national Arts Festival Banner

Sunday, June 21, 2026

BRUCE PAGE FOR ST CLEMENTS

The next Mondays @ 6 programme at St Clements in Musgrave offers an unforgettable evening with ecologist, academic, elephant savant, teller of bush tales, Bruce Page.

From last month’s “elephant in the room”, St Clements trumpets on to elephants in the wilds. Bruce lived in the bush. With elephants. For several years. While researching them earlier in his academic career. He has been studying them for years. As you might guess, from first-hand experiences, from twists and turns and adventures, he has a trove of stories to share. And from his research, much wisdom to impart. Remember to bring all your questions because as we know, an elephant never forgets. 

"If elephants didn't exist, you couldn't invent one. They belong to a small group of living things so unlikely they challenge credulity and common sense." — Lyall Watson, (1939 – 2008) Joburg-born naturalist and author.

Elephants are icons of the animal world. The largest land mammals on Earth. Despite being so recognisable, their populations are in danger. They face serious threats to their survival, including habitat loss, poaching, commercial exploitation — and culling.

Did you know? (Ellie snippets from World Animal Protection.)

-Elephants mourn their dead. When an elephant dies, others gather around the body, sometimes standing vigil for hours.

-Elephants are complex creatures with developed intelligence and the ability to feel empathy. Self-awareness makes confinement particularly harmful, as elephants require space, stimulation, and social connection to thrive.

-Though we associate elephant noises with trumpeting and the occasional rumble or groan, a lesser-known elephant fact is that they actually have a complex communication system. They generate low-frequency rumbles that can travel several kilometres through the ground.

-An elephant pregnancy lasts around 22 months. This long gestation supports the development of a highly intelligent, large-brained, and physically mature calf. It also forges a strong bond between mother and calf which lasts a lifetime.

-It’s hard to believe that small bees could be such a big threat to elephants in the wild. But they can sting sensitive areas like the trunk and around the eyes, so herds are constantly on high alert for them.

-Elephants are deeply social animals. When isolated for long periods, they can display behaviours linked to stress and depression, as loneliness causes them real psychological harm.

“We admire elephants in part because they demonstrate what we consider the finest human traits: empathy, self-awareness, and social intelligence. But the way we treat them puts on display the very worst of human behaviour.” – Graydon Carter, journalist, former editor, Vanity Fair.


Some links for those interested — to get you in the mood.

-Madikwe reserve and the normalisation of killing elephants

-ConCourt in session to pass judgment on the inclusion of a single word: wellbeing

-Wild elephants give names to those they talk to, study finds.

-The last zoo elephants: Why Johannesburg can no longer justify their captivity.

 

Bruce Page has extensive experience in the field, laboratory and classroom. His first research projects on the relationship between elephants and their habitats was in 1973 and 1974 on the islands in Lake Kariba. He later lived and worked with elephants for several years in the Northeastern Tuli Block and then the Klaserie Game Reserve.

In 1980, he was employed as a lecturer in ecology at the University of Natal and has continued studying elephants in this capacity. He has worked on elephant populations in 21 different localities in southern Africa (including Botswana, Zimbabwe and Mozambique) and has some 50 publications in journals, books and conference proceedings.

Bruce currently runs an ecological research and consulting agency with a focus on conservation and environmental management. He has long been a voice against elephant culling and coexistence between elephants and trees.

When the donation box is passed around, St Clements requests generosity and a minimum of R50 per person.

Weather permitting, the talk will be outdoors.

Bookings limited to diners in support of St Clements restaurant and staff.

Single folk are welcome to book for one person and join a table.

 

Be there in time to open your tab, order at the counter and settle in before the scheduled 18h00 start. Please cancel if you book then can’t make it.

Table Bookings Essential: RSVP ST Clements +27 62 582 0980

 

 

JAMES GRACE & CHRISTOPHER DUIGAN

 

(Right: James Grace)

 

Well-known guitarist James Grace will be visiting KZN to perform with Christopher Duigan’s Music Revival at the end of June.

He will play a selection of new solo guitar repertoire, his standard Spanish favourites and ends with a set of popular piano and guitar music with Christopher Duigan.

 

Tuesday, June 23 at 19h00

ST AGNES CHURCH, Kloof

Tickets: R150 include tea/coffee and other refreshments at interval.

Booking preferred via WhatsApp 083 417 4473 or booking@musicrevival.co.za

 

Thursday, June 25 at 15h30

WOODGROVE - Community Centre, Pietermaritzburg

Tickets: R100 Booking via WhatsApp 083 417 4473 or booking@musicrevival.co.za

This concert is open to all!

 

Thursday, June 25 at 19h00

AMBER VALLEY - Amber Auditorium

Tickets: R100. Booking: Amber office.

(Open to Amber Valley residents and their guests).

 

Friday, June 26 at 19h00

CASA MEXICANA, 35 Montgomery Drive, Pietermaritzburg

Tickets: R200 concert.

Venue opens at 18h30. Performance time approx 60 mins at 19h00.

Secure patrolled parking.

Booking is essential: Book via WhatsApp 083 417 4473 or booking@musicrevival.co.za

Please include your contact numbers in all e-mail bookings.

Includes gluhwein and other refreshments on arrival. Feel free to bring your own wine.

 

Monday, June 29 at 15h00

AMBERFIELD, Howick

Tickets: R80

Booking: Amberfield Office. 033 230 2000

This concert is open to all!

 

For more information on Music Revival, visit https://www.musicrevival.co.za/

AMACULO DRAKIE SUNSHINE TOUR


 

Drakensberg Boys Choir brings the Amaculo Drakie Sunshine Tour to Mpumalanga

Songs of Heritage, Hope and Harmony to resonate across Mpumalanga from July 6 to 11, 2026

Communities across Mpumalanga will have the opportunity to experience the extraordinary talent, energy and musical excellence of one of South Africa’s most celebrated cultural institutions when the internationally-acclaimed Drakensberg Boys Choir embarks on its Amaculo Drakie Sunshine Tour Mpumalanga from July 6 to 11, 2026.

Presented under the theme, Songs of Heritage, Hope and Harmony, the tour will bring the Choir’s unique blend of world-class choral music, African rhythms, contemporary works and inspirational storytelling to audiences in Middelburg, Mbombela (formerly Nelspruit), Komatipoort and Ermelo.

For almost six decades, the Drakensberg Boys Choir has captivated audiences across the globe, earning a reputation as one of South Africa’s foremost cultural ambassadors. From prestigious international stages to communities across the country, the Choir continues to showcase the transformative power of music while developing young leaders, musicians and global citizens.

The Amaculo Drakie Sunshine Tour reflects the Choir’s enduring commitment to building community connections through music and bringing people together through shared cultural experiences.

In many parts of Mpumalanga, especially among siSwati-speaking communities, the word Amaculo is commonly associated with cultural singing, praise songs, and church hymns. If used in the context of a cultural event in Mpumalanga, the intended meaning is usually something along the lines of “Songs,” “Melodies,” “Voices,” or a celebration of musical and cultural heritage.

Hendrik Bekker, Executive Head of the Drakensberg Boys Choir School, says: “The Drakensberg Boys Choir School is about far more than musical excellence alone. Every day we seek to develop young men of character, resilience and purpose. Music provides a powerful vehicle for growth, leadership and service. This tour gives our boys the opportunity to share those values while inspiring communities across Mpumalanga. We believe music has the power to connect people, build hope and create meaningful impact wherever it is performed.”

Renowned for its exceptional musical versatility, the Choir will present a vibrant programme featuring Western Art music, contemporary choral and secular repertoire, popular music and indigenous South African works. Audiences can expect a dynamic performance that moves seamlessly between genres, cultures and traditions while celebrating South Africa’s rich musical heritage.

According to Jacques Linde, Head of Choral Activity and Conductor, the tour represents an opportunity to showcase not only the Choir’s musical excellence but also its role as a cultural ambassador for South Africa.

“Wherever the Drakensberg Boys Choir performs, we carry a uniquely South African story with us,” says Linde. “Our boys become ambassadors for our country through music, sharing a message of unity, excellence and cultural understanding. The repertoire on this tour reflects who we are as South Africans while also celebrating the universal language of music that transcends boundaries and brings people together.”

A special highlight of the tour will be the Mbombela performance on July 7 at Laerskool Laeveld, where the Choir will collaborate with the Laerskool Laeveld Senior Choir, Nocoré Ensemble and acclaimed soprano Kirsten Blair. This unique performance promises an inspiring celebration of local and national musical talent.

The tour follows a period of significant activity for the Choir, including its acclaimed Music in the City 2026 concert series in Johannesburg from June 17 to 20, 2026, and forms part of the institution’s ongoing mission to share musical excellence with audiences throughout South Africa.

For more information, visit https://dbchoir.com/


THEATRE KIDZ

 

The Westville Theatre Club is now presenting: Theatre KidZ

When an MC for a variety show lets her pursuit of theatrical perfection and power, chaos ensues for the rest of the cast. When everything is against their turn in the spotlight … the show must go on?

Theatre KidZ is a satirical coming of age spectacle, written and directed by Madison Opland, that brings new eyes to the reality of theatre life - the good, the bad and the ugly of staging any show. Familiar, funny and utterly fabulous; the show is certain to keep audiences entertained as they spotlight the characters one finds in real life both on stage and off.

Enjoy an event of song, dance and performance that’s fun for the whole family, fellow theatre enthusiasts and theatre first-timers alike!

Next performances are July 27 at 14h30 and 18h00 as well as on July 28 at 11h00 and 14h30 at Westville Theatre Club at 6 St James Avenue.  Book tickets for Theatre KidZ through Webtickets today.

Webtickets link: https://www.webtickets.co.za/v2/event.aspx?itemid=1595384705

Instagram link: https://www.instagram.com/wtcchildrenstheatre?utm_source=qr&igsh=djY3bTEza2tqNTI3

Facebook link: https://www.facebook.com/share/1CxZsq7KrN/

 

Saturday, June 20, 2026

NATIONAL ARTS FESTIVAL IS A WEEK AWAY

 


The National Arts Festival is a Week Away - Take the Leap into New Worlds - June 25 – July 5, 2026.

The National Arts Festival is just one week away and it’s gearing up to be the winter soulfood that you’ve been craving. From exciting weekends filled with music, shows and experiences to a week packed with discovery, conversation and bold performances, concluding with all the big acts in store for the final weekend. Whenever you arrive, you’re here for the good stuff as we come together and build new worlds!

 

Weekends Packed With Music and More

Msaki and the ALTBLK >>Pan African Collective will perform on June 26 at the Guy Butler Theatre

The weekends of June 26-28 and July 3-5 are when the big music acts take centre stage. You’ll have the chance to see unforgettable performers like Thandiswa Mazwai, Msaki’s ALTBLK>>Pan-African Collective, the Soweto String Quartet, Concord Nkabinde, Manana with a full band, Betusile Mcinga's soulful gospel, rising stars Nomfundo Moh and Ntokozo Mkhize and the experimental sounds of Kids Love Jazz. The new dedicated music venue, the Great Hall, will stay open late, featuring DJ sets that carry the energy well into the early hours. The whole town will be buzzing with excitement.

But these weekends are not just about the headliners. The Fringe, showcasing over 200 works from nine provinces, is where you'll discover the unexpected.

 

Dance performances that move you

University productions alongside independent collectives - from UJ to the University of Zululand, AFDA to Phoenix College, there's a whole lot more from SA’s finest creative institutions

Shows that ignite conversations and inspire people to text their friends about what they've just experienced.

Great shows for families and children

 

Urban showcases from Spark Hub and TX Theatre

Get ready for LitFest with a programme focused on literature and conversation from June 26-28. Notable panelists include Zakes Mda, Professor Pamela Maseko, Phemelo Motene, Dr Athambile Masola, Siya Khumalo, Vuyo Ngcofe, Wesley Roodt, Nozibele Mayaba and Rorisang Thandekiso, Nozipho Tshabalala, Naledi Mqhayi, and Sihle-Isipho Nontshokweni-Bikitsha.

 

And Then The Week Unfolds

Standard Bank Young Artist for Dance, Lee-ché Janecke will perform June 27 to 29 at the Rhodes Box

During the week, the shows go on with riveting works and major premieres featuring the 2026 Standard Bank Young Artist for Dance, Lee-ché Janecke, with Majaivan on June 27-29, and the 2026 Standard Bank Young Artist for Theatre, Jason Jacobs’ Kraal unravels the tangled vines of inherited trauma and the shadow of the dop system (2-4 July). Expect outstanding music, captivating magic and much more! Don’t miss The Very Big Comedy Show on July 2 with Stuart Taylor, Yaaseen Barnes, Conrad Koch, Chester Missing & Friends, Khanyisa Bunu, Chris Mapane and host, Rob van Vuuren - and all the great shows on the Fringe.

Don’t forget to look out for the Ovation Award winners! The panel will be hard at work identifying Fringe works that are being presented for the first time and will share their selections daily.

The Festival becomes a space for conversation, discovery and contemplation of ideas with the Art Talk programme, featuring workshops for artists which the public can also attend.

Film is back with a tightly-curated selection of highly-acclaimed international works sourced from global film festivals. If you’re staying at home, search the programme for this year’s vFringe films. Additionally, there are readings and literary events at LitFest, late-night gatherings at Oldies, and explorations of black consciousness at The Black Power Station.

Every day at 17h00, the free Sundowner Concerts at the Monument showcase performances from the Festival line-up, allowing for a perfect wind-down while you discover your new favourite artist.

New this year, the Festival Canteen at the Monument becomes a place to enjoy affordable, hearty meals. Offerings include samp or pap with wors, chicken stew, soup of the day, and simple food that nourishes you between shows - open daily from 12 noon to 14h00 and 18h00 to 20h00.

The Village Green at Victoria Girls’ School is where you find your community, and the Long Table invites people to gather late into the night. For those looking to self-cater, local grocery shops like Pick ‘n Pay remain open until 21h00, while McDonald’s closes at midnight.

 

A Box Office in Your Pocket

The free National Arts Festival app is a simple, convenient way to manage your Festival experience.

-Browse shows by date or genre

-Book your tickets or add shows to your wishlist

-Buy them in your app

-Store your tickets in one place

-Use your app tickets to gain entry to shows

 

All your info is locked into your account so as long as you’re logged in, you can view the same info on your desktop browser

 

Download the app and create your account now

iStore

Android

 

What Makes it All Possible

Watch The Cry of Winnie Mandela from June 26 to 28 at the Rhodes Theatre

The organisers have worked hard to make the Festival accessible for everyone. Ticket prices range from R20 to R300. Genres range from circus to dance and children’s theatre– it's a family-friendly affair for all ages in a variety of languages.

Not sure how you’ll get there?

Thanks to the partnership with CrabaRide, you can travel for less. Book rides from Cape Town, Joburg, Durban, Gqeberha, KuGompo City (and maybe your town, too) on this genius and seriously affordable lift-sharing app. Not your thing? There are plenty of shuttles and private services available so book your ride.

When in Makhanda, venues are conveniently spread throughout the town, making it a brisk walk between shows or just jump on the hopper - a free shuttle that takes festival goers along set routes.

Above all, Makhanda is ready to embrace you so come and dive in!

Plan Your Trip

 

If You’re On The Fence - Here’s Your Sign

Catch FAMEHUNGRY on July 1, 3 and 4 at Thomas Pringle

Whether you drop in for a single performance or immerse yourself in all 11 days, whether your interests lean toward music, theatre, or thoughtprovoking dialogue, whether youre drawn to the buzz of late nights in the company of artists or the calm of mornings in the garden the trip is worth it and the Festival welcomes you.

But beyond attending, you are invited to become a supporter of the arts. Festivals like this thrive not only on ticket sales but on the commitment of communities who believe in the power of creativity to transform lives. As our industry adapts to new challenges, your participation and support are more vital than ever. By standing with us, you help sustain spaces where artists can take risks, audiences can discover new voices, and culture can continue to thrive.

The Festival is designed for you to arrive as an audience member and leave as part of something bigger — a living, breathing community of art lovers. Here, you’ll find genuine connections, real interactions, and the shared joy of supporting creativity together.

Still need to plan a trip? Convince someone to be your NAF friend this year!

Tell a Friend about NAF 2026

 

It’s Not Too Late

Comedian Alfred Adriaan will perform in The Very Big Comedy Show on July 2 at The Guy Butler Theatre

Here’s all the need-to-knows to make it happen. Nearly 100% of Festival visitors say they’ll be back. If you haven’t been in a while - this is your year!

The National Arts Festival runs from June 25 to July 5, 2026 in Makhanda, Eastern Cape.

To check out the programme, head to the website www.nationalartsfestival.co.za

Tickets: Book via our www.nationalartsfestival.co.za or on the National Arts Festival App downloadable on iStore and Android  

You can also purchase tickets at the physical Box Office at The Monument - open now.

Ticket prices: R20 – R300 per show

Transport: Book a CrabaRide from anywhere in South Africa

More information: @NationalArtsFestival on social media or check out the FAQ’s

 

There are thousands of people that make the Festival possible, and the organisers are grateful to everyone who books a ticket, hosts a guest, provides a meal for visitors and, of course, presents a show as part their programme! A special thank-you to the sponsors of the 2026 National Arts Festival: the Eastern Cape Department of Sport, Recreation, Arts and Culture, Standard Bank, Department of Sport, Arts and Culture's Mzansi Golden Economy Programme and the Sarah Baartman District Municipality.

WANDILE MBAMBENI LIVE AT THE CHAIRMAN

An evening of truth, texture, and timeless sound on June 27, 2026.

Step into a space where music strips itself down to its purest form. South African singer-songwriter Wandile Mbambeni arrives at The Chairman for a deeply intimate live experience - one that leans into storytelling, raw vocals, and the quiet power of acoustic soul.

Fresh off his latest EP You Love Who You Love, featuring the stirring single Hey Lord, Wandile continues to carve out a sound that is both rooted and expansive - blending a country-western aesthetic with a distinctly African emotional language. It’s music that feels lived-in, honest, and unafraid.

This tour is more than a series of performances - it’s a gathering. A celebration of community, vulnerability, and the songs that hold us together.

On June 27, Durban becomes part of that journey. Come through. Sit close. Listen deeply.

The Chairman is located at 146 Mahatma Gandhi Road, Point, Durban, 4001

https://www.quicket.co.za/events/372057-berita-live-at-the-chairman/#/

JANE DIGBY TAKING FLIGHT EXHIBITION

 


(Above: Flight – Turbulence (110 x 190 cm) Oil on Canvas)

 

The Gallery Ballito https://thegalleryballito.co.za is proud to be exhibiting Jane Digby’s Taking Flight which runs until July 31, 2026. Taking Flight explores movement as both a natural instinct and a deeply human experience.

Inspired by migration of barn swallows and the journey of people across borders, the exhibition invites artists to reflect on themes of departure, transition, belonging and the idea of home as something that can be carried


To view Jane Digby’s paintings, visit:

The Gallery, Lifestyle Centre, Ballito, KZN - @thegallerylifestyle

Zulu Lulu Art House, Piggly Wiggly, The Midlands, KZN - @zulululu_arthouse

Riverbend Art and Wine Gallery, Margate, KZN - @riverbendartandwinegallery

St Francis Art Gallery, St Francis Bay, EC - @stfrancisart_gallery

 

Do not hesitate to enquire - some are exhibited, and some are in the storeroom.

SPIER LIGHT ART 2027 OPEN CALL

Deadline: July 21, 2026.

Spier Light Art returns for its ninth year - and it's looking for artists and makers

Africa's longest-running light art exhibition invites artists to submit expressions of interest by July 21 2026.

Spier Light Art has opened its call for artists ahead of its 2027 edition, running from February 26 to March 21, 2027, across the historic Spier Wine Farm in Stellenbosch.

Now in its ninth year, Spier Light Art is South Africa's leading platform for light-based contemporary art and Africa's longest-running exhibition of its kind. Curated by Vaughn Sadie, the exhibition commissions new works in which light functions as concept, medium, and subject matter.

There is no fixed theme for 2027. Artists are free to explore ideas relevant to their practice, including technology, resilience, enchantment, and the context of a working wine farm and its landscape. Proposals are welcomed from artists and makers across all disciplines and career stages. Eligible work includes site-specific installations, sculpture, interactive art, digital works, video art, and sound and light integration.

Expressions of interest are due by July 21, 2026, and must be submitted to spierlightart@lightplace.org

Shortlisted artists will be invited to develop a more detailed proposal, with final selections confirmed in early October 2026.

For full submission requirements and to RSVP for briefings on June 20 and July 4, visit www.spierlightart.co.za or contact spierlightart@lightplace.org

 

HISTORY’S GREATEST MYSTERIES S7

 

History’s Greatest Mysteries with Laurence Fishburne is part of Season 7.

The latest season of History’s Greatest Mysteries once again casts a spotlight on some of the top theories surrounding the world’s most enigmatic unsolved mysteries. From what the US government is really hiding at Area 51, to the daring theft of the Mona Lisa, and who pulled off the infamous Lufthansa heist – walking away with $5 million in cash and $800,000 in jewellery from a luxury airline hangar.

Join host narrator Laurence Fishburne, as he unpacks these and other puzzles.

 

June 27

Saturdays 20h15

Repeat: Sunday 19h25

RMETS WEATHER PHOTOGRAPHER OF THE YEAR 2026 OPENS FOR ENTRIES

The world’s favourite weather photography competition returns as the Royal Meteorological Society (RMetS) officially opens entries for the Weather Photographer of the Year 2026.

Now entering its second decade, the competition invites photographers from around the globe to submit striking images that capture the power, beauty and impact of weather. It celebrates outstanding photography that showcases both dramatic weather events and the growing influence of climate change.

The dedicated Climate Award also returns for 2026, recognising images that connect weather with wider environmental change. As a visual medium, photography offers a powerful way to communicate complex scientific ideas and engage global audiences.

Prof Liz Bentley FRMetS, Chief Executive of the Royal Meteorological Society, said: "The Weather Photographer of the Year competition continues to showcase the remarkable ways in which weather shapes our world, from moments of natural beauty to events of significant impact. As our climate changes, these images play an increasingly important role in helping people understand and engage with the science behind weather and climate."

The competition is free to enter and open to photographers of all levels, from seasoned professionals to enthusiastic amateurs.

 

The 2026 categories include:

-Weather Photographer of the Year – awarded to the most striking image of weather in action (£1,500 prize).

-Mobile Weather Photographer of the Year – celebrating the best images captured on a smartphone or tablet (£500 prize).

-Climate Award – recognising photography that tells a compelling story about our changing climate (£500 prize).

-Public Favourite – decided by a global public vote.

 

Key Dates

Entries open: June 11– August 20, 2026

Shortlist announcement and public vote: October 22, 2026

Winners announced: November 17, 2026

  

How to Enter

Photographers can submit their entries via the official submission website, Zealous here. https://zealous.co/

 

 

 

Friday, June 19, 2026

KZNPO WINTER SEASON CONCERT#2: REVIEW

 


KwaZulu-Natal Philharmonic Orchestra

World Symphony Series, Winter Season, Concert 2 (18 June 2026)

The Playhouse Opera

Intuitive spurts and whimsical let-ups set for the orchestra a moving target which, under the baton of Alexandra Arrieche, they skilfully negotiated. (Review by David Smith)

Part of this event fell outside the usual symphony concert parameters: as happened in past years, the KZN Youth Orchestra under Lyk Temmingh was accorded the opening slot and brought in a characteristically young and lively following among the groups of ‘old hands’ in attendance. Their four-piece curtain-raiser was a bouquet plucked from Mozart, popular Brahms, a Spanish flavour and a fanfare.

Apart from purely musical achievements – their strong rhythmic sense, clean ensemble, and commendable tuning among heterogeneous groups – the youngsters’ involvement in a project that reaches back over more than 30 years is also premised on social and emotional commitments whose benefits recommend themselves universally. The listeners’ applause was approval of both flowering talent and the continued efforts of instructors and parents in encouraging a crucible of diverse artistic expression.

The well-filled theatre then had the opportunity to hear a brilliant Italian pianist, Federico Colli, take on - and shake down - the Schumann piano concerto. A work of such importance gets many outings, and its interpretation easily becomes smoothed down by convention, to a ‘truthful’ but unremarkable reflection of the printed signs. Colli was having none of that.

He re-wrote the ‘contract’ through his emphasis on rapid, impetuous utterances on one hand, and the most delicate tonal caresses - shy, even - on the other. While this suggests an alignment with the acknowledged facets of Schumann’s persona (given the names of Florestan, the impassioned, and Eusebius, the dreamer), as well as the roots of the first movement (the longest) in an independent Phantasie conception, it yielded an idiosyncratic reading of the music, changeful in its moods and speeds, and elastic even in its small gestures.

Intuitive spurts and whimsical let-ups set for the orchestra a moving target which, under the baton of Alexandra Arrieche, they skilfully negotiated. Colli’s tonal levels and layers were also a product of re-thinking and brought a luminous quality to much of the piano part, which the orchestra sought to emulate. He complimented his enthusiastic audience (“You aren’t cold, like Europeans”) and offered as an encore an explosive jest on bits of the Rondo alla Turca, his blazing virtuosity well to the fore.

The rapport between Arrieche and the orchestra was amply tested when the second half of the concert turned to Mendelssohn’s ‘Scottish’ Symphony (numbered ‘3’ but actually his fifth and last). The score is unusual in various ways, from its extended introduction minus the upper strings at the start, through the sudden evocation of a sea storm, to the hymn-like coda at the very end. These anomalies aside, the work falls into the standard four-movement shape. But its themes migrate and mutate, and the writing is intentionally aimed at progression without pauses between movements.

Perhaps the enforced stops – due to outbreaks of applause – helped to revive the musicians, for they maintained headlong speeds and the rapid circulation of motifs within the orchestra. Besides fine solo work from oboe and clarinet especially, and heart-warming lyrical themes from the cello section, the ‘choirs’ that constitute the orchestra scarcely missed a trick. It was hard work in a noble cause.

It was also to Arrieche’s great credit that a work like this (one far less familiar than the Schumann) could be prepared in the usual limited rehearsal time and presented with both authority and freshness. - David Smith

 

Thursday, June 18, 2026

2026 STANDARD BANK YOUNG ARTIST AWARD COHORT PREMIÉRES AT THE NATIONAL ARTS FESTIVAL

 A New Era: The 2026 Standard Bank Young Artist Award Cohort Première’s at the National Arts Festival

For over 40 years, the Standard Bank Young Artist Awards have identified and celebrated South African artists who are pushing boundaries and shaping contemporary discourse in the arts. Selected by the National Arts Festival’s Artistic Committee, part of the SBYA’s year includes the presentation of a new work at the Festival.

This is a much-anticipated highlight of the National Arts Festival’s programme and the 2026 Standard Bank Young Artist Award Winners (SBYA) will be in Makhanda this year with a varied and fascinating body of work. From exploring ancient African indigenous knowledge perspectives to celebrating the global rise of South African pop culture, each artist presents a bold vision that pushes the boundaries of their discipline, unpacking girlhood, love, African ontologies and transformative performance on a world stage. 


(Left: Jason Jacobs)

 

THEATRE – JASON JACOBS PRESENTS KRAAL

The 2026 Standard Bank Young Artist for Theatre - Jason Jacobs

 Kraal is a powerful two-part decolonial curation that unravels inherited trauma and the shadow of the colonial dop system. Performed both in a traditional theatre setting and a sacred matjieshut (mat hut), Jason Jacobs’ immersive ritual of restoration breathes life into the ancient wisdom of the Kamiesberge. An indigenous artist from Namaqualand, he integrates heritage and contemporary storytelling, continuing his acclaimed trajectory in theatre and film. The work emphasizes a reconstruction in which fragments of memory and shame are gently gathered and transformed toward healing and growth.

 Rhodes Box:

July 2 – 20h00 – 21h05

July 3 -16h00 – 17h05

July 4 – 14h00 – 15h05

 While selected for his theatre work, Jacobs, alongside his co-writer and co-director, Devon Delmoar, will present their screenplay, Variations on a Theme. Through recurring visual ‘variations’, the film reveals a portrait of waiting, endurance and loss as repetition serves as revelation. It tells the story of an elderly goat herder who falls victim to a reparations scam, eagerly awaiting money that never arrives. The disruptions of her 80th birthday threaten to strip away the last of her independence. 


(Right: Lee-Che Janecke)

 

DANCE – LEE-CHE JANECKE PRESENTS MAJAIVAN: A MOVEMENT STORY OF THE LIFE OF LEE-CHE JANECKE

The 2026 Standard Bank Young Artist for Dance - Lee-Che Janecke

MAJAIVAN: A Movement Story of the Life of Lee-Che Janecke is an emotional interpretation of Janecke’s journey through family, identity and their role at the forefront of the global rise of African dance. With choreography rooted in resilience and grace, this performance invites audiences to reflect on their own paths while celebrating the transformative power of movement.

Known professionally as Litchi HOV, Janecke has spent over 13 years forging a movement language that feels ancestral and futuristic at once. Globally recognised as a choreographer, creative director and cultural innovator, Litchi is the creative force behind Grammy Award-winning phenomenon Tyla, and helped propel Water into a global dance awakening, crafting choreography that moved from screens to stadiums with magnetic velocity. His visionary work on Push 2 Start earned him a 2025 MTV VMA nomination for Best Choreography.

Rhodes Box

June 27 – 20h00 – 20h50

June 28 – 16h00 – 16h50

June 29 - 10h00 – 10h50

 


(Left: Gabi Motuba)

 

JAZZ – GABI MOTUBA PRESENTS THE SOUNDS OF A BLACK GIRL

The 2026 Standard Bank Young Artist for Jazz - Gabi Motuba

The Sounds of a Black Girl introduces an exciting new ensemble of world-renowned musicians. Motuba’s majestic voice anchors a sonic exploration of spiritual jazz and neo-soul, blurring traditional boundaries through improvisation and philosophy. Building on her acclaimed album The Sabbath, this work extends her experimental compositional practice. “Jazz exists in my philosophy. Rooted in jazz as philosophy rather than genre, the album dissolves traditional boundaries, embracing improvisation as both method and meaning. It is my way of life and my style,” Motuba reflects.

Critics praise Motuba for her musicality, compositional depth and rare ability to articulate the theory that underpins her praxis. She is regarded as a compelling composer and a majestic vocalist, capable of holding vast emotional landscapes within a single phrase.

Great Hall

July 4 – 16h00 – 18h00 


(Right: Manana)

 

MUSIC – MANANA PRESENTS PULCHRITUDINOUS: THE BEAUTY OF THE JOURNEY

The 2026 Standard Bank Young Artist for Music - Manana

Pulchritudinous: The Beauty of the Journey marks an iconic Manana performance with a full band and horn section. The show spans the entirety of his artistic journey, from his debut EP In the Beginning Was the End to 2025’s OBHM: Full Stop, tracing an emotional narrative of love, loss and healing. Audiences will experience rare renditions, new arrangements and unreleased material in what promises to be a once-in-a-lifetime showcase. The addition of the horn section brings a fresh and distinctive sound to beloved songs.

Hailing from eSwatini, Manana is a SAMA winner who has collaborated with global stars including Burna Boy, Usher, Tyla, Pheelz, Nasty C, Amanda Black, Ami Faku, Cynthia Erivo, Shekinah and Sauti Sol.

Great Hall

June 27 – 21h00 – 23h00

  


(Left: Bronwyn Katz)

 

VISUAL ART – BRONWYN KATZ PRESENTS TA A-B KOBAB ADA KĀXU-DA, TI KHOE-DU’E!

The 2026 Standard Bank Young Artist for Visual Art – Bronwyn Katz

 The retrieval of lost language through material process is central to Bronwyn Katz’s exhibition: Ta a-b kobab ada kāxu-da, ti khoe-du’e! . Language here is relational, a system of contact, conduction, and response. Katz begins with the body. She traces subtle shifts across her own skin permanent and fleeting marks that appear and dissolve over time. These intimate cartographies are translated into metal scaffolds that hold resonant forms, horns and cavities filled with healing herbs, beeswax, and conductive wire circuits.

Born in Kimberley, but living and working in Cape Town, Katz is a founding member of iQhiya, an 11-women artist collective which has performed across various spaces, including Documenta 14 (in Kassel and Athens). Her artistic practice is an evolving system of notation, an effort to articulate the phonetics of an imagined creole language. Engaging with the concept of land as a living repository of memory and trauma, her work reflects on space as lived experience, considering the land’s capacity to remember, carry and communicate the traces of its occupation.

Monument Gallery

June 25 - July 5: 09h00 to 17h00

 

Find the Standard Bank Young Artists on the Programme by filtering for Curated Programme or click below:

https://tickets.nationalartsfestival.co.za/en?programme_type_id=6