national Arts Festival Banner

Thursday, July 17, 2025

AMAZEZE (FLEAS) FOR DIFF

 


Gritty South African Short Film Amazeze (Fleas)

Through the eyes of a child: the harrowing reverberations of xenophobia will feature in the Durban International Film Festival (Durban/Joburg and Cape Town)

Following its world premiere earlier this year at the Clermont-Ferrand International Short Film Festival (France), Amazeze (Fleas), a gritty short by South African director Jordy Sank and producer Gabriella Blumberg, screens at the 2025 Durban International Film Festival (DIFF) in the short film competition.

Told in Shona and isiZulu, the 16-minute film evokes the raw tension of displacement, survival and hope during the frightening wave of xenophobia sweeping the country.

Told through the eyes of Tonderai, a young Zimbabwean boy living in a South African township, who anxiously awaits his mother's return from work at nightfall. He fears the worst for her due to a xenophobic mob running rampant that night. He watches over his bedridden younger brother, who becomes desperate for drinking water. With no running water in their shack, Tonderai must lurk in the shadows to the communal tap to bring his brother back safe drinking water. In doing so, he must risk his life from a mob in his neighbourhood who are attacking foreigners.

Sanktuary Films, known for its bold visual style and human-centred storytelling, bring this urgent story to life. The two have produced past success such as the SAFTA award-winning documentary I Am Here (2021) and the box-office success Die Kwiksilwers (2024), which became the highest grossing Afrikaans film at box-office post COVID-19 last month.

"The film was born from our desire to tell stories about people and their humanity,” says director Jordy Sank. “I’m always looking to take on projects that are catalysts for important conversations, and there is definitely a need for us to confront the painful realities faced by many foreign nationals living in the country, and their South African friends and family - stories that are too often ignored or buried in fear.”

Amazeze (Fleas), was developed in close consultation with anti-xenophobia activists and shaped through powerful conversations with both local and migrant communities. It was essential for us not just to tell a story about xenophobia, but to tell it with those affected by it.”

Producer Gabriella Blumberg comments, "We believe that cinema has the power to spark meaningful dialogue and build empathy by immersing audiences in different lived experiences. We hope this film continues this conversation within impact spaces.”

Amazeze (Fleas) began its development journey when it was selected for the 2022 Durban FilmMart’s Talents Durban and was one of four international projects chosen to pitch at La Petite Fabrique – Euro Connection at the prestigious Clermont-Ferrand Short Film Market (2023). It has been supported and funded by the Institut Français d'Afrique du Sud, National Film and Video Foundation, Gauteng Film Commission and The Presidential Employment Stimulus Programme (which created 87 job opportunities in this film alone) and has been picked up by sales agents EROÏN FILMS.

Amazeze (Fleas), is now on its international festival run and the filmmakers hope that it will be used in impact screenings. The film concludes with a message of hope - one the filmmakers wish will resonate across South Africa. Just as children do not see nationality, this is a call to recognize our shared humanity.

The film screens in a Shorts Package at DIFF on Sunday July 20 at 14h00 at Suncoast Cinecentre, Sunday July 27 at14h15 at Watercrest Sterkinekor. On Saturday August 2, the film screens at 14h30 in Johannesburg at the Bioscope and in Cape Town at The Labia.

Visit ccadiff.ukzn.ac.za/diff46/fleas/ and follow @sanktuaryfilms for more information on how to book.

Trailer:  https://www.youtube.com/watch?v=jzI3H58TLi0&t=4s

SECRET SCARVES SHHHH SCHEDULE


(Founder Carolyn Steyn demonstrates the impact of the Secret Scarves Shhh projects)

 

Secret Scarves Shhhh: A Decade of Warmth for Nelson Mandela Day on July 18.

This winter, 67 Blankets for Nelson Mandela Day is weaving even more magic into its mission, delivering not only hand-crafted blankets to those in need but also celebrating the 10th anniversary of its cherished Secret Scarves initiative on July 18.

The Durban representatives will be delivering scarves to the Denis Hurley Centre on July 18 (tomorrow) at 11h00.

July in South Africa is celebrated as Nelson Mandela Month, a time to commemorate the enduring legacy of beloved former President, Nelson Mandela. For the passionate KnitWits® of 67 Blankets For Nelson Mandela Day, it’s another opportunity to share warmth and kindness through the Secret Scarf Shhh initiative. Now in its 10th year, this vibrant, heartwarming campaign spreads “GoodWool” across the nation.

Carolyn Steyn, the founder, shares, “The 10th anniversary of 67 Blankets for Nelson Mandela Day is a truly remarkable milestone. I could never have imagined the incredible momentum our Secret Scarves initiative would gain over the years. Over the past decade, our KnitWits have lovingly crafted and distributed thousands of scarves, each one a thread of hope and warmth for someone in need. This campaign has not only warmed bodies but also hearts, making a profound difference in communities across South Africa and inspiring a movement of kindness that continues to grow.”

On Nelson Mandela’s birthday, July 18, thousands of lovingly hand-knitted scarves will appear in secret spots nationwide. Each scarf, crafted with care, will bear a special 67 Blankets tag that reads: “I AM NOT LOST. IF YOU ARE COLD AND NEED ME, PLEASE TAKE ME. With LOVE, 67 BLANKETS FOR NELSON MANDELA DAY,” urging those in need to take it to stay snug.

The Secret Scarves mission blends creativity and compassion, showcasing the warmth of the makers and inviting new friends to join the knitting and crochet movement.

Denis Hurley Centre is located at 2 Cathedral Road, Durban Central.

#SSS #67blankets

 


OTHER VENUES FOR 18TH JULY 2025

 

GAUTENG:

Port Plein Park, Johannesburg at 11h30

 

With Johannesburg Inner City Partnership, City Sightseeing Bus / Red Bus, Stuttaford van Lines    /         United Ethiopian Community Association in South Africa

Dainfern College at 14h00

96 Broadacres Drive, Dainfern

 

Hyde Park Corner (a display of scarves until July 26)

Cnr Winnie Mandela & Jan Smuts Drive

 

St Columbus Soup Kitchen at 08h00

45 Lurgan Road, Parkview

 

St Francis Soup Kitchen at 12h00

46 Tyrone Avenue, Parkview

 

Forest Farm at 10h00

Cnr Winnie Mandela & Republic Road

 

Mushroom Farm Park at 14h00/15h00

Sandton

 

West Rand Oncology Dept at 07h45

Flora Clinic, Floracliffe, Roodepoort

 

 

 

WESTERN CAPE - CAPE TOWN:

Southfield Library  at 10h00

Cassino Road, Plumstead

 

FF Erasmus Community Hall at 10h00

9 Aandblom Street, Peerless Park West

 

Grassy Park Library at 15h00

Market Square, Reddy Ave, Grassy Park

 

Long Beach Mall from 10h00 to 14h00

Sunnydale Road, Noordhoek

 

Howard Centre at 10h00

Cnr Howard and Forest Drive, Pinelands

 

St George's Cathedral at 13h00

5 Wale Street, Cape Town

 

 

WESTERN CAPE - STELLENBOSCH:

 

Idas Valley Day Clinic at 09h00

Hammandshand Way, Simonswyk

 

 

WESTERN CAPE - KNYSNA

Vermont Old Age Home TBC

Gladstone Street, Hornlee

 

 

WESTERN CAPE - MOSSEL BAY:

Skarrel Huise in Grootbrak 10h00 starts and moves to those below

89 Montagu Street

 

SASSA Offices TBC

108 Adriaans Avenue, Asla Park

 

Rural Areas FREIMERSHEIM & WOLWEDANS  - TBC

 

 

EASTERN CAPE - GQEBERHA

Provincial Hospital at 15h00

Buckingham Road, Mount Croix

 

 

MPUMALANGA - MBOMBELA:

Thandulwazi Primary School at 13h00

Ubhejane Street, Kanyamazane-A, Kanyamazane

 

 

FREE STATE-BLOEMFONTEIN

War Museum at 12h00

25 Monument Road, Generaal De Wet

 

 

KWAZULU-NATAL - JULY 18 

*Denis Hurley Centre at 11h:00

2 Cathedral Road, Durban Central

 

 

Venues with alternative dates:

 

GAUTENG: JULY 17 2025

*Midrand West Clinic & Anton Hartman Park at 15h00

Halfway Gardens

 

 

WESTERN CAPE - CAPE TOWN: JULY 5 & 12:

*Howard Centre at 10h00

Cnr Howard and Forest Drive, Pinelands

 

 

WESTERN CAPE - CAPE TOWN: JULY 16

*Landsdowne Public Library TBC

Church Street, Landsdowne

 

 

WESTERN CAPE - GEORGE: JULY 17:

*SHYDAC (Safe Haven for Your Development and After Care) from 12h00 to 14h00

46 John Kretzen St, Blanco

 

 

 

FREE STATE-BLOEMFONTEIN - JULY 12

*Susanna Wesley Bicentenary Methodist Church at 10h00

Circuit 536 Bloemfontein

 

 

Media Queries:

The BUZ Hive, Bridget van Oerle

bridget@thebuzhive.co.za  / 0832636991

 or

 Iviwe Tom

thebuzhive@gmail.com

Tuesday, July 15, 2025

BRAIN FREEZE FOR RHUMBELOW

 

Step into a world of wonder with Brain Freeze, a brand-new Family Magic Show by magician Vicus Cruywagen!

Packed with jaw-dropping magic, side splitting comedy, and loads of audience participation, Brain Freeze is a fast-paced magical adventure that is perfect for curious youngsters and fun-loving adults alike.

Spectators will be invited on stage to experience the magic first hand.

Filled with laughter, amazement, and unforgettable moments for the whole family.

With a career that has taken him across the globe - from cruise ships and casino theatres to world-famous theme parks — Vicus brings his new one-man show to towns all over South Africa.

Bring your family and join the magical world of Vicus — where laughter, amazement, and memories are made live on stage!

Tickets R150 (R100 under 13)

Bring food picnic baskets or buy at the venue. Bar available (no alcohol may be brought on to the premises)

Limited secure parking available   

Booking is essential on email: roland@stansell.co.za or Webtickets

For more information contact Cell 0824998636 or visit http://events.durbantheatre.com/

Monday, July 14, 2025

LINDA TSHABALALA KGORONG TOUR


 

(Above: Linda Tshabalala. Pic supplied)

 

The Centre for Jazz and Popular Music proudly presents Linda Tshabalala Kgorong Tour on Wednesday July 23, 2025, at 17h30. Doors open at 17h00, Music starts at 17h30.

Saxophonist Linda Tshabalala is back in the music scene after a three-year hiatus to focus personal commitments. The Kgorong tour aims to reintroduce Tshabalala to a greater audience and followers of her music, since having taken a break. “I’m also taking the opportunity to share with the younger generation by paying it forward as was done for me by some of the elders of our music.”

Expect music from her album Convergence Bekezela Siyeza (2021) which contains classic songs like Kunzima Madoda, which talks about the ebbs and flows of life and their toll on our spirits, but the energy of the song reminds us that there’s always a way out because of hope. Vusamazulu Sanusi; which is a homage to the late great powerful bab’ Credo Mutwa, and new music containing unreleased songs.

Tickets available at the door: R120 (R90 pensioners, R60 students)

The concert takes place at the Centre for Jazz and Popular Music, University of KwaZulu-Natal, Howard College Campus, Dennis Shepstone Building, Level 2

This concert is made possible through the support of Concerts SA, the Festival Enterprise Catalyst, SAMRO, the National Treasury Jobs Fund, and IKS Cultural Consulting.

 

ACTRESS GIVES TALIA KODESH THE ROLE OF A LIFETIME

 


(Talia Kodesh & Nathan Ro in Actress. Photo Credit: Lauge Sorensen)

 

Musical theatre sweetheart Talia Kodesh returns to the stage for the role of a lifetime.

The new original pocket musical Actress, conceived and written by Talia Kodesh and Bruce Dennill and starring Talia Kodesh with direction by Daniel Geddes, will be on stage at Pieter Toerien’s Studio Theatre at Montecasino from September 27 to October 8, 2023.

But before then, the show is due to appear in the Hilton Arts Festival from August 8 to 10.

Actress is a musical dramedy; a funny, moving story of a woman trying to define (and succeed in) her different roles – actress, wife, mother, daughter, teacher, and more – while juggling the complexities of all of those responsibilities.

The story takes place in New York and South Africa, following ‘Actress’ on her journey through stress and success, anger and auditions, triumph and tears, dance and delirium and, perhaps, the possibility of peace. There is also assistance and emotional support from an unexpected source...

It’s a tale that anyone who has ever had to adjust to new expectations in all walks of life – their own or someone else’s – will relate to.

Plus showtunes! Pack your dancing shoes, your Theraband, your passport and your tissues.

The show also features eight original songs by Bruce Dennill.

Audiences will remember Talia’s beautiful portrayal of ‘Belle’ in Beauty and the Beast (for which she received a Naledi Nomination), her feisty ‘Mimi’ in RENT, her sassy ‘Ozzy Osborn’ in the original SA staging of We Will Rock You, among so many other memorable roles throughout the years – all making her one of South Africa’s musical theatre sweethearts before she took a break for motherhood.

Says Talia: “Actors are fundamentally storytellers. I’ve simply loved doing just that throughout my career. It feels like I’ve come full circle since performing in 2012 in ‘The Last Five Years’ at the Studio Theatre at Montecasino, after which, I became a mother and temporarily stepped off the stage.

How exhilarating for me to return there, not only starring in a production, but having created it – a long-held dream come true.

I cannot wait for audiences to meet ‘Actress – I’m certain they will relate to her!”

In a flashback to 2010 while living in New York, Talia’s head was flooded with ideas for a one-woman show.

On a fateful morning a decade later, over a casual coffee, a friend and colleague, Bruce Dennill, helped bring these ideas to life in Actress! And the rest, as they say, is history!

The original songs by Bruce Dennill range from quiet, thoughtful, introspective musings to big, ballsy, belted showstoppers. As with the story, Talia and Bruce wanted the music to help define and give colour to the many moods and spaces Actress has to navigate, and the dynamics and lyrics in the songs really achieve that.

Says Bruce of his involvement; “I have, happily, long received good feedback from industry professionals I respect about my strengths as a musical storyteller. So, when Talia suggested that I might be able to help translate the sense of what she wanted to communicate with this show into both a script and songs she could sing on stage, it felt like a perfect fit - and we're both so happy with the way it's all turned out!”

 

Show Credits

Actress stars Talia Kodesh and features Nathan Ro as ‘Random Props Guy’.

A dream team of creatives, with multiple Naledi, Fleur Du Cap and Vita Awards and Nominations among them, has come on board to join Talia in realising her dream of creating her own show.

Written and conceived by Talia Kodesh and Bruce Dennill, directed by Daniel Geddes with sets and costumes by Sarah Roberts.

Lighting design is by Denis Hutchinson with sound design by Henry Underhay.

Original music and lyrics by Bruce Dennill, musical direction by Bruce Dennill and Paul Elliott and arrangements by Paul Elliott.

Actress is proudly produced by Collett Dawson of The CoLab Network.

Producer Collett Dawson concludes; “It’s invigorating seeing the rejuvenation of our theatre industry that took such a knock during Covid. Even more so, seeing creatives taking that leap of faith and originate new works. I have so much admiration and respect for Talia and Bruce, and to be part of the team bringing Actress to life is such good food for the soul! Joburg – I hope you come out in your numbers to support!”

For more information contact Bruce Dennill on brucedennill@gmail.com

DURBAN FILMMART OFFICIAL PROJECT DOSSIER IS NOW LIVE!

The Durban FilmMart Institute announces the Official Project Dossier is Now Live!

Dive into 30 compelling projects and 26 distinctive Talents shaping the future of African cinema.

View the project dossier now (https://durbanfilmmart.co.za/wp-content/uploads/2025/06/DFM-2025-Dossier.pdf)

 

The Durban FilmMart Institute (DFMI) is excited to announce that the official project dossier for the 2025 Durban FilmMart (DFM) Pitch and Finance Forum and Talents Durban is now available online. This comprehensive guide showcases the exceptional storytelling talent that will converge in Durban from July 18 to 21, 2025, for the 16th edition of Africa's premier co-production and film finance market.

The official projects showcase exceptional diversity, spanning animation from Morocco, Cameroon, South Africa, Nigeria, Egypt, and the Democratic Republic of the Congo; powerful documentaries from Morocco, Algeria, Zimbabwe, Democratic Republic of the Congo, Cape Verde, Sudan, Tunisia, and South Africa; and compelling fiction features and series from South Africa, Libya, Algeria, Canada, Rwanda, Tunisia, Senegal, Tanzania, and Kenya.

The Talents Durban cohort represents emerging voices from Uganda, Rwanda, Sudan, South Africa, Namibia, Senegal, Tunisia, Egypt, Malawi, Tanzania, Ghana, Togo, Ethiopia, Zimbabwe, Côte d'Ivoire, Nigeria, Madagascar, Eswatini, and Kenya - a testament to the continent-wide reach of this prestigious development programme.

This essential resource enables industry professionals to prepare for meaningful connections, identify potential collaborations, and discover the projects that will define African cinema's trajectory in the coming years.

DFM 2025 recognises that our strength lies in connection rather than isolation. These carefully curated projects demonstrate how cinema serves as a bridge, opening pathways for shared resources, knowledge exchange, and creative partnerships that unite different regions of the continent.

Visit the website to find out more (https://durbanfilmmart.co.za)

 

 

Registration for the 16th Durban FilmMart is OPEN

Register NOW! (http://durbanfilmmart.co.za/)

https://facebook.com/

https://instagram.com/

https://linkedin.com/

https://youtube.com/

mailto:info@durbanfilmmart.com

 

The Durban FilmMart Institute receives principal funding from the Durban Film Office and eThekwini Municipality.

Sunday, July 13, 2025

SUBMISSIONS FOR 8TH EDITION OF SPIER LIGHT ART 2026

Deadline: Submission entries close July 21, 2025.

Call for Artists: Illuminate the night at the 8th edition of Spier Light Art 2026

Artists and designers – professionals, students or collectives – are invited to submit expressions of interest for light-based and video artworks to be considered for the Spier Light Art returning to the Stellenbosch wine farm for the eighth edition in 2026.

Spier Light Art promises to once again transform the landscape with bold, experimental and thought-provoking installations from South African artists.

Running from March to April, the event has become a yearly celebration of creativity – playful, provocative, reflective and inclusive. The exhibition offers one of the largest public audiences, attracting more than 13,000 visitors in 2025.

Submission entries close July 21, 2025. The curatorial team, led by Jay Pather and Vaughn Sadie, hosted an online briefing on Tuesday, June 17 2025, at 16h00. An on-site briefing will be held on Saturday, July 5, at 10h30. Artists interested in attending should RSVP by sending an email to spierlightart@lightplace.org.

The curatorial team invites submissions that place Light at the heart of each artwork. Artists are encouraged to experiment boldly and push creative boundaries, with a strong emphasis on innovation and cross-generational appeal.

While there is no fixed theme, the curators welcome works inspired by the ethereal and whimsical, pieces that explore technology, engage with contemporary issues facing South Africa, and reflect themes of resilience, enchantment, exuberance and the dynamic environment of a working wine farm.

Installations are either completely or partially-funded and the categories of work may include the following:

-Site-specific work (designed to be displayed in particular places on Spier Wine Farm)

-Sculptural, object-based work

-Interactive art

-Digital works that foreground technology

-Video art

 

 

SUBMISSION REQUIREMENTS AND PROCESS

Expressions of interest must include:

-Artist/collective/studio biographies of all involved (200 words)

-A short overview of the conceptual interests of the work, specifying which category the submission falls under (300 words)

-A concise description of the work, including concept sketches (300 words)

-A description of the use of light in the work (150 words)

-A description of the audience interaction/engagement with the work, but ideally a video (150 words)

-A provisional but realistic and well-considered budget indicating whether it is to be funded entirely or in part by the Spier Arts Trust

-Web links to and/or images of the proposed work or, if not already developed, examples of previous work.

Email your expression of interest to the project manager at spierlightart@lightplace.org before July 21, 2025. A more thorough proposal may be requested after the shortlist is announced.

 

About Spier Light Art 2025

Visitors immersed themselves in a world of light, sound, and video at the seventh edition of Spier Light Art, which took place between March and April 2025. A diverse audience interacted with the light, sound, and video artworks exhibited across the farm. Playful, provocative, reflective, and engaging, the installations transformed the working wine farm into an artistic hub buzzing with electricity.

For ideas on the type of work the Selection Committee is interested in featuring, please refer to last year’s programme.

The Stellenbosch community and national media consistently praise Spier Light Art for creating a safe and beautiful environment where a diverse audience can come together to celebrate contemporary art.

www.spierlightart.co.za

 

About Spier and art

Art, like food and wine, is best shared, which is why Spier is such an enthusiastic supporter of African artists and their creations. Housing one of the largest contemporary art collections in the country, Spier believes in the power of the visual arts to teach and inspire, encouraging us all to engage openly with our world and each other. With such a thriving local artistic community and rich cultural heritage, Spier is excited about the future of South African art.

For more information, visit www.spier.co.za

APPLICATIONS OPEN FOR 2025 JOMBA! OPEN HORIZONS

 


(Open Horizons 2024 Sacrificium Sacrifice by Thimna Sitokisi (Gugulethu, South Africa) 2024. Pic by Val Adamson)

 

Applications Open for 2025 JOMBA! OPEN HORIZONS Platforms

JOMBA! Contemporary Dance Festival Welcomes Live, Digital, and Youth Dance Submissions

The University of KwaZulu-Natal’s Centre for Creative Arts has announced that applications are now open for the 2025 JOMBA! OPEN HORIZONS Platforms, three distinct performance opportunities for dance-makers at the 27th annual JOMBA! Contemporary Dance Experience, taking place from August 26 to September 7, 2025, in Durban.

These platforms have become an important part of JOMBA!’s commitment to encourage innovation, access, and diversity in African contemporary dance. They offer space for both emerging and established dance-makers across live performance, screen-based dance work, and youth performance.

 

(Right: Youth Open Horizons  - Manesh Maharaj's Kala Darshan with Saraswathi Sthuthi (Chatsworth) 2024. Pic by Val Adamson)

The LIVE OPEN HORIZONS platform, hosted at the Elizabeth Sneddon Theatre is a curated showcase for choreographers aged 16 and older to submit short live works (6–8 minutes) for a professionally-supported stage presentation at the Festival. Six works will be selected by an independent jury, with one choreographer receiving a R2,000 “Pick of the Platform” award on the night of performance.

JOMBA! continues its ground-breaking commitment to screen dance through the DIGITAL OPEN HORIZONS platform inviting artists to submit 3–8-minute screen dance works that will be curated and streamed on the JOMBA! YouTube Channel during the festival. A jury will select 8–10 films with one exceptional work receiving a R3,000 jury prize.

The much-loved YOUTH OPEN HORIZONS, will take place at the Stable Theatre in Durban. Designed as a non-competitive celebration, this platform invites dancers under the age of 16 - across all dance styles - to take part in a day of shared performance, learning, and community connection. From pantsula and Zulu traditional dance to hip-hop, ballet, contemporary and more, this is a space to honour the next generation of dancers. The festival has capacity for 12 groups.

“The OPEN HORIZONS platforms remain central to our vision to provide creative inclusion and artistic risk-taking. These are not just showcases; they are vital incubators for the voices, visions, and movement languages that will shape the future of dance,” says Artistic Director of JOMBA!, Lliane Loots.


Entry forms for all three platforms:

2025 JOMBA! Live Open Horizons application link (closes on July 15, 2025): 

2025 JOMBA! Digital Open Horizons application link (closes on July 4, 2025):

2025 JOMBA! YOUTH Open Horizons link (closes June 20, 2025): 

 

Details here: https://jomba.ukzn.ac.za

RIAAD MOOSA - WHAT'S THE POINT?


Award-winning comedian, presenter, writer, and actor, Dr Riaad Moosa, is back with his brand-new comedy show, What’s the Point? running at the Elizabeth Sneddon Theatre from July 15 to 20.

Known as "The Comedy Doctor” for seamlessly blending medicine with humour, Riaad takes audiences on a hilarious and thought-provoking journey as he grapples with the absurdity of life and the chaotic state of the world.

In What’s the Point?, Riaad muses about the meaning of life, our purpose for being here, and the seemingly random nature of existence. With his signature blend of wit and charm, Riaad delivers what he calls “a lame attempt at being funny and philosophical” – but audiences can be sure to expect nothing less than a masterclass in comedy from one of South Africa’s most beloved performers.

The show offers fans the perfect remedy to kick off the cold with laughter. Tickets are available now on Webtickets, so don’t miss out on this opportunity to see Dr Riaad Moosa live as he hilariously ponders life’s biggest (and smallest) questions. After all, in a world that doesn’t always make sense, maybe the point is to just sit back, laugh, and enjoy the ride.

Tickets R200 available through Webtickets at Pick n Pay outlets or online at https://www.webtickets.co.za/v2/event.aspx?itemid=1565675152

Age Restriction: PG13 Language.

For patrons wishing to remain in their wheelchairs, please book seats N1, N2, N26 or N27 (back row; no stairs).

 

PERFORMANCE TIMES:

July 15 – 18 at 19h30

July 19 – 16h00 and 19h30

July 20 – 18h00

 

CONFESSIONS: REVIEW

(I will definitely be keen to read any further offerings this author may publish in the future. Review by Fiona de Goede)

This is a debut novel for Catherine Airey – it borders on being a hefty tome, clocking in at more than 450 pages. Of those pages, more than 300 or so had me totally enthralled.

By the time I felt the book had started to lag, I was good and solidly invested and keen to see how the author would go about tying up the various threads and story lines. This she managed to do.

It is a multigenerational novel depicting the lives of three interlinked characters from the same Irish family, each with a unique voice and story to tell. It is set over various timelines and I enjoyed this aspect as it gave one a glance into the early 2000’s, back to the 1970’s and then to more recent times, 2018.

 

The story of Cora, set in New York in the aftermath of 9/11, had the power to grip me instantly and reel me in. The author manages to capture her character clearly and convincingly. I felt her loneliness, fear and despair as she searched the streets for her missing father. As her mother, Maire had died when Cora was much younger, she is now utterly alone in New York. When she receives a letter from a relative in Ireland, offering a safe haven, she accepts this opportunity.

The part of the book dealing with Maire, Cora’s mother, an artist with mental health issues, is quite harrowing to read. I found this segment of the story very realistic and quite traumatic. Maire’s character is convincingly depicted and her actions are, mostly, believable. It is only when Cora moves to Ireland to live with Roisin, Maire’s sister, that the reader gets to understand the family dynamic better. Roisin reminiscing about and remembering her and Maire’s childhood manages to clarify aspects and choices that previously may have seemed unclear.

The final part of this intricate story is seen through the eyes of Lyca, Cora’s daughter. She manages to unravel the puzzle and solve the mystery that is evident throughout the book.

The crux of this tale is that most choices have repercussions, that life is messy and that history repeats itself. Perhaps a more streamlined approach to this intricate family saga would have been more impactful. However, having said that, I enjoyed this book and felt invested in the characters albeit some more than others. I will definitely be keen to read any further offerings this author may publish in the future. - Fiona de Goede

Confessions is published by Penguin Random House:  ISBN 978-0-241-72807-9

Saturday, July 12, 2025

ASPIRE ART

Aspire Art’s recent modern and contemporary art auction represents a bold step in bringing the Southern African and global art markets together but also makes for a carefully-considered business decision.

From a South African perspective, art investment presents vast opportunities, with the local market indicating promising signs of growth, despite market uncertainty.

Nowhere was this more evident than on the night of the auction, held in Johannesburg on June 25: William Kentridge’s showstopping masterpiece ‘Iris’ fetched a record-breaking auction price of over R5 million. In addition, the late Robert Hodgins' magnificent Une Saison en Enfers sold for over R600,000, together with his evocative Warehouse creation reaching a final selling price of over R450,000. 

Also noteworthy, was the striking piece, Hood Poison by acclaimed Zimbabwean artist Misheck Masamvu, which sold for an impressive R480,000.

It is glaringly apparent that art investment continues to be a viable option within the alternative asset class, delivering rewarding returns, and proving a shrewd investment choice for long-term value.

For ease of reference, images of the top-selling pieces can be accessed here: https://we.tl/t-whiCc4X1EQ

 

Art investment: Where passion meets profit.

By Marelize Van Zyl, Chief Executive Officer of Aspire Art.

July 2025 - The recent launch of Aspire Art’s modern and contemporary art auction in Johannesburg on 25 June represents a bold step in bringing the Southern African and global art markets together but also makes for a carefully considered business decision.

From a South African perspective, art investment presents vast opportunities, with the local market indicating promising signs of growth, due to the increase in demand, prices, and internationalism.


Growing interest in African artists

As it stands, African artists now exceed $72 million in combined annual auction value, more than doubling since 2016, which is certainly not to be sneered at, with Irma Stern placed as the highest valued South African artist in 2025. As the international market acknowledges the inherent value of African art, it is expected that its market value will the rise even further.

Whilst collecting African art signifies a shrewd investment decision, it also speaks to social responsibility that supports young, emerging artists, and their continued growth. Quite obviously historically established artists command higher prices and appeal far more to seasoned collectors, however, as rising artists gain recognition, their art appreciates in value, benefiting the artist and the collector alike.

As part of Aspire Art’s commitment to supporting contemporary African artists, one of our more prominent pieces is Hood Poison by Misheck Masamvu. Masamvu, a Zimbabwean contemporary artist, initially specialised in realism, later developing a more avant-garde expressionist artistic representation. His motifs, take on a life of their own, exposing the psychosocial protagonists of contemporary society, and capturing the plight, political turmoil, and concerns of his Zimbabwean subjects and their experiences.

Masamvu’s arresting Hood Poison sold for R480,000, achieving the second highest price achieved at auction. Notably, Aspire Art currently holds the world auction record for the artist.

It is important to note, not only did the art market prove its resilience during the 2024 economic downturn, investing in art pieces also provides a potential hedge against inflation. There are myriad factors that have contributed to the art market’s stability, which include the perception that art is viewed as an appreciating asset with tangible value; moreover, the value of art is not linked to market performance which offers an additional buffer against potential volatility. **

Although the market faces distinct challenges such as economic uncertainty, the impact of increasing inflation and interest rates, together with the knock-on effects of the wars in Ukraine and Iran, the outlook remains hopeful – further reason for optimism in art investment circles. *

 

Emerging trends

A sign of the times is that the market is demonstrating an eagerness to adapt to online auctions while also maintaining their interest in traditional dealer auctions. It is this trend that guided our thinking with the recent launch of our inaugural online wine auction, in collaboration with Rueda Wine Co (RWC). Titled, The Grand Pour: Rare and Premier Wines, opened for bidding online on June 12, proffering over R2 million in reserve value, showing impressive results, with the highest bid received was R187,000 for the Bordeaux Prestige Selection Grand Vin, 2003.

Of particular interest is the exponential growth of South African art tourism sector, projected to grow at a compound annual growth rate (CAGR) of 3.9% from 2025 to 2030, with galleries and museums representing the largest portion, according to Horizon Grand View Research. In terms of revenue, the South African art tourist market generated a revenue of USD0.9 billion in 2024 and is expected to reach USD 1.1 billion by 2030.

These projections reflect the seemingly insatiable appetite for South African art works both locally and abroad.

 

Art as an asset

In conclusion, art investment offers palpable viability as an alternative asset class, continues to show rewarding returns, and remains a wise investment choice for long-term value.

 

About Aspire Art

Founded in 2016, Aspire Art is an auction and consulting business specialising in modern and contemporary art from South Africa and the broader African continent. Its auction services are complemented by valuation and art advisory services to private clients as well as estates and public and private corporations. The Aspire Art team consists of a dynamic group of specialists with extensive knowledge, industry experience and enthusiasm for African art. Clients are provided with thorough art market insight, fair advice and trend forecasting to ensure a richly comprehensive and rewarding art-collecting experience.

For more information, visit www.aspireart.net

 

 

MUSIC EN MASSE

 


(Photograph taken at last year’s event - supplied)

The British Cultural & Heritage Association presents Music en Masse – a participative and fun orchestral concert which aims to bring together musicians - anyone who can read and play music - of all ages and cultures in KZN for a concert performed by “the biggest orchestra ever seen in Durban” to take place in the DLI Hall in Greyville on Sunday July 27 at 14h30.

The concert has become an annual event - part of Durban’s musical calendar – featuring a public performance by a massed orchestra, under the baton of Russell Scott, which aims to serve the interests of the arts, culture and musical education in Durban.

The organisers are looking for participants to join in! If you would like to participate, please contact the British Cultural and Heritage Assn.

The concert features a varied programme of orchestral favourites and eclectic musical numbers: National Anthem; Fame; Moon River; My Way; Themes from 007; Somewhere over the Rainbow; Skyfall; Elanor Rigby; Can’t Take My Eyes off of You; Selections from Les Misérables and Can Can. There will also be interludes by guest artists and a pre-performance programme by the Reddam House Umhlanga marimba players.

The British Cultural & Heritage Association is invested in musical inclusion and outreach. The vision of this concert it to provide a platform for all musicians, young and old, to develop their skills; provide an opportunity for amateur musicians to play as part of a full orchestra in an official concert in a relaxed and unpressured environment; and to facilitate the advancement and development of cultural activities and the arts, fulfilling one of the British Cultural & Heritage Association’s roles in the local community.

Co-ordinator Cheri Steenberg from the British Cultural & Heritage Association says: “We are delighted to be able to prove a unique afternoon function for the entertainment of Durban residents which contributing to the development of the arts in KZN by making the concert a participative afternoon of support for all musicians and in so doing, stimulating an interest in and an enthusiasm for orchestral music in Durban,”

To participate, or for more information contact phone: 031202 6174.

Tickets can be purchased at the door on the day or directly from the office, prior to the event between 09h00 and 13h00 at Berea Bowling Club - Cnr of Brand and Ferguson – Entrance in Ferguson Road.

Tickets R120 (Pensioners – R100 and Children under 12 – R60)

For more information contact Cheri - bcha1820@global.co.za or Lynne - bcha1820@gmail.com.