitting on the beach or swimming in the hotel’s huge circular pool, which is floodlit at night; I would guess that its diameter is about 40 metres.

Surf bathing in the style of Durban is not part of the scene. Most of the island’s coastline is protected by an off-shore coral reef which keeps out the sharks but also the big waves. And at Le Victoria the shallow water is rocky, and bathers are advised to wear swimming shoes, plastic footwear that protects the wearer from scratches and unpleasant sea creatures. The worst of these is the stone fish, a well camouflaged creature capable of inflicting serious injury. A friend of mine who earlier had been staying elsewhere in Mauritius was wounded in the foot by the spikes of a stone fish and had to be rushed to hospital for emergency treatment. The serpent in Eden. You just have to be careful, and if you are barefoot you should keep to the sand and stay away from the rocks.

The water sports are dependent on good weather, but that seems to be more or less permanent. On July 12, which is virtually mid-winter, the hotel’s daily notice-board told us that the air temperature was 29 deg. Celsius, the sea was 25, the pool was 22, and sunset was at 5,45 p.m.

Mauritius is the quintessential multicultural society. It was visited by the Arabs and the Portuguese, colonised by the Dutch, then the French, ruled by the British for 200 years, imported large numbers of Indian people to work in sugar cane plantations, and today has substantial Chinese and black African minorities. The official language is English, but the home language of nearly everybody is French or its local equivalent, Creole.

They total 1,2 million people, and they all seem to get on well together, with very few signs of racial tension. Sugar, once the foundation of the island’s economy, now takes third place to the textile industry and tourism. Many garments with famous names in women’s and men’s fashions are made in Mauritius for big European and American clothing firms; Mauritian workers are as skilled and less costly than their counterparts elsewhere. One side-effect is that it is possible to buy quality clothing with show-off labels for far less than one would pay in South Africa. Incidentally, unemployment in Mauritius is 10 percent, compared with 26 percent in South Africa.

It is a 20-minute and inexpensive taxi ride from the Victoria hotel to Port Louis, the capital of Mauritius, to the Pamplemousses Gardens, one of the world’s great botanical gardens with some fantastic tropical trees and flowers, or to Grand Baie, a picturesque and popular shopping village.

The various sectors of the population are reflected in the island’s cuisine, which is wide-ranging and first-rate. At Le Victoria’s main restaurant all meals are buffet, self-service affairs, and dinner in the evening often has a theme: French, Indian, Chinese, international. There is a sumptuous array of dishes, you could have ten courses if you wanted to, and much of the food is cooked before your eyes by a corps of chefs.

Lunch is much the same, if slightly less elaborate, and breakfast is an astonishingly diverse meal. Among the offerings are yoghurt, fresh fruit, slices of coconut, crystallised fruits (including mangoes and pawpaws, dates and prunes), the usual cereals and porridges, omelettes cooked while you wait, pancakes likewise (these adorned with maple syrup or crushed walnuts or cinnamon), cold meats and salads, Brie cheese, and much more. Fortunately, breakfast is served until 10 a.m. In the bar you can have light lunches with a French accent, such as baguettes and croissants.

Service is without equal in my experience, always courteous and efficient. “No problem” is a kind of national mantra. Tipping is the exception, not the rule. At the airport there are signs that say “No tips please”.

What does all this cost? A package tour is the best deal, about R10,000 per person for six nights, including economy class air fares from Johannesburg (there are also direct flights from Durban). The non-package daily tariff is about R1,400 per person (excluding air fares). These rates include breakfast and dinner.

For an additional charge you can have AI. My son, who is a medical man, suggested that it stood for artificial insemination, but in fact it means all inclusive. For this you can have lunch, snacks, teas, soft drinks, beer, many imported spirits such as whisky and gin, and a wide variety of wines, all in unlimited quantities. And the mini-bar in your bedroom refrigerator is replenished daily, free.

The all inclusive extra charge is about R425 per person per day. This may seem rather steep, but it includes excellent South African, Australian and Chilean wines that are on the wine list at about R300 a bottle, beer at R30, and soft drinks at R20. Other prices of items on the all-inclusive selection are sherry R55, whisky R55, wine by the glass R58, sandwiches R95. If you are in a group and you want the all-inclusive facility, all members must pay. Obviously one all inclusive person cannot sign for a number of non-payers.

Is it worth the money? If you are abstemious, or on a strict diet, it is not. But I paid up cheerfully for our group, who ate and drank like normal people and did so painlessly. – Michael Green

SOCCER MEMORABILIA

If you’re thinking of throwing your World Cup soccer memorabilia away now the season is over, throw it Umcebo Trust’s way.

“When the party is over and the winner is crowned, don’t throw away your flags, vuvuzelas, hats and other crazy fan paraphernalia,” says Robin Opperman, director of the groundbreaking eco-art Umcebo Trust organisation at the uShaka Marine Village Walk

“We are planning a huge tapestry created from actual ‘soccer stuff’ as a way of paying tribute to the fans and people of Durban who shared in the celebration of this historical month”, explains Robin. “We need recycling material that would otherwise end up on rubbish heaps.”

You can drop off your soccer stuff at Umcebo Trust which is situated at Shop B8 & B9 at the uShaka Marine Village Walk. For more information contact the director, Robin Opperman, on 083 793 3408, or email: robin@umcebotrust.co.za or visit www.umcebotrust.co.za

THE LIVING ROOM

(Pic: An example of some of the works on show)

New concept opening in Manor Gardens on July 24.

On July 24, Anthea Martin will launch the concept of The Living Room in her house in Manor Gardens. Built in1931, it has elements of Cape Dutch/colonial architecture and the exhibition takes place in the original living room.

Anthea has run her own gallery in Westville and was, until recently, director of the African Art Centre for 13 years so is part of the cultural life of Durban and supports local artists. She has had a long association with the ELC Art and Craft Centre at Rorke’s Drift dating back to the 1970’s. This exhibition will show a new range of textiles, ceramics and rugs from Rorke’s Drift, suitable for home and office décor.

This is a new concept to experience art and design for the home. Buying artwork, whether purely for aesthetics or as an investment, can be an intimidating process. The Living Room is set up like an early 20th century European salon, so you'll instantly feel at ease when you walk in. The salon is for conversations, ideas, networking and sharing plus seeing artworks in a different way.

The residential feel of the gallery The Living Room also is a way to show unique ways of hanging work and displaying a mix of hand printed textiles, ceramics, carpets, tapestries and accessories produced by artists of the Studios of Rorke’s Drift under the inspiration and guidance of Christiane Voith, designer and director. There will also be tableware settings, ceramics, screen printed textiles and hand-woven rugs.

The Living Room opens on July 24 at 12h00 and runs until August 7. The venue is situated at 11 Princess Ann Place, Manor Gardens, Durban. Gallery opening hours are Tuesday to Saturday from 10h00 to 16h00 (Closed on Sundays). For more information contact Anthea Martin on 031 2612670 or on 082 828 0211 or visit http://thelivingroomdurban.blogspot.com

(General directions: Off the M13 take South Ridge road to University of KZN; take a right turn into Queen Elizabeth Drive first right into Princess Ann Place, take the right-hand fork keep going until you see The Living Room).

DUT’S WIL AT UMCEBO

(Pic by Terry Haywood - Independent Newspapers: Khulekani Ngubane with his chandelier sculpture)

Umcebo Trust forms part DUT Work Integrated Learning.

Umcebo Trust has a special relationship with the Fine Art Department at the Durban University of Technology and the department head, Tony Starkey, who is the driving force behind the Work Integrated Learning Module (WIL) concept. The DUT Fine Art Department is passionately committed to quality training with a view to productive employment and career opportunities for students and graduates.

The idea behind WIL is to allow students an opportunity to apply their fine art skills in a more commercial design and decor field.

This year Umcebo Trust is hosting the student, Khulekani Ngubane, who was selected for his exceptional sculpture and welding skills. A final-year fine art student majoring in sculpture, he was given the brief to use 3D digital designs produced for Umcebo Trust to create a new and original welded and recycled chandelier / sculpture. This brief was to be the first object in the new range, Umcebo IRON with designs by Umcebo’s design consultant, Mike McFadyean.

Using the digital design inspirations, Khulekani produced a beautiful welded chandelier, the concept / design being drawn from urban sprawl and the rustic rough beauty of iron as a medium. Khulekani used iron from scrap yards around the Durban area and therefore this qualifies as a recycling and “green” project.

Umcebo Trust is situated at Shop B8 & B9 at the uShaka Marine Village Walk. For more information contact the director, Robin Opperman, on 083 793 3408, or email: robin@umcebotrust.co.za or visit www.umcebotrust.co.za

M-NET SERIES

"Hank" and "Satisfaction" among highlights for the rest of July 2010.07.21

M-Net Series, channel 110 on DStv, broadcasts favourite short format programmes and often boasts exclusive material that has never been seen on South African television before.

Currently running on Thursdays at 20h00 is Hank, the comedy series starring Kelsey Grammer (Frasier, Cheers) as Hank Pryor, a former CEO who suddenly finds himself out of work, almost out of money and around a wife and kids for whom he has never made much time. Hank moves the family back to River Bend, Virginia, the small-town site of his first business success. A self-made man, Hank is used to being the boss, but now that he has lost almost everything, is he up for the even bigger challenge of being a husband and father? While his wife Tilly regrets having to leave the glitz of New York City, Hank is eager to re-launch his career in the place where it all began. Unfortunately, this also means that Hank has to spend time with his brother-in-law, Grady Funk, who delights in Hank's recent misfortunes.

The second season of Satisfaction returns to M-Net Series, starting July 21 at 21h30. This edgy Australian drama series explores the relationship between girls working at a high-end brothel and their clients. While the girls reel from the news of Nick's death in the premiere episode of the new season, battle lines are drawn between Nat and Mel over the ownership of 232. Nat retreats into the safety of her fetish, and Mel, having considered giving up the game, reaches for her little black book and gets together with a psychologist client - but to his surprise she turns the tables. After losing the baby, Heather is attempting to get on with her own life and moves into a new house with Lauren.

JUST JINJER AT BARNYARD

Internationally acclaimed South African band Just Jinjer promise to rock The Barnyard Theatre at Gateway for the first time, with two shows only on August 8 and 9

Just Jinjer are the most successful rock band ever in South Africa, having sold more that a quarter of a million albums. The band; made up of Ard Matthews (vocals and guitar), Brent Harris (drums and vocals) and Denholm Harding (bass and vocals); returned to their home country last year, after being based in Los Angeles for eight years.

The Barnyard Theatre at Gateway has become a hugely popular venue for South Africa’s top bands, so it is fitting that Just Jinjer are finally set to perform there. Part of the appeal of The Barnyard Theatre for live music is that it is an intimate venue with great sound and lighting. It also offers a laid-back environment where patrons are able to enjoy food and drinks before and during the show seated at tables and counters, and can meet the bands in the bar after the show to buy paraphernalia and get autographs.

Over the last decade, Just Jinjer has performed and toured with U2, Counting Crows and Def Leppard, among many others, performing for hundreds of thousands of fans in venues all around the world from the UK to Dubai.

Just Jinjer’s debut album, All Comes Round, became one of the best-selling rock albums in South African history. Their second album, Something for Now, reached gold status in only three weeks from release. Both albums achieved platinum status. Their albums Greatest Hits (2001) and Just Jinjer (2006) reached gold status. Their current album, Milk and Honies, was released in South Africa in December 2009 and is enjoying much success and acclaim.

Audiences can expect to hear their current radio hits off the Milk and Honies album: Time Of Your Life and What He Means To Me, but also a mix of their old favourites such as Shallow Waters, Father and Farther, Like You Madly, their cover version of Sugarman, Paradise In Summertime, Here’s To You and For All We Know.

Tickets R150 pp. Seating will be as for normal shows, with no standing room. Phone The Barnyard Theatre on 031 566 3045 for bookings or e-mail gateway@barnayrdtheatre.co.za for enquiries and further details.