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Sunday, May 28, 2017

WE ARE STILL MARCHING



I salute this dance work with a raised fist as we are reminded of our history and the new struggles that we are yet to face. (Review by Verne Rowin Munsamy)

Pages of history written on the flesh...

We Are Still Marching is the critically acclaimed dance work choreographed by Sunnyboy Motau of Moving into Dance Mophatong (MIDM). It features the dancers from two award-winning dance companies: the Playhouse Dance Residency and MIDM.

It is no wonder that this dance work is back by popular demand. Laden with apartheid nostalgia and references we are immersed into this story from the onset. Soldiers with torches jar audiences’ senses with flashes of light and political jargon of the 50s in South Africa.

The eclectic sounds and music selected are symbolically representative of the myriad of cultures that are embedded within the South African culture. Screens are cleverly utilised to project images of the struggle as well as to give a sense of space lost and gained, almost denoting the battle for land and a voice in our country. The ensemble was strongest in the sections where they moved in perfect unison. Quite evident is the fusion of African contemporary dance with ballet, creating an elegant yet township swagger feel in some sections.

The choreography is bold and brazen as was the march to gain the vote for women. I was engrossed in the use of props like paper, falling from the sky, writing our history questioning said history that is written on the stage through the flesh. It strikes us, the importance of paper. Paper identity documents, laws papered and paper blown away. Motau also uses beer crates to deliver interesting visuals and dynamics.

I felt that the storyline was very clear in the first 45 minutes but I found myself devoid of storyline in the last 10 minutes. Perhaps this is the unwritten that is still being actioned ...

I was deeply moved by the prison cell piece which offers a woman relentlessly raising her fist in camaraderie of the struggle even after all the beatings. I salute this dance work with a raised fist as we are reminded of our history and the new struggles that we are yet to face. Motau hints that through unity we shall overcome. - Verne Rowin Munsamy