CLASSICAL NOTES NOVEMBER 30, 2022: ZELMIRA

(Above: The cover of “Zelmira”)

William Charlton-Perkins writes Classical Notes, a regular feature for the media. This one is titled Zelmira, from Naples to Vienna.

This week’s Opera Rara retrospective looks at the label’s 2005 release of Rossini’s Zelmira. Recorded live in the wonderful acoustics of the Usher Hall, at the Edinburgh International Festival on August 30, 2003, this remarkable set features Maurizio Benini on the podium of the Scottish Chamber Orchestra. The American coloratura soprano Elizabeth Futral heads a virtuoso cast that includes tenors Bruce Ford and Antonino Siragusa, mezzo soprano Manuela Custer, bass baritones Mirco Palazzi and Marco Vinco, and the SCO Chorus.

The opening night of Zelmira in February 1822 marked the culmination of Rossini’s iconic, seven-year Neapolitan stint. His friend and sponsor, the impresario Domenico Barbaja had just signed a contract with Vienna’s prestigious Kärtnertortheater where the composer and his opera were destined to triumph that April. It signalled the start of Rossini’s international career.

Rossini had been lured to Naples at Barbaja’s cunning invitation. This launched the maestro into a period of extraordinary creative fecundity that saw the birth of ten of his greatest masterpieces: Elisabetta Regina d’Inghilterra (1815), Otello (1816), Armida (1817), Mosè in Egitto (1818), Ricciardo e Zoraide (1818), Ermione (1819), La donna del Lago (1819), Maometto II (1820) and Zelmira (1822). \

Each of these groundbreaking works premiered at the Teatro San Carlo with the one exception of Otello, which was presented at the smaller Teatro del Fondo, as the S. Carlo was being rebuilt following a disastrous fire. Ranking beside Milan’s La Scala as one Italy’s two premier theatres, the Teatro San Carlo was renowned for its exacting musical standards: and for the brilliance of both its orchestra and its singers.

This meant that throughout his time in the southern Italian capital, Rossini had recourse to an incomparable stable of virtuosi. This included the Spanish prima donna assoluta, Isabella Colbran (who became his mistress, then his wife), along with the bravura Italian tenors Andrea Nozzari and Giovanni David, and the redoubtable bass Michele Benedetti.

But this era of musical opulence was ending. It was widely known that the mighty Barbaja, at the end of the carnival season of 1822, planned to include his powerhouse creative team and their repertoire in his entourage as he moved to Vienna. Zelmira was earmarked as the vehicle that would introduce Rossini to the sophisticated Viennese musical establishment.

To this end, the composer applied his arsenal of creative gifts to the full. He produced a score that builds on each of its predecessors’ successive benchmarks in brilliance and originality, if not quite eclipsing the revolutionary pages found in the cataclysmic finale of Armida.

Underpinning the libretto’s story of the elderly King Polidoro who is saved by his daughter Zelmira from the machinations of a murderous overlord, the music is driven with an inexorable momentum that builds with typical Rossinian rhythmic ebullience. Exuding a tidal flow of energy that alternates between ensembles of visceral power and intimate interludes of delicate charm, the work carries its extremities with a tincture peculiarly its own.

An example of these contrasts is found in the enchanting minor key duet for Zelmira and Emma. Interlaced with its delicate harp accompaniment and beguiling cor anglais obbligato, this gives way to the magnificent Act 1 finale that follows in its wake, a superlative concertato which ranks among Rossini’s most dazzling ensembles.

Other standout moments abound. To the point that a random approach suffices in hinting at thrills that tempt discovery. Take for instance lyric tenor Siragusa’s finely etched triplets, rendered with breathtaking velocity, as he hurtles his way through Ilo’s Act 1 cabaletta, ‘Cara! deh attendimi!’, crowning his feat with a ringing top C [Track 15].

Or simply start at with Track 1, to experience how Rossini plunges the listener right into the cut and thrust of the action from the very opening bars. Then sample the burnished tones of heroic tenor Bruce Ford (Antenore), on commanding form in his cavatina ‘Che vidi! amici! oh eccesso!’ and his swaggering cabaletta ‘Sorte secondami!’ [Tracks 3 – 5].

Mezzo soprano Manuela Custer as Emma delivers the goods in dollops, too. Not least in the bravura aria ‘Ciel pietoso, ciel clemente" that Rossini wrote as an interpolated showpiece for the legendary Fanny Eckerlin, who sang the role at the opera’s Viennese premiere.

The final honours however go to La Futral, whose virtuoso soprano instrument evokes her great compatriot Beverly Sills in no small measure - both in range and flexibility. The diva brings the house to their feet, roaring in affirmation at the conclusion of her rendering of the jewel of rondo finale that Rossini bestowed on his wife, crowning a dazzling festival of coloratura brilliance with a sustained high E-flat that rings out gloriously.

Heady stuff, this recording of Zelmira occupies a place of honour among Opera Rara’s all-time greats. For more information, and to purchase Opera Rara releases, go to: https://opera-rara.com/shopcatalogue - William Charlton-Perkins

BAROQUE 2000 – YOUNG BAROCKERS: REVIEW

 

(From left, Anele Mhlamvu, Aiden Luo, Charlize Buckley, Björn Krüger, Amy Luo, Josh Griffiths, Asanda Ntuli, Sung Au, Leander Scharf. Pic by Val Adamson)

All in all, this was a most satisfying and memorable concert. (Review by Keith Millar)

The Baroque 2000 concert at the Mariannhill Monastery Church this past Sunday offered something a bit different. In a glance into the future of classical music in our city, nine young musicians, mostly students of the Baroque 2000 members were featured as the soloists during the concert.

What an absolute delight it was. There was an exciting amount of talent on display, and all the Young Barockers (as they were dubbed) performed with confidence, skill and considerable elan. A credit not only to themselves but to those who have coached them and guided them to this excellent level of performance.

The programme was mostly made up with music from baroque masters Bach, Vivaldi, and Handel along with the lesser-known Giuseppe Rabboni. Maurice Green and Louis-Claude Daquin. An excellent choice. All of which resulted in a most enjoyable and uplifting morning of music.

To start the proceedings, the Baroque 2000 Ensemble set the tone for the concert with a lively performance of Vivaldi’s Concerto for Strings in G minor.

The first soloist was Anele Mhlamvu, a 21 year-old soprano who is studying at the UKZN Opera school. She has a rich, warm voice and provided and beautiful rendition of the Handel aria He Was Despised and Rejected from his oratorio, Messiah.

Next on the programme was the phenomenally-talented siblings Amy Luo (14) and her brother Aiden (11). The performed the 1st movement of Bach’s Double Violin Concerto in D minor.

It was great to see their teacher, Ralitza Macheva the Baroque 2000 concertmaster, standing with pride, like a mother hen, right behind them

Amy has been performing on stage with both violin and piano for many years. When I first saw her, she needed an extension to reach the piano pedals. Currently, she is the concertmaster for the KZN Youth Orchestra and remarkably after her solo she joined the main Baroque ensemble for the rest of the concert.

Charlize Buckley performed Italian flautist, composer and teacher, Giuseppe Rabboni’s, Flute Sonata No.7 in F. Backed only by the harpsichord and cello, she gave a sensitive and ethereal performance.

One of the most interesting items on the programme was a rendition of Vivaldi’s Sum in medio tempestatum RV632. Sung by Björn Krüger, a 14 year-old counter-tenor from Kearsney High School. He has a superb voice, and one only hopes he gets to keep it through adolescence.

Joshua Griffiths a slight 15 year-old boy did great justice to British composer Maurice Green’s Trumpet Tune accompanied by the church’s pipe organ.

Next was Leander Shaft who is home schooled. He was excellent on the Cello for the Vivaldi’s Cello Concerto in C Major RV399, playing alongside the KZNPO’s Principal Celest, Aristide du Plessis.

Another soprano from the UKZN Opera School, 20 year-old Asanda Ntuli was next up. She has a lovely lyrical voice with surprising power for such a slight young lady.

The final soloist was Jung An, a 14 year-old from Clifton School. He performed the 1st movement of Bach’s Violin Concert in A minor with panache.

To complete this superb concert everyone, the Orchestra and the Young Barockers, got together on stage for a rousing rendition of Louis-Claude Daquin’s (arr. Matthais Maute) Le Coucou.

All in all, this was a most satisfying and memorable concert.

The next Baroque 2000 concert (the last for the year) will take place at the Mariannhill Monastery on December 18 at 11h30. It will feature Christmas Music. Tickets at door.

For more information contact Michel Schneuwly at sursouth@iafrica.com or on 082 303 5241. - Keith Millar

Baroque 2000 is sponsored by Die Rupert Musiekstigting

YEAR END ORGAN CONCERT

Dr Andrew-John (AJ) Bethke, St Cyprian’s Director of Music, will be presenting a year-end Organ Concert on Saturday December 3, 2022, at 15h00. AJ will present new pieces which he has recently accomplished. The concert is an hour and by donation in aid of Kerr House.

The programme is as follows: Trumpet Tune in D (Johnson); Fantasia (Stanford); Vesper Voluntaries (Elgar); Voluntary in A (Croft); Prelude on Rhosymedre (Vaughan Williams); Choral Song and Fugue (Wesley); and Trumpet Tune in A (Johnson).

The concert will be followed with snacks in the hall and the Vicar’s Alms will be open. For catering purposes please RSVP by Thursday December 1 to 031 205 3710.

St Cyprians is situated at 603 Umbilo Road, Glenwood, Durban.

A POCKETFUL OF HAPPINESS: REVIEW

 

As much as a memoir of ten terrible months, the book is a tribute to a remarkable marriage and will move the reader to both tears and laughter. (Review by Margaret von Klemperer, courtesy of The Witness)

Celeb memoir, with its pages of dropped names and breathless gush is a genre I normally avoid like the plague. However, I had heard good things about A Pocketful of Happiness, and decided to give it a go. And I’m very glad I did.

The dropped names and the gush are there, but the Swaziland-born Withnail and I and Can You Ever Forgive Me actor combines them with a profoundly moving description of the last 10 months of the life of his wife of many years, Joan Washington. Diagnosed with Stage 4 lung cancer in December 2020, Washington, a celebrated voice coach, lived until September 2021 in the devoted care of her husband and daughter.

It would be an almost unbearably gruelling read were it not for the name dropping and digressions into the couple’s past. And it’s an illustrious past in the world of entertainment, with some very impressive names being dropped. Nigella Lawson cooks meals and sends them round; Prince (now King) Charles pops in with flowers from his Highgrove garden; Barbra Streisand messages (Grant is a weirdly obsessive superfan of hers); Gabriel Byrne visits. It could easily all be a bit overwhelming for the reader, but the construction of the book is clever, using all this as relief from what would otherwise be the devastating sadness of what Grant and Washington are going through as her health declines and the end approaches.

The digressions are often very funny, and Grant can be exceedingly self-deprecating. He covers the early days of the couple’s relationship, work on many of the movies he has featured in and, very entertainingly, the circus that surrounded his Oscar nomination in 2019. He and Washington seem to have had a remarkable relationship – she hated the Hollywood razzmatazz, which he relished, and she chose not to go to America for the Oscars. One might have thought it would be a difficult thing for Grant to accept, but it was not. As much as a memoir of ten terrible months, the book is a tribute to a remarkable marriage and will move the reader to both tears and laughter. - Margaret von Klemperer

A Pocketful of Happiness is published by Gallery Books. Trade Paperback ISBN: 978-1-3985-2011

DEVELOP SKILLS AS FILM IMPACT SCREENING FACILITATORS

 

(Above: ©SWS_RYE_Malawi_33 An example of an impact event: A Sunshine Cinema solar powered cinema screening in Thyolo Malawi in March 2020, of “The Boy Who Harnessed The Wind” - during an impact tour for Participant Media. Photo by Sydelle Willow Smith)

Deadline: The closing date for applications is March 31, 2023.

Opportunity for filmmakers to Develop Skills as Film Impact Screening Facilitators

Leading South African media organisation Sunshine Cinema, known for its robust approach to taking meaningful cinema to communities to support activism and impact change, together with UCT’s Centre for Film and Media Studies will once again offer an online professional development course on Film Impact Screening Facilitation from June 2023.

The course is aimed at communicators, creatives, aspiring impact producers, and purpose-driven “Gen Z’s” eager to ignite change through the screening of mostly documentary, but also fiction feature films to targeted and relevant audiences.

“This is the second year this course has been offered in response to a growing demand by audiences and filmmakers to provide content that can impact myriad current crises and challenges the world is facing”, explains Sydelle Willow Smith, Sunshine Cinema co-founder, and course lecturer.

 “With this demand for content comes a call from audiences to be able to unpack, engage and work with this film content to benefit their spheres of influence and interest. The course provides tangible and workable methodologies for people to develop skills as facilitators to work with film screenings that can help guide audiences and impact this change or stimulate meaningful activism.”

Sunshine Cinema is best placed to offer practical insights for “impact facilitators” as they have taken films to communities in Southern Africa for years, supporting producers, organisations, and creatives who have the content but lack experience in making an impact with audiences.

Miki Redelinghuys, well-known impact producer and the course co-writer and lecturer explains: “There is no doubt about it: issue-driven documentaries have increased in popularity, and filmmakers know what impact they would like to achieve by making their films, but often don’t know how to build strategies to mobilise these stories to effect change. This is where an impact facilitator steps in to support the film in reaching the right audience and inspiring them to take action.”

The 2023 course runs from June 1 to December 8, 2023, and will cover six modules, each geared towards giving students the knowledge and confidence needed to work as a film impact screening facilitator.

According to course convenor Dr Liani Maasdorp: “Thanks to the combination of carefully curated inputs and written and practical assignments, students leave the course knowing how to organise, market and host a screening and facilitate a meaningful conversation with the audience about the issue shown in the film. This important work aims to positively influence people’s perceptions and behaviour around issues including human rights, social justice, and the climate crisis.”

The six-month, 100% online, professional development course comprises weekly self-paced lessons on the UCT online learning platform, most of which culminate in a virtual class that “allows students to engage with influential movement builders, impact producers, and filmmakers from South Africa, Africa and beyond”. 

 

(Right: Storyteller Dr Gcina Mhlophe gives a key note address at a Sunshine Cinema screening of the documentary “From Durban till Tomorrow” about the history of AIDS Activism, held at the KZN Art Gallery in September 2019. Photo by Rowan Pybus)

Guest lecturers include well-known creatives, activists, and impact producers including globally renowned and award-winning story-teller Gcina Mhlophe (SA), film director and activist Zackie Achmat (SA), impact campaign specialist Rowan Pybus (SA), producer and cultural activist Sir Vince Manzini (SA), UCT senior lecturer, impact producer and activist Dr Liani Maasdorp (SA), writer, producer, impact producer Anita Khanna (SA), filmmaker, writer, and producer Judy Kibinge (Kenya), filmmaker, community leader, and founder of Sierra Leone’s first media-makers union Arthur Pratt, and Indian filmmaker Kushboo Ranka.

At the end of the course, participants will have a series of processes, methodologies, creative ideas and examples, a practical toolkit from which to work, as well as ongoing support as alumni from the course convenors, and peers.

The course is open globally to anyone interested in using film to affect change, and several bursaries are available to participants who merit the opportunity.

The closing date for applications is March 31, 2023.

For more information or to enrol, visit https://sunshinecinema.org/2023-uct-impact-course-application/

 

INKABA EXHIBITION

An exhibition of new works by the Amashosha Art Movement, entitled Inkaba, opens at the Durban Art Gallery on December 2 where it runs until March 2, 2023.

“Inkaba is a Zulu word with two meanings. It can be an umbilicus or navel, which is a remnant of the umbilical cord that connects a baby to its mother before birth. The umbilical cord supplies oxygen and nutrition to the baby during pregnancy. It is cut and removed at birth and leaves a scar—the navel,” explains curator, Mthobisi Maphumulo.

The exhibition is curated by Mthobisi Maphumulo and features work by participating artists, Anelisiwe Maphumulo, Andile Maphumulo, Mthobisi Maphumulo, Lindani Maduna, Thembi Mthembu, Thalente Khomo, Lindelwa Msimang, Bongani Luthuli, Nhlanhla Chonco, Sihle Mthethwa, Mzamo Mlambo and Nhlakanipho Peace Ndimande.

The Amasosha Art Movement is a collective of multi-disciplinary artists from greater Durban. Their movement is emerging as a critical vehicle in the exploration, interrogation and collaboration of ideas. Amasosha is an isiZulu loan-word derived from the English word meaning “soldiers”.

The Durban Art Gallery is located on the second floor of City Hall, Anton Lembede Street, Central Durban. It is open from 09h00 to 15h30 during the week, and 09h00 to 12h00 on Saturdays.

For more information visit: www.amasosha.co.za

THE BRITISH INVASION

 

(Above: Dawn Selby, Andy Turrell, Barry Thomson, Mali Sewell & guest guitarist Shaun Dragt)

The Reals - Barry Thomson, Dawn Selby, Mali Sewell and Andy Turrell - and guest guitarist Shaun Dragt will present The British Invasion at Rhumbelow Theatre from December 2 to 4, 2022.

The British Invasion was a cultural phenomenon of the mid 1960s when rock and pop music acts from the United Kingdom became popular in the United States and significant to rising ‘counterculture’ on both sides of the Atlantic. Pop and rock groups such as The Beatles, the Dave Clark Five, The Kinks, the Rolling Stones and The Animals were at the forefront of the invasion, furnishing the model for many important global developments in pop and rock music.

In February 1964, The Beatles started the first British Invasion, appearing on the Ed Sullivan Show. They held the top five positions on the US Billboard Hot 100 singles chart which to date, no other act has achieved and it wasn’t long before other UK bands joined the Invasion.

The Rolling Stones would become the biggest band other than the Beatles to come out of this era, topping the Hot 100 eight times. In America, the Invasion spelled the end of the popularity of instrumental surf music, pre-Motown vocal girl groups, the folk revival and the teen idols who had dominated the American charts in the late 1950s and 1960s.

The British Invasion had a profound impact on popular music, internationalizing the production of rock and roll, establishing the British popular music industry as a viable centre of musical creativity, and opening the door for subsequent British performers to achieve international success. The US no longer had the monopoly and US media proclaimed the United Kingdom as the centre of music and fashion.

During the 80s and 90s, the resurgence of British rock bands such as Oasis, The Verve and Blur met massive global success.

Paying tribute to the artistes pioneering and those who continued with the British Invasion is Durban’s favourite band, ‘The Reals’ with Barry Thomson on guitar, Dawn Selby on keyboards, Mali Sewell on drums, Andy Turrell on bass guitar and guest guitarist Shaun Dragt.

In the repertoire of hit songs from decades 60s through to the 90s, are pop and rock hits from top British bands including The Beatles (I Saw Her Standing There), The Animals (We Gotta Get Out Of This Place), The Who (Baba O’Riley), Rolling Stones (Start Me Up), Led Zeppelin (Rock And Roll), Oasis (Wonderwall) and many more!

Shows take place on December 2 and 3 at 19h30 and on December 4 at 14h00. (Venue opens 90 minutes before show for snacks/drinks)

In his review of the show for artSMart in August, 2018, at Tina’s Hotel in Kloof, Keith Millar stated: “British Invasion is a hard driving, high energy and quite breath-taking rock show. I recommend it highly to all lovers of rock music, and particularly those who grew up during this time.”

Tickets R180. Bring food picnic baskets or buy at the venue. A bar is available (no alcohol may be brought on to the premises). There is limited secure parking.

Booking is essential on email: roland@stansell.co.za or through Computicket

For more information contact 082 499 8636 of visit http://events.durbantheatre.com/

Rhumbelow Theatre is situated at 42 Cunningham Road off Bartle Road in Umbilo, Durban

CLASSICAL COMEDY: REVIEW

 

(Above: Grace McIlroy, Aaron McIlroy, DCO conductor Charl van der Merwe, Lisa Bobbert and Kaylee McIlroy)

The pre-publicity described the show as a “madcap outrageous musical comedy collaboration”. That’s correct but it’s also a truly uplifting and energised production promising hope for the future of theatre. All that connecting effort could surely even assist Eskom! (Review by Caroline Smart)

Sometimes the most innovative ideas come from a simple suggestion from one friend to another. This is how MacBob Productions and the Durban City Orchestra came together to celebrate the Elizabeth Sneddon Theatre’s re-opening after the last three years of devastation (Covid, lockdown, floods, loadshedding etc!) to the theatre industry.

Charl van der Merwe, conductor of the Durban City Orchestra, followed up on his friend’s suggestion and connected with the inimitable and ultra-energised Aaron McIlroy and Lisa Bobbert to suggest a collaborative production. With the guidance of well-known director Darren King, it didn’t take long before the germ of an idea grew into Classical Comedy, a delightful and uplifting production now running at the Elizabeth Sneddon Theatre at UKZN until December 4, 2022.

Who would have thought that we’d ever see Lisa and Aaron singing with a 43-member orchestra (with a few guest additions from the KZN Philharmonic). And who would have thought the DCO members would have been performing in a show that required their inter-acting ability. It all worked wonders, particularly with the addition of Aaron and Lisa’s three children – Kaylee and Grace on back-up vocals and Declan driving the follow spot.

Added to the strong technical team is the (often totally wild and crazy!) choreography by Daisy Spencer with Stef Pais on sound. Providing the highly amusing video sections was Jacobus van Heerden 

(One of the amusing visuals accompanying the production – Beethoven in a bad mood!)

The show starts off with Chariots of Fire accompanying video images of Bobbert in a hugely layered dress rushing along the beach on her way to the theatre. When she arrives breathless at the theatre, Aaron (as his well-known dof character Bruce) has already started the show. Crazy arguments follow and then the orchestra bursts into Beethoven’s Symphony No.5.

The show progresses with the DCO often playing numbers that are uninterrupted, showcasing their talents, or playing along with whatever characters Lisa or Aaron involve them in. 

Notable moments are a lovely oboe solo from Maggie Deppe and Stephan Pechoux’s lively interpretation of the delightful Typewriter Song. Aaron took over percussion with a dedicated rendering of the triangle! In fact, he later took over the whole orchestra in his character as Johnny Depp by stealing the baton from van de Merwe and conducting the rest of the number! He later added more fun as he appeared a la Pavarotti in O Sole Mio with lyrics no-one has ever heard of but he did hold some impressive opera notes!

Other highlights are Lisa’s re-written lyrics to I Dreamed a Dream lamenting the battering that theatre performers have had to endure for the last three years. She also lent much power to the Bond movie title Skyfall and amused us all with her attempt at ballet.

The pre-publicity described the show as a “madcap outrageous musical comedy collaboration”. That’s correct but it’s also a truly uplifting and energised production promising hope for the future of theatre. All that connecting effort could surely even assist Eskom!

Classical Comedy runs at the Elizabeth Sneddon Theatre at UKZN until December 4, 2022. Performances run at 19h00 on Fridays and Saturdays with a Thursday performance on December 1 at 19h00. There is also a 15h00 performance on December 3. Sunday's show on December 4 is at 14h00.  Safe on-site parking. The theatre has a generator in the event of load-shedding

Tickets R200 (R180 pensioners and students) booked through Computicket. – Caroline Smart

 

DIFF INVITES FILMMAKERS TO SUBMIT FOR 44TH EDITION

 

(Meet and Greet Logan Pillay (Manager Suncoast Casino) and Ladysmith Black Mambazo: Pic supplied)

The deadline for submissions is February 28, 2023

Durban International Film Festival invites filmmakers to submit for the 44th edition.

Presented by the Centre for Creative Arts at the University of KwaZulu-Natal, South Africa’s longest-running film festival, the Durban International Film Festival (DIFF), invites filmmakers to submit their feature films, documentaries, and shorts for the 44th edition taking place from July 20 to 30, 2023. The deadline for submissions is February 28, 2023.

 For eligibility, submission fees, and to submit, visit the DIFF profile on FilmFreeway: www.filmfreeway.com/durbanfilmfest

The festival prides itself in proactively and concisely promoting the development of African film. The festival will provide a platform for local products alongside an international cinema offering. #DIFF23 will be presented in a re-imagined and authentic way, using both online and in-person presentations for film lovers in South Africa.

(Right: Camilo Zain Saloojee & Carvin Goldstone from “Nefarious Creatures”)

The 2023 curatorial theme, Disrupted Comforts / Unsettled Nuances, is a provocation for filmmakers who craft their narratives as a bold, political, celebratory response or a call to action to rethink the position and conditions of contemporary societies. The festival looks forward to showcasing the works of filmmakers who place their imaginations, voices, creativity and lenses at the centre of creating films that inspire, confront, engage, challenge, provoke or entertain audiences. These films must provide a memorable and enriching cinematic experience for audiences by being courageous to delve into untold narratives or new ways of retelling often-told narratives.

“Coupled with the prestigious DIFF Award, the Durban International Film Festival celebrates artistic excellence and bravery. We look forward to presenting another successful year of films from across the globe that inspire, engage or challenge whilst satisfying our audience’s quest for narratives that continue to help us better understand our world and the human condition; and, if need be, to harness our human capacity to advance change for a more just society”, said Ismail Mahomed, Director of the Centre for Creative Arts.

DIFF2023 continues to solidify its position as the leading nurturer of African talent. DIFF also contributes to expanding filmmaker networks by attracting local and international stakeholders and media and by creating public awareness about South African and African cinema and about global cinematic gems that will enrich South African audience experiences.

 

Isiphethu Student Film Festival

The DIFF’s Isiphethu International Student Film Festival category is open to filmmakers currently enrolled at any tertiary institution whose film is a celebration of innovation, wild imagination, courage, conviction and bravery to tell stories in new, exciting and innovative ways. The Isiphethu International Student Film Festival wants to celebrate tomorrow’s generation of legendary filmmakers today as they shape their careers and make their first films.

The deadline for submissions is also February 28, 2023.

 

DIFF is exclusively receiving submissions through FilmFreeway. For eligibility, submission fees, and to submit, please visit the DIFF profile: www.filmfreeway.com/durbanfilmfest

For more information email marlyn@isupportdoyou.com or contact 079 707 7773

ANDREW WALFORD'S CHRISTMAS OPEN DAY

 

(Right: Andrew Walford)

Andrew and Leanda Walford are hosting their annual Christmas Pottery Exhibition on Sunday, December 11, 2022, from 10h00 to 17h00 at the Shongweni Studio.

On offer will be tea, coffee, homemade lemon juice and Christmas mince pies. Hundreds of pots including gems from Andrew's collection.

Supervised parking at the bottom of the driveway as usual.

For more information, email Leanda at andrew@andrewwalford.co.za or phone 082 794 7796

Directions:

Take Shongweni exit off N3 freeway and follow signs for 8kms to B9 in the Shongweni Valley M551 Continuation of Kassier Road. (1km past Shongweni Farmers Market)

CAROLS BY CANDLELIGHT

The Durban Catholic Players' Guild together with the Knights of da Gama will present the Carols by Candlelight and Nativity play celebrating the Christmas story and the birth of Jesus performed with traditional Christmas Carols so that everyone can join in to celebrate the first Christmas in Bethlehem over 2,000 years ago.

Mariannhill Monastery Church: December 17 at 15h00

The organisers proudly announce that they have bought “three lifesize camels and a donkey!! They are magnificent and will be at both performances. They were made especially for us and are so life-like.”

There is no entry charge for the Carols by Candlelight, but patrons are asked to bring a toy for a needy child.

Carols will be led by a local choir. Candles and words of favourite Christmas carols will be provided so that everyone can join in the singing.

Secure parking is available in the grounds. Seating is sheltered so the production will proceed under all weather conditions!

For more information contact Dawn Haynes on 083 564 2929.

PLEASE NOTE THE GREYVILLE RACECOURSE CONCERT (SCHEDULED FOR SUN 18 DEC) HAS REGRETABLY BEEN CANCELLED…

 

RORKE AND RED ROBYN

 

(Left: Rorke Hunter)

For the month of November, Concerts South Africa is hosting a regular Sunday afternoon live music gig at the Rhumbelow Theatre in Umbilo – presenting fabulous funky home-grown talent.

These concerts are supported by Concerts SA through funding from the Norwegian Ministry of Foreign Affairs and SAMRO. Concerts SA is administered by IKS Cultural Consulting.

Rorke and Red Robyn wrap up the CSA live spring music season on Sunday November 27, 2022. 

Red Robyn excites the alternative music scene as a multi-instrumentalist, singer, songwriter and producer. Red Robyn's music engages a wide variety of context, style and genre from her solo work that can be classified as indie folk soul to her collaborations that range from house to alt pop. She is an electric performer with a background in theatre and dance.

(Right: Red Robyn)

She will perform with Rorke Hunter who has been performing across South Africa for the last 10 years as a solo artist with a focus on meaningful collaboration. The Durban-bred musician cut his teeth on blues, but never misses a chance to entertain and perform his renditions of popular music as well as his catalogue. Recently, Hunter has been independently crafting his new sound for his upcoming EP with an emphasis on songwriting and production. His style is eclectic, spanning a variety of genres, giving him the ability to connect with many different audiences.

Tickets R100 pay cash at venue. Booking is essential on email roland@stansell.co.za or through Computicket

The show starts at 14h00. A full bar is available (no alcohol may be brought on to the premises) and food is also available. There is limited secure parking.

For more information contact 082 499 8636 or visit http://events.durbantheatre.com/

Rhumbelow Theatre is situated at 42 Cunningham Road in Umbilo, Durban.

(When you come to a Rhumbelow event the venue requests that you bring some non-perishable food item for them to donate to MOTH Cottages to support those that are struggling.)

 

 

 

THE BULLET THAT MISSED: REVIEW

 

(The New Thursday Murder Club Mystery)

RICHARD OSMAN

“Someone had to have had a motive for killing Bethany Waites, but what is it? Can the Thursday Murder Club solve the cold case or will it lead them down a dangerous path that could result in their own lives being at risk?” (Review by Barry Meehan)

Let me say right up front, that Richard Osman is one of my favourite contemporary authors. You might not know the name, but an internet search will reveal a mischievous face at the top of a very tall body (6’7” or 2 metres, if you prefer metric). 

It will also reveal where you might have seen him on British TV lately – QI, Pointless, Would I Lie to You? or 8 out of 10 Cats Does Countdown, to name but a few. He has a natural, irrepressible sense of humour, which certainly comes to the fore in his Thursday Murder Club Mystery series of novels.

The Bullet That Missed is the third in the series, and if you haven’t read The Thursday Murder Club and The Man Who Died Twice (#1 and #2 in the series), I suggest you devour them first before getting stuck into The Bullet that Missed, as your reading enjoyment will be enhanced by the history of the Club and its wonderful characters. It isn’t 100% necessary, however, and I’m sure that if you only read this one, you will still enjoy it immensely.

Picture the scene – four senior citizens who live in a picturesque English village – Elizabeth, Joyce, Ibrahim and Ron. They have combined their mental faculties to solve the unsolved – cases that have baffled all previous investigators over the years. Their latest case is a murder from several years previously. Or shall we rather say a disappearance, as there is no trace of the body of the woman in question. All the signs point to murder, but then it could also have been a suicide. Whatever the case, the question is why did it happen in the first place?

Someone had to have had a motive for killing Bethany Waites, but what is it? Can the Thursday Murder Club solve the cold case or will it lead them down a dangerous path that could result in their own lives being at risk?

Osman’s characters are truly well-drawn and quite delightful, kooky at times (especially Joyce, who inhabits her own world) but eminently believable. They’re warm and friendly, slightly devious at times, but the sort of people one would love to have as grandparents. We also meet up with a few new characters in this novel, such as local TV presenter, Mike Waghorn, make-up specialist Pauline, Andrew Everton – the Chief Constable of Kent and self-published crime novelist, crime supremos Jack Mason, Ron Ritchie and Connie Johnson, as well as the mysterious Viking, and Victor Illyich, former KGB Head, to name but a few.

There is definitely a murderer (or two or three) out there, trying to use the Thursday Murder Club members to full advantage. But can our Club members solve the case before someone else is taken out?

This clever and highly amusing novel will make an ideal Christmas present for any adult family member. Just don’t start reading it yourself before wrapping it – you might not be able to put it down! – Barry Meehan

 

The Bullet That Missed is published by Viking – An Imprint of Penguin Books: ISBN  978-0-241-51253-2

PRESENCE AT THE GALLERY AT THE STUDIOS

 

Officially opening on Thursday December 1, 2022, at 18h00 and running until January 29, 2023, will be an exhibition titled Presence. This will take place at The Gallery at the Studios at the Lifestyle Centre in Ballito.

“We are celebrating our presence as 2022 comes to a close and a new year begins. The Gallery's most popular artists, as voted by our visitors over the past year are exhibiting their latest artworks. These artists have uplifted, entertained and inspired thousands of visitors at The Gallery,” says artist Jane Digby from the Gallery.

“We honour their contribution to the visual arts in KwaZulu-Natal. Their expression for the "NOW" is evident in their artistic creations - a gift to us all.”

 

2D ARTISTS INCLUDE:

Judy Wentzel; Leigh Bisset; Lesley Ireland; Sharleen Boaden; Jabulani Cele; Vincent Reid; Jane Digby; Gift Dlamini; Michelle Kruger; Wandile Nthlanganiso; Bhekitshe Ntshali; Judy Wentzel;Lauriana Glenny; Rayne Hampson; Juilia Forman; Paula Breetzke; Grant Wood; Anne Swankhardt; Kim Pereira; Kathy Jacob ; Ezequiel Mabote; Debbi Powell; Chantelle Hopewell; Ashling Mccarthy and Nicky Firth

 

3D ARTISTS INCLUDE:

Mervyn Dragsund; Sarah Richards; Claire Falconer; Seth Falconer; Phumlani Nyawo; The Dlamini Collection; Sharon Paterson; Lindsay Phillips; Samantha Pitout; Audrey Rudnick; Brenda Kuhn; Hilary Grant Currie; My Basket Shop and a variety of other arts and crafts.

 

Ballito Lifestyle Centre, The Studios celebrates First Thursday on December 1, 2022 - an all-day event, from 09h00 to 20h00 with all Bespoke stores offering specials. From 18h00, live music will add to the vibes along with a mini wine-tasting hosted by TOPS Lifestyle Centre. In addition, Pizza Bae will be serving delicious food, drinks will be available from Alchemy Gin Bar and cake from Chateau Gateau.

The Gallery is situated within The Studios, opposite Weylandts in Ballito.

Daily opening hours are 09h00 to 17h00 seven days a week. From December 10, closing time will be extended to 19h00. For more information watsapp 072 245 8691

Follow The Gallery on Instagram and Facebook @thegallerylifestyle and @lifestylecentreballito

 

MUSIC IN THE HILLS (MITH): NOVEMBER 30

 

(Above: Rob Warren)

Arguably the KZN Midlands’ best-loved music venue, Music in The Hills (MiTH) is an opportunity for beginners, professionals, and passionate music fans to share the joy of music at The Knoll Historic Guest Farm, Knoll Drive, Hilton.

MiTH takes place every second Wednesday and the next programme will take place on November 30, 2022.

 

19h00: Leigh Goddard & U C NOW

Leigh Goddard is a songwriter across multiple genres of music from cinematic to hip hop. After spending years working behind the scenes on events, and as an agent for bands nationally, she picked up the guitar for herself at the age of 25 and began her writing journey.

Goddard has had the privilege of being surrounded and inspired by some of this country's greatest songwriters and performers of the last three decades. The daughter of iconic drummer, Don Robertson (The Square Set, and Gene Rockwell and The Falcons), and sister to Michael Goddard (Perez, and Silent Generator), it becomes apparent through her song-writing that rhythm is hereditary, and observation is a great teacher.

She describes her music as “country rap cabaret”. She is joined by lifelong friends Roly Struckmeyer on bass and Adam Stanley on drums. Both musicians were members of the band Deluxe, which she used to manage. Adam is an internationally-acclaimed session drummer. Having worked with the likes of Billy Corgan and many others, it is an honour to have Adam join the performance during his trip to SA from England. Roly needs no introduction to the MiTH community.

 

20h00: Rosie Whitfield

Out of the KZN Midlands, novice performer, singer, pianist and songwriter Rosie Whitfield started singing at a young age. She performed her first composition at the age of 12 and was instantly hooked on music. She identifies as a contemporary folk artist whose works have been influenced by artists such as Nora Jones and Celtic Women. Some of her greatest joys have been singing in the Midlands Youth Choir, where she sang on tour in Westminster Abbey for the late Queen's Diamond Jubilee, as well as making the top ten finalists of PMB's Got Talent.

 

21h00: Rob Warren

Rob Warren is a singer-songwriter based in Durban, KZN. Over the past few years, Rob, and his band mates in the Black Lapels, have consistently delivered unique and authentic performances, paying tribute to their musical heroes – the likes of CCR, Johnny Cash, Paul Simon and more.

Never one to sit still, 2021 saw Warren officially launching his solo project, adding yet another colour to the palate of this well-established artist and performer.

He is a performer – each show runs like a well-oiled machine. If you get a chance to see him live, don’t miss out!

 

Doors open at 18h00 and the music will kick off at 19h00. Entrance is R50 at the door. Bring your own booze. Food and soft drinks are available.

Visit www.mith.co.za for more details and directions. Musicians can contact mithbookings@gmail.com for slots.

 

DIRECTIONS TO MiTH: Take the N3 to Hilton, take the Hilton turnoff and go South into the Village (away from Hilton College). Travel 5,2km along Hilton Avenue (past two sets of traffic lights and Crossways Pub) and keep going straight as Hilton Avenue turns into Dennis Shepstone Drive. At the 5,2km mark, Knoll Drive will be on your right – the entrance to MiTH is the *second* entrance on your left into The Knoll Historic Guest Farm.

MZANSI NATIONAL PHILHARMONIC ORCHESTRA FOR DURBAN

 

(Above: Conductor Marin Alsop)

Mzansi National Philharmonic Orchestra, conducted by Marin Alsop, embarks on its first national tour of South Africa next month. Commencing on December 15, 2022, the tour will take the Orchestra to diverse South African communities, performing Beethoven’s Symphony No 9 with accomplished soloists and local choirs.

The Mzansi National Philharmonic Orchestra has assembled a powerhouse line-up of musicians to perform this mighty work. Classical music superstar Marin Alsop is one of the most distinguished conductors of her generation, while the Orchestra’s Concert Master, South African violinist Pieter Schoeman, is also the Concert Master of the London Philharmonic Orchestra.

The soloists include the renowned South African mezzo soprano Michelle Breedt who has performed in prestigious concert halls all over the world, and talented bass baritone Msimelelo Mbali who is making a mark in Europe’s operatic world and will appear at the English National Opera in the 2022/23 season. The tour will also feature dynamic local choirs such as the Gauteng Choristers, Tshwane University of Technology Choir, Mzansi Chorale and the New Apostolic Church Choir.

The three-city tour opens on December 15 at the Linder Auditorium in Johannesburg, followed by the concert on December 17 at The Playhouse in Durban and concludes on December 21 in Cape Town’s City Hall.

Bongani Tembe, the Chief Executive and Artistic Director of the Mzansi National Philharmonic, says: “Through our varied and inclusive programmes, the Mzansi National Philharmonic Orchestra is committed to transforming lives and bringing people together through the power of music. Bringing together excellent South African musicians under the direction of a legendary conductor such as Marin Alsop, is a great honour. I have no doubt that people who come into contact with our work will experience the high artistic quality, vitality and commitment, which characterizes Mzansi NPO.”

Conductor Marin Alsop said: “I am looking forward to conducting the Mzansi National Philharmonic Orchestra in December this year, in Johannesburg, Durban and Cape Town. I have had the privilege of performing all over the world, but performing in a three-city tour of South Africa is a first for me - and I could not be more excited.”

Ms Alsop continued, “I love what the Mzansi National Philharmonic Orchestra is doing, not just in their country, but also further afield. Music and the arts have a unique power to elevate society, and I appreciate how this Orchestra is intent not only on achieving the highest artistic goals, but also take their responsibility to the community seriously.

"We have a special programme lined up for you - Beethoven’s 9th Symphony as you’ve never heard it before. The themes of this music are universal, and they are marked by tolerance, unity and joy - and align with the ideals of Nelson Mandela and the concept of Ubuntu, which South Africa has shared with the world. The choice of this Symphony is very appropriate for an Orchestra ushering in a new era. I can’t wait to be with you soon!!” concluded Alsop.

Beethoven’s ‘Ninth’, popularly known as ‘The Choral Symphony’, is the final masterpiece in the great composer’s symphonic oeuvre. Created between 1822 and 1824, it was first performed in Vienna on May 7, 1824. The symphony, which culminates in one of the most beloved of all melodies, The Ode to Joy, is regarded by many critics and musicologists the world over as Beethoven's greatest work, and one of the supreme achievements in the history of music.

Pieter Schoeman, the Orchestra’s concertmaster, said “In addition to the joy of performing with Marin Alsop, I am delighted at the opportunity to lead South Africa’s best and diverse orchestral musicians in the Mzansi Philharmonic’s first ever national tour of South Africa. I couldn’t ask for a better homecoming than Beethoven’s 9th Symphony - it promises to be the kind of concert that we’ll still be talking about in many years to come.”

The Mzansi NPO was officially launched earlier this year as part of an initiative of the South African national Department of Sport, Arts and Culture, in order to broaden the orchestral experience of the country, transform the orchestral sector and to utilise this Orchestra to brand South Africa positively around the world. The Mzansi NPO’s mission includes the funding of regional and youth orchestras, and its artistic planning committee is finalising the funding process, with recipients to be announced before the end of the year. Among the Orchestra’s prime initiatives is supporting young, up and coming musicians studying both locally and internationally, as well as reaching out to provinces without their own professional orchestras.

Another significant part of the Orchestra’s programmes is to partner with South African artists who have made a great name for themselves on the international stage, returning to give back to their homeland and be part of this fantastic project.

The Mzansi Philharmonic Orchestra’s board of directors is led by Justice Leona Theron, who commented: “After months of planning, we are thrilled that the Mzansi Philharmonic’s inaugural national tour is finally upon us. We are thrilled to welcome old and new friends to share the stage with us as we step into a new era. As we hoist this new flag together, I have no doubt that we will experience a level of excellence, artistry and inclusivity that we’ve only glimpsed at before.”

Tickets for each of the concerts on the Mzansi Philharmonic’s tour are available through Quicket.

 

 

CAROLS AND KILTS

 

(Twin sisters Samantha Wood & Melissa Alberts from Celtic Heartbeat. Val Adamson (taken for this year’s “Shall We Dance”)

The Durban Caledonian Pipe Band and Friends present the tenth annual production of Carols and Kilts – at Shongweni Farmers Market on Saturday November 26 at 15h00, and at the DLI Hall in Greyville on Sunday November 27 at 14h00.

The much-loved Carols and Kilts kicks off the festive season celebrations with a blend of highland music and a medley of well-known Christmas carols and seasonal music numbers including evergreen bagpipe favourites such as Highland Cathedral and Auld Lang Syne, as well as some more contemporary favourites – such as John Farnham’s The Voice; the Gael from Last of the Mohicans and the Leonard Cohen’s masterful, Halleluiah.

The Durban Caledonian Pipe Band will be supported by musicians on electric, acoustic and bass guitar, keyboard, saxophone, drum-kit, and the noble cowbell, and guest vocalists. Among the special guests will be Garth Strydom (electric guitar); Cassie Rae (vocals); Andrew Turrell (guitar) and Bernard Kisbey-Green (saxophone).

(Right: Photo of the Durban Caledonian Society at this year’s Fort Nottingham Highland Games taken by Harry Lock)

They will be joined by dancers performing to both the Irish and Highland sets – twin sisters Samantha Wood and Melissa Alberts from Celtic Heartbeat.

The concert can be enjoyed over month end November weekend – at Shongweni Farmer's Market on Saturday afternoon, overlooking the top of the Shongweni valley. A range of food and beverages will be available there, so no BYO food & drink.

There is a Sunday matinee at DLI Hall, in the middle of the Greyville Racecourse in Durban. Round tables will be set up in the hall and picnicking is encouraged. A licensed bar will be set up in the Green Jacket Room so regretfully no BYOB. Snacks will also be available.

 

November 26, 2022 – 15h00 to 17h00 - Shongweni Farmers' and Craft Market.

Tickets through Quicket

https://www.quicket.co.za/events/194771-carols-kilts-2022-at-shongweni-market/

 

November 27, 2022 – 14h00 to 16h00 - D.L.I. Hall

Tickets through Quicket

https://www.quicket.co.za/events/193202-carols-kilts-2022-at-dli-hall/#/

 

For both concerts:

Tickets R90 (R50 pensioners). Children (Under 12): Free

 

Note that tickets may be available at the entrance, at the increased price of R100 (pensioners and children unchanged). Patrons are encouraged to take advantage of the lower pre-booking price to reserve their place and help catering for the correct numbers.

 

 

ROBIN'S HOOD - UNCUT! AUDITIONS

Well-known actor Anthony Stonier will be presenting a 'naughty but nice' adult pantomime next year and is looking for a “sassy and sensational singer/actress” to play the part of Maid Marion. Age early 20's.

Starring Stonier, the show is titled Robin’s Hood – Uncut! 

Auditionees will be required to sing a song of their choice (bring the backing track on a flash drive/ memory stick). They will also be required to perform a short monologue from the script which they will be given at the audition.

“Who knows?! You might just be exactly what we are looking for!”, says Stonier.

For more information watsapp 081 556 0411.

 

M-NET’S REYKA NOMINATED AT THE INTERNATIONAL EMMY AWARDS

(Kim Engelbrecht who stars in “Reyka”)

M-Net’s drama series Reyka is up for the following at the international Emmy Awards:

-Kim Engelbrecht is up for Best Actress

-M-Net's Reyka is up for Best Drama and Best Actress (Kim Engelbrecht)

-First African drama series to be nominated in more than a decade

-Engelbrecht is fifth African actress to be nominated, following in the footsteps of Thuso Mbedu

 

This is MultiChoice’s fourth International Emmy nomination in six years.

Reyka was the opening night series at Monte-Carlo Television Festival in 2021. It was sold by Fremantle to 147 territories

M-Net is proud to be supporting their leading lady Kim Engelbrecht for her nomination in the Best Actress category at the International Emmy Awards, which took place on November 21, 2022, in New York. The acclaimed series, proudly produced by Quizzical Pictures, is also up for Best Drama Series.

Reyka follows a flawed but brilliant criminal profiler, Reyka Gama (Kim Engelbrecht). Haunted by her past, she investigates a string of brutal murders committed by a serial killer in the sugar cane fields of KwaZulu-Natal. Having been abducted as a child by a farmer named Speelman (Iain Glen), Reyka is traumatised by the experience but this also helps her enter the minds of Africa's most notorious criminals and turn them inside out.

Reyka is currently streaming on Showmax.

PECHAKUCHA NIGHTS DURBAN ARE BACK

 

Umongo Msindo, in partnership with Durban’s Point Waterfront Arts Festival, The Chairman, and iSupport Creative Business, presents PechaKucha night on November 25 at 19h00.

Entry is R20, and the night will feature 10 inspiring speakers sharing their ideas, works, and thoughts.

The night is organised concurrently with the Umongo Msindo exhibition that is happening at The Chairman, which commemorates, showcases and brings the story of some of the unique musical heritage in South Africa alive. Therefore, the theme of the evening will be The influence of heritage on creativity.

The audience will hear from musicians, such as umakhweyana player Zawadi Yamungu, indigenous instrument player Thobekile Mbanda and academic and saxophonist Salim Washington. The line-up includes photographer Lindo Ndlovu, cartoonist Nanda Soobben, film producer, writer, and sangoma Sibongile Nene. Completing this strong line-up of inspiring creatives are photographer and designer Roger Jardine and Illustrator and graphic designer Nivesh Rawatlal.

After the speakers, musician Thobekile Mbanda and her band will perform live music showcasing indigenous instruments.

“We curated the Umongo Msindo exhibition as a starting point for conversation. It makes my heart jump a little with excitement to co-host the PechaKucha Night concurrently with the exhibition, as this is exactly what our vision was when we started the project,” says Marlyn Ntsele from iSupport Creative Business, who co-curated the exhibition alongside her partner Mzwandile Ntsele.

PechaKucha 20x20 is a simple presentation format where the speakers show 20 images, each for 20 seconds. PechaKucha Nights are informal and fun gatherings where creative people get together and share their ideas, works, thoughts, and holiday snaps -- just about anything, really -- in the PechaKucha 20x20 format. PechaKucha Night was devised in Tokyo in February 2003 and is now in over 800 cities. Durban has proudly hosted PK Evenings since 2007, and the organisers are back after a little break.

The Umongo Msindo exhibition, showcasing indigenous instruments, is an interactive exhibition open on Fridays and Saturdays in November at The Chairman in Durban. 

During this exhibition run, Umongo Msindo has launched its website (www.umongomsindo.com) featuring a digital exhibition consisting of augmented reality instruments that will also have AR filters of the instruments available on their Instagram channel (@umongomsindo). 

Umongo Msindo is a part of the Music In Africa Live project, which is supported by the German Federal Foreign Office, Siemens Stiftung and Goethe-Institut.

The event takes place on November 25 at 19h00 at The Chairman, 146 Mahatma Gandhi Road, Point, Durban