BROTHERS IN ARMS

 

Rhumbelow Theatre will present Brothers In Arms - The Music of Dire Straits - performed by Barry Thomson & The Reals - Dawn Selby, Robz Millar, Mali Sewell, Barry Thomson and Shaun Dragt. Guest Saxophonist – Kirsty van der Linde

Performances take place on April 5 at 19h30 and April 6 at 14h00. The venue opens 90 minutes before the show.

Dire Straits was a British rock band formed in 1977 by Mark Knopfler (lead vocals and lead guitar) and his younger brother David Knopfler. Their sound was influenced by a variety of musical styles including jazz, folk and blues, and contrasted with the prominence of punk rock during their early years. Their more conventional sound appealed to modern audiences weary of the overproduced stadium rock of the 1970s.

Dire Straits' fifth album Brothers in Arms, released in May 1985 was their highest-selling studio album with sales of over 30 million. It was listed in the Guinness Book of World Records as the first compact disc to sell a million copies, helping to popularize the CD format.

It was one of the first albums recorded on digital equipment and the title track is reported to be the world's first CD single. In August 1986, the song which launched MTV Europe was another Knopfler hit Money for Nothing and featured Sting in a cameo vocal role. Dire Straits have sold between 100 million and 120 million records worldwide, including 51.4 million certified units, making them one of the best-selling music artists of all time.

This show features a selection of their hit songs including, Brothers in Arms, Walk of Life, So Far Away, Sultans of Swing, Romeo and Juliet, Your Latest Trick, Tunnel of Love, Private Investigations and Money for Nothing.

Paying tribute to the music of Mark Knopfler and his band Dire Straits is ‘Barry Thomson and The Reals’, comprising front man and guitar maestro Barry Thomson (lead guitar and vocals), Dawn Selby (keyboards and vocals), Mali Sewell (drums), Robz Millar (bass guitar) and Shaun Dragt (guitar and vocals). We have a special guest, saxophonist Kirsty van der Linde who features in three songs.

Tickets R200 booked on email through roland@stansell.co.za or Webtickets. Booking is essential.

Bring food picnic baskets or buy at the venue. Bar available (no alcohol may be brought on to the premises)

Limited secure parking available

For more information contact Cell 0824998636 or visit http://events.durbantheatre.com/

Rhumbelow Theatre is located at 42 Cunningham Road off Bartle Road, Durban.

SPHA MDLALOSE SINGS INDLELEYEKHAYA LIVE IN DURBAN

 

Spha Mdlalose is taking the music home!

The Durban-born artist is gearing up for an electric performance at the University of KZN’s Jazz Centre on April 9.

This will be the first time the artist performs the album with a full band in her home city; a place that Mdlalose says inspired the themes and stories of the debut offering. Ironically too, the album’s title Idleleyekhaya translates to “The way home”.

Indle’eyekhaya which was released in 2019 to much acclaim earned Mdlalose three SAMA (South African Music Awards) nominations and cemented her place in the South African music industry.

The album itself is a soul-stirring fusion of jazz, gospel, and soul, deeply rooted in her South African heritage and eclectic upbringing.

Singing primarily in isiXhosa and her native language of isiZulu, Mdlalose crafts a deeply personal and emotionally rich journey that transcends language- speaking straight to the heart. It is both a tribute to her influences and a reflection on home, family, and identity—most poignantly expressed in D 103, a heartfelt homage to her late grandfather. Supported by an ensemble of top South African musicians, the music moves with an undeniable groove and depth, proving that true artistry knows no borders and that music truly has the power to heal.

Indlel’eyekhaya isn’t just an album—it’s an experience that speaks to the soul. In a world of singers, Mdlalose is a "singer's singer", effortlessly breathing life into every lyric and able to use her instrument to convey emotion, effortlessly. Her voice is distinct and clear; boasting a mezzo soprano range that is captivating and beautiful. She is simply a singer you have to see live, a singer you have to experience. Audiences can expect to be transported, healed and deeply moved by this presentation.

Spha Mdlalose will perform at the UKZN Centre for Jazz and Popular Music on April 9, 2025.

Doors open at 17h00, Music starts at 17h30

Tickets R130 (R95 for pensioners & R65 for students). Cash Tickets available at the door subject to availability. Also available on Webtickets: https://www.webtickets.co.za/v2/event.aspx?itemid=1564347428

The Centre is located at the University of KwaZulu-Natal, Howard College Campus, Dennis Shepstone Building, Level 2

 

DURBAN FILMMART INSTITUTE PARTNERS WITH FESPACO

 

The Durban FilmMart Institute is pleased to have partnered with FESPACO (the Pan-African Film & TV Festival of Ouagadougou) to host a gathering of Africa’s film labs during the festival’s 29th edition.

 The festival, which remains an important meeting place for film professionals to celebrate African cinema, also featured DFMI project alumni with 11 films screening across its programme, and two projects pitching at FESPACO PRO's Yennenga Post-Production forum. It was a proud moment when alumni received awards at the Closing Ceremony held on Saturday.  (See below for award winners).

For the labs programme, 18 representatives of 14 labs gathered to discuss their work in providing professional support to filmmakers across the continent in the realisation of their films. The time together presented an opportunity for the DFMI to introduce the Future Mentors Programme, and for the group to have protected time together to gain a closer understanding of one another's process and practice, to learn from one another’s approach and to reflect and think through shared challenges.

Facilitated by Tiny Mungwe and Lauren Rosenberg who were both part of the co-creation of the Future Mentor’s Guide in 2022, the group was able to take a deep dive into the Guide, unpacking the freely available resource with representatives offering insights into mentorship from their own lab-specific experience and from the perspective of labs. This introduction opens a door for labs to adapt the Future Mentors Guide for use within their own lab context and for their lab needs. Importantly, it allows for the guide to remain responsive to the real-time needs of labs, as the feedback which emerged in response to it will be used to update the guide.

Much was shared during the three days together with four key areas of focus for labs emerging, namely: Context and Capacity, Sustainability, Monitoring and Evaluation, and Audience Development and Distribution.

The last day was spent strategising around these key focus areas, allowing for new knowledge and points of connection to emerge and be shared amongst the group.

As Africa’s leading co-production market, the DFMI is committed to African cinema and the professionals at its centre. Labs offer a vital source of ongoing professional support and expertise to projects and a crucial network that drives the continent's film industry forward.

DFMI thanks the support from DW Akademie and the German Federal Ministry for Economic Cooperation and Development (BMZ) for the Future Mentors Programme.

Be sure to access the Future Mentors Guide. (https://durbanfilmmart.co.za/wp-content/uploads/2023/07/Durban-FilmMart-MentorsGuide22_07.pdf) This free to use, open resource is available in English and French and was designed to support mentors and platforms in their work.

A true celebration of the cinema of Africa and its diaspora was highlighted at the Closing Ceremony of the 29th edition of FESPACO. The ceremony took place in a full stadium with music and dance from Burkinabe and Chadian performers, awards were presented in the presence of the President of Burkina Faso, Captain Ibrahim Traoré.

 

DFMI Alumni Win Awards at FESPACO:

The Silver Stallion of Yennenga for Best Feature Documentary

Tongo Saa - Rising Up At Night (DFM 2020)

Nelson Makengo (Director), Dada Kahindo (Producer), Rosa Spaliviero (Producer)

 

The President Thomas Sankara award for the promotion of the values of Pan-Africanism - first prize

Our Land, Our Freedom (DFM 2020)

Meena Nanji (Director/Producer), Zippy Kimundu (Director/Producer), Eliane Ferreira (Producer)

 

The President Thomas Sankara award for the promotion of the values of Pan-Africanism - second prize

Mother City (DFM 2018)

Miki Redelinghuys (Director), Pearlie Joubert (Director), Khetiwe Ngcobo (Producer)

 

FESPACO PRO Yennenga Post-Production Award

Nzonzing (DFM 2022)

Moimi Wezam (Director), Nelson Makengo (Producer), Angèle Diabang (Producer), Michael A. Dobbin (Producer)

 

For more information visit:

 

https://durbanfilmmart.co.za/

https://www.facebook.com/Durban.Filmmart.Africa

https://www.instagram.com/durbanfilmmart/

https://twitter.com/durbanfilmmart

https://www.linkedin.com/company/durban-filmmart-sa

mailto:info@durbanfilmmart.co.za

https://durbanfilmmart.co.za/

 

The Durban FilmMart Institute, which organises DFM 2024, receives its primary funding from the Durban Film Office and the eThekwini Municipality.

 

JOKES & JAZZ

 

The Centre for Jazz and Popular Music proudly presents Jokes & Jazz on Tuesday April 8 at 17h30.

Jokes and Jazz is a fusion of the incredible art of Jazz music and stand-up comedy, The show has been running successfully since its launch in 2017. It is hosted by award winning comedian and UKZN alumni Kwanda Radebe.

This instalment will be headlined by Comedy Legend and GAGASI FM radio presenter Fly Motion. He will be supported by the hilarious Thami Dlamini and up and comping super star Prince K. They also Have South African Comics Choice award 'COMEDIAN OF THE YEAR 2023'' and Headliner of the year 2024 MR Robby Collins as our SURPRISE GUEST.

Doors open at 17h00, Music starts at 17h30.

Tickets R130 (R65 for students and R95 for pensioners) available at Webtickets and Pick and Pay.

CashTickets available at the door

The Centre for Jazz and Popular Music is located at the University of Kwa-Zulu Natal, Howard College Campus, Dennis Shepstone Building, Level 2

 

THULILE ZAMA AND FRIENDS RETURN TO ST. CLEMENTS

 

Thulile Zama and Friends return to St. Clements for an unforgettable evening of live music on April 4, 2025, doors open at 18h00

After a captivating debut performance at St. Clements Restaurant in December 2024, the celebrated Durban vocalist Thulile Zama is set to return for another captivating live performance.

Known for her soul-stirring vocals and seamless blend of Afro-jazz and neo-soul, Thulile Zama will take audiences on a journey filled with rich melodies, electrifying solos by the instrumentalists, and heartfelt storytelling. Accompanied by her dynamic band, she will present a carefully-curated selection of original compositions and reimagined classics that highlight her deep connection to South African and global music traditions.

A celebrated figure on the Durban music scene, Zama has earned national and international recognition for her artistry and projects. She first gained prominence as a founding member of the all-female jazz band Heels Over Head, known for its fresh take on contemporary jazz.

Her critically acclaimed work includes A Tribute to Sophiatown. At the same time, she continues to explore new musical directions with her latest band, N’den, further showcasing her depth and versatility as an artist. Over the years, she has graced stages in Germany, the Netherlands, Eswatini, Mozambique, and the United States, sharing her passion for music with audiences worldwide.

"I’m thrilled to return to St. Clements and reconnect with the incredible Durban audience. This venue holds a special place in my heart, and I can’t wait to share the music that has shaped my journey." – Thulile Zama.

Joining her on stage are some of Durban’s most accomplished musicians

Sbu Shabalala (saxophone); Senzo Mdamba (bass); Sphe Mngwengwe (piano) and Skhulile Sibisi (drums)

This intimate live performance will also offer a sneak peek into Zama’s upcoming tour, following her successful concerts in Eswatini and leading into her April tour in the Eastern Cape. The South African National Treasury’s Jobs Fund and Southern African Music Rights Organisation (SAMRO) proudly support the tour as part of the Festival Enterprise Catalyst (FEC) initiative.

Don’t miss this opportunity to experience Thulile Zama in one of Durban’s most beloved live music venues.

Early booking is highly recommended, as space is limited!

Tickets: R100 via Webtickets: https://www.webtickets.co.za/v2/event.aspx?itemid=1563756010

R120 at the door (subject to availability)

Doors Open: 18h00 | Music starts: 18h30

St. Clements Restaurant is at 191 Musgrave Road, Durban.

For more information contact 031 202 2511.

 

 

TOWARDS EASTER SUNDAY 2025: WHO AM I ?

 

(Above: Gert Swart, We Have All Dreamt of Flying, painted jacaranda, and yellowwood)

For Istine, with love and gratitude by Gert Swart

Gert Swart’s exhibition Towards Easter Sunday 2025: Who am I? is running in the Main Gallery at the Tatham Art Gallery in Pietermaritzburg until April 27,2025.

Swart’s exhibition, Towards Easter Sunday 2025: Who am I? mainly consists of a series of sculptural portals interspersed with other sculptures that mark the passage of time in his career as a sculptor.

The idea of an exhibition of portals was born out of his Contemplation: A Body of Work by Gert Swart exhibition also held at the Tatham Art Gallery in 1997. (www.gertswart.com)

Gert said, “In hindsight I can see that the contemplative act, in my 1997 exhibition, became the bedrock for me to explore, who I am through a series of sculptural portals in relationship to everything else.”

Carl Jung said, 'People will do anything to avoid facing their own souls'.  It is hoped that those who engage with these sculptural portals on this exhibition will be brave enough to look deep into their own souls and thereby find answers to that universal question:  'Who Am I?'

The final part of the exhibition’s educational programme takes place on Tuesday April 15 at 11h00, Prof. Jorella Andrews (Goldsmiths University) and Walter Hayn (also from the UK) will present a lecture/ slide show and walkabout on Swart’s exhibition.

Booking for this programme is essential – contact reena.bhoodram@msunduzi.gov.za or 033 392 2823

 

DASHING ADDITION TO ARTIST RICOLLIN MOODLEY’S CREATIVE JOURNEY

 

 

(Ricollin with Springbok Captain Siya Kolisi and some of his artwork)

Lipstick artist, Ricollin Moodley, has captivated a devoted audience with his unique art, using cosmetic products to craft beautiful portraits. The 24-year old’s popularity soared even further last year when his lipstick portraits of some of the Springbok rugby players gained significant attention across his social media platforms, which led to him meeting Siya Kolisi, Faf de Klerk and Vincent Koch.

Given his talent and creative flair, Moodley was selected to be one of the influencers behind new SUV brand, Jetour, with the Jetour Dashing becoming a game-changer for this self-taught artist based in KwaZulu-Natal.

“Before I had it, I relied on public transportation to travel to places where I needed to bring my art, but often, I couldn't get to where I needed to be. Now, my Jetour has given me the freedom to take my art wherever I go, while comfortably accommodating both my creative needs and my family,” Moodley says.

For Moodley, the past year has been full of inspiring moments, with his Jetour Dashing making it possible for him to experience these in person. These include meeting UFC Middleweight Champion, Dricus Du Plessis, for the first time as well as meeting some of the Springboks and attending his first live rugby game at Kings Park. Moodley also took his family to the SA20 Cricket, hosted by SuperSport, where they also experienced a live cricket game for the first time. As a Sunglass Hut ambassador, Moodley now also drives into Durban every month to pick up his new sunglasses. He is also able to participate in more live in-studio radio interviews, a trend that seems to be growing as his talent and artwork gain more recognition.

“When I need to do live paintings, the Jetour has ample space for my art supplies—easel, canvases, lipsticks—and even fits my entire family (mom, dad, brother, and sister) comfortably. The generous legroom is especially appreciated by my mom, who isn't in the best health, making her ride more comfortable”.

The 5-seater Jetour Dashing brings affordable luxury to South African consumers, priced very competitively, starting with the Momentum model at R439 900 and the Deluxe model at R469 900.

For more information, go to www.jetour.co.za

DGSA LAUNCHES TO CHAMPION CREATIVE DIRECTORS’ RIGHTS IN SA

Beyond the lens: Setting new industry standards, protecting economic and creative rights, and fostering collaboration

South Africa’s film, television and commercial production sectors now have a dedicated champion with the official launch of the Directors Guild of South Africa (DGSA). Established to advocate for the country’s creative directors, the DGSA is setting new industry standards, safeguarding economic and creative rights, and fostering greater collaboration within the profession.

Founded in 2024 and representing all directors within the profession ranging from directors of photography, assistant directors, creative directors, and directors' assistants, the DGSA already boasts a membership of over 40 of South Africa’s most influential directors.

“Directors are the heart and soul of South African storytelling, yet our contributions often go underappreciated in industry negotiations and policy discussions,” says Andile Sinqoto, a distinguished Director and DGSA Executive Committee Member. “Our mission is to provide a unified voice for all creative directors, ensuring they are supported, protected and given the opportunities they deserve to thrive in their careers.”

Connecting creatives

A key focus of DGSA is fostering industry connections and creating opportunities for its members. To help achieve this, the organisation has established ties with heavy hitting international institutions like the Directors Guild of America, the New York Film Academy, and ARRI Academy to provide members with exclusive benefits such as educational programmes and skills development training. Over time, these relationships will help facilitate knowledge exchange, mentorship and global networking.

“We have already done a lot in a short period, and through our partnerships we can do even more. We are confident that these partnerships will help South African directors gain access to new markets, funding and career development resources,” explained Sinqoto.

DGSA also has a partnership with Stage 32, a global networking platform for creatives, connecting South African directors with an international community, offering education, collaboration opportunities and industry insights.

 

Fighting for director’s rights

The DGSA is committed to addressing long-standing challenges in the industry, such as fair pay, equitable contracts and improved working conditions. By advocating for stronger protections and creating platforms for dialogue, the organisation seeks to elevate the role of directors while strengthening the South African film, television and commercial landscape.

"Protecting directors’ rights, promoting excellence in filmmaking, advancing industry standards, encouraging diversity and inclusion, strengthening the film ecosystem and building a strong community is our commitment. We remain steadfast in our mission to empower directors, uphold artistic integrity, and contribute to the global recognition of our South African storytelling heritage," says Unathi Fenqe, Director at DGSA.

In addition to advocacy, DGSA offers a range of membership benefits, including professional development programmes, industry workshops and legal support for contract negotiations. The organisation has already successfully protected several directors from unfair exploitation at the hands of major streaming platforms.

Moving forward, the DGSA aims to empower directors with the tools and resources needed to navigate the complexities of the entertainment industry while driving innovation and creativity. “One of the projects we’re working on includes drafting a Creative Rights Handbook, a specially crafted guide for directors covering everything from ownership, copyright protection and licensing to industry best practices. The handbook highlights the importance of fair treatment and economic security, equipping directors with the knowledge to safeguard their work and negotiate better terms.”

“We are excited for this new chapter and are especially keen on showing the world how loud the voices of our local directors can be when we all come together. We’re a force good in this industry and are ready to fight tooth and nail to create meaningful change,” concludes Sinqoto.

 

For more information on the Directors Guild of South Africa or to become a member, visit www.dgosa.org.za

ONE ACT PLAY EXTRAVAGANZA 2025

 Westville Theatre Club is thrilled to present One Act Play Extravaganza 2025 that will be running from April 4-6 and 11-13, 2025. Featuring six plays (three plays per group performance) all of which are on average 25-35 minutes long. 

"The theme for this year’s extravaganza is light-hearted comedy so be sure to book your seats, bring your family and friends, food and drinks and come and share loads of laughs with us.

"We are also very proud to announce that the extravaganza will feature three original plays written and directed by our members, two plays by Maya Olsen (Morning After Madness and Awkward Brunch) and one play by Julian Correa (Flip of a Coin)." 

April 4, 6 and 12 will showcase the following three plays:

-The Final Dress Rehearsal

- Awkward Brunch

- Morning after Madness

 

April 5, 11 and 13 will showcase the following three plays:

-Flip of a Coin

- 11:59

- George’s Miss(ed) Fortune

 

 Evening shows doors open 18h30 with curtains up at 19h00.

Sunday Matinees doors open 14h00 with curtains up at 14h30.

 Tickets R100 per person per group performance (R80 for students and pensioners)

R150 per person for both group performances.

 

To book contact Dorothy on 083 776 1754 or dorothyannoneill@gmail.com

Bring own food and drinks.

 

PALM SUNDAY: RUTTER’S REQUIEM

St Joseph’s Cathedral, Mariannhill: Sunday April 13, 15h00 to 17h00

The Durban Symphonic Choir in conjunction with the KZN Philharmonic Orchestra presents Palm Sunday afternoon of magnificent sacred choral music as the Durban Symphonic Choir in association with the KZN Philharmonic, conducted by Chad Hendricks, presents a varied programme at St Joseph’s Cathedral Mariannhill.

The concert features The Rutter Requiem and excerpts from Bach - St John Passion; excerpts from Mozart Requiem; excerpts from Handel's Messiah, with soloists Sibonelo Mbanjwa, Robyn Gillespie, Stella Zakas, Gabrielle Wills, and Sabelo Ngcobo.

Tickets: R130 (under 12’s free), available online at Quicket or at the door

St Joseph’s Cathedral is located at 98 Abbot Francis Road, Mariannhill, Durban.

For further info, go to: www.durbansymphonicchoir.co.za or https://www.facebook.com/DbnChoir or e-mail durbansymphonicchoir@gmail.com

ITHEMBA SHOP OF HOPE AT MUSGRAVE METHODIST

Musgrave Methodist: Sat 5 April: 8.30am – 11.30am

There will be a bumper Easter / autumn market on Saturday April 5 in the grounds and garden of Musgrave Methodist Church in Musgrave Road – centred around their ongoing iThemba Shop of Hope.

There will be their usual range of pre-loved, quality goods, thrift, collectables, décor items, jewellery, clothing, white elephant and knick-knacks there will be tea, coffee and cakes for sale.  Denis Hurley Centre’s Street Lit project will be there with books and puzzles.

Entry is free and all are welcome. There is limited on-site parking, and guarded parking in the vicinity.

DALRO CAN THEMBA MERIT AWARD, INVITES COMPETITION ENTRIES

 

Deadline: Entries close at 23h59 on April 10, 2025

The Dramatic, Artistic & Literary Rights Organisation (DALRO), in collaboration with Wits University Press, The Market Theatre, and the Centre for Creative Arts at the University of KwaZulu-Natal, proudly announces the launch of the inaugural DALRO Can Themba Merit Award.

This prestigious competition aims to honour the literary legacy of Can Themba while nurturing the next generation of South African short story writers. The DALRO Can Themba Merit Award was officially launched at the 28th edition of the Time of the Writer Festival, setting the stage for a dynamic two-year initiative that not only champions short story writing but also extends into the realm of theatre.

The award is designed to provide emerging writers with the resources, mentorship, and platforms necessary to refine their craft, gain exposure, and see their work adapted for the stage. A legacy of storytelling excellence Can Themba’s influence as a literary pioneer remains undeniable.

After graduating from Fort Hare University, he gained widespread recognition when his short story Mob Passion won a competition hosted by Drum magazine. Reflecting on his achievement, Themba once said, “I feel inspired to go on writing and writing, until one day, perhaps, I’ll be a really famous author.” His work remains a pillar of South African literature, known for its incisive social commentary and fearless storytelling.

With this competition, DALRO and its partners aim to continue that legacy, providing a strategic career accelerator for emerging South African writers.

 

DALRO Can Themba Merit Award

The award seeks short stories that are authentic, engaging, and reflective of the South African experience. Over a two-year cycle, the programme will guide participants through a comprehensive development process:

-2025: Focus on the literary component, mentorship, story refinement, and publication.

-2026: Adaptation of the winning short story into a theatrical production to be staged at The Market Theatre in Johannesburg.

The winning author will receive invaluable professional opportunities, including mentorship, local and international festival participation, publication in an anthology produced by Wits University Press and a R10,000 cash prize from the University of KwaZulu-Natal’s Centre for Creative Arts.

A platform for publishing excellence Wits University Press, with its century-long commitment to publishing groundbreaking African narratives, will be responsible for the anthology featuring the Top 10 short stories from the competition.

Veronica Klipp, Wits University Press’ Publisher, says: “Wits University Press champions knowledge from and about Africa to local and global readers. We are excited to support this initiative that not only honours Can Themba’s literary legacy but also contributes to the ongoing discourse of African storytelling. Through this anthology, we hope to amplify the voices of emerging writers and ensure their work reaches diverse audiences.”

Ismail Mahomed, Director of the Centre for Creative Arts, adds: “By celebrating the legacy of South African journalist and author, our partnership with DALRO will create strong and innovative pathways to assist short story writers to reach a broad array of South African and international audiences.”

Greg Homann, Artistic Director of The Market Theatre Foundation, says: “Celebrating multidisciplinary storytelling through the partnership with The Market Theatre, the winning short story will transition from page to stage. The winning author will collaborate with a dramaturge and playwright to adapt their work into a theatrical production, premiering in September 2026 at The Market Theatre.

“The Market Theatre Foundation is proud to be part of this landmark initiative that celebrates the legacy of one of South Africa’s most significant literary voices, Can Themba. This initiative is more than just a competition; it is a bridge between the literary and theatrical worlds, creating opportunities for South African writers to develop their craft and expand their narratives beyond the written word.”

 

How to enter

The DALRO Can Themba Merit Award is open to South African nationals and there is no entry fee. Among other entry requirements, submissions must be original, unpublished short stories of no more than 8,000 words. Writers are encouraged to craft narratives that reflect the vibrancy, complexity, and resilience of South African society.

Entries close at 23h59 on April 10, 2025. Full submission details and guidelines are available on the DALRO and Time of the Writer Festival websites.

 

About DALRO

DALRO is a pioneering Collective Management Organisation (CMO), established in 1967 dedicated to safeguarding intellectual property. It focuses on three areas of copyright:

-       Literary works refers to virtually every form of writing, in whatever mode or form expressed and includes dramatic works

-       Artistic works include all paintings, sculptures, drawings, engravings and photographs

-       Published editions refer to the typographical arrangement of a literary work or artistic work. Books, generally, contain two forms of copyright. One is the copyright in the expression of ideas which usually belongs to the creator of the literary work and the other is the copyright in the typographical arrangement, which usually belongs to the publisher. DALRO licenses literary works, artistic works and published editions, facilitates and grants permission for copyright users to reproduce works, collects fees and remunerates copyright holders. 

As a leading authority in managing and licensing works, DALRO continues to champion creators' rights while nurturing a thriving creative economy in South Africa.

To visit the Centre for Creative Arts site, click on the logo advert to the right of this article.

 

THE PAVILION NIGHT MARKET

 

Back row, Left to right:

Dhiya’s Crochet – Dhiya Juglal (woman in dark blue with crochet items)

Tara Homes Bakes – Wenzil Pillay   (grey shirt, cap)

8Ball Threads – Jordan Hurd (with garments)

Front row, Left to right: 

Chilli Chaat - Bhumika Bhatt (woman in light blue)

Maggie – Africa – Maggie Roodt (lady in glasses, with jewellery)

Photos by Shelley Kjonstad

 

Pavilion Shopping Centre: Sat 29 March, from 3pm to 10pm.

A sunset market with crafts, food, speciality buys and live music, heralding the onset of autumn, is being held in the undercover parking at the Pavilion Shopping Centre from 15h00 until 22h00 on Saturday March 29 .

The one-day afternoon and evening market supports micro-businesses and pop-up entrepreneurs, allowing a wide range of shopping, dining, kiddies and entertainment options for visitors. The market will have over 30 stalls including gift ideas, bespoke items, garments, jewellery, handmade crafts, décor items, vintage wares and toys.

Delicious artisanal options, street food, snacks, market fare, speciality dishes and desserts, will be available at the market for families to enjoy, while they listen to the best in local live entertainment.

There will be live music throughout the afternoon and evening.  Featured acts include Many Moore, a three-piece acoustic pop jazz outfit from Pietermaritzburg, who perform urban poetic soul influenced by Fela Kuti, Hugh Masekela, Norah Jones, and Bob Marley. They have been the opening act for Sjava, have shared the stage with Desmond & The Tutus and have performed gigs at events around the country.

The market is undercover – so is protected from the weather. It is alongside entrance 5 and 6, at Undercover B at the Pavilion Shopping Centre from 3pm until 10pm on Saturday 29 March

Be sure not to miss out on an evening of shopping, live music and amazing live performances at The Pav Night Market!  For more information visit our social media platforms or contact 031 275 9800.

Entry is free and all are welcome

THIRST: REVIEW

If it is drama and violence you are after, there is certainly plenty here, once you have passed the more careful and interesting scene set. (Review by Margaret von Klemperer, courtesy of The Witness)

 

Giles Foden is best known for his novel The Last King of Scotland, which was made into a successful film. With Thirst, he is using an African setting again, though this time it is Namibia rather than Uganda. 

And while this novel opens in 2014, the main part of the story takes place in the future, in 2039.

It is a novel of two parts – not just in time but also in the plotting and the writing which is somewhat uneven. 

It opens with Catherine Brosnan, an Irish climate scientist, visiting the remote town of Dekmantel in the Namib desert to try to find a major aquifer that is rumoured to lie under the desert sands. But if it is to be found where Catherine thinks it is, she needs to have permission, and an escort, from the Chinese who control the area as part of their mining zone. And so Catherine and Captain Xin set off into the desert. And what they find there is not an aquifer, but a possible, if somewhat sinister, clue to its existence.

But Catherine returns to Ireland – damp and cool Kerry which is about as removed from Namibia as it is possible to get. She stays there to bring up her daughter Cat – a memento of her Namibian adventure – until the younger Brosnan is at university, also studying climate science. And then Catherine heads back to Namibia and disappears.

Come 2039 and off Cat goes to Namibia, hoping to find her mother, the aquifer and more about herself. Dekmantel is now disputed territory between American and Chinese mining companies, with the locals being sidelined and exploited, and various militias competing for turf. Almost inevitably, the heavies and protectors of the mining interests are ruthless white Afrikaners – they make handy baddies in this kind of fiction. The water supply is being gobbled up by the mines, the situation is dire and the novel is now a full-on action thriller.

When the water dries up completely, Cat joins an ill-assorted group of refugee locals, militias and others and heads into the desert. She is still looking for the aquifer and her mother, while others are looking for survival. But they are faced with heavily-armed bad guys, man-eating lions and implacable nature itself.

The action is so fast and furious that it becomes faintly ridiculous, and I found it difficult to care very much about most of the characters who too often are mere stereotypes. And Cat, as the central figure, never really comes to life on the page. But if it is drama and violence you are after, there is certainly plenty here, once you have passed the more careful and interesting scene set. - Margaret von Klemperer

Thirst is published by Weidenfeld & Nicolson. ISBN 978-0-2978-6822-4

 

FREE FAMILY DAY THIS SATURDAY

The Alliance Française in Windermere is hosting a fun-filled FAMILY FÊTE to celebrate Francophonie and World Theatre Day in partnership with ASSITEJ SA!

Bring your loved little ones for a morning of vibrant performances and creativity. You can enjoy:

- dance, music & theatre performances

- shadow theatre workshop – youngsters from 8 years old can create their own shadow play (Booking essential)

- coffee, cold drinks, French pastries, and light meals by our coffee shop O ROAST LAB.

 

Let’s celebrate culture, creativity, and family together!  This Saturday, March 29, from 09h00 to 12 noon Alliance Française Durban, 22 Sutton Crescent.  And it is FREE!

Booking by email admin@durban.alliance.org.za

or phone 031 312 9582

 

WINNERS ANNOUNCED: 60TH FLEUR DU CAP THEATRE AWARDS

 

(One of the major scenes from “My Fair Lady”)

The Fleur du Cap Theatre Awards, often referred to as the ‘Oscars’ of Cape Town’s theatre industry, celebrated their 60th year in spectacular fashion at a glamorous ceremony at DHL Cape Town Stadium on Sunday, 23 March. Winners across 23 categories were honoured for their outstanding contributions to the performing arts, both on and off the stage.

 

(Leah Mari. Best Performance By A Lead Actress In A Musical Or Music Theatre Show 2025._Photographer Johann Botha)

 My Fair Lady, produced by Pieter Toerien Productions and Cape Town Opera, and directed by Steven Stead, dominated the evening with five awards, including Best Production. 

Leah Mari won Best Performance by a Lead Actress in a Musical, while Graham Hopkins took Best Performance by a Supporting Actor in a Musical. The production also won for Best Set Design, awarded to Greg King, and Best Costume Design, which went to Neil Stuart Harris, Andrew Botha, and Martha Visagie.

 

(Right: Greg King - Best Set Design 2025. Photographer Johann Botha)

 

Dean Balie won Best Performance by a Lead Actor in a Musical for his role in Ver In Die Wêreld Kittie, while Candice van Litsenborgh earned Best Performance by a Supporting Actress in a Musical for The Addams Family: The Musical.

Metamorphoses won in two categories, with its cast receiving Best Performance by an Ensemble and Franky Steyn winning for Best Lighting Design.

Sylvaine Strike was awarded Best Director for Spring Awakening. Emily Child won Best Performance by a Lead Actress in a Play for her role in A Streetcar Named Desire, while Albert Pretorius took Best Performance by a Lead Actor in a Play for Othello.

This year’s Lifetime Achievement Award was presented to Professor Temple Hauptfleisch for dedicating his illustrious career to researching and documenting theatre in South Africa, and for establishing the online Encyclopaedia of South African Theatre, Film, Media and Performance (ESAT). His significant contribution to the sector, particularly the archiving of theatre performance, is most treasured.

David Isaacs and Oscar Petersen received the Encore Award in recognition of 25 years of the cultural phenomenon Joe Barber. The Innovation in Theatre Award was presented to SoapBoxing for their role in nurturing theatre talent and fostering a dynamic creative space.

Africa Melane, chair of the panel of judges, congratulated the winners and said, “South Africa is endowed with an abundance of talent, and what a pleasure it was to celebrate and honour these outstanding theatre makers who have spoilt Cape Town and this country with their exceptional gifts.”

 

The winners of the 60th Fleur du Cap Theatre Awards are:

 

Most Promising Student Award 2025

Nichola Viviers | Stellenbosch University

 

Best New South African Script 2025

Tiisetso Mashifane wa Noni | Neighbourhood

 

Best New Director 2025

Aidan Scott | The Dumb Waiter

 

Best Theatre Production For Children And Young Adults 2025

Pampoenpit se Groen Gevoel

 

Best Performance By An Ensemble 2025

Awethu Hleli, Brent Palmer, Cassiel Eaton-Winnik, Carlo Daniels, Lyle October, Matthew Vey, Nolufefe Ntshuntshe, Tamzin Williams | Metamorphoses

 

Best Performance In A Revue, Cabaret Or One-Person Show 2025

Fiona Ramsay | Blonde Poison

 

Best Performance By A Supporting Actor In A Musical Or Music Theatre Show 2025

Graham Hopkins as Colonel Pickering | My Fair Lady

 

Best Performance By A Supporting Actress In A Musical Or Music Theatre Show 2025

Candice van Litsenborgh as Grandma | The Addams Family: The Musical

 

Best Performance By A Lead Actor In A Musical Or Music Theatre Show 2025

Dean Balie as Koos Heuningbek | Ver in die Wêreld Kittie

 

Best Performance By A Lead Actress In A Musical Or Music Theatre Show 2025

Leah Mari as Eliza Doolittle | My Fair Lady

 

Best Puppetry Design 2025

Marthinus Basson and Elana Snyman | The Addams Family: The Musical

 

Best Lighting Design 2025

Franky Steyn | Metamorphoses

 

Best Set Design 2025

Greg King | My Fair Lady

 

Best Costume Design 2025

Neil Stuart Harris Andrew Botha and Maritha Visagie | My Fair Lady

 

Best Sound Design, Original Music, Soundscape Or Live Performance 2025

Neo Muyanga for original music | Manje! Manje (an epic)

 

Best Performance In An Opera, Male 2025

Thando Zwane as Acmet | Dalinda

 

Best Performance In An Opera, Female 2025

Nontobeko Bhengu as Sister Angelica | Suor Angelica

 

Best Performance By A Supporting Actor In A Play 2025

Mark Elderkin as Emperor | Amadeus

 

Best Performance By A Supporting Actress In A Play 2025

Rehane Abrahams as Mercutio and Lady Montague | Romeo and Juliet

 

Best Performance By A Lead Actor In A Play 2025

Albert Pretorius as Iago | Othello

 

Best Performance By A Lead Actress In A Play 2025

Emily Child as Blanche DuBois | A Streetcar Named Desire

 

Best Director 2025

Sylvaine Strike | Spring Awakening

 

Best Production 2025

My Fair Lady | Pieter Toerien Productions with Cape Town Opera

 

Lifetime Achievement Award 2025

Professor Temple Hauptfleisch

 

Encore Award 2025

Joe Barber

 

Award For Innovation In Theatre 2025

SoapBoxing

 

Eligible productions performed in 2024:

Close; A Doll’s Life; A Streetcar Named Desire; 32 Lavender Agatha Christie's Witness for the Prosecution; Amadeus; Black Mouse; Blonde Poison; Braam en die Engel*; Dalinda (Donizetti)**; Der Schauspieldirektor (Mozart)**; Die Vegetarieër; Disney's The Magic Box; Dog Rose; Don't Believe A Word I Say; Droomwerk; Expelled; Gianni Schicchi (Puccini)**; Glimmer*; His TEN Fingers; Invisible Scars; Ka-BOOM!*; Ken jy vir Dewie?*; Law of Carnage; Liewe Heksie en die rolskaatse*;  Lucia di Lammermoor (Donizetti)**; Lungs; Mamma Mia!; mAnJE! MaNJe!; Metamorphoses; Monika, it's Me; My Brilliant Divorce; My Fair Lady; My Left Breast; My Name Is Lucy Barton; Neighbourhood; NKOLI: The Vogue-Opera; Off Balance; Opera Blocks*; Orpheus McAdoo; Othello; Pampoenpit se Groen Gevoel*; Pieces of Me; Return of the Ancestors; Romeo & Juliet; Round of Applause - South Africa Still Standing; Spring Awakening; Suor Angelica (Puccini)**; Sweeney Todd the Demon Barber of Fleet Street; Text Me When You Arrive; The Addams Family: The Musical; The Agents; The Dumb Waiter; The Good Dad; The Little Mermaid*; The Return Of Elvis Du Pisanie’; The Sin Drinkers; The Turn of The Screw (Britten)**; The Ugly Noo Noo; The Whimsical Beanstalk*; Trial and Error; Trial by Media (Asman)**; Trouble in Mind; Unruly; Ver In Die Wêreld Kittie; Vlooi and the Olympic Flame*; Vlooi en die Olimpiese Vlam*; Wolf-wolf hoe laat is dit?; Woordedief*

 

The panel of judges:

Africa Melane (chair), Dr Beverley Brommert, Hadley Tituss, Dr Lwando Scott, Naudé van der Merwe, Nkgopoleng Moloi, Roxy Marosa, Sive Gubangxa, Thabo Makgolo, Tracey Saunders and Dr Wayne Muller.

 

Follow the Fleur du Cap Theatre Awards on Facebook (@fdctheatreawards), Instagram (@fdctheatreawards) and X (@FDCTheatreAward). Join the conversation and use the hashtag: #60FDCTheatreAwards

I HEART MARKET - EASTER VIBES

     

(Left: Le Vintch - trader Portia Mkhize)

 

The next I Heart Market takes on full Easter “holiday vibes” at Northlands Primary School, Durban North on Saturday April 5 from 09h00 to 14h00.

 This month’s market experience features loads of cool stuff for Easter celebrations: with kiddies' outfits, table decorations, jewellery, plushie and crochet toys, ceramics, soaps, gifts, sweet and savoury treats, and a range of delicious goodies to complement one’s Easter spread.

 The market will have an Easter Egg Hunt for the youngsters in the quad at 09h30 and 11h30, and there will be loads of fun involved.

 

The market takes place indoors in the air-conditioned school hall and outdoors. There is a dedicated youngsters’ play area (and pram park) to keep little ones occupied while parents shop and relax.

(Right: Bows for Boo)

Entry is free, and friendly dogs on leashes are welcome. Safe parking with car guards is available within the school grounds and surrounding precincts.

For more information follow on Facebook and Instagram: @iheartmarket.

 

 

NANDI THE MUSICAL

 

Nandi the Musical stages at Durban Playhouse – A Celebration of Resilience, Power, and Women's Value from March 27 to 30, 2025.

The stage at the Durban Playhouse will come alive with the powerful tale of Queen Nandi, the mother of the legendary Zulu King Shaka, in Nandi the Musical.

This captivating production promises to be a moving journey through music, dance, and drama, highlighting the strength and resilience of women, particularly mothers, in the face of societal judgment. In a time when women with children outside of wedlock are often marginalized and deemed valueless on South African social media platforms, Nandi the Musical comes as a timely reminder of the inherent worth of every woman.

 

Queen Nandi, born a princess of the Elangeni clan, faced her own struggles as an unmarried mother to Shaka. Yet, she never allowed societal norms or perceptions to diminish her self-worth or her noble heritage. Despite the challenges of motherhood outside wedlock, Queen Nandi’s royal lineage and unwavering confidence in her value remained unshaken. 

She rose to become the Queen Mother of the Zulu Kingdom, playing an instrumental role in the shaping of Shaka, whose leadership would go on to build one of Africa's most powerful and respected kingdoms. 

Through this production, Nandi the Musical seeks to challenge contemporary views and promote a message that a woman's value is not defined by her relationship status or motherhood.

Queen Nandi's story serves as an empowering testament to the resilience of women, their strength in adversity, and their ability to break societal expectations.  This year marks the 8th season of Nandi the Musical, and audiences can expect stunning performances, vibrant music, and an unforgettable portrayal of Nandi’s legacy.

 

Starring Zawadi Yamungu, the celebrated songstress, alongside Sibusiso Sithole, best known for his role in Isiphetho – The Destiny as Nkosana, this season promises to be an unforgettable theatrical experience.

Nandi the Musical will be presented through dynamic storytelling, music, and dance, ensuring that the legacy of Queen Nandi’s strength is brought to life in a way that resonates with audiences from all walks of life. 

Tickets R150 through Webtickets  

For tickets and more information, contact Nontobeko Hlengwa at 031 5046970

KINGS & QUEENS OF COMEDY RETURN WITH ORIGINAL LEGENDS

 

For over a decade, Kings & Queens of Comedy has been the gold standard of South African stand-up, uniting audiences with laughter and showcasing the best comedic talent the country has to offer. Now, as the brand celebrates 13 years, it returns with a line-up that pays tribute to its roots while embracing the evolution of comedy.

Mark your calendars for two unmissable nights of stand-up royalty on April 5 at 20h00 at Durban ICC and at Emperors Palace, Johannesburg on April 12 when Kings & Queens of Comedy marks this milestone with a show that blends nostalgia, legacy, and fresh, fearless humour.

 

Durban line-up (in association with East Coast Radio): Darren Maule, Alfred Adriaan, Darren Simpson, Trevor Gumbi, Annalakshmi, Angel Campey, Muthu Murugan, Khanyisa Bunu, Joey Rasdien, Conrad Koch & Chester Missing and Chris Forrest,

 

Johannesburg line-up: Darren ‘Wackhead’ Simpson, Alfred Adriaan, Annalakshmi, Angel Campey, Muthu Murugan, Khanyisa Bunu, Joey Rasdien, Tracey-Lee Oliver, Chris Forrest and Conrad Koch & Chester Missing.

 

A true testament to its enduring success, this year’s edition features five of the original comedians who helped launch the brand in 2012 – Darren ‘Wackhead’ Simpson, Chris Forrest, Joey Rasdien, Angel Campey, and Trevor Gumbi. These seasoned comics have been a mainstay on Kings & Queens of Comedy line-ups over the years, each carving their own path in an industry that has seen a massive transformation over the past decade.

Reflecting on the journey of Kings & Queens of Comedy, Blu Blood co-founders Osman Osman and Shaaista Khan Osman share: “When we first started this brand 13 years ago, our vision was to create a platform that not only showcases South Africa’s best comedic talent but also brings people together through the universal language of laughter. Year after year, we’ve seen it grow in scale and impact, and we are so proud of the diverse talent that graces our stage. This year’s edition is no exception – it’s bigger, bolder, and funnier than ever before!”

Over the years, Kings & Queens of Comedy has seen unforgettable moments with legendary performances, viral stand-up clips, and sold-out shows that prove just how powerful comedy can be. The South African comedy scene itself has undergone a shift, with stand-up becoming more accessible through digital platforms and social media, and a new wave of comedians pushing boundaries. But even as trends change, the true icons of the stage remain, adapting and thriving in an ever-evolving landscape.

As Kings & Queens of Comedy celebrates its 13th anniversary, it’s clear that the brand has been instrumental in elevating comedy as an art form, giving a platform to both seasoned performers and rising stars, and creating a legacy that continues to shape the entertainment industry.  Tickets are available now from Ticketpro and selected SPAR Payzone kiosks.

Don’t miss out on the celebration - 13 years of countless jokes and unforgettable nights of laughter done #TheBluBloodWay.