(Edmund Mhlongo, writer and director of “Amambazo”)
Edmund
Mhlongo pays fitting tribute to Joseph Shabalala and Ladysmith Black Mambazo in
top class production. (Review by Caroline Smart)
It is
fitting that in the year that Joseph Shabalala is honoured by the city with an
eThekweni Living Legend Award, his life’s work is celebrated in another format.
Currently
in its last few days in the Playhouse Opera is Amambazo, written and
directed by Edmund Mhlongo which pays tribute to the history of Ladysmith Black Mambazo.
For the
uninitiated, Ladysmith Black Mambazo is the iconic isicathamiya group founded
by Joseph Shabalala and taking its name from Ladysmith, Shabalala’s town of
origin in KwaZulu-Natal. More than 50 years old, the group has received national and international awards and honours and no less
than three Grammy Awards. The acappella ensemble has an unmistakeable sound,
solid in the bass harmonies and with Joseph’s distinctive trademark rolling chant.
Described
as one of South Africa’s best musical exports, LBM (as they are affectionately
known) shot to international fame through their
collaboration with Paul Simon on his legendary album, Graceland. They featured on Michael Jackson’s block buster, Thriller, and collaborated with various
international superstars including Desree and Dolly Parton.
The
story begins with Shabalala listening to the advice of his revered mother – a
good performance by Nosipho Mkhize – to connect his musical and lyric skills with
ancestral music. “Keep your words soft and sweet just in case you have to eat
them!” are a few of her wise comments. He sets out to deliver
a message of love and unity by singing in a harmonious manner as opposed to the traditional loud and
powerful mbube style.
The
storyline moves on to the departure of rural menfolk to Johannesburg to work on
the mines. To revive their homesickness and miserable working conditions, the
men would group together to sing songs of their culture. Often this needed to
be while other shifts slept in their hostels which is why the name
“isicathamiya” came about, loosely meaning to walk quietly on tiptoe.
Highlights of the show are the appearances -
except for Joseph Shabalala - of Ladysmith Black Mambazo themselves.
There
are some excellent performances from an all-round highly energetic and
disciplined cast. Wiseman Mncube impresses as Joseph Shabalala, alternating
with Jabulani Mthembu who sings the lead phrases. With
his deep rich voice, Mondli Makhoba is an impressive Nduna in full traditional
gear as the male narrator with Nompilo Maphumulo matching his performance as
the female narrator.
Other notable performances come from Samke
Mkhize as Shabalala’s wife, Nomathemba; Babuyile Shabalala as a couple of crotchety
white employers; David Jenkins as Paul Simon and Ntuthuko Ndwandwe as one of
the elders.
Included in the close on 40-strong company
is a six-piece live band under Musical Director Mthandeni Mvelase. Expect to
hear well-known LBM numbers such as Homeless,
Rain Rain Beautiful Rain and Diamonds
on the Soles of Her Shoes. However, it’s
not all isicathamiya, there are also numbers such as Peace Train, Paradise Road and Oh
Happy Day.
Wilhelm Disbergen’s lighting and set design
is highly effective as is the choreography by Brian Mazibuko and Vusi Makanya. Wantashi
Couture has created an impressive range of costumes.
Edmund Mhlongo has paid due homage to his
subject and there are some delightful and amusing scenes as well as those with
much poignancy. However, while this is an undeniably top class production, it has a serious
downside. Often scenes are too long, their length spoiling their effectiveness.
Running for three and a half hours, it could do with some careful pruning
without losing any of the storyline.
Amambazo runs in the Playhouse Opera until tomorrow (October 20). Tickets
from R150 booked at Computicket. The show is supported by the KZN Provincial
Government, SABC1, Ukhozi FM, East Coast Radio, eThekwini Municipality, The
State Theatre and The Playhouse Company.
If you miss it this time around, Amambazo moves to Ladysmith in December,
Pietermaritzburg in January and the State Theatre in April. It will return to
Durban at the end of next year. – Caroline Smart