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Sunday, May 19, 2013

PARADISE LOST



(Untitled (Snare) by Tom Van Herrewege)

The KZNSA will host the opening of Tom van Herrewege's solo exhibition Paradise Lost on May 21.

“The title is ‘borrowed’ from the epic poem by English poet John Milton which concerns the story of the fall of man, and of (our) expulsion from Paradise. This new body of work by London-based artist Tom Van Herrewege draws the viewer inexorably, beguilingly, into the beauty of the animal kingdom…like a snare.

Van Herrewege is currently on a residency with the KZNSA Gallery as part of the Gallery’s Social Art in Development (SAID) Programme, supported by the National Lotteries Distribution Fund. The artist undertook a similar residency in Cairns, Australia in early 2011. He holds an MA in Fine Art and Painting from the Wimbledon School of Art, London (2005/6). The artist’s previous exhibition titles - Collections, Are you Dead and Transfauna - provide a telling glimpse into his abiding interest in the animal kingdom.

“My research is largely informed by the history of animal representation within art and natural history,” says Van Herrewege. “I look at the ways animals are presented through the media and their display in collections and the various languages we invent and adopt to understand them. I am drawn to the abstraction of information that occurs through man’s translation and presentation of findings from natural history in museums, Wunderkammern and collections of curiosities.

“The allure of 'the big 5' drew me briefly to SA in 2002. But my main subject matter actually focuses more on the less celebrated creatures of the world such as insects, reptiles and other lesser known or admired fauna.”

Most notably, as the artist expressed in casual conversation, “creepy-crawlies that can kill you…”

Van Herrewege’s interest in taxidermy led him to investigate the dioramas at the Durban and Pietermaritzburg Natural Science Museums. His work often depicts features from animal forms, juxtaposed with man-made materials in order to highlight the beauty of the animal. With trepidation the artist approached these institutions with a view to placing his sculptures in the dioramas.

“It is the ways that animals are removed from their environments and understood as both objects and living beings that informs my artistic research and practise, within which no animals are ever harmed or killed for the purpose of making art,” he says. “I choose to portray animals in my work through a great admiration for them. I re-examine these subjects using the animal’s physical form as an entry point for transformation into a different physical form - placed in a reconsidered locale. These reworked images act quite like my own solutions to the complexity of the animal forms.”

KZNSA Gallery Curator Bren Brophy explains: “In his Diorama series of acrylics on canvas the artist treats the diorama diagrams as utopian colouring books. Without the text that conventionally accompanies each diagram they become mysterious and open to various interpretations, leaving one to wonder what is happening in the scene. He includes paint and colour as a human interference, mainly taking form as waste material that the animals are interacting with.”

“Protecting the object, attacking the object, investigating the object…the proverbial hunted hunting the hunter reveals itself as a powerful raison d'ĂȘtre in Van Herrewege’s work,” Brophy continues. “Everyone Against The Fucking Outback (Videography,10 mins) is a chilling take on the phobias that we humans so commonly endure for venomous snakes and insects. Here the work suggests that these phobias extend to the cultural prejudices that the ‘civilised’ citizens of urbanity feel toward the uncivilised outback or ‘wilderness’.”

There is a videography work of a venomous snake resplendent and very much alive in a non-existent drawing of a box on the Gallery wall.

“Whilst it seems that we may have been expelled from paradise, as the title of this exhibition suggests, our collective humanity is not quite out of the woods yet. A must see exhibition,” adds Brophy.

Paradise Lost opens on May 21 at 18h00 at the KZNSA Gallery at 166 Bulwer Road, Glenwood, in Durban. More information on 031 277 1703, fax 031 201 8051 or cell 082 220 0368 or visit www.kznsagallery.co.za