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Wednesday, August 31, 2022

WILL WALLACE: TRIBUTE BY RICHARD HASLOP


(Above: Will Wallace. Pic by Harry Lock)

Well-known Durban musician Richard Haslop pays tribute to a special friend and colleague:

One of my favourite memories of the various Durban blues festivals I attended was seeing the looks of surprise on the faces of a number of hot shot guitarists from Johannesburg, Cape Town and sometimes even further afield when they first saw Will Wallace play. They reminded me of my own initial reaction to the considerable ability of an unassuming, even self-effacing man who would become one of my closest friends.

In 1986, Robert van der Linde and I were playing at the recently revived Durban Folk Club when Robert suggested to me that we should form another band and that we should get Will, whom I had not met, to play guitar.

“Will Wallace?”, I asked. “You mean the guy who sings that high harmony Crosby, Stills & Nash stuff with Fiona Tozer and Dave Atkinson?” I knew that Will also played neat little guitar fills in Odyssey, and that they were pretty good at what they did, but that really wasn’t the kind of band I had in mind and, having already played in a few aggregations with Robert for about a decade, I was surprised that it could be what he was thinking of. “Don’t worry,” he said. “He can really play.”

Robert had organised us a gig at Pieces of Eight in Overport City with Vic Schulze on bass and said he’d ask Will to come along. Will told me years later that he understood Robert to mean that he should come along and play along on a few unrehearsed tunes, so he arrived when we were already playing, joined in for a bit and, at the end of the first set, he unplugged his guitar and was about to leave when Robert asked him where he was going … we still had a couple more sets to play.

(Left: Will Wallace. Pic by Harry Lock)

And so Bobby & the Dynamites was born, eventually morphing from a country-rock orientated bar band into a blues group, which was where Will truly came into his own, in time becoming a fixture at Zack’s on Wilson’s Wharf and at blues festivals, keeping the band going long after the other three original members had left, and even running another outfit, Will’s Blues Band, alongside for a while where he would exercise his own compositions and vocal chops that were impressive enough for him to have been, for a short time, one of Syd Kitchen’s Kitchenettes.

Having quickly shed every vestige of my original doubt, I continued to play with Will on a regular basis, sometimes in our acoustic blues band Formerly Slim but often just as a duo, for the next 36 years – right up until his death, in fact - and his ability to play exactly the right thing in exactly the right place, all with the very minimum of flourish or fuss, continued to influence and inspire my own playing to the end.

For several years, Will managed a stage at the Splashy Fen festival that was always interesting despite its limited budget, but it was as the musical heart of the committee of the Durban International Blues Festival that his organisational skills blossomed as, in addition to South Africa’s blues best, Durban audiences were treated, annually for a decade and a half, to the internationally acclaimed likes of Phillip Walker, Jimmy D Lane, Toronzo Cannon, Fiona Boyes, Liz Mandeville, Vasti Jackson and many others, and, playing with many of them at some point in the festivals, Will would always hold his own.

During what now still seems impossible to have been the last few months of his life Will would come round on a weekly basis, usually on a Thursday evening, and we would play for a couple of hours before settling down to tea and coffee and whatever was on TV’s cricket channel.

Although Will could never have safely been described as a fan, he did indulge this obsession of mine and it may not be generally known that he once took Stephen Stills and Graham Nash to a cricket match at Kingsmead. While he soaked up the delights of the IPL, the Blast or whatever was going on in the West Indies, we chatted. For hours. About guitars for sure, but he also told me, in his quiet, understated and often very funny way, about his Zimbabwean upbringing, his earliest bands, his ongoing passion for fishing – this despite the fact that a rogue wave had recently overturned his boat, causing him to swim to shore – his travels in India, Sri Lanka and Madagascar as an expert spice-buyer, and the difficulties of living with a deteriorating renal condition.

Will was a wonderful cook and, since I was on my way to Italy soon for a couple of weeks’ holiday, he wanted me to take photos of the menus to give him some culinary ideas. He was horrified, but not exactly surprised, to hear that I’d probably be mostly eating fast food.

In the Lombardy countryside, I heard from his beloved partner Philippa that he was gravely ill. We talked about the difference between wishing and hoping for a positive outcome. I was doing both. Praying, too. We all were. When I arrived in Milan, I received the devastating news that he had just died.

I don’t know if praying ever does any good to anyone but the prayer and, when asked by his Facebook page for his views on religion, Will once wrote that he could see a particular church from his house, but I do know one thing for certain, and that’s that people like Will Wallace don’t cross our paths often enough.

Richard Haslop

 

There will be a memorial concert in memory of Will Wallace from 11h00 to 16h00 on Sunday, September 11, 2022, at Platzz Gastro Pub, 40 Old Main Road, Hillcrest (behind the shopping centre)

 

SERPENT CRESCENT: REVIEW

There is plenty of humour in de Klerk’s novel, but it is very dark, and when the central character is so fundamentally unlikeable, it is hard for the reader to relate to the book. (Review by Margaret von Klemperer, courtesy of The Witness)

Megan Merton is a retired teacher living quietly in a secluded street – Serpent Crescent – in the backwater town of Qonda. She has lived in the same house for most of her life, seemingly insignificant and harmless.

Only she isn’t. In the memoir she writes - and which is the main part of Vivian de Klerk’s novel - she reveals herself as a snooping sociopath with a good many horrible deeds to her name. She justifies them, at least to herself, by seeing them as being retribution meted out to other unpleasant people. But still...

In fact, Megan is so unpleasant herself that the squeamish reader may find both her and her story completely unpalatable. That would be a pity – the novel is beautifully written, clever and so full of surprises that it is difficult not to give spoilers when writing about it.

Fortunately, when Megan’s story and voice become just too much to stomach, we also hear from her neighbour, Elizabeth Cardew, a university lecturer in Classics. Elizabeth (though she prefers to be called Dr Cardew), has suffered a stroke and is confined in a gruesome sounding convalescent home, Whispering Pines.

Megan, from not entirely altruistic motives, decides to visit her and slowly the two very unlikely friends begin to develop a relationship. Elizabeth is much more likeable and her story moves beyond the confines of Qonda and the misdeeds of its various inhabitants.

There is plenty of humour in de Klerk’s novel, but it is very dark, and when the central character is so fundamentally unlikeable, it is hard for the reader to relate to the book. It’s not that anyone wants cloying sweetness or goodness, but an unrelieved litany of horrors is a little too much of a bad thing.

Once Elizabeth is introduced, things do look up, but each time the narrative returns to Megan, the pervasive odour of disgust – and of other things for which Megan is responsible – becomes somewhat overpowering. It’s a pity, because the central idea of telling the story from the point of view of a self-confessed sociopath is a clever one and the novel is interestingly structured and very well written.

Vivian de Klerk’s Serpent Crescent is published by Picador Africa ISBN 978-1-77010-749-6 - Margaret von Klemperer

Monday, August 29, 2022

LOVE WILL TEAR US APART BACK BY POPULAR DEMAND


(Above: Colin Peddie, Andy Turrell, Barry Thompson, Samantha Landers, Mali Sewell (almost hidden) & Dawn Selby. Pic by Bev Millar)

Rhumbelow Theatre will host a return season of Love Will Tear Us Apart. Back by popular demand, it is a celebration of “break up” music featuring Barry Thomson & The Reals with guests Samantha Landers on vocals and Colin Peddie on guitar and vocals.

A celebration indeed. The emotional lives we lead inform the art we make. So, while joy and happiness seem to be what most musicians write about, this show will explore the moments in our lives when we are inconsolable and the only respite is to express those emotions through music.

From the team that brought you Poetry in Music and The Chain – The Fleetwood Mac Story comes a musical exploration into the darker sides of our lives. Devised by Colin Peddie and with musical direction from Dawn Selby, you can expect a show of the highest quality. Interlaced with hilariously revealing and poignant AV, the cast will take you on the breakup ride – through all the stages of the emotional rollercoaster.

You can expect to hear Marvin Gaye, Abba, Gotya, Dianna Krall, The Beatles, Lady Antebelum, Phil Collins, Carol King, Maroon 5, Fleetwood Mac, Kelly Clarkson and many more.

So, come celebrate the crying, the wailing, the gnashing of teeth, all expressed beautifully through music and performed with excellence by Barry Thompson and The Reals.

The show runs over two weekends from September 3 to 11 with shows on Friday and Saturday at 19h30 and on Sunday at 14h30. (Venue opens 90 minutes before show for snacks/drinks)

R180 a ticket. Picnic baskets may be brought to the venue, or food can be purchased onsite – burgers, wors rolls, chicken pops and chips, cheesy Russians, snack baskets etc. A full bar is available (no alcohol may be brought on to the premises). The venue opens 90 minutes before each show for snacks/drinks.

Limited secure parking available.

Booking is essential on email: roland@stansell.co.za or through Computicket.

For more information contact Roland Stansell on 082 499 8636 or visit http://events.durbantheatre.com/

Rhumbelow Theatre is situated at 42 Cunningham Road off Bartle Road in Umbilo, Durban.

(See Keith Millar's review for artSMart of the July season on http://news.artsmart.co.za/2022/07/love-will-tear-us-apart-review.html)


80’S DÉCOR REVIVAL WITH VHS TAPES


(Credit: Picture taken from kykNET.tv)

Textured patterns, 1980’s revival and sustainability are some of the key 2022 trends identified by home décor experts*.

All three of these décor trends are perfectly captured by the design of the beautiful Re.Bag.Re.Use scatter cushions which are made from repurposed VHS and cassette tapes.

Re.Bag.Re.Use is an initiative that was borne in Hout Bay; it started off as a hobby during the Covid-19 lockdown. “The flagship product is a multifunctional bag, crocheted and repurposed from empty bread bags, but as the project is growing and building momentum, additional products are being added to the product range,” shares founder, Regine le Roux.

The most recent addition to Re.Bag.Re.Use’s exclusive range, is giving a second life to old VHS and cassette tapes. VHS and cassette tapes are in most cases not recyclable or not accepted by recyclers, therefore repurposing this material is the next best sustainable option.

Textured pattern: The tape of the VHS and cassette tapes gives the products a marvellous metallic shimmer, which creates a beautiful textured pattern.

1980’s revival: VHS and cassette tapes is the epitome of the ‘80’s! Re.Bag.Re.Use gives these old tapes a new, beautiful, purpose and second lease on life.

Sustainability: Looking after the environment is one of the key factors of the project. Repurposing this material into multifunctional products diverts it from landfill and keeps it out of the environment. The hard black outer covering of the videos are also repurposed into wonderfully retro foot stools!

Rita Ncube, who is one of the Re.Bag.Re.Use artists who crochets with the video tapes shares: “It is incredible to think that something that seems as useless and defunct as an old VHS tape, can be made into something so beautiful!”

The pandemic has had a dire economic impact on many people. Re.Bag.Re.Use provides community members a small way to supplement their incomes with a bit of extra pocket money. It’s not a full time job and the ladies who are part of the initiative are not employed by Re.Bag.Re.Use. They get paid a stipend for crocheting Re.Bag.Re.Use products, which helps them to buy essentials for their households.

A percentage of all the sales also goes to local charities.

There are currently 15 ladies who are part of the Re.Bag.Re.Use team.

For more information, visit the Instagram page: www.instagram.com/re.bag.re.use/

Sunday, August 28, 2022

FREE DANCE WORKSHOPS AT 24TH JOMBA!


(Above: Clockwise from top left: Edna Jaime (Mozambique), Vincent Mantsoe (SA/France) and Nelisiwe Xaba (SA) and Marie-Caroline Hominal (Switzerland).)

Three free open contemporary dance workshops will be held during the 24th JOMBA! Contemporary Dance Experience, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts which takes place from August 30 to September 11, 2022.

Wednesday, August 31 from 16h00 – 17h30

Nelisiwe Xaba (SA) and Marie-Caroline Hominal (Switzerland) will experiment with movements based on their work Hominal / Xaba which opens the Festival and also share their artistic practices.

Wednesday, September 7 from 16h00 – 17h30

Edna Jaime (Mozambique) will focus on improvisation techniques and the use of emotional energies to find movements and rhythmic coordination heavily influenced by the traditional dances of Mozambique.

Saturday, September 10 from 10h00 – 11h30

Vincent Mantsoe (SA/France) offers a masterclass on his technique of GOBA - the bend, to be grounded and to plié. The technique is based on the control of the movement, energy and the use of breath within movement. This articulation is based on the traditional forms from Zulu, Pedi, Sotho and Xhosa styles and forms which have been translated by Mantsoe and have evolved over time and within his dance work. This masterclass is not for beginners.

The workshops are for dancers over 16 years old and booking is essential via Thobi Maphanga on thobimaphanga@gmail.com

All workshops will take place at Studio 410 at The Playhouse.

For more information about performances and other events at JOMBA! follow on social media or go to the website: https://jomba.ukzn.ac.za/

To link to the Centre for Creative Arts website, click on the logo to the right of this article or visit https://cca.ukzn.ac.za/

 

TRANSIENCE GROUP EXHIBITION


(Above: "The Harvest” (detail). Oil painting, red clay, impepho, holy ash on canvas by Selloane Moeti)

Opening on September 1, the KZNSA will host Transience, a group exhibition with Selloane Moeti, Karla Nixon, Jessica Bothma and Siobahn Doughty.

The exhibition is a physical realisation of a virtual presentation by KZNSA on Latitudes Online, and includes paintings and sculptural installations threaded together with drawings to form a richly-textured and tactile whole.

The four artists selected are Durban based, each with growing recognition and acclaim within KZN and nationally for their practice.

The works resonate with a solidarity and shared ownership of femininity in a South African context. Each of the four artists, using a visual language unique to their practice, probes notions of identity, gender and power with an inherent awareness of the complex vulnerabilities that are an inextricable part of such an investigation.

For the artists, the studio is a place of sanctuary – almost sacred; space in which creative processes make sense of life chaos. Mark by mark, a unique and intensely personal language emerges and a visual articulation is rendered – fleeting and transient, an emotion or a moment briefly held to the light and examined before it shifts and changes form. The creative process, which is often meditative, informs a visceral materiality in the resultant works; the works are tactile and sculptural, inviting a closer reading to appreciate every considered detail.

At first glance, the array of pinks and soft, pensive pastels discernible across the curation allude to a youthful girlishness – trembling, fragile and endearingly feminine. This is pronounced in Doughty’s work; dainty laces and tulles, tenderly hand-embroidered. But the subject matter described in these delicate materials is unapologetic, unflinching. Exploring concepts of femininity in relation to shame, violence, gender stereotypes and feminine solidarity, the cotton candy-toned materials reveal a steely core as Doughty addresses injustices posed against feminine identifying individuals.

This steeliness is echoed in Bothma’s work. The taxi slogan illustrations are bold and punchy, sassy and loud; here is the woman of the world, on the move, street-smart and savvy. Contrastingly, there is also a moment of soft vulnerability in Bothma’s steel-wrought figure hugging herself close. Bothma is drawn to the malleability of steel, finding in the metal a remarkable resonance with the human condition; in skilled hands, steel can be manipulated to appear fragile and delicate or contrastingly strong and old.

In Moeti’s paintings, the spiritual enters. Transcendent, the paintings evoke an otherworldliness, inviting the viewer into mystical realms heavy with incense, a place where the senses are at once muted and alive. From this intoxicating dreamscape, Nixon’s paper sculptures are a window into yet another world, the bold graphic forms compelling and dynamic, but at the same time impossibly fragile – pieces of paper fluttering wistfully as the artist delves into ideas around the relentless mortal need to find and define our own space and place; sanctuaries amidst the transience of life.

Piecing together transient processes and practices, the body of works presented invite the viewer to share an intimate moment of vulnerability and engagement with the artists within the inner sanctum of their private world.

Transience runs until September 18, 2022, in the KZNSA Park Gallery.

The KZNSA Gallery is situated at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1705 or cell 082 220 0368 or visit www.kznsagallery.co.za

 

ANDREW WALFORD AT DIGBY HOETS


(Above: Andrew Walford)

Zulu-Zen potter and internationally well-known Durban-based ceramist, Andrew Walford, will be the guest exhibitor at Digby Hoets Studio Exhibition in Johannesburg

The studio is situated at 125 Springfield Road, Carlswald, Midrand, Johannesburg

The exhibition will take place on October 1 and 2 from 09h00 to 17h00.

For more information contact Leanda at andrew@andrewwalford.co.za or phone 082 794 7796

Saturday, August 27, 2022

MARIANNE MEIJER - A CELEBRATION


(Above: Work by Marianne Meijer - acrylic on canvas)

Opening on September 2, 2022, at the KZNSA Gallery will be an exhibition that will celebrate the life and art of their friend and colleague, the late Marianne Meijer (1935 - 2020).

A large selection of paintings from her studio collection will explore her range and versatility over the years. This includes a body of artworks first exhibited at the Durban Art Gallery - Rembrandt - A Love Affair. In her later work, Meijer turned to pure abstraction and this exciting series is being exhibited for the first time. She painted this series when she was 84, shortly before her passing.

Educated in Holland, Meijer emigrated to South Africa in 1958. Her involvement with the art community of Durban dates back nearly 40 years as an artist, as an active KZNSA council member, Friends of the DAG chair person, art columnist for The Mercury and The Daily News and assistant editor of DARTS Magazine.

There have been many group shows and she has staged eight solo exhibitions: one at the Market Gallery in Johannesburg, three at the KZNSA, also solo shows at the Grassroots Gallery, artSpacedurban, the Bonisa Gallery and the Durban Art Gallery.

Curator Bren Brophy says, "Her works have a confidence, a clarity of focus, and a vision that is hewn from a lifetime of dedicated art making. The paintings are as simple or as complicated as the viewer makes them. Meijer's works are evocative rather than descriptive of a familiar subject. Her works give voice to a collective ethos we call life."

Proceeds from the exhibition will support the work of the KZNSA Gallery. The exhibition will run until September 18, 2022.

For more information, contact gallery@kznsagallery.co.za

DSTV HIGHLIGHTS: AUGUST 26 – SEPTEMBER 1  

 


(Above: A scene from “West Side Story”)

Want a look inside the cutthroat world of finance? Industry S2 is about the sacrifices that a group of graduates make in pursuit of a career. Tune in from September 1 on Showmax.

Movie lovers can see West Side Story on M-Net (DStv Channel 101) on August 28 at 21h00. The musical addresses class differences and the agony and optimism of youth.

There’s a full slate of entertainment for everyone on DStv this week. Stay tuned. Here are a few highlights:

  

Battle on the Beach S2

August 26 at 21h00 | HGTV (DStv Channel 177)

Three skilled teams hit the beach to renovate identical beachfront properties. With some help from Ty Pennington, Alison Victoria and Taniya Nayak, they'll compete to wow the judges with their home remodels and walk away with a $50,000 cash prize!

 

Inside Dubai

September 1 at 20h00 on BBC Lifestyle (DStv Channel 174)

Inside Dubai will go behind the scenes of this desert paradise. Revel in unimaginable luxury, malls with ski slopes, restaurants within aquariums, hotel lobbies and even bathrooms bedecked in solid gold.


 (Right: Liev Schreiber stars in “Ray Donovan”)

Ray Donovan: The Movie

August 27 at 22h30 on M-Net (DStv Channel 101)

Liev Schreiber reprises his role in this thrilling film that picks up after season seven. The Donovan family legacy comes full circle as they try to settle old feuds.

 

West Side Story

August 28 at 21h00 on M-Net (DStv Channel 101)

This is the latest reimagining of the popular musical starring Ansel Elgort, Rachel Zegler and Rita Moreno.

Love at first sight strikes when young Tony spots Maria at a high school dance in 1957 New York City. Their burgeoning romance helps to fuel the fire between the warring Jets and Sharks – two rival gangs vying for control of the streets.

DALISU NDLAZI BRINGS “THE INEVITABLE CALLING”

(Left: Dalisu Ndlazi)

Durban bassist Dalisu Ndlazi will be performing his project, The Inevitable Calling, at Alliance Française de Durban, on September 1, 2022.

Ndlazi’s musical career began in 2011, when he was only 16 years old, at the Siyakhula Community Development Centre in Umlazi; He proves himself every time he gets on stage with his forever fresh and strong basslines. He is a young upcoming bassist whose playing is far beyond his age.

In 2012, he was selected as the National Schools Big Band bassist at the Standard Bank Youth Jazz Festival, held in Grahamstown. He continued to hold that position for three years. He performs with great jazz artists such as Nduduzo Makhathini, Andile Yenana, and Salim Washington – who also featured him in his latest album.

He titled his project The Inevitable Calling, referring to one's response to a call from beyond oneself, the use of one's gift and strength to make the world a better place through the cultivation of one's creativity and one's imagination.

"It is the vocation that rests on the belief that life is more than just about ME! My music is drawn from memory and feeling of existence and life experiences through my surrounding, family, friends, commutation and society. It speaks more about who I am, my thoughts, beliefs, loved ones, influences and societal issues we as the current generation are facing," says Ndlazi.

During Ndlazi 's time as a student at the University of KwaZulu-Natal, he played for the UKZN Storytellers as part of an exchange programme with VCU called Jazz Bridge to Greater Understanding. This was not his only international adventure; in 2019, he attended the Louis Armstrong Summer Camp in New Orleans as part of the Standard Bank Joy of Jazz Youth Development Programme.

Ndlazi's band features Zibusiso Makhathini on piano, Thabo Sikhakhane on flugelhorn and trumpet, and Riley Giandhari on drums.

Doors will open at 18h00, and the entrance fee is R120; tickets are available on Webtickets and at the door.

The Alliance Française is situated at 22 Sutton Crescent, Morningside, Durban.

Friday, August 26, 2022

ISHASHALAZI WOMEN’S THEATRE FESTIVAL

Ishashalazi Women’s Theatre Festival is hosted by The Kwa Mashu Community Advancement Projects (K-CAP) during South Africa’s month of August.

It celebrates and honours women from all walks of life, but equally creates a platform where concerns, triumphs and challenges may find a channel for solutions – by them and for them! It provides a seminal platform on which women discuss their views, network and share insights into wisely navigating through the maze of life for the now and the future.

The Festival raises societal awareness of saying we should be concerned that the greatest cause of anomalies is levelled against women and children, yet by resolutions and corrective measures are hardly conceived by them. Realising that most of social ills against women usually happen in their adolescent stage, K-CAP has consciously embedded seminars and empowerment workshops which, through experts who advocate for women solidarity, development, and equitable integration into mainstream sectors.

The Ishashalazi Seminar took place on August 25, 2022, at 11h00.

Ishashalazi Women’s Festival is a four-day event where different female productions showcase their theatre short stories (2022 THEMES: Nation Building, Heritage, Covid-19 Pandemic, GBV, Social Cohesion) and winners are announced on the third day, which will be on August 28, 2022.

For more information contact Samke Dlamini on directorspa@kcap.co.za

 

KICKSTART AUDITION NOTICE

Montecasino will present KickstArt Theatre’s magical family pantomime Sinbad The Sailor.

KickstArt is casting for selected principal roles and eight dancers for this enchanting festive season production, which will be running at the Montecasino’s Teatro in Johannesburg from November 18 to December 23 2022.

Rehearsals will commence on the October 24, and will take place onstage at The Teatro, between the hours of 10h00 and 20h00. The production will be directed by Steven Stead, designed by Greg King, and choreographed by Evashnee Pillay.

Open dance auditions will be held on August 29 at 10h00 on The Teatro stage. KickstArt is looking for four men and four women with charisma, an ability to characterise, and a strong command of both classical and contemporary dance styles, aged between 18 and 30.

Prospective candidates should present themselves at 09h30 to take a number and be added to the list. A choreographic sequence will be taught in the audition, and prospective cast members will be asked to a call back audition. Call-backs will be held on Tuesday August 30 at 10h00.

Please wear clothes and footwear appropriate for dancing: ballet pumps or similar simple, flat dance shoes.

Steven Stead says they are also looking for the following principal characters:

Sinbad: Our strapping, handsome hero. He should have a strong singing voice in contemporary musical theatre style, and be able to dance to a fair degree. Actors of colour are preferred, aged between 20 and 35 years.

Silly Billy Souvlaki: Sinbad’s very intellectually challenged little brother. This is a slapstick comedy role which needs great comic timing and bold, clear character work, but need not be the best singer (although he does sing!). He does a lot of work with the audience so needs to be adept at Children’s Theatre. We are looking for actors of any race aged between 18 and 35.

Genie of the Seven Seas: Golden-voiced magical character, with good comic timing and onstage status. Must be able to sing extremely well in a classical musical theatre style. Actors of colour are preferred, aged between 20 and 45.

Long John Slither: the pirate king: An oily, Disney-style villain. We are looking for an experienced senior actor aged between 40 and 60, who can deliver a strong classical style performance, and play nasty with relish. He does sing.

Dame Dona Kebab, Sinbad’s Mother: This is the “Dame” in the panto: a colourful, comedic, cross-dressing role. We are looking for a male actor aged 35-55 to play this important part. This particular role is more of a ‘bloke in a frock’ sort of dame, not a female impersonator.”

Any actors interested in auditioning for any of these roles, must book a slot on either Monday August 29 between 14h00 and 18h00, or Tuesday August 30 between 13h30 and 16h30, by emailing stevenstead365@gmail.com

Bring an appropriate song, with a backing track on a flash drive, and prepare a short one-minute monologue that is appropriate to the character.

 

BUSINESS AND ARTS SOUTH AFRICA (BASA) AWARDS


Art can – and does – change society, and more businesses should sit up and take note - by Christina Kennedy

In the 1970s and 1980s, resistance art, anti-establishment music and protest theatre all played a vital role in bringing the injustices of apartheid to the world’s attention. Art was used as a weapon of resistance and as a potent force for good and for justice.

Today, art remains a powerful catalyst for social and political change. In South Africa, this is not only through arts activism that agitates for a more equal society, but also through innovative collaborations that deliver a win-win-win outcome for artists, businesses and communities without compromising on artistic vision or integrity.

Nowhere is this more evident than in the collaborations considered by the annual Business and Arts South Africa (BASA) Awards, partnered by Hollard, which celebrates 25 years of rewarding mutually beneficial business and arts partnerships this month. 

This year, the theme is Lights Up – Time to Shine, reflecting the hope that the arts will flourish anew after two years of dark stages and empty venues – and the hope that savvy businesses, large and small, will continue to hitch their wagons to arts projects and organisations that share their vision for a better society.

Warwick Bloom, Group Head of PR at Hollard, recalls how one of last year’s winners noted how the arts was society’s “universal therapist” during COVID-19, showing how artists managed to inspire and connect people even when their platforms were largely taken away from them.

“One of the biggest impacts of COVID was its effect on how we saw and interacted with each other,” he says. “Rather than finding refuge in our common humanity, we were locked up and locked out, masked and forced to think of each other as risk factors rather than as fellow human beings. I heard children being described as ‘vectors of transmission’, for example.

“Art has a powerful way of connecting us with our human-ness and so has a significant role to play in reuniting us, and reminding us of how we best coexist.”

Just as humanity thrives in co-existence, artists need both space and support to create. And the support of a business – from a local spaza shop to a large corporate – can make all the difference in bringing an artistic vision to life, creating work, bringing joy to audiences and uplifting communities.

Scrolling through the list of past BASA Awards winners reveals several instances of how the clever cohabiting of like-minded individuals and organisations has had an enormous impact on lives and livelihoods.

A recent example was an initiative called The Lockdown Collection. When the first COVID-19 lockdown was announced in 2020, it sent the arts community into free fall. Any planned performances, commissions, exhibitions and events were instantly dead in the water. The immediate future was fraught with uncertainty.

Enter Kim Berman and the printmakers at Artist Proof Studio, Johannesburg. Within 48 hours of the lockdown being announced, the studio, supported by two business partners, consultancy Mrs Woolf and board-governance educator Sirdar, launched The Lockdown Collection.

The concept was simple: 21 new artworks, reflecting COVID-19 through the eyes of prominent local artists – such as William Kentridge, Colbert Mashile and Penny Siopis – would be unveiled during the first 21 days of lockdown, and then auctioned.

The subsequent online auction of this and other collections raised close to R4-million to support South African artists in need. The Lockdown Collection saw more than 500 grants and 50-plus student bursaries being awarded – and it won two BASA Awards for the studio and its business partners. This example of artists unselfishly rallying to support their own – with the wholehearted buy-in of small enterprises – just shows what responsiveness, creativity and compassion can achieve in a short period of time.

A business doesn’t need pots of money to support the arts – non-monetary support is often just as valuable. This is evidenced by the BASA Award-winning “sponsorship-in-kind” provided by The Royal Hotel in Riebeek Kasteel in the Western Cape, and Arts Town Riebeek Valley, to last year’s Royal Arts Town Amphitheatre Summer Theatre Festival. This in-kind community-led support helped the local arts and tourism industries, rendered fragile by the pandemic, survive through a series of open-air theatre performances.

This should act as a clarion call for businesses and individuals with big hearts but constrained pockets. It shows that numbers of seemingly small acts can collectively yield immense results and be a catalyst for positive social change. As Bloom says, “I think we’ve seen over the years that the best-funded projects or the partnerships with the biggest budgets and ambitions are not always the ones that produce the best results. What’s important is to measure success for each project in terms of what it specifically sets out to do.

“Of course, the projects that have the most impact are generally the ones that are scalable, or that start out with a small but important truth that is common to a larger community and are able to then expand and grow to address that larger community.”

Bloom believes it’s vital for the arts to be supported, as they hold up a mirror to society, and show “all the warts as well as the beauty spots”.

“While art’s role as a societal critic and commentator may have been limited in some way during COVID, it’s important that the gloves come right off again and the punches to our conscience regain their power.

“The BASA Awards themselves are an important call and reminder to the private sector that the survival and flourishing of the arts is not just the domain of the government and rich patrons, but the responsibility of all of society.”

The 25th BASA Awards, partnered by Hollard, will take place in Johannesburg on August 29, 2022.

For more information visit https://basa.co.za/

CHIVALRIC ORDER FOR ILLA THOMPSON


(Illa Thompson)

Durban’s much-loved and highly supportive publicist, Illa Thompson of Publicity Matters, has been invested as a Member of the Most Venerable Order of the Hospital of St John of Jerusalem.

“This is a chivalric order of which Queen Elizabeth II is the Sovereign Head (and so similar to an MBE or like the Order of the Baobab in SA). The award recognises the great work that she has done in publicity and outreach for St John in Durban and also the connection between the DHC and St John for hosting our Street Lit project (which Illa co-ordinates),” says Raymond Perrier, director of the Denis Hurley Centre.

“The award was made by Archbishop Thabo Makgoba who is The Prior of the Order in SA at a ceremony in an icy cold Johannesburg yesterday. 

“Congratulations to Illa - and all her booksellers! And many thanks to St John Ambulance - South Africa for your continued partnership with us.”

THE NATIONAL CRAFT AWARDS

Now in its sixth year, the National Craft Awards, sponsored by the Department of Sport, Arts and Culture and organised by Art Aid Africa, aim to recognise excellence in South Africa’s vibrant and diverse craft sector.

Entries for these awards are now open for the various categories, and close at midnight on Friday, October 28, 2022. South Africa’s talented artisans will compete for 16 cash prizes in the four craft genres of corporate gifts, souvenirs, crafts made from recycled materials, and one-of-a-kind/signature pieces.

Entry is free. Entrants can simply submit a good-quality photo of their craft items, along with their details (name, town and province in which you live, and your contact information), and text or WhatsApp it to 071 621 3597, or email it to crafts@nationalcraftawards.co.za

For more information visit http://www.nationalcraftawards.co.za/

WINDERMERE ANTIQUE FAIR


L
overs of arts and crafts and antique collections should head for the Windermere Antique Fair which will take place on the lower level of Windermere Centre on September 3, 2022, from 08h30 until 14h00.

Around 20 dealers will be selling a wide selection of antiques, vintage and collectibles. Goods on sale will include: porcelain, glass, crystal, jewellery, silver, records, books, paintings, linen, old toys etc.

Interesting treasures of yesteryear at prices to suit all pockets.

For more information contact Helen Clementz on 084 2410241 for any queries

 

Sunday, August 21, 2022

MUSIC REVIVAL ACTIVITIES


(Above: Christopher Duigan)

Steinway Pianist Christopher Duigan thanks all who continue to support his live-stream programme. On Wednesday August 10, he presented a selection of his own original compositions 'live' online at 19h00. His Concert Classics had an epic programme on August 6! You will find both at his YouTube channel.


CONCERTS AT CASA MEXICANA

“We are working hard to further enhance the experience at the venue with the garden under renovation leading to an Open Gardens Weekend in November,” explains Duigan. “Plus there is currently much interest with the massive array of orchids currently blooming.” (See his website for more.) This month he offers an extra Sunday afternoon performance of popular highlights, the first afternoon concert in many years! He will also be presenting guest caterers and other dinner evenings at the venue, so please watch out for extra events!


FOUR FREE LIVE-STREAMS MONTHLY & LIVE CONCERTS

Duigan adds: “I will be continuing with only four live-streams and growing the limited number of live concerts at the end of the month. We are trying to resume the concerts at Ballito and Kloof as soon as possible! Our 'end-of-the-month' concert at the Amber on Wednesday August 24 offers residents a unique opportunity to request the programme selection!

“Please keep track of my website www.musicrevival.co.za for additional new concerts and changes to our online presence.”

 

LIVE CONCERTS in August

Pietermaritzburg ‘Casa Mexicana'

Christopher Duigan plays Light Classics

A programme of popular choice form recent programmes and the live-stream series.

August 21 at 15h30

‘Casa Mexicana' - 35 Montgomery Drive, Athlone

Tickets: R100 including tea and coffee from 15h00

Booking is essential: booking@musicrevival.co.za or Music Revival 083 417 4473 (SMS or WhatsApp only)

Patrolled street parking. Please include your contact numbers in all email bookings.


Howick - Your Piano Choices! At The Ambers

Amber Auditorium

August 24 at 19h00.

Tickets: R80 Book at Amber Valley Office. (This concert is limited to Amber residents and their guests only.)


Pietermaritzburg ‘Casa Mexicana'

Christopher Duigan plays Concert Classics

A programme of popular Bach transcriptions and melodies Jesu Joy, Sheep May Safely Graze, nocturnes by Chopin, and music by Debussy.

August 26 from 18h30

‘Casa Mexicana' - 35 Montgomery Drive, Athlone

Tickets: R300 including a two-course light meal from 18h30

Booking is essential: booking@musicrevival.co.za or Music Revival 083 417 4473 (SMS or WhatsApp only)

Patrolled street parking

Please include your contact numbers in all email bookings.

Dinner guests should please bring their own wine. Tea and coffee included.

Bookings of 4 are guaranteed a reserved table. Bookings of 2/3 seated at the ‘long table’ or enjoy a verandah sofa or garden table (weather permitting).

Please include your contact numbers in all email bookings


Pietermaritzburg Tatham Art Gallery

Christopher Duigan plays Concert Classics

A programme of popular Bach transcriptions and melodies Jesu Joy, Sheep May Safely Graze and music by Chopin and Debussy.

August 28 at 12h00

Tatham Art Gallery

Tickets: R100

Secure Parking in the Parliamentary and Tatham precinct

Booking is preferred: booking@musicrevival.co.za or Music Revival 083 417 4473 (sms or WhatsApp only)

Please note new start time of 12h00 (Concert is 70 mins)

Enjoy coffee before or a lunch after at Cafe Tatham - open from 10h00. Booking for lunch is essential - Call Cafe Tatham 033 342 8327.

Visit www.tatham.org.za


The Hilton Arts Festival

Christopher Duigan will give a concert at the Hilton Arts Festival on September 25, 2022, at 11h00 in the Hilton College Chapel. Music by Beethoven and Liszt. Booking details to be announced.

 

Music Revival Online Live-Streams

Christopher Duigan at Home - all at 19h00 (CAT)

https://www.youtube.com/c/ChristopherDuigan/videos

August 24 No. 226 ;

PIANO HOUR Play, Piano, Play!

An entertaining and enlightening selection of lesser-known and popular favourites from the repertoire in varied styles and genres.

September 3 No. 227

IN CONCERT - CONCERT CLASSICS

A programme of popular Bach transcriptions and melodies Jesu Joy, Sheep May Safely Graze, nocturnes by Chopin, and music by Debussy.

 

 


MITH AUGUST 24, 2022


(Above: Heather Waters)

The next programme Music in The Hills (MiTH) will be headed by Heather Waters.

Arguably the KZN Midlands’ best-loved music venue, MiTH is an opportunity for beginners, professionals, and passionate music fans to share the joy of music at The Knoll Historic Guest Farm.

7pm: Josh Strydom

Josh Strydom is a local acoustic guitarist from Howick who has played with many local bands, including Now a Daze, and singers, like Kaiti Faul. He has been involved in the music scene for years and has even played at White Mountain Music Festival. He will be playing some of his favourite songs, and although not a professional musician, he plays for the love of it and to share the fun with as much energy as possible. There are sure to be some recognisable favourites, and perhaps one or two that you may not know.

8pm: Leigh Goddard

Leigh Goddard is a songwriter across multiple genres of music from cinematic to hip hop. After spending years working behind the scenes on events, and as an agent for bands nationally, she picked up the guitar for herself at the age of 25 and began her writing journey. Having had the privilege of being surrounded and inspired by some of the country's greatest songwriters and performers of the last three decades. The daughter of iconic drummer, Don Robertson (The Square Set, and Gene Rockwell and The Falcons), and sister to Michael Goddard (Perez and Silent Generator), it becomes apparent through her song-writing that rhythm is hereditary, and observation is a great teacher. Goddard describes her music as “country rap cabaret”. She is joined by lifetime friend and mentor, Roly Struckmeyer, on bass.

9pm: Heather Waters

Touring folk-rock artist Heather Waters, is releasing her latest uplifting single, Slow Drive, coinciding with the multi-country Slow Drive Tour happening now! 

Road-tripping is something of a lifestyle for Waters. Since the beginning of her career, she has not stood still – she has performed her folk-rock guitar tunes in villages, towns, and cities from Cape Town to Corsica!

For more than a decade, Waters has been touring, writing, and creating a definite style and sound to her work. Her songs and performances burn with energy! Alone, or with a band, Waters' expressive guitar rhythms, honest lyrics, and passionate energy draw you into her performances.

Visit www.mith.co.za for more details and directions. Musicians can contact mithbookings@gmail.com for slots.

MiTH takes place every second Wednesday at The Knoll Historic Guest Farm, Knoll Drive, Hilton. Doors open at 18h00 and the music will kick off at 19h00. Entrance is R50 cash or Zapper at the door. Bring your own booze. Food and soft drinks are available for sale.

 

DIRECTIONS TO MiTH: Take the N3 to Hilton, take the Hilton turnoff and go South into the Village (away from Hilton College). Travel 5,2km along Hilton Avenue (past two sets of traffic lights and Crossways Pub) and keep going straight as Hilton Avenue turns into Dennis Shepstone Drive. At the 5,2km mark, Knoll Drive will be on your right – the entrance to MiTH is the *second* entrance on your left into The Knoll Historic Guest Farm.

DStv HIGHLIGHTS FOR AUGUST 19 - 25

 

(Above: House of the Dragon)

 DStv new seasons and episodes airing this week, August 19 -25, 2022.

 Have you heard? Between August 10 and September 10, all DStv Access customers can upgrade to DStv Family – and get a month of DStv Compact at no extra cost. You can get access to Mzansi Magic (DStv Channel 161), BBC Lifestyle (DStv Channel 174) and all the local football action on SuperSport PSL (DStv Channel 202).

On August 22, House of the Dragon lands on M-Net (DStv Channel 101). This is the story of the Targaryen family and the events leading up to the war of succession.

This show is set 200 years before the events in Game of Thrones.

On August 25, M-Net (DStv Channel 101) brings you My Name Is Reeva, a documentary series featuring intimate conversations with Reeva Steenkamp’s parents and the family lawyer. The case brought the country to a standstill and years later it is still top of the list in conversations about how society can address gender-based violence.

Guy Fieri fans will be excited to see Guy! Hawaiian Style on August 22 (19h55 on Food Network, DStv Channel 175): Guy and his family travel around Hawaii going on adventures and exploring and cooking the local cuisine. It’s Guy like you’ve never seen him before!

7 Colours returns to HONEY TV (DStv Channel 174) for a third season. Does your Sunday lunch plate measure up? Tune in every week to see fellow South Africans’ take on the beloved colourful meal.

Stay tuned to DStv this week for the best in local and international entertainment.

DOCUMENTARY SPECIAL

My Name Is Reeva

August 25 at 20h30 on M-Net (DStv Channel 101)

A touching and compelling South African documentary series that delves into the personal story of Reeva Steenkamp through the eyes of her loved ones.

 

NEW SHOWS

(Left: Rosario Dawson in “DMZ”)

DMZ

August 19 at 19h30 at M-Net (DStv Channel 101)

An explosive season premiere. After negotiating a dangerous passage into the demilitarized zone of Manhattan, the clock begins on Alma Ortega's (Rosario Dawson) 24-hour search for her missing son, Christian. This compelling drama airs on Fridays and Saturdays.

 

Misadventures of Romesh Ranganathan S3

August 19 at 20h00. Three-part series | BBC Earth (DStv Channel 184)

Comedian and self-confessed coward Romesh Ranganathan travels to more of the world’s most unlikely holiday destinations.

This time he’s heading to locations including Sierra Leone, Romania, Rwanda and the Scottish Highlands to find out whether there’s more to these places than just negative headlines and if they might, in fact, be perfect holiday spots.

Alex Polizzi: My Hotel Nightmare

August 19 at 20h00 on BBC Lifestyle (DStv Channel 174)

Alex Polizzi, hospitality expert and descendant of the Forte hotel dynasty, has spent years critiquing and fixing some of the worst hotels. Now, she’s embarking on a new venture of her own, in partnership with her hotelier and interior designer mother, Olga.

 


(Above: I was There)

I Was There

August 21 at 20h15 on the History Channel (DStv Channel 186)

What if we could travel back in time to some of the world’s most powerful events? Would we see things in a brand-new light? Host Theo Wilson, grandson of a Tuskegee Airman, believes we can only truly understand history by being there – and now, we will. Wilson time-travels to pivotal moments in history that come to life in stunning detail. Inside some of history’s most iconic events, he unearths the fascinating and lost details of why they really happened, while reliving the moments of our past that shaped us all.

Guy! Hawaiian Style

August 22 at 19:55 on Food Network (DStv Channel 175)

Hawaii is one of Guy Fieri's favourite places on the planet and this year he's taking his wife Lori, sons Hunter and Ryder, and his nephew Jules on a 20-day adventure of a lifetime as they take on Maui and Oahu by land, sea and air. Guy and his family will deep sea dive with whales, sharks and turtles, deep sea fish, find locals only swimming holes, catch waves with local surfing legends ... and of course they'll dive into the dishes Hawaii has to offer from simple shave ice to pole caught Ahi Tuna Poke straight off the boat to a traditional Hawaiian luau complete with a Kalua style pig roast. It's Guy off the charts and out of bounds in one of the most beautiful places on Earth!

House of the Dragon S1

August 22 at 21h30 (simulcast at 03h00) on M-Net (DStv Channel 101)

Express from the US.

The reign of House Targaryen begins. George R.R. Martin’s larger-than-life prequel to the iconic multi-award-winning HBO drama, Game of Thrones follows the House Targaryen set 200 years prior.

Our House

August 24 at 22h30 on M-Net (DStv Channel 101)

Tune in for the shocking and mysterious season premiere of this chilling new crime thriller. Fi Lawson arrives home to find strangers moving into her house, but she insists that the property isn't for sale. Who are they – and what happened to her husband Bram?

 

BOXOFFICE

Bullet Proof

August 24

The Thief (James C. Clayton) pulls off the robbery of a lifetime when he robs the psychotic drug lord, Temple (Vinnie Jones). Soon discovering a stowaway in his getaway car - Temple's pregnant wife, Mia (Lina Lecompte). With Temple and his men in hot pursuit, the Thief is torn between making a quick getaway or taking a risky detour to help Mia escape her husband's abusive grasp.

Top Gun: Maverick

August 25

After more than 30 years of service as one of the Navy's top aviators, Pete Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground.

WHO WANTS TO LIVE FOREVER

 

Musicians Keith McClelland, Brian Bedingfield, Gareth Barry, Roly Struckmeyer, Paddy Austin and Mark Butler will appear in Who Wants To Live Forever at La Popote at The Knoll in Hilton on September 10 at 18h30 for 19h00.

Direction is by Paul Spence and the script is written by Rob Boyd. Dancers are Nadja Bartel and Bonwa Mbontsi with a cameo by Dee Bedingfield.

Tickets R240 (include dinner). To book contact Dee on WhatsApp 084 555 6830

La Popote is situated at 1 Knoll Drive in Hilton. Phone 066 254 8112.

 

Saturday, August 20, 2022

TOP KZN MIDLANDS MUSICIANS UNITE BEHIND BARRY (THE CAPTAIN) MEINTJIES

(Left: Barry Meintjies)

If you’re a KZN Midlands musician or music fan, you’re likely to know Barry (The Captain) Meintjies. Barry is gravely ill, and to help cover his considerable ongoing medical costs, the local musical community will unite on Sunday September 4 at The Knoll Historic Guest Farm in Hilton.

Between noon and sunset over 20 of the Midlands’ top musicians will play at “Bands for Barry II” (it’s been ten years since The Captain’s first benefit concert after he fell off a ladder and lost the use of his legs). They will pay tribute to one of our longest-standing musical legends and raise funds to contribute to his care.

 The artists will perform a variety of old favourites and original compositions at the family-friendly event. Entry will cost R100 for adults, R50 for 12-16-year-olds and under 12s get in for free. Food and soft drinks will be on sale - BYOB.

 A gentle friend to all, Meintjies is possibly best known as the long-standing bass player of the Hairy Legged Lentil Eaters, proprietor of Marshall Music Midlands and (in the latter capacity) as a patron and/or benefactor of the now-retired Midlands Musicians Club and its successor, Music in The Hills. More than that, he's just a much-loved human.

For more information contact 082 331 7271.