(A scene from “Black Butterflies”)The 32nd Durban International Film Festival, supported by the National Lottery Distribution Trust Fund (principal funder), National Film and Video Foundation, the KwaZulu-Natal Department of Economic Development and Tourism and other valued funders and partners, is currently taking place in Durban.
It kicked off on July 21 with the World Premiere of the South African film
Otelo Burning, directed by Sara Blecher.
Between July 21 and 31, the festival will be crammed with great films from around the world.
Skoonheid, Oliver Hermanus’s groundbreaking film that caused a stir at the recent Cannes film festival, will have its first South African screening at the festival. DIFF will also present the World Premieres of Charlie Vundla’s noir film
How To Steal 2 Million, John Barker’s thrilling heist flick
31 Million Reasons, Faith Isiakpere’s crime drama
The Algiers Murders, Eldorado by new talents Shaldon Ferris and Lorreal Ferris, the hilarious comedy
Taka Takata by Damir Radonic, and
The Dream by Zuko Nodada. Making their African Premieres are Mukunda Michael Dewil’s psychological thriller
Retribution and Paula van der Oest’s moving film about Ingrid Jonker,
Black Butterflies.
DIFF 2011 includes the African Premiere of the year’s most anticipated film – Terrence Malick’s
The Tree Of Life, which just won the Palme d’Or in Cannes. Other highlights include Woody Allen’s
Midnight In Paris, which will close the festival, Bela Tarr’s
The Turin Horse, Andrey Zvyagintsev’s
Elena, Jose Padilha’s
Elite Squad 2 – The Enemy Within, Takeshi Kitano’s
Outrage, Michel Ocelot’s
Tales Of The Night, SJ Clarkson’s
Toast, Lee Chang-dong’s
Poetry, and Apichatpong Weerasethakul’s
Uncle Boonmee Who Can Recall His Past Lives.
African cinema will also be well-represented by Djo Tunda Wa Munga’s striking and unique
Viva Riva! , Nigerian director Andrew Donsunmu’s visually beautiful
Restless City, Justin Chadwick’s uplifting Kenya-set film
The First Grader, and Ebrahim El Batout’s
Hawi which first appeared in Durban as a project at the inaugural Durban FilmMart in 2010.
DIFF will focus on two national cinemas this year: India and Canada. Six films from the great Indian master Satyajit Ray will be presented, alongside daring new works by talented new Indian filmmakers. Leena Manimekelai will present the World Premiere of her film
The Dead Sea and other Indian films include Onir’s
I Am, Sanjoy Nag’s
Memories In March, Kaushik Mukherjee’s Bengali hip hop film
Asshole, and Aamir Bashir’s
Autumn.
In a very strong year for Canadian cinema, DIFF will present Denis Villeneuve’s Oscar-nominated
Incendies, the gritty drama
Jo For Jonathan, Ed Gass-Donnelly’s
Small Town Murder Songs, Xavier Dolan’s ravishing
Heartbeats, and the quirky
Familiar Ground by Stephane Lafleur. Canadian documentaries include Barry Steven’s
Prosecutor, a fascinating look at the International Criminal Court, and Shannon Walsh’s
St. Henri, The 26th Of August.
Germany is also well-represented at DIFF 2011 with Tom Tykwer’s
Three, Pia Marais’
At Ellen’s Age, Ulrich Kohler’s
Sleeping Sickness and the stunning documentary
El Bulli – Cooking In Progress by Gereon Wetzel.
Local stories in the powerful documentary line-up include World Premieres such as Ryley Grunewald’s
The Dawn of a New Day where healing is shown as being more than skin deep, Mickey Dube’s
Sobukwe, A Great Soul about one of this country’s most influential, but unsung, heroes, the Keith Jones/Deon Maas music revolution collaboration
Punk In Africa, and the Dara Kell/Chris Nizza collaboration
Dear Mandela about innovative leadership emerging in informal settlements. Not to be missed, DIFF will present the African premiere of
Mama Africa, the inspirational film about Miriam Makeba.
With the COP conference on climate change taking place in Durban later in the year, an exceptional range of conscientising environmental films is included in this year’s Eco-Lens focus. There is heated Irish village resistance to Shell in
The Pipe; Blood in the Mobile shows how frightening mining conditions in the DRC produce material for our cellphones; and, fresh from Cannes,
The Big Fix exposes corruption and cover-ups surrounding the Mexican Gulf oil spill.
Countdown to Zero (by Lucy Walker whose
Waste Land won big awards in 2010) is about nuclear weapons and challenges to disarmament, while I
nto Eternity covers nuclear waste storage.
Eco-Pirate- the Story of Paul Watson is about this legendary defender of our oceans and its creatures (Paul Watson will attend the festival).
The riveting
Sing Your Song is the story of Harry Belafonte from his music and film career to his involvement in civil rights and anti-apartheid movements. A special highlight will be Leonard Retel-Helmrich’s tracking of an Indonesian family in
Position Among the Stars. This masterful film won top awards at both Sundance and IDFA.
Look out also for
King Naki, a beautiful story of struggle and achievement set around horse-racing in the rural Transkei, the Cape Town film
The Imam and I, and the Durban-shot
Street Kids United.
The global financial meltdown is the focus of the 2011 Academy Award winning
Inside Job, while John Pilger’s biting
The War You Don’t See is a timely investigation into the media’s role in war. Other documentaries cover Bollywood, Robert Mugabe, the Black Power movement in America, organic agriculture, paraplegic musicians in Kinshasa, and West Indian cricket. Packages of short documentaries and short films are also on offer.
Opening with an outdoor screening on the beachfront on July 24, DIFF will host the Wavescapes Surf Film Festival for the 7th consecutive year – a six-day blast of red-hot wave action, surf stories and groundbreaking cinematography.
For film synopses, screening schedules and programme details on the 32nd Durban International Film Festival visit www.cca.ukzn.ac.za or click on the Centre For Creative Arts button advert at the top of this page.
The Durban International Film Festival is organised by the Centre For Creative Arts (University of KwaZulu-Natal) with support by the National Lottery Distribution Trust Fund (principal funder), National Film and Video Foundation, KwaZulu-Natal Department of Economic Development and Tourism, HIVOS, City Of Durban, German Embassy of South Africa, Goethe Institut of South Africa, Industrial Development Corporation and a range of other valued partners.