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Tuesday, July 31, 2018

MAMBA REPUBLIC CORPORATE SEASON NOW OPEN!


(John van de Ruit & Ben Voss)

Are you looking for some quality comedic entertainment for your corporate function or fundraising event? Then book Mamba Republic now! Starring the award-winning duo of Ben Voss (Beauty Ramapelepele) and John van de Ruit (of Spud fame).

In a series of extremely funny sketches and skits, Mamba Republic pokes fun at the highs and lows of everyday life in South Africa. It’s social satire at its best. No offence, no foul language, but plenty of Proudly South African laughter.

Mamba Republic corporate season runs from June to December, 2018. Book your Christmas party now! (Bookings will be honoured on a first-come first-served basis, subject to availability.)

Duration of performance approximately 50 minutes. This can be adjusted to suit the needs of your function.

For all enquiries, a quote, or further information about the show email juliakateclarence@gmail.com

THE REPORTS ON SARAH AND SALEEM


(Image from the poster)

This excellent Palestinian movie was awarded the Best Feature Film prize at the 2018 Durban Film Festival and may return on the commercial circuit. (Review by Patrick Compton)

Clearly there is no such thing as ordinary marital infidelity in Israel, at least when the partners are an Israeli woman and a Palestinian man.

Sarah and Saleem, to put it bluntly, have the hots for each other, no more, no less. She is a café owner and the wife of an Israeli army colonel who lives in west Jerusalem. He is a Palestinian who lives in the eastern section. He’s short of money and is anxious about how he will support his wife and forthcoming child. Neither of them is “political”.

The couple are initially fairly careful about their liaison, sneaking time together to make love in his bakery van. One evening, however, Saleem says he has to make a delivery in Bethlehem. She is on the point of calling off the appointment, but, loath to miss out on a passion session, decides to accompany him.

At this stage, the movie – the feature film debut of Muayad Alayan and written by his brother Rami – takes on political and feminist dimensions in an almost thriller format that holds its audience intrigued and tense as events build to a climax.

The Reports on Sarah and Saleem is essentially a film about power, concerning those who have it (the Israelis) and those who don’t (the Palestinians). Thankfully, the movie is not as simplistic as this sounds with the Alayan brothers eschewing didacticism and creating a convincingly nuanced portrait of life in one of the most highly contested and complex countries in the world.

Although the movie is 127 minutes long, the film’s pacing is impeccable and it doesn’t overstay its welcome. It’s hard to know whether the film will return to Durban on the commercial circuit, but there are grounds for hoping it will, principally because it’s a well-acted, tautly delivered human drama that should appeal to a wider audience. - Patrick Compton

ASSITEJ SA PLAYWRITING COMPETITION


Deadline: October 31, 2018.

Do you write plays for children or youth?

ASSITEJ South Africa announces a playwriting competition open to African playwrights.

All playwrights with young audiences as the target market for their work are encouraged to apply. They will be looking at work aimed at all ages and stages of childhood and youth from 0-19 years-old. The theme, plot, genre and style are totally open.

Each of the shortlist of eight plays, including three playwrights from the greater African continent, and five from South Africa, will receive online mentoring with an international expert from the ASSITEJ, Write Local, Play Global network of professionals.

The winning play will be produced and presented at the Cradle of Creativity 2019, a Biennial International Festival of Theatre for Young Audiences in South Africa to be held at the Baxter Theatre Centre in Cape Town from August 20 to 25, 2019.

Scripts will be selected for the short-list based on:
-work that has been written for a specific stage of childhood and youth
-the level of excellence in chosen medium
-the level of innovation and originality
-the suitability for audience for which it was created
-the suitability for an audience of South African children

The play may have had previous readings or amateur performances, but no professional showings.

For the play to be eligible for selection for Cradle of Creativity 2019, it must be written in one of the languages of the Western Cape: English, Afrikaans, or isiXhosa. If the play is in another language, there must be the possibility that it can be translated into one of these languages.

Entrants will be required to submit a one-page synopsis of their play as well as three pages of sample text or dialogue. If the entire play has been written, then this should be submitted in addition, however, this is not a prerequisite.

In order to submit a play to the competition, the application form should be filled in online at https://goo.gl/forms/RRHgjojoyXpFhsg72

The deadline for applications is: October 31, 2018.

For more information contact Jaqueline Dommisse, Festival Director on email: jaqueline@theatre4youth.co.za

THE SNOW GOOSE AT ST CLEMENTS


The popular Mondays at Six at St Clements programme will host The Snow Goose by Paul Gallico on August 6 at 18h00.

The performers will be Roger Knowles, Jacqui Jayamaha and Pieter Scholtz.

Philip Rhayader lives alone in an abandoned lighthouse on the desolate Great Marsh of Essex. One afternoon, a hauntingly beautiful child, Frith, visits Rhayader, bringing with her an injured snow goose. At first, Frith is scared of Rhayader with his sinister hump and crooked hand, but he is gentle and kind and Frith begins to visit regularly. When the snow goose departs for home, Rhayader is left alone again. The following winter, the snow goose and Frith return to the lighthouse.

Time passes. 1940 and Rhayader sets sail for Dunkirk to help the soldier’s trapped on the beaches. Frith never sees Rhayader again. But the story of the saviour with the snow goose passes from soldier to soldier and into legend.

St Clements is situated at 191 Musgrave Road. Mondays @ Six run between 18h00 and 19h00. Table bookings are essential on 031 202 2511. There is no cover charge but there is a donations box to support presenters.

Saturday, July 28, 2018

DEATH OF PAULETTE DUBAYLE BARKER


(Paulette Dubayle Barker)

Artist and teacher Paulette Dubayle Barker passed away peacefully in the night on July 27, 2018.

“Many of you will remember Paulette as she played an important role in KZNSA, Alliance Francaise and as an. RIP,” says arts curator Carol Brown.

Paulette Barker was an artist, a painter, a creative spirit, a counsellor, a leader and a teacher who sought to inspire others to discover their inner wisdom and creative spirit by using the tools she had found on her own journey through life.

This journey had been made up of many parts, with wisdom gathered from many people along the way, and specific skills gleaned from a number of teachers - some formal, and many more informal.

There were always been several threads in Paulette's life. As a young girl in France she took on the mantle of a girl guide leader who would take smaller children on camps where she would teach them the usual range of songs and games but through this, she would seek to build self-belief in the children.

When she found herself as a teenager in the Nazi-occupied region of Alsace, her formal schooling was interrupted. Despite previously being a high-achiever in her class, she - and all the children in her year - were given a standard-issue school-leaving certificate that would entitle her to pursue studies of some sort. Her parents' choice was an advanced secretarial course that could secure her a job, and an income. She succeeded in the training, scoring very high marks that allowed her to work for one of the top law firms in her home town of Mulhouse as a legal secretary.

Although the war was over, it left the young girl with deeply emotional and traumatic experiences to deal with. Some of this laid the basis for her deep commitment to helping others.


After a period as an au pair in London she found herself in Paris in 1952 where she worked as an administrator in the pharmacy at Paris's famous American Hospital. It was there she met her future husband, a surgeon from South Africa who eventually persuaded her to travel to the other side of the world to start their family in this country.

Paulette's career was woven around the demands of raising five children. During the children's school years Paulette was steadily building her skills and personal career as a painter, attending a variety of courses, including at Natal University, Durban Technikon and Unisa, and under the guidance of teachers such as Andrew Verster, Dianna Kenton and Penny Siopis. At the same time she was building her reputation with a number of solo and group exhibitions, both in South Africa and abroad.

Simultaneously, Paulette began teaching, running classes in conversational French and teaching adults and children to draw. Encouraged by the early results of her art classes she opened her own art school and ran numerous workshops from her home studio.

Arising out of this, she was asked to run the annual art workshops for children for the NSA gallery for many years. She has since conducted numerous others, including workshops for the Durban City Year of the Child, Durban City Year of the Aged, workshops for TAFTA and the Cancer Association of SA. Paulette also conducted a number of drawing workshops as part of LifeLine's outreach programmes.

The foundation of Paulette's work had always been the idea that teaching people to draw meant teaching people to "see". This is heavily influenced by the work of Betty Edwards, author of Drawing on the Right Side of the Brain as well as experience gained through her work with a child psychologist to develop painting and drawing courses for right-brain children.
  

(“Quai D'isly”. Work by Paulette Barker)

The key in this is the principle that drawing without fear builds on and develops the uniqueness of each individual. Over the years Paulette developed a unique approach to teaching which culminated in her being able to guide her students through a rich blend of personal enrichment and artistic expression. This meeting of her understanding of psychology and human nature, with her experience and understanding of a variety of artistic mediums, as well as her passionate exploration of the impact of colour, design and form, enabled her to offer her students a rare experience that was unlike any other "art class".

It could be said that Paulette's journey was always headed towards this particular style of mentorship, and that her work with prisoners at Westville Prison demonstrated the huge potential of this approach.

Paulette's work has been exhibited in galleries across South Africa, including at the NSA gallery in Durban, the Karen MacKeron gallery in Johannesburg, also in group exhibitions in galleries in Cape Town and Pretoria, as well as in Paris, at the Cité des Arts, at the Gallerie du Petit Musc, and at the Grand Palais.

Her paintings hang in private collections in South Africa, France, Israel, England and America. The Musee de la Ville de Mulhouse acquired three of her works during her exhibition at the Cité des Arts.

Paulette had the honour of being one of the first candidates to represent South Africa for a short-term residency at the Cité, and returned for eight consecutive years. The Gallerie du Petit Musc hosted an exhibition of her work on each of these occasions.

There will be a small remembrance of her tomorrow (Sunday, July 29, 2018) from 15h00 to 16h00, at the Durban Botanical Gardens conference hall (9A John Zikhali Road, old Sydenham Road).