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Monday, January 12, 2026

KZNSA BIDS FAREWELL TO GLORIA HOFF

 

(Gloria Hoff. Pic supplied)

After 55 years of extraordinary service, dedication, and care, the KZNSA bids a heartfelt farewell to Gloria Hoff, who will retire from her role at the KZNSA Shop at the end of January, 2026.

 

Tribute from the Gallery:

Gloria’s remarkable contribution has left an indelible mark on the organisation and all who have had the pleasure of working with her. We also celebrate Gloria’s 85th birthday on Friday, January 16, 2026, marking a remarkable career and legacy.

Gloria’s contribution to the KZNSA is immeasurable. From joining Council in the 1970s to founding the KZNSA Shop in 1989, she has been a driving force behind the KZNSA’s sustainability and spirit. Her vision, entrepreneurial acumen and deep belief in handcrafted work transformed the shop into a vital income stream and a much-loved destination with an international reputation.

Beyond her achievements, Gloria is known and cherished for her generosity, kindness and unwavering commitment to people - nurturing artists, mentoring colleagues and building lasting relationships with our suppliers and customers alike. Even after lockdown, she returned to help rebuild the shop, generously giving her time and expertise to ensure its future.

Gloria has witnessed and shaped multiple eras of the KZNSA, leaving an indelible mark on the institution we know and are today. We thank her, and the Hoff family, for their decades of service, passion and care.

Gloria, your legacy lives on in every corner of the KZNSA Shop and in the many lives you have touched. We wish you a joyful and richly deserved retirement.

We have a dedicated tribute book available to write in at the gallery desk – please add memories and experiences you've shared, plus any images, or words of thanks and good wishes for our precious Gloria. For those that can’t contribute in person – please see the Google Form in our bio.

Gloria’s last day at the KZNSA is Sunday February 1, 2026, and a public event to honour her will be held on the 15th April, details to be confirmed closer to the time.

The KZNSA Gallery is situated at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1705 or cell 082 220 0368 or visit www.kznsagallery.co.za

Saturday, January 10, 2026

HISTORY SOUTH AFRICA SCHEDULE: JANUARY 2026

 

Please note the following changes:

 

Thursday January 1, 2026

13h25  American Godfathers: The Five Families: The Last Don

            CHANGE TO: Shows how a decidedly new, more aggressive commitment by law enforcement to "eradicate" the mafia forces the families to find creative ways to stay in business and out of jail. But it's not as easy as it's been in the past. (AD) (S)

15h00  Schedule resumes as previously published with the programme:

Mystery Places: Episode 10

 

19h25  Premiere Alone: Weak Spot

            CHANGE TO: The remaining three survivalists continue to push their limits, reaching almost a month in the Great Karoo Desert. One participant loses the use of a major tool and all their hope along with it, while another faces a major setback of their own doing. (S)

 

20h15              Premiere Mountain Men: Icebreaker

            CHANGE TO  Bret and Ivy bust through sheets of lake ice to ferry critical equipment to their cabin by boat; Lauro and Virginia use the dog team to haul fresh-cut timber from the forest for a log cabin build. (S)

 

21h05  Schedule resumes as previously published with the programme:

WWII Battles In Colour: Blitzkrieg

 

01h40              Mountain Men: Icebreaker

            CHANGE TO  Bret and Ivy bust through sheets of lake ice to ferry critical equipment to their cabin by boat; Lauro and Virginia use the dog team to haul fresh-cut timber from the forest for a log cabin build. (S)

 

02h25  Schedule resumes as previously published with the programme:

Ancient Aliens: The Top Ten UFO Crashes

 

Friday January 2, 2026

08h15              Mountain Men: Icebreaker

            CHANGE TO: Bret and Ivy bust through sheets of lake ice to ferry critical equipment to their cabin by boat; Lauro and Virginia use the dog team to haul fresh-cut timber from the forest for a log cabin build. (S)

 

09h00  Schedule resumes as previously published with the programme:

Storage Wars: The 300th Time's the Charm!

 

12h35              Mountain Men: Icebreaker

            CHANGE TO: Bret and Ivy bust through sheets of lake ice to ferry critical equipment to their cabin by boat; Lauro and Virginia use the dog team to haul fresh-cut timber from the forest for a log cabin build. (S)

 

13h25  Schedule resumes as previously published with the programme:

WWII Battles In Colour: Blitzkrieg

 

19h25  Premiere Curse Of Skinwalker Ranch: Darting Around

            CHANGE TO: When the team flies a cutting-edge radar device high above Skinwalker Ranch, it reveals shocking new clues about the Bubble and what may be inside the Mesa. (S)

 

20h15              Premiere Beyond Skinwalker Ranch: Mountain Of Mystery

            CHANGE TO: When Andy and Paul head to Northern California to investigate one of Brandon Fugal's most intriguing sites: the notorious energy hotspot of Mt. Shasta, they discover the outrageous lore surrounding the mountain is justified by hard data. (S)

 

21h05  Schedule resumes as previously published with the programme:

WWII Battles In Colour: El Alamein

 

Saturday January 3, 2026

18.40               Mountain Men: Icebreaker

            CHANGE TO: Bret and Ivy bust through sheets of lake ice to ferry critical equipment to their cabin by boat; Lauro and Virginia use the dog team to haul fresh-cut timber from the forest for a log cabin build. (S)

 

19.25               Premiere Ancient Aliens: Britain's UFO Files

            CHANGE TO: From ancient sites like Stonehenge to the crop circle phenomenon and modern-day UFO sightings, Great Britain is a place of countless mysteries. Could it be that throughout history, this island has been a destination for extraterrestrial visitors? (S)

 

20h15              Premiere History's Greatest Mysteries: The Rendlesham Forest Incident

            CHANGE TO: An event outside a US Air Force base near the Rendlesham Forest in England became an international legend, and one of history's strangest unidentified encounters. What was really out there in the Rendlesham Forest? What were the Rendlesham lights? (S)

 

21h05  Schedule resumes as previously published with the programme:

Jesus: Crown Of Thorns: Episode 1

 

Sunday January 4 2026

20h15              Premiere Jesus: Crown Of Thorns: Episode 3

            CHANGE TO: Jesus struggles toward Golgotha with his crossbeam until an unsuspecting pilgrim is made to help him carry the weight. As most of the disciples hide in fear, the women and John stay by Jesus’ side.

 

21h05              Premiere Jesus: Crown Of Thorns: Episode 4

            CHANGE TO: Mary Magdalene returns to Jesus’ tomb and finds it empty, returning to the disciples with this shocking news. Gradually, proof that Jesus has miraculously risen from the dead is revealed to the disciples.

 

21h55  Schedule resumes as previously published with the programme:

Canadian Pickers: A Jumbo Pick

 

Monday January 5 2026

19h25              Premiere Life After People: Water World

            CHANGE TO: In a world without humans, water turns from life-giver to destroyer—flooding cities, collapsing dams, and triggering ancient forces long kept at bay. (S)

 

20h15              Premiere Holy Marvels With Dennis Quaid: Beasts Unleashed

            CHANGE TO: Legendary beasts are believed to roam the earth and the seas, terrorising, killing, and even possessing humans. But are these creatures merely metaphors or is there proof they've actually been unleashed to wreak havoc? (S)

 

21h05  Schedule resumes as previously published with the programme:

WWII Battles In Colour: The Bulge

 

Monday January 26 2026

21h55  DELETE          Premiere Gim: Episode 1

            INSERT          The Crimean War: A Most Desperate Undertaking

            In the spring of 1854, British troops and their French allies were sailing east to the Black Sea to help the Turks fight off Russia’s advances. (S)

 

22h45  Schedule resumes as previously published with the programme:

Strangest Things: German Codes, Egyptian Helicopters and the Future Machine

A MILLION O CLOCK FOR JAZZ CENTRE

 


(Above: A Million O Clock. Pic supplied)

 

A Million O Clock - (SA/SWISS) will be live at UKZN Jazzcentre on February 11 at 17h30

The band is led by Swiss saxophonist Benedikt Reising and features pianist Thandi Ntuli, bassist Shane Cooper and Swiss drummer Paul Amereller

The band is an ever-evolving sound and shape-shifting ensemble, sharing compositions that are both beautiful and groovy.

The performance takes place on February 11 2026. Doors open at 17h00

Tickets R130 (R100 for pensioners, R70 for students) available at Webtickets:

https://www.webtickets.co.za/v2/event.aspx?itemid=1583660971

The Centre for Jazz and Popular Music is located on the University of KwaZulu-Natal, Howard College Campus, Dennis Shepstone Building, Level 2.

 

A Million O Clock will also perform at The Chris Seabrooke Music Hall on February 9, 2026, at 19h30. Tickets at Webtickets

MITH IS BACK WITH A BANG!

 


(Tempest Union. Pic supplied)

Where can you meet with friends and enjoy great music in a beautiful setting, with roaring fires, hearty food and a cash bar – all for just R50? MiTH evenings in the hills are alive with music – and while the nights are warming, the fires will still be lit and the welcome waiting. Join up for another night of heartfelt performances, local flavour, and the unique magic of MiTH.

The next event takes place on January 14, 2026, at The Knoll Historic Guest Farm in Hilton.

Entrance: R50. (cash or Zapper at the door)

For more information contact 082 331 7271

 

20h15 – Tempest Union

Tempest Union returns to kick off MiTH for 2026. Hailing from Hillcrest and made up of former members of Stormy Monday and the James Edward Project – all MiTH veterans – the band blends original material with cross-genre covers.

Featuring Sylvia Tempest on vocals and keys, William Kruger on drums, Rogan Ward on bass and mandolin, and Hylton Blignaut on vocals and guitar, Tempest Union is known for soulful performances and tight instrumentation. They are MiTH crowd favourite and a perfect start to this year’s MiTH.

 

19h30 – Zendoni

Zendoni is a soulful vocalist, internationally acclaimed poet, and radio personality. She is best known for her powerful live performances and for sharing stages with artists of similar creative energy. Her musical influences include Freshly Ground, Nomfundo Xaluva and Oliver Mtukudzi, resulting in a rich blend of poetry and music.

For this MiTH experience, she is accompanied by Christopher Shuku – a South African pianist, composer and music educator active since 2013, committed to teaching music theory and developing expressive performance.

 

19h00 – Ross Williams

Hailing from Howick, Ross Williams draws inspiration from folk, country, indie and alternative music. He enjoys playing guitar, singing, and sharing short cover clips on social media. While music competes with other commitments, it remains a vital creative outlet, and Ross continues to challenge himself and grow whenever the opportunity arises.

 

About MiTH

The KZN Midlands’ favourite music venue, MiTH is a platform for beginners, professionals and music lovers to celebrate the joy of live performance. Hosted every second Wednesday at The Knoll Historic Guest Farm, Hilton.

Food and soft drinks are available for sale. Cash bar on site.

Visit www.mith.co.za for more information, or email mithbookings@gmail.com to perform.

 

DIRECTIONS TO MiTH

Take the N3 to Hilton. Turn into Hilton Village and drive 5.2 km along Hilton Avenue, which becomes Dennis Shepstone Drive. Look for Knoll Drive on your right – the entrance to MiTH is the second left into The Knoll Historic Guest Farm.

MENZI MBULI’S MENZI M CREATIONS WINS TOP HONOUR

 

(Right: Menzi Mbuli)

 

Menzi Mbuli’s Menzi M Creations wins top honour at the Hollywood Foundation KZN Youth Business Awards

Menzi M Creations, the youth-driven arts and entertainment company founded by theatre-maker and entrepreneur Menzi Mbuli, has been recognised at the Hollywood Foundation KZN Youth Business Awards, which honour exceptional young business leaders transforming their communities through innovation, impact, and economic participation.

Hosted by the Hollywood Foundation, the CSI arm of Hollywoodbets, the awards celebrate high-performing youth-owned businesses across KwaZulu-Natal that demonstrate excellence, sustainability, and social upliftment. The Hollywood Foundation’s youth enterprise programmes invest in developing the next generation of job creators and changemakers, with winners selected across multiple competitive categories.

A vision born from necessity and built through impact.

Accepting the award on stage, Mbuli shared the journey behind Menzi M Creations: “We started Menzi M Creations about eight years ago because I realised that, as actors and artists, we are always waiting for people to give us work. It’s funny how you start by employing yourself, but halfway through the journey you start employing and empowering other people.”

What began as a self-starter initiative in the entertainment sector has grown into an influential arts-education company with a footprint spanning more than 390 schools across KwaZulu-Natal. Menzi M Creations is also active in all IAB schools in KZN and Gauteng, and works with prestigious institutions including the Oprah Winfrey Leadership Academy in Johannesburg.

The company focuses on developing young performers, providing arts training, performance opportunities, creative development programmes, and industry insight to learners across multiple provinces.

A win for youth entrepreneurship and the creative economy

The Hollywood Foundation KZN Youth Business Awards recognise businesses that create meaningful jobs, uplift local communities, and demonstrate long-term sustainability. Menzi M Creations’ award reflects both its entrepreneurial strength and its educational and cultural impact, empowering new generations of young artists to understand the entertainment industry, work professionally, and build their own profiles.

This award positions Menzi M Creations as a standout contributor to South Africa’s creative economy - a sector where youth-owned enterprises are essential for unlocking talent, nurturing confidence, and building economic resilience.

 

About Menzi Mbuli

Menzi Mbuli is a South African actor, theatre-maker, director and arts educator known for his dynamic creative voice and his commitment to developing young talent. Trained in performance and grounded in a deep understanding of the entertainment industry, he has built a career that spans stage work, arts education, youth development, and creative entrepreneurship.

Menzi has performed, directed and facilitated programmes across KwaZulu-Natal and Gauteng, earning recognition for his ability to merge artistic expression with meaningful social impact. Passionate about professionalism in the arts, he works to equip young performers with the skills, confidence and industry awareness needed to thrive in South Africa’s evolving creative landscape.

 

Thursday, January 8, 2026

KZNSA GALLERY 2025 REVIEW

News from the KZNSA Gallery:

“The KZNSA Gallery is excited to begin a new year with you as part of our community. We are honoured to be trusted by makers from many walks of life to be a space that carries and shares their stories with the world. As a gallery which has a vision of being a highly-regarded contemporary art space that engages its complex and diverse community with socially relevant concepts for the support & development of artists and culture production, we do not take this trust lightly. It carries responsibility, care, and a commitment to holding space for meaningful expression.

“We are excited for our 2026 exhibition calendar and look forward to the generosity of spirit, gesture and thought that our artists will share with us all. The year ahead promises to be breathtaking - one that invites bold experimentation, challenges the contemporary art landscape, and contributes to shaping a future-facing society that is inclusive, questioning, and engaged.

“As we look toward the future, we must also take time to reflect on the past. With this in mind, we pause to acknowledge the groundbreaking exhibitions and programmes that the KZNSA was able to host in 2025. We are proud of the artists, curators, and community members who made this work possible. We are because of them.

 

2025 at the KZNSA: A Year in Review

 

Averting the Gaze

24 Jan – 16 Feb 2025

Averting the Gaze confronted the overload of images and information that shape what we choose to see - and what we look away from. Responding to issues of child trafficking, missing women and neo-slavery, the exhibition used discarded materials, reflective surfaces and varied media to explore themes of loss, responsibility and collective accountability. The works invited viewers to examine their own gaze within global systems of consumption, exploitation and silence.

 

The Inbetween

21 Feb – 16 Mar 2025

Developed through the ArtsResearchLab, The Inbetween foregrounded practice-based research as a vital, accessible form of knowledge production beyond the university. Featuring experimental and collaborative works by multiple artists and researchers, the exhibition explored art-making as a space of enquiry, curiosity and critical thinking. The project sought to build research capacity at KZNSA while opening research processes to broader publics.

 

Transformative Journeys in Mentorship

22 Mar – 20 Apr 2025

This exhibition showcased work produced through the Unlearn to Learn mentorship programme, highlighting the transformative power of guidance, exchange and unlearning. Spanning diverse media and subject matter, the works reflected personal and artistic growth fostered through mentorship, collaboration and dialogue, challenging conventional educational models and celebrating collective learning.


New Abstractions – Austin Konchira

22 Mar – 20 Apr 2025

In New Abstractions, Austin Konchira presented a personal abstraction practice shaped by decades of artistic evolution. Centering machines and mechanical forms, the exhibition reflected on technology as both awe-inspiring and unsettling, extending human capability while evoking fear, power and imagination. The works paid tribute to human ingenuity and labour, positioning machines as modern mythic beings within Konchira’s painterly language.

  

groundWork: 25 Years of Activism for Environmental Justice

2 May – 8 Jun 2025

Curated by Vaughn Sadie, this archival exhibition traced groundWork’s 25-year legacy of environmental justice activism in South Africa. Drawing from documentary photography, banners, publications, films and artefacts, the exhibition amplified community voices and struggles against environmental harm. It stood as a testament to grassroots activism, resilience and advocacy in post-apartheid South Africa.

 

clay NOW!

10 – 22 Jun 2025

Presented by the Ceramic Association of Southern Africa, clay NOW! celebrated clay as both a tactile, therapeutic medium and a site of innovation. Featuring works by established ceramicists alongside DUT students, the exhibition highlighted experimentation, learning and intergenerational exchange, affirming clay’s enduring beauty across functional and sculptural forms.

 

Members’ Award Show: Imisinga (Currents)

27 Jun – 16 Aug 2025

Imisinga explored water as a force of life, memory, vulnerability and renewal within Durban’s social and environmental landscape. Artists responded to themes of flow, survival, climate change and identity through literal and symbolic interpretations of water. Selected through anonymous adjudication, the exhibition celebrated diverse artistic voices while recognising outstanding work through the annual awards programme.

The Prize money and the Joan Emanuel floating trophy are generously sponsored by the Key Foundation and the Joan Emmanuel Trust.

 

Young Artists’ Project (YAP)

22 Aug – 21 Sep 2025

Revived with support from Rand Mutual Assurance, the Young Artists’ Project provided mentorship and professional development for emerging artists and writers. Featuring solo exhibitions by N’lamwai Chithambo (Seeking) and Zama Mwandla (Disgust, Fear and Hell), YAP foregrounded storytelling, identity, trauma and resistance, while nurturing the next generation of creative voices in Durban.

WRITERS – Sneziwe Mahlalela, Ladia Kasimu, Mbusi Nhlakanipho Mzolo, Thobekile Nontando Kweyama

 

Seeking – N’lamwai Luntha Chithambo

Young Artists’ Project

22 Aug – 21 Sep 2025

Seeking presented a reflective overview of N’lamwai Chithambo’s recent artistic journey, bringing together works unified by recurring motifs such as hands, wings, light, figures and star-filled skies. Rooted in storytelling, allegory and personal mythology, the exhibition explored themes of faith, identity and inner contemplation. Each work functioned as a self-contained narrative, inviting viewers into the artist’s imaginative and emotional world.

 

Disgust, Fear and Hell – Zama Mwandla

Young Artists’ Project

22 Aug – 21 Sep 2025

In Disgust, Fear and Hell, Zama Mwandla confronted the psychological and spiritual toll of gender-based violence and systemic harm against women. Through painting, fabric and experimental materials, the exhibition created a visceral visual language of dread, survival and resistance. Hybrid figures and dreamlike symbolism immersed viewers in unresolved states of trauma, asking what art can hold when healing is not yet possible.

 

Sizobika, Sicele Indawo – Selloane Moeti

10 Oct – 2 Nov 2025

Selloane Moeti’s debut solo exhibition offered an intimate exploration of displacement, marriage and ancestral belonging. Through symbolic oil paintings and ritual materials, the work reflected on intercultural unions, the erasures faced by women, and the emotional negotiations of lineage and love. The exhibition asked what is surrendered, inherited and remade in the search for belonging.

 

SOLASTALGIA & Disordering – Jo Rogge & Jeanette Gilks

10 Oct – 2 Nov 2025

This collaborative exhibition reimagined The Lady and the Unicorn tapestries through a decolonised, African and queer lens. Addressing climate crisis, sensory experience and disorder, Rogge and Gilks combined tapestry, drawing, multimedia and archival material. The exhibition explored interconnected systems of belief, ecology and perception, weaving personal and collective histories into contemporary forms.

 

Izihlahla Ziyokhuluma (The Trees Shall Speak) – Amasosha Collective

11 Nov – 2 Dec 2025

Izihlahla Ziyokhuluma centred trees as living witnesses of memory, resilience and ancestral knowledge. Through material-driven works, Amasosha Collective amplified often-silenced African narratives, reflecting on survival, history and continuity. The exhibition marked a decade of the collective’s practice, inviting audiences into a contemplative space of presence and reflection.

 

BUZZART25

5 Dec 2025 – 18 Jan 2026

BUZZART returned as KZNSA’s annual festive art and design fair, showcasing locally made art, craft, homeware, fashion and gifts. Partnering with independent makers from KZN and Southern Africa, the fair supports the local creative economy by offering a free retail platform and celebrating innovation, craftsmanship and community.

 

Members’ Group Show 2025: Sizwakala Ngezandla (We Are Heard Through Our Hands)

5 Dec 2025 – 18 Jan 2026

This annual Members’ Group Show celebrates making as a language carried through the hands. Bringing together artists, artisans and craftspeople, the exhibition honours patience, skill, heritage and care. The works highlighted creativity as something felt as much as seen - shaped through the intimate relationship between maker and material. Over 45 member-artists submitted close to 250 pieces this year!

 

Okwethu Okwezandla

5 Dec 2025 – 18 Jan 2026

Developed with ifa crafted Makers & Designers and the ArtsResearchLab, Okwethu Okwezandla explored heritage as living, evolving practice. Rooted in isiZulu concepts of inheritance and custodianship, the exhibition dissolved binaries between traditional and contemporary craft. Spanning art, design, documentation and film, the project celebrates thinking, speaking and creating through the hands.

 

The KZNSA Gallery is situated at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1705 or cell 082 220 0368 or visit www.kznsagallery.co.za

SABC 2 INTRODUCES A NEW ERA

 SABC 2 is entering a New Era - a renewed chapter defined by authentic South African storytelling, cultural familiarity, and a deeper connection to everyday life.

This New Era marks a deliberate shift towards programming that feels relevant, emotionally resonant and grounded in lived South African experiences. It reflects a channel that is confident in its audience, clear in its purpose and intentional in how it serves viewers across generations.

As part of this evolution, SABC 2 introduces the first wave of programming that signals the tone, energy and intent of the New Era ahead of the full channel rollout on February 9, 2026.

NEW ERA – FIRST WAVE PROGRAMMING

Eintlik Let’s Connect – 16h30

A topical afternoon companion offering real conversations, lifestyle insights and everyday South African voices.

 

Afrikaans Nuus – 18h30

The inclusion of Afrikaans Nuus on SABC 2 underscores the channel’s commitment to linguistic diversity, ensuring Afrikaans-speaking audiences are meaningfully represented within the public broadcaster’s comprehensive and accessible news service.

 

Ouma Sarie – 19h00

A warm, multi-generational favourite that celebrates humour, tradition and the relationships that anchor South African families.

 

Deal or No Deal – 19h30

The iconic game show Deal or No Deal, hosted by Katlego Maboe, moves into a new timeslot, bringing anticipation, excitement and shared family viewing into primetime.

 

Pimville – 21h00

Positioned as the flagship of SABC 2’s New Era, Pimville is a powerful telenovela set in Soweto that explores ambition, resilience, love and consequence through authentic township storytelling.

 

Colour Your Plate with KOO – Sundays 19h00

A vibrant cooking competition celebrating nutritious meals and South Africa’s diverse culinary heritage returns for a new season.

 

Together, these programmes mark the opening movement of SABC 2’s New Era - a confident first step that signals change while setting the stage for more to come.

Further announcements, including additional weekday and weekend programming, will be revealed at SABC 2’s Live in Every Beat: The Pulse of South Africa launch on January 29, 2026.

SABC 2’s refreshed schedule goes on air from February 9, 2026.


Wednesday, January 7, 2026

THE CHAIN - THE FLEETWOOD MAC STORY

 

Back by popular demand!

Rhumbelow Theatre will present The Reals (Barry Thomson, Dawn Selby, Mali Sewell, Robz Millar and guest guitarist Colin Peddie and Durban singer Marion Loudon) in THE CHAIN - The Fleetwood Mac Story at the Durban venue and at the Northlands Bowling Club on these dates:

42 Cunningham Road off Bartle Road, Durban

Saturday, February 7, 2026. Show starts at 19h30

Sunday, February 8, 2026. Show starts at 14h00 – DBN

&

Northlands Bowling Club, 50 Margaret Maytom Ave, Durban North

Saturday, February 21, 2026.  Show starts at 19h30.

 

(Venue opens 90 minutes before show for snacks/drinks) 

 

The Fleetwood Mac story is an episodic saga that spans more than 30 years, starting in 1967 as a British blues band that later became a California-based pop group in the mid-Seventies. In between came a period where Fleetwood Mac shuffled personnel and experimented with styles, all the while releasing solid albums with chart topping hits.

Perhaps just as well-known for their tangled relationships and addictions, as they were for their music, Fleetwood Mac had massive success and can be found on every list of the world’s top selling bands.

Mixing relationships and business together can either be a disaster or lead to success. With Fleetwood Mac, although the breakups of band members John and Christine McVie as well as Lindsey Buckingham and Stevie Nicks created chaos, it led to the creation of the hit album Rumours with hit singles Go Your Own Way, Dreams and Don’t Stop. To date, Fleetwood Mac has sold more than 100 million albums worldwide.

The Reals, with Durban favourites Dawn Selby on the keyboard, Barry Thomson on the guitar, Robz Millar on the bass and Mali Sewell on drums, will cover all the great hits of Fleetwood Mac, which will also feature regular guest, Durban singer Marion Loudon as well as guitarist Colin Peddie. Expect to hear all your favourites Little Lies, 7 Wonders, Everywhere, Landslide, The Chain and then some.

Authentic-sounding and always respectful, The Reals will take the audience on a sweet ride down memory lane, replicating the sounds of one of the world’s best-loved bands.

Tickets R220 (R200 pensioners. R180 under 13) (R180 Northlands Bowling Club Members)

Bring food picnic baskets (Northlands & Durban) or buy at the venue (Durban ONLY). Bar available (no alcohol may be brought on to the premises)

Limited secure parking available   

Booking is essential on email: roland@stansell.co.za or WEBTICKETS

For more information contact 0824998636 or visit http://events.durbantheatre.com/

 

 

FUNNY THING, GETTING OLDER: REVIEW


Inevitably, in a miscellany of this kind, some of the pieces will appeal more than others, but I emerged from “Funny Thing, Getting Older” feeling that I had been in the company of a warm and wise man. And I had very much enjoyed that company. (Review by Margaret von Klemperer)

It is hard to categorise this utterly delightful book Funny Thing, Getting Older (and other Reflections). It is not really a memoir, although the author tells us a fair amount about himself and about his past. It is not a collection of essays, although there are essays here. It is really a collection of the author’s thoughts, and in one way, a book about hope for the future.

Michael Morpurgo is probably best known as the author of what started life as a children’s book – War Horse. It later became, in collaboration with the Handspring Puppet Company, an award-winning play and then a film. (Joey, the wonderful puppet horse from the play has been seen here on a visit to the Hilton Arts Festival, and those who saw him will never forget it.) 

Morpurgo has written many books for children, and been the Children’s Laureate in Britain, and he and his wife started the organisation, Farms for Children, which gives urban children a chance to work in the countryside, living and working on a farm. He writes about that in the book.

I have had reservations about some of his children’s books, finding them both dark and overly sad, but he explains in this collection that he includes sad events because they are part of life and, if carefully handled, easily accepted by the young. Fair enough. I know I am not in his target audience’s age range. He divides the book into sections – Childhood, Peace and War (and I think the way he places those two words is an important clue to his thought processes), Telling Tales and Searching for Wonder.

For Morpurgo, writing is for “passing it on” whether it is incidents from his own life or from history, showing future generations the similarities and differences between their lives and those who have gone before. Often, he displays a gentle humour, and also anger, particularly at the plight of refugees. There are pleas for compassion and understanding, and, above all, he stresses the importance of reading and storytelling, something that is sadly endangered the world over by the stress on educational outcomes and the disappearance of libraries, in the name of economy.

Inevitably, in a miscellany of this kind, some of the pieces will appeal more than others, but I emerged from Funny Thing, Getting Older feeling that I had been in the company of a warm and wise man. And I had very much enjoyed that company. – Margaret von Klemperer

Funny Thing, Getting Older is published by Hodder Press: ISBN 978-1-399-73972-6

Saturday, January 3, 2026

THE LONELINESS OF SONIA AND SUNNY: REVIEW

 

The overall reading experience of this epic novel will stay with me for a very long time.  (Review by Fiona de Goede)

 

Kiran Desai won the prestigious Booker Prize in 2006 for her novel The Inheritance of Loss.  She was again nominated for the 2025 Booker Prize for The Loneliness of Sonia and Sunny, nineteen years later.

At just shy of 700 pages, this is an epic saga set between 1996 to the early 2000’s. It is a cross-over genre consisting of a love story, family saga, cultural and social ideas as well as fantasy. She was not awarded the Booker Prize for this offering.

Sonia Shah is an aspiring author but gets sidetracked into a relationship with the artist Ilan de Toorjen Foss, many years her senior. The relationship is borderline abusive – not physically but emotionally. She battles to break free from the cycle of dependence on the artist and by doing so, has to confront her loneliness. 

The fantasy aspect of this novel is in the shape of an amulet that has been in Sonia’s family for generations.  The loss of this talisman is a powerful thread that is woven throughout the book.

Sunny Bhatia is a journalist trying to “make it” in New York City. His overbearing, controlling mother impacts hugely on his choices and decision making – he wants to flee that part of his life but his guilt invariably intervenes. 

Their families try to arrange a matchmaking between them but this goes awry. It is therefore hugely ironic that they then meet, randomly, on an overnight train and instantly they feel drawn to one another. Their relationship grows, but underlying feelings of fear and identity are evident and serves to act as a stumbling block in the natural progression of their ongoing union.

This is a saga with many twists, turns, subplots, minor characters, and world events. It is primarily set in India, USA (Vermont, NYC), Mexico and Goa. The issues of the immigrant experience, racial class and caste as well as cultural identity loss is dealt with. 

I doubt whether there are many readers that will complete a 700-page tome and not experience moments of boredom as well as moments of pure reading pleasure. I certainly fall into that category. The bulk of this book (pun intended – it is heavy and takes its toll on your forearm muscles!) is enjoyable. By comparison, the irksome bits are in the minority and my main criticism would be that several of the characters felt superfluous to requirements.

However, it is a small price to pay and I happily waded through the bits that did not excite me – the overall reading experience of this epic novel will stay with me for a very long time.  - Fiona de Goede

The Loneliness of Sonia and Sunny is published by Penguin Random House:  ISBN978-0-241-77084-9

 

TOO OLD FOR THIS: REVIEW

 

One should read this book with one’s tongue firmly in one’s cheek.  It’s a dark comedy with several rather improbable scenarios being played out – but it’s a laugh. (Review by Fiona de Goede)

 

Too Old for This is the fifth offering by Samantha Downing – her debut novel, My Lovely Wife, was a Sunday Times bestseller and published in thirty languages. It also won several rewards, including The CWA John Creasy Dagger. 

Lottie Jones has several skeletons in her closet. And there’s a journalist wanting to expose her deepest, darkest most tucked-away secrets. Lottie will have to rely on all her tricks up her sleeve to stymie this investigation and to continue to live her unassuming, relatively boring life.

The highlight of her week is bingo at the local church and meeting up with her friends for a good old chinwag. She can feel old age creeping up on her and realises it’s time to start thinking about moving into a retirement home – her only son is getting married for the second time, his young pregnant wife-to-be is not giving any indication that Lottie will feature in their lives any time soon.

So, when Plum Dixon, the journalist who approaches her for a tell-all expose of her past knocks at her door, Lottie has to brush off her rusty skills and get rid of Plum. The murders that have never been solved and which she was implicated in, need to stay firmly in the past. Therefore, without further ado, Lottie does the deed and Plum is no more. 

Naturally, things do not end there. Lottie has to take drastic action to dispose of the body, one thing leads to another and before she knows what hit her, she is immersed in a life of crime. Various people connected to Plum start asking questions and the evasive action Lottie has to take to shake them off her tracks, leads her further and further into deception and darkness.

One should read this book with one’s tongue firmly in one’s cheek.  It’s a dark comedy with several rather improbable scenarios being played out – but it’s a laugh. A caper. And totally addictive. - Fiona de Goede

Too Old for This is published by Penguin Random House: ISBN 978-0-241-44693-5

Wednesday, December 24, 2025

PLAYHOUSE DURBAN FESTIVE SEASON WRAP


 

Durban’s Playhouse Company brought us a joyful festive programme. (Review by Shannon Kenny)

 

Umang: The Spirit of Kathak - Playhouse Loft Theatre - 12 December

Manesh Maharaj’s Umang: The Spirit of Kathak gave us a celebratory, devotional presentation of grace and rhythm, to the delight and awe of the appreciative audience.

Manesh Maharaj choreographed and led the programme with six dancers who are also his students - and of whom he is rightfully proud.

Each set of dances, linked by a voice-over, took us on a journey from the origins of Kathak as a form of worship and devotion centred around the Hindu god, Krishna; the significance of the various musical rhythmic cycles and symbolic gestures in the movement; Kathak’s further development in the Mughal courts and its continued resonance today for worshipers of Krishna who seek to connect with the divine.

This feast of storytelling about devotion, human and divine, arrived to the stage in colourful costume; movement that was graceful and synchronous, executed with symmetry and precision - and with a generosity of spirit that emanated from each performer. Manesh and his company held our gaze and charmed the audience with every pirouette, every allusion to love and longing, every celebratory flourish.

Choreographing for the polyrhythmic complexity of the music was certainly no mean feat, and here again, Maharaj must be applauded not only for his talent and skill that have produced such artistry but for honouring the musical tradition with which Kathak dance is inextricably enmeshed.

The final dance vignette told the story of Holi - a spring awakening; celebration of new life - depicting the meeting of the mortal and the divine through Krishna’s playfulness.

Umang: The Spirit of Kathak - at times meditative, at times hypnotic, always elegant and dynamic - was truly a treat.

 

Voices of Home: Mzansi National Philharmonic Orchestra - The Playhouse Opera Theatre - 13 December

 

(Marin Alsop)

South Africa’s Mzansi National Philharmonic Orchestra took to the road this December with concert dates in Johannesburg, Cape Town and Durban, where they not only played to concert hall audiences but also brought the magic of orchestral music to children at hospitals in those cities.

Under the baton of the illustrious Marin Alsop - a pioneering conductor who was the first woman to lead orchestras in the USA, South America, Austria and the United Kingdom - the orchestra mesmerised and thrilled the expectant audience as we journeyed with them across history and continents and concepts of being and belonging.

The programme featured works by Shostakovich, Rachmaninov; five time Emmy award winner and Oscar nominee, US composer Laura Karpman (whose game score credits include Guardians of Middle-earth and Kung Fu Panda 2); and South Africa’s own Abel Selaocoe who is charting a path in contemporary classical music defined by his genre-fluid collaborations and compositions, as well as redefining  the traditional role of the cello - and the cellist.

The programme opened with Shostakovich’s very apt Festive Overture (opus 96), just the kind of elegantly boisterous piece - with a fabulous backstory (Shostakovich was given three days to complete the work) - to mark the occassion. We were then treated to Rachmaninov’s Symphony No.2 in E minor, with its lyricism and elegiac themes also leading to a gloriously festive climax.

Laura Karpman’s All American - a work dedicated to and celebrating American female composers - made its South African debut with Mzansi Philharmonic. There is much to excite eager listeners. Along with a few familiar references, the propulsive rhythm is powered by some very non-traditional percussive instruments - silverware for a triangle, pots and pans for tubular bells, a butcher block played with a meat tenderiser and a Le crest 5-quart braised used as an anvil.

For this tour and the performance of his Four Spirits Cello Concerto, Abel Selaocoe was joined by Austrian percussionist extraordinaire, Bernhard Schimpelsberger. Their partnership is a meeting of minds, exquisite talent and skillful, dynamic musicianship. Comprised of four movements, the listener is invited to engage in meditation, reflection, playfulness, introspection and celebration with the orchestra, with the soloists, with each other. Emotionally and rhythmically moving to the final, rousing Malibongwe, Four Spirits is a celebration of our shared humanity. 

There is something wonderful about an orchestra filling the opera stage - an orchestra comprised of younger and older skilled musicians, some familiar faces and many more new to me. I look forward to many more Mzansi Philharmonic concerts. Long may they prosper and make beautiful music wherever over the continent and the globe they may travel.

 

A Christmas Celebration - The Playhouse Opera Theatre - 20 December

 

After just a week, The Opera theatre was abuzz with an audience eager to feast on a smorgasbord of festive music, from classical oratorio to African jazz, contemporary ballads, Gospel and traditional Christmas carols.

Playhouse Director, Linda Bukhosini’s welcome to the audience was also an encouragement to reflect on the birth of Jesus more than 2000 years ago and the significance of Christ’s presence in the world today through the programme. This was an audience ready to celebrate, guided by MC, Krijay Govender who compered the show with warmth, wit and grace - who was the perfect choice for this occassion.

Ralph Lawson, stage director, brought together performers that included the KZN Philharmonic Orchestra, the Playhouse Chorale, the Playhouse Children’s Choir, Tim Moloi, the legendary Don Laka and Ayanda Ntanzi. Added to that was the surprise of the most charming pas de deux by ballroom champions, Sthembile Ndwalane and Nkululeko Khumalo that left the crowd wanting more. This diverse ensemble of performers delighted at every turn.

The Playhouse Chorale, in mellifluous and dramatic a cappella, opened the programme and were followed by the KZNPO, under the baton of Chad Hendricks, with a vibrant medley of Christmas favourites.

Tim Moloi reminded us once more why he is an audience favourite and a consummate musician: the effortless phrasing, the stage presence that is at once commanding and inviting; the warmth he conveys to the audience and fellow performers - and that smile. His solo performances of The Christmas song, which evoked both Nat King Cole and Luther Vandross and You raise Me Up brought the house down. Equally comfortable in an ensemble, listeners were thrilled by the duet, All I ask of you (Phantom of the Opera) with mezzo-soprano Busisiwe Shezi and his appearance with the Durban Chorale.

Pianist, Don Laka, an OG of South African jazz, and his great band brought to the stage an effervescence that belies Laka’s age. The gracious Laka mesmerized the audience with his playing. What a treat to enjoy some of a legacy of performance, composition collaboration and much more besides, that stretches back some fifty-two years. The set culminated with the KZNPO’s strings and brass providing a celebratory flourish to Laka’s work.

The Playhouse Children’s Choir delighted with every appearance and their Silent Night in English, Afrikaans and isiZulu with the Durban Chorale certainly warmed the cockles of many a heart.

Durban Chorale’s dynamic renditions of O Holy Night and Haydn’s The Praise of God accompanied by the KZNPO and featuring Busisiwe Shezi as soloist, reverberated through the auditorium.

Gospel sensation Ayanda Ntanzi had the audience singing and dancing along, his rousing vocals and exhortations to worship enthusiastically received by young and old alike.

The finale featured the Playhouse Chorale, Children’s Choir, the KZNPO and the audience joining in Hark the Herald Angels Sing. Of course the audience was not going to let go of the performers that easily, so an encore by the Durban Chorale - Handel’s Hallelujah Chorus - rounded off the evening.

What a fitting conclusion to a truly joyful celebration of Christmas for all that it is meant to be. – Shannon Kenny