Fine china, high tea and stimulating conversation – Claire Newton has launched a fresh new concept aimed at bringing people together over perfectly poured cups of tea and plates of delicious treats to enjoy an enlightening, interesting and inspiring talk.
Newton will be doing a series of talks at the elegant Saint James on Venice Luxury Boutique Hotel in Durban’s leafy Morningside suburb starting on August 2 from 10h00 to 12noon, looking at The Art of Conversation.
The programme for the morning is in two parts: Claire will present The Art of Conversation – a well researched, thought provoking presentation; followed by a luxurious morning high tea, against a backdrop of light music in the form of Peter Enslin on piano who will be playing a programme of easy-listening ever-greens.
“Learning how to converse well and easily with others gives people more confidence when handling both business and social events,” explains Newton. “Mastering this skill - either one on one, or conversations in small groups - is thus an important life skill. In this talk I cover the fundamentals of what it really means to be a good conversationalist, how to make effective introductions in order to ease the way for others, and (for emergencies) how to escape from the boring individual who insists on dominating your attention. We also touch on non-verbal (body) language.”
Claire Newton is a qualified psychologist, speaker, trainer and coach. She holds a Masters Degree in Psychology and a Higher Diploma in Education, as well as a Certificate in Career and Executive Coaching. As a psychologist, Newton runs a successful private practice from her home in Durban.
Future Tea with Claire sessions at St James for the next cycle are:
September 6: You-Q: Finding Your Inner Winner
October 18: Conflict to Co-operation
November 1: Body Language for Confidence
Bookings through Sunet Pringle at the St James on 031 312 9488. Tickets R150 pp all inclusive. Book and pay for the entire series of four talks and pay only R510pp. For more information visit www.clairenewton.co.za
Tuesday, July 31, 2012
INTER-ALIA
Jane and Paul Candow, the professional music duo known as Inter-Alia, will be playing every Sunday from 12h30 at Bella Vista, Old Main Road, Botha’s Hill. For enquiries and bookings phone Janine 031 765 2738.
Two further gigs include:
August 3 from 7: Summerveld Country Lodge enquiries Lynda on 082 461 7149.
August 9 from 11h00: Woman’s Day - Heritage Market in the Rose Garden.
For further information contact Jane Candow on 031 765 1516.
Two further gigs include:
August 3 from 7: Summerveld Country Lodge enquiries Lynda on 082 461 7149.
August 9 from 11h00: Woman’s Day - Heritage Market in the Rose Garden.
For further information contact Jane Candow on 031 765 1516.
BAROQUE 2000 CONCERT: JULY 29, 2012
Truly excellent Baroque music in historic Church of the Mariannhill Monastery. (Review by Keith Millar)
There can be no better way of spending a Sunday afternoon after a busy weekend. Relaxing in the peace and tranquility of the Mariannhill Monastery, a cup of coffee and a slice of chocolate cake at the Monastery Tea Garden and, afterwards, a concert of some truly excellent Baroque music in the Monastery's historic Church.
Unfortunately, not very many people seem to share my beliefs as no more than about 100 attended this concert presented by the Baroque 2000 ensemble. This is a great pity as they would have seen a group of very fine musicians at the top of their form in a programme of seldom-heard gems. This ensemble of hard-working musicians from the KwaZulu-Natal Philharmonic Orchestra produces a series of baroque concerts every year which offers the classical music lover the rare opportunity to experience live performances of music of this genre. They deserve all the support and encouragement they can get in their endeavours.
Sunday’s programme started with George Philip Telemann’s La Lyra. The German-born composer was one of the most respected and prolific composers of the Baroque era with literally thousands of works being attributed to him. La Lyra is a suite of dances in the French style. A highlight of this work is the third movement which is a charming orchestral representation of the Hurdy Gurdy. The ten piece ensemble played the composition with warmth and vibrancy.
The only problem during this item was the competition from a highly amplified fund-raising concert on an adjoining sports field. It is a credit to the ensemble that they were able to maintain their concentration and play with such accuracy.
Next on the agenda was another composition by Telemann, Suite in A Minor for Recorder and Strings. This performance featured the attractive Samantha Goldblatt on the recorder. She is a very talented young musician who played with an elegant grace which belied her youth. She has a bright future ahead of her in the music world. The sympathetic and supportive playing by the stings ensured a very enjoyable musical experience.
The concert was rounded off with the Concerto Grosso OP 6 No5 by Georg Frideric Handel, a work he remarkably wrote in two days. This is baroque music at its best, and the spirited performance by the orchestra ensured that we were not left disappointed at the end of the concert.
The charming Church of the Mariannhill Monastery which was built in 1887 is an ideal venue for the Baroque 2000 Concerts. It has a bright, lively acoustic which suites this type of music perfectly. The only problem is with the sightlines. The orchestra is situated at floor level and it is difficult to see them from all but the few of front rows. It would be ideal if they could be elevated a bit to eradicate this problem. Having said that, the audience was there mainly to listen and not view. And what they heard was another excellent concert in the series produced by Baroque 2000. These concerts are well worth a visit. You won’t be disappointed.
Baroque 2000 is sponsored by Die Rupert Musiekstigting. More information on Baroque 2000 activities from Michel on 082 303 5241 or email: sursouth@iafrica.com – Keith Millar
There can be no better way of spending a Sunday afternoon after a busy weekend. Relaxing in the peace and tranquility of the Mariannhill Monastery, a cup of coffee and a slice of chocolate cake at the Monastery Tea Garden and, afterwards, a concert of some truly excellent Baroque music in the Monastery's historic Church.
Unfortunately, not very many people seem to share my beliefs as no more than about 100 attended this concert presented by the Baroque 2000 ensemble. This is a great pity as they would have seen a group of very fine musicians at the top of their form in a programme of seldom-heard gems. This ensemble of hard-working musicians from the KwaZulu-Natal Philharmonic Orchestra produces a series of baroque concerts every year which offers the classical music lover the rare opportunity to experience live performances of music of this genre. They deserve all the support and encouragement they can get in their endeavours.
Sunday’s programme started with George Philip Telemann’s La Lyra. The German-born composer was one of the most respected and prolific composers of the Baroque era with literally thousands of works being attributed to him. La Lyra is a suite of dances in the French style. A highlight of this work is the third movement which is a charming orchestral representation of the Hurdy Gurdy. The ten piece ensemble played the composition with warmth and vibrancy.
The only problem during this item was the competition from a highly amplified fund-raising concert on an adjoining sports field. It is a credit to the ensemble that they were able to maintain their concentration and play with such accuracy.
Next on the agenda was another composition by Telemann, Suite in A Minor for Recorder and Strings. This performance featured the attractive Samantha Goldblatt on the recorder. She is a very talented young musician who played with an elegant grace which belied her youth. She has a bright future ahead of her in the music world. The sympathetic and supportive playing by the stings ensured a very enjoyable musical experience.
The concert was rounded off with the Concerto Grosso OP 6 No5 by Georg Frideric Handel, a work he remarkably wrote in two days. This is baroque music at its best, and the spirited performance by the orchestra ensured that we were not left disappointed at the end of the concert.
The charming Church of the Mariannhill Monastery which was built in 1887 is an ideal venue for the Baroque 2000 Concerts. It has a bright, lively acoustic which suites this type of music perfectly. The only problem is with the sightlines. The orchestra is situated at floor level and it is difficult to see them from all but the few of front rows. It would be ideal if they could be elevated a bit to eradicate this problem. Having said that, the audience was there mainly to listen and not view. And what they heard was another excellent concert in the series produced by Baroque 2000. These concerts are well worth a visit. You won’t be disappointed.
Baroque 2000 is sponsored by Die Rupert Musiekstigting. More information on Baroque 2000 activities from Michel on 082 303 5241 or email: sursouth@iafrica.com – Keith Millar
DIFF AWARDS
(A still from the Best SA Feature “Adventures in Zambezia” directed by Wayne Thornley)The 33rd edition of the Durban International Film Festival, with principal funding from the National Lottery Distribution Trust Fund, announced its award-winners prior to the closing film on Saturday. Winner of the Best Feature Film award, Love (Amour) was applauded by the International Jury as “unmissable”, and the film’s director Michael Haneke, as a “contemporary master with an astute understanding of his cinematic world”. The Best Feature Film award carries a cash prize of R50,000.
The international Jury which comprised Zimbabwean filmmaker and novelist Tsitsi Dangarembga, hot South African director Oliver Hermanus, producer and television presenter Kgomotso Matsunyane, and Canadian producer, director Peter Wintonick also awarded the Best First Feature Film prize (R20,000) to Australian Julia Leigh for Sleeping Beauty (Australia).
Receiving a cash prize of R30,000, the Best South African Feature Film was awarded to Adventures in Zambezia (South Africa), directed by Wayne Thornley. Of the large number of South African films screened this year, the jury’s unanimous voice lauded this film as one with “strong writing and direction, and beautiful animation infused with the spirit of the continent …” and one that “tells an African story from an African perspective while having clear global appeal”.
The Amnesty International Durban Human Rights Award, with a prize of €2,500, went to Malika Zouhali-Worral and Katherine Fairfax Wright’s film Call Me Kuchu which focuses on attacks on gay people in Uganda.
Two other South African productions received awards: The African Cypher directed by Bryan Little won Best South African Documentary while Doppelganger directed by Joshua Rous was awarded Best South African Short Film.
The 33rd Durban International Film Festival was organised by the Centre For Creative Arts (University of KwaZulu-Natal) with support by the National Lottery Distribution Trust Fund (principal funder), National Film and Video Foundation, KwaZulu-Natal Department of Economic Development and Tourism, HIVOS, City of Durban, German Embassy in South Africa, Goethe Institut of South Africa, French Season in South Africa, and a range of other valued partners.
For more info go to www.durbanfilmfest.co.za
Monday, July 30, 2012
MONDAYS AT SIX AT ST. CLEMENTS
The next programme in the Mondays at Six at St Clements project takes place tonight (July 30) and includes readings from Misadventures of Attorney Shudder and Other Stories by Allan Manning. The author will read some short stories to start with and discuss how he came to write them. After the break, Sally Stretch and James Parker will read some longer short stories.
This will be the final presentation in the present season which started in February. After a short break, Mondays at Six at St. Clements will resume in October with Miracle At Westville Prison, in which Paulette Barker shares a journey in art with the men at the Westville prison, and illustrates what they managed to achieve in 18 months
St Clements is situated at 191 Musgrave Road on the right-hand side a short way down Musgrave after the St Thomas Road intersection. Mondays at Six run between 18h00 and 19h00. Booking is advised on 031 202 2511. There is no cover charge but there is a donations box to support presenters.
This will be the final presentation in the present season which started in February. After a short break, Mondays at Six at St. Clements will resume in October with Miracle At Westville Prison, in which Paulette Barker shares a journey in art with the men at the Westville prison, and illustrates what they managed to achieve in 18 months
St Clements is situated at 191 Musgrave Road on the right-hand side a short way down Musgrave after the St Thomas Road intersection. Mondays at Six run between 18h00 and 19h00. Booking is advised on 031 202 2511. There is no cover charge but there is a donations box to support presenters.
ECO FRESH FEST 2012
Taking place at Eden College Durban on August 5, the Eco Fresh fest offers fun for the whole family with a funfair, Green Fleamarket and food stalls. There are free shows, games and competitions as well as advice, talks and demonstrations.
The programme includes a fun presentation for children at 10h00 titled Professor Twiddle and his Terrific Time Machine described by the National Arts Festival’s Cue magazine as: “A well presented mixture of acting and singing, with fun and laughter as well as some important messages and interesting information. Be prepared to travel back in time, think outside the box and end up appreciating what we have. This is a show the whole family will enjoy.” (Cue review 2012)
At 12h00, Melanie Whillier gives a presentation titled Recycled Craft Be creative which urges people to look at waste differently. At 15h00, Spots and Dots is a fun environmental show that looks at conserving water.
There will also be musical entertainment as well as eco friendly exhibits in the Main Hall. All proceeds go to Cheshire Homes and Save the Rhino Fund.
Eco Fresh Fest 2012 takes place from 10h00 to 16h00 at Eden College, Glenwood (off Francois Road). Entrance is free and all are welcome. There is free parking on the school fields. More information on 031 205 3357 or visit www.edencollegedurban.co.za
The programme includes a fun presentation for children at 10h00 titled Professor Twiddle and his Terrific Time Machine described by the National Arts Festival’s Cue magazine as: “A well presented mixture of acting and singing, with fun and laughter as well as some important messages and interesting information. Be prepared to travel back in time, think outside the box and end up appreciating what we have. This is a show the whole family will enjoy.” (Cue review 2012)
At 12h00, Melanie Whillier gives a presentation titled Recycled Craft Be creative which urges people to look at waste differently. At 15h00, Spots and Dots is a fun environmental show that looks at conserving water.
There will also be musical entertainment as well as eco friendly exhibits in the Main Hall. All proceeds go to Cheshire Homes and Save the Rhino Fund.
Eco Fresh Fest 2012 takes place from 10h00 to 16h00 at Eden College, Glenwood (off Francois Road). Entrance is free and all are welcome. There is free parking on the school fields. More information on 031 205 3357 or visit www.edencollegedurban.co.za
KEARSNEY SHINES AT WORLD CHOIR GAMES
Kearsney College Choir from KZN was among South Africa's foremost choirs who raked in the gold in Cincinnati in the US in a feast of choral splendour. Three South African choirs took part in the second week of the 7th World Choir Games in Cincinnati, Ohio, the other two choirs being Tygerberg Children's Choir and Stellenberg Girl's Choir from Cape Town.
Under the baton of Bernhard Kruger, Kearsney College Choir won the Scenic Folklore category.
Stellenberg Girls Choir, under the baton of Andre van der Merwe, were crowned double world champions, winning gold medals in the Musica Contemporanea and Music of the Religions Divisions.
Celebrating its 40th anniversary this year under the leadership of Hennie and Theresa Loock, Tygerberg Children's Choir obtained second place and a gold medal in the Children's Choirs division, losing by a very narrow margin of only 0,14% to the excellent Vocalista Angels from Indonesia.
The World Choir Games, taking place every two years, is the signature event of INTERKULTUR, a Germany-based global organization that produces elite international choral events all over the world. In more than 20 years since INTERKULTUR was established, the organization has built ties to more than 5,800 choirs and 260,000 singers from 100 nations who have taken part in the World Choir Games and INTERKULTUR's regional choir competitions.
Under the baton of Bernhard Kruger, Kearsney College Choir won the Scenic Folklore category.
Stellenberg Girls Choir, under the baton of Andre van der Merwe, were crowned double world champions, winning gold medals in the Musica Contemporanea and Music of the Religions Divisions.
Celebrating its 40th anniversary this year under the leadership of Hennie and Theresa Loock, Tygerberg Children's Choir obtained second place and a gold medal in the Children's Choirs division, losing by a very narrow margin of only 0,14% to the excellent Vocalista Angels from Indonesia.
The World Choir Games, taking place every two years, is the signature event of INTERKULTUR, a Germany-based global organization that produces elite international choral events all over the world. In more than 20 years since INTERKULTUR was established, the organization has built ties to more than 5,800 choirs and 260,000 singers from 100 nations who have taken part in the World Choir Games and INTERKULTUR's regional choir competitions.
VANBAND
The Centre for Jazz & Popular Music (UKZN) will present the talented Durban group, VanBand, on August 1.
VanBand consists of three talented South African musicians who share their passion for music and life and have been performing in the South African entertainment industry for the past six years. They are Alwyn John Singh (drums) and Sebastian Gilchrist (bass) with Vanessa Moodley on vocals.
During 2010, the band entertained audiences at various venues across Durban including The Centre for Jazz and Popular Music, Just Jazzing, the annual Upbeat Festival sponsored by Kearsney College and The Mercury as well as a Durban Jazz Festival called The Ethekwini Jazz Circuit held at the BAT Centre where they shared the stage with recognised artists like Ernie Smith and Mccoy Mrabata.
The soulful and energetic sounds of VanBand will offer a mix of originals as well as covers. VanBand will also feature Shemual Mahabeer on piano, and Linda Sikhakhane on tenor saxophone.
VanBand appears at the Centre for Jazz and Popular Music (CJPM), Level 2, Shepstone Building at UKZN on August 1 at 18h00 (doors opens at 17h30). Tickets R35 (R20 pensioners, R10 students) More information on 031 260 3385 or email: Zamat1@ukzn.ac.za
VanBand consists of three talented South African musicians who share their passion for music and life and have been performing in the South African entertainment industry for the past six years. They are Alwyn John Singh (drums) and Sebastian Gilchrist (bass) with Vanessa Moodley on vocals.
During 2010, the band entertained audiences at various venues across Durban including The Centre for Jazz and Popular Music, Just Jazzing, the annual Upbeat Festival sponsored by Kearsney College and The Mercury as well as a Durban Jazz Festival called The Ethekwini Jazz Circuit held at the BAT Centre where they shared the stage with recognised artists like Ernie Smith and Mccoy Mrabata.
The soulful and energetic sounds of VanBand will offer a mix of originals as well as covers. VanBand will also feature Shemual Mahabeer on piano, and Linda Sikhakhane on tenor saxophone.
VanBand appears at the Centre for Jazz and Popular Music (CJPM), Level 2, Shepstone Building at UKZN on August 1 at 18h00 (doors opens at 17h30). Tickets R35 (R20 pensioners, R10 students) More information on 031 260 3385 or email: Zamat1@ukzn.ac.za
TWO CAN PLAY THAT GAME
The Centre for Jazz and Popular Music is proud to present the first “Twosday” gig of their third term with Two Can Play That Game on July 31.
This is a concept by bass player Qhubekani Mthethwa and vocalist Ndu Shezi. The idea behind it is to create depth with the environment, the music and the amount of space brought by the absence of other instruments (mainly piano, and drums; as seen in a jazz set-up). This is also to create an independence of the mind, by allowing one to travel on a musical journey with limitless possibilities.
The duo hopes to appeal to music lovers and out-of-the-box thinkers, not just jazz enthusiasts. Expect a jazz-orientated repertoire which will include some music which might not necessarily be 'jazz', but mostly standards and compositions.
Two Can Play That Game appear in the “Twosday” slot at the Centre for Jazz and Popular Music (CJPM), Level 2, Shepstone Building on July 31 at 18h00 (doors opens at 17h30). Tickets R35 (R20 pensioners, R10 students) More information on 031 260 3385 or email: Zamat1@ukzn.ac.za
This is a concept by bass player Qhubekani Mthethwa and vocalist Ndu Shezi. The idea behind it is to create depth with the environment, the music and the amount of space brought by the absence of other instruments (mainly piano, and drums; as seen in a jazz set-up). This is also to create an independence of the mind, by allowing one to travel on a musical journey with limitless possibilities.
The duo hopes to appeal to music lovers and out-of-the-box thinkers, not just jazz enthusiasts. Expect a jazz-orientated repertoire which will include some music which might not necessarily be 'jazz', but mostly standards and compositions.
Two Can Play That Game appear in the “Twosday” slot at the Centre for Jazz and Popular Music (CJPM), Level 2, Shepstone Building on July 31 at 18h00 (doors opens at 17h30). Tickets R35 (R20 pensioners, R10 students) More information on 031 260 3385 or email: Zamat1@ukzn.ac.za
VCU EXCHANGE STUDENTS
The next lunch-hour concert at the Centre for Jazz & Popular Music at UKZN takes place today (Monday, July 30) and features jazz students from the Virginia Commonwealth University in Richmond in a programme of Jazz standards.
The Jazz Studies Program at Virginia Commonwealth University in Richmond, Virginia, has been thriving for over 30 years. It provides its students with outstanding opportunities to pursue jazz performance and writing, as evidenced in part by such successful former students as Steve Wilson (sax, Chick Corea's Origin); James Genus (bass, Saturday Night Live Band; recordings with Dave Douglas, Michael Brecker, Mike Stern and John Abercrombie); Victor Goines (sax/clarinet, Lincoln Center Jazz Orchestra); Clarence Penn (drums, Maria Schneider Orchestra); Alvester Garnett (drums, recordings with Abbey Lincoln, Cyrus Chestnut, James Carter); Mark Shim (sax, Blue Note recording artist, member of Terence Blanchard sextet); Al Waters (sax, featured with Ray Charles); Alvin Walker (trombone, Count Basie Orchestra), Daniel Clarke (pianist, Mandy Moore, k.d. lang); and Emre Kartari (drums; Jazz Department, Yasar University, Izmir, Turkey).
Students also benefit from VCU's acclaimed Music Industry course, plus Digital Recording courses in the area and the extremely active music and arts scene in Richmond, Virginia that surrounds VCU.
In June 2012 VCU Jazz Studies received a VCU International Partnerships Major Initiatives Award (IPMI) to bring American and African citizens together in musical and personal understanding. Titled VCU and the University of KwaZulu-Natal: A Jazz Bridge to Greater Understanding, this grant project will bring together students and faculty of the Jazz Studies Programs of Virginia Commonwealth University and the University of KwaZulu-Natal in Durban.
VCU representatives will make two trips to UKZN, plus two by UKZN to VCU, each team including one faculty member and six university students. Newly commissioned works, joint concerts, internet collaborations, curricular reviews, and cultural opportunities will round out the shared experience.
The concert takes place at 12h15 today (July 30) at the Centre for Jazz and Popular Music at UKZN. Entrance is free. For more information, contact Babalwa Mentjies on 031 260 3353.
The Jazz Studies Program at Virginia Commonwealth University in Richmond, Virginia, has been thriving for over 30 years. It provides its students with outstanding opportunities to pursue jazz performance and writing, as evidenced in part by such successful former students as Steve Wilson (sax, Chick Corea's Origin); James Genus (bass, Saturday Night Live Band; recordings with Dave Douglas, Michael Brecker, Mike Stern and John Abercrombie); Victor Goines (sax/clarinet, Lincoln Center Jazz Orchestra); Clarence Penn (drums, Maria Schneider Orchestra); Alvester Garnett (drums, recordings with Abbey Lincoln, Cyrus Chestnut, James Carter); Mark Shim (sax, Blue Note recording artist, member of Terence Blanchard sextet); Al Waters (sax, featured with Ray Charles); Alvin Walker (trombone, Count Basie Orchestra), Daniel Clarke (pianist, Mandy Moore, k.d. lang); and Emre Kartari (drums; Jazz Department, Yasar University, Izmir, Turkey).
Students also benefit from VCU's acclaimed Music Industry course, plus Digital Recording courses in the area and the extremely active music and arts scene in Richmond, Virginia that surrounds VCU.
In June 2012 VCU Jazz Studies received a VCU International Partnerships Major Initiatives Award (IPMI) to bring American and African citizens together in musical and personal understanding. Titled VCU and the University of KwaZulu-Natal: A Jazz Bridge to Greater Understanding, this grant project will bring together students and faculty of the Jazz Studies Programs of Virginia Commonwealth University and the University of KwaZulu-Natal in Durban.
VCU representatives will make two trips to UKZN, plus two by UKZN to VCU, each team including one faculty member and six university students. Newly commissioned works, joint concerts, internet collaborations, curricular reviews, and cultural opportunities will round out the shared experience.
The concert takes place at 12h15 today (July 30) at the Centre for Jazz and Popular Music at UKZN. Entrance is free. For more information, contact Babalwa Mentjies on 031 260 3353.
SIMON’S DESTINY
Convincing story told with plenty of wry humour. (Review by Michael Green)
David Bloomberg is a versatile man: a former mayor of Cape Town, a lawyer, business man and one-time theatre director. He has also, in retirement, become a writer: author of a book of memoirs, a history of the mayors of Cape Town and now, with this book, a topical novelist.
Born and bred in Cape Town, he now lives in Switzerland but is a regular visitor to South Africa and has obviously kept himself well informed about the political and social developments of recent years.
Simon’s Destiny is a story about a Cape Town man, Simon Kantor, who runs a successful family fishing business. He is conventional, respected, decent, rather limited in his perspectives about his country. His experience is mainly restricted to his city, his family, his work, his friends in and out of the Jewish community, and the Coloured fishermen who work for him. He has no reason to feel apologetic about his role.
The arrival of the new government in 1994 changes all that. For the first time Simon encounters sophisticated black people and, in particular, a canny and well-educated entrepreneur with political connections. He has to change his habitual attitudes in many ways and he does so, recognising that this is the route to business survival. He survives an attempted assassination and in the end he becomes an honoured member of the new society.
David Bloomberg tells this story convincingly and with plenty of wry humour. The writing is fluent and the detail is interesting and apparently accurate, even when it touches on such esoteric matters as fishing licences, the breeding grounds of lobsters, and the stately homes of Cape Town. It is quite a long book, 305 pages, but it is a good read from start to finish.
Simon’s Destiny, by David Bloomberg is published by Ampersand Press, retailing at R199. ISBN 978-1-919760-82-7 - Michael Green
David Bloomberg is a versatile man: a former mayor of Cape Town, a lawyer, business man and one-time theatre director. He has also, in retirement, become a writer: author of a book of memoirs, a history of the mayors of Cape Town and now, with this book, a topical novelist.
Born and bred in Cape Town, he now lives in Switzerland but is a regular visitor to South Africa and has obviously kept himself well informed about the political and social developments of recent years.
Simon’s Destiny is a story about a Cape Town man, Simon Kantor, who runs a successful family fishing business. He is conventional, respected, decent, rather limited in his perspectives about his country. His experience is mainly restricted to his city, his family, his work, his friends in and out of the Jewish community, and the Coloured fishermen who work for him. He has no reason to feel apologetic about his role.
The arrival of the new government in 1994 changes all that. For the first time Simon encounters sophisticated black people and, in particular, a canny and well-educated entrepreneur with political connections. He has to change his habitual attitudes in many ways and he does so, recognising that this is the route to business survival. He survives an attempted assassination and in the end he becomes an honoured member of the new society.
David Bloomberg tells this story convincingly and with plenty of wry humour. The writing is fluent and the detail is interesting and apparently accurate, even when it touches on such esoteric matters as fishing licences, the breeding grounds of lobsters, and the stately homes of Cape Town. It is quite a long book, 305 pages, but it is a good read from start to finish.
Simon’s Destiny, by David Bloomberg is published by Ampersand Press, retailing at R199. ISBN 978-1-919760-82-7 - Michael Green
Saturday, July 28, 2012
VULEKA ART COMPETITION 2012
Art.b – the Arts Association of Bellville is proud to announce the 2012 Vuleka Art Competition. Vuleka, meaning ‘open’ is held annually and is open to any artist (18 years or older, who has not had a solo exhibition in the past three years), working in any medium.
Vuleka has a national footprint and is one of the largest art competitions in South Africa (behind ABSA L’Atelier and Sasol New Signatures). This competition supports emerging and established artists and encourages creativity, innovation and strong individual expression. Selected artists from the competition will have the opportunity to be part of an exhibition in the Art.b Gallery, which is well known for its versatile exhibition space.
The prize for the overall winner is a R20,000 cash prize sponsored by artist, Conrad Theys. Additional merit/category prizes will also be awarded.
Entries close on August 3 at 15:30. The entry fee is R40 per work and artists may enter as many works as they wish to. Entries together with the entry form and entry fee can be delivered to: Art.b Gallery, Bellville Library Centre, Carel van Aswegen Street, Bellville.
For entry forms and further information on the competition contact the gallery on 021 918 2301 or email: info@artb.co.za.
Vuleka has a national footprint and is one of the largest art competitions in South Africa (behind ABSA L’Atelier and Sasol New Signatures). This competition supports emerging and established artists and encourages creativity, innovation and strong individual expression. Selected artists from the competition will have the opportunity to be part of an exhibition in the Art.b Gallery, which is well known for its versatile exhibition space.
The prize for the overall winner is a R20,000 cash prize sponsored by artist, Conrad Theys. Additional merit/category prizes will also be awarded.
Entries close on August 3 at 15:30. The entry fee is R40 per work and artists may enter as many works as they wish to. Entries together with the entry form and entry fee can be delivered to: Art.b Gallery, Bellville Library Centre, Carel van Aswegen Street, Bellville.
For entry forms and further information on the competition contact the gallery on 021 918 2301 or email: info@artb.co.za.
HANSA PILSENER BEEG DREAMER
The beer with the special ingredient is looking for four South Africans with special ideas, hoping to turn their dreams into reality.
Hansa Pilsener’s Next Beeg Dreamer campaign will reward winners in four different categories – Music, Hansa, Community, and the Home - with enough money to realise their respective dreams from the Hansa Dream Fund.
A panel of expert judges – musician and producer Zakes Bantwini (Music) entrepreneur and brand expert Thebe Ikalafeng (Hansa), former Miss South Africa Augustine Masilela (Community) and South African Breweries Marketing Manager Kelebogile Mashigo (Home) will whittle down the entries and decide on the top three ‘beeg dreamers’ in each category, with consumers then voting for the winners on the website, via SMS and through the interactive response voice line.
“The Music category looks for an invention that is music related, drawing its inspiration from Hansa’s previous advertising campaigns where the lead character Vuyo creates a musical instrument inspired by the vuvuzela,” said Mashigo.
“In the Hansa category people are invited to collaborate with the brand to come up with new ideas such as how to collect used bottles or enhance a celebratory occasion where a round of beers would be consumed, while the Community category looks for creative solutions to ease some of the struggles which affect our lives. It could be a mobile RDP house, solar powered lighting systems or community announcement networks. Through our communication we hope to encourage more thought and innovation around community development,” Mashigo said.
For the Home category, the judges are looking for an idea that will make tedious daily tasks simpler and more fun – a bar fridge that plays music, slippers which double as floor mops or a bicycle with a lawnmower attached.
The Dream Fund is a Hansa initiative that will be used to reward consumers who come up with exciting big ideas and, where practical, help them to realise it. Hansa will donate 10c from every bottle sold to the Dream Fund and give away R10,000 in a weekly draw.
Beeg Dreamers over the age of 18 should enter their entrepreneurial ideas online at www.hansa.co.za or toll free on 0800 200 000 before August 11.
Hansa Pilsener’s Next Beeg Dreamer campaign will reward winners in four different categories – Music, Hansa, Community, and the Home - with enough money to realise their respective dreams from the Hansa Dream Fund.
A panel of expert judges – musician and producer Zakes Bantwini (Music) entrepreneur and brand expert Thebe Ikalafeng (Hansa), former Miss South Africa Augustine Masilela (Community) and South African Breweries Marketing Manager Kelebogile Mashigo (Home) will whittle down the entries and decide on the top three ‘beeg dreamers’ in each category, with consumers then voting for the winners on the website, via SMS and through the interactive response voice line.
“The Music category looks for an invention that is music related, drawing its inspiration from Hansa’s previous advertising campaigns where the lead character Vuyo creates a musical instrument inspired by the vuvuzela,” said Mashigo.
“In the Hansa category people are invited to collaborate with the brand to come up with new ideas such as how to collect used bottles or enhance a celebratory occasion where a round of beers would be consumed, while the Community category looks for creative solutions to ease some of the struggles which affect our lives. It could be a mobile RDP house, solar powered lighting systems or community announcement networks. Through our communication we hope to encourage more thought and innovation around community development,” Mashigo said.
For the Home category, the judges are looking for an idea that will make tedious daily tasks simpler and more fun – a bar fridge that plays music, slippers which double as floor mops or a bicycle with a lawnmower attached.
The Dream Fund is a Hansa initiative that will be used to reward consumers who come up with exciting big ideas and, where practical, help them to realise it. Hansa will donate 10c from every bottle sold to the Dream Fund and give away R10,000 in a weekly draw.
Beeg Dreamers over the age of 18 should enter their entrepreneurial ideas online at www.hansa.co.za or toll free on 0800 200 000 before August 11.
SAWAF INTERGENERATIONAL DIALOGUE
The popular Women in Dialogue session returns to the South African Women's Arts Festival on August 4.
The Playhouse Company's 16th South African Women's Arts Festival (SAWAF) runs at The Playhouse in Durban from August 3 to 11. Held during Women's Month every year, the festival has a long history of supporting women's arts and creating valuable dialogue, whilst showcasing cutting edge productions. This year's festival comprises an exciting mix of drama, poetry, dance and music. Through these productions, SAWAF seeks to highlight important issues that affect the lives of contemporary South African women, and celebrate their triumphs.
The Women in Dialogue session is a regular and important feature at SAWAF, and this year Nancy Richards will lead a panel discussion on Nation building. Panellists include First Lady, Thobeka Zuma; MEC of Arts, Culture, Sport & Recreation for KZN, Ntombikayise Sibhidla-Saphetha; eThekwini Deputy Mayor, Nomvuzo Tshabalala; Duma Ndlovu; and Thato Tsautse. This session allows attendees to make their own contributions to the discussion, resulting in an environment where dialogue is created, ideas are exchanged and expertise is shared.
"The Women in Dialogue session is one of the most powerful agents with the potential for change at the South African Women's Arts Festival," says Playhouse Company Chief Executive and Artistic Director, Linda Bukhosini. "This session gives ordinary South African women a voice to be heard by some of our country's leading decision-makers."
The Women in Dialogue session begins at 15h00 in the Playhouse Drama Theatre on August 4. Admission is free, but registration is required.
Register for the Women in Dialogue session through The Playhouse Box Office on 031 369 9540 or 031 369 9596. Booking for other SAWAF productions is through Computicket on 0861 915 8000 or The Playhouse Box Office.
The Playhouse Company's 16th South African Women's Arts Festival (SAWAF) runs at The Playhouse in Durban from August 3 to 11. Held during Women's Month every year, the festival has a long history of supporting women's arts and creating valuable dialogue, whilst showcasing cutting edge productions. This year's festival comprises an exciting mix of drama, poetry, dance and music. Through these productions, SAWAF seeks to highlight important issues that affect the lives of contemporary South African women, and celebrate their triumphs.
The Women in Dialogue session is a regular and important feature at SAWAF, and this year Nancy Richards will lead a panel discussion on Nation building. Panellists include First Lady, Thobeka Zuma; MEC of Arts, Culture, Sport & Recreation for KZN, Ntombikayise Sibhidla-Saphetha; eThekwini Deputy Mayor, Nomvuzo Tshabalala; Duma Ndlovu; and Thato Tsautse. This session allows attendees to make their own contributions to the discussion, resulting in an environment where dialogue is created, ideas are exchanged and expertise is shared.
"The Women in Dialogue session is one of the most powerful agents with the potential for change at the South African Women's Arts Festival," says Playhouse Company Chief Executive and Artistic Director, Linda Bukhosini. "This session gives ordinary South African women a voice to be heard by some of our country's leading decision-makers."
The Women in Dialogue session begins at 15h00 in the Playhouse Drama Theatre on August 4. Admission is free, but registration is required.
Register for the Women in Dialogue session through The Playhouse Box Office on 031 369 9540 or 031 369 9596. Booking for other SAWAF productions is through Computicket on 0861 915 8000 or The Playhouse Box Office.
50 YEARS: THE ROLLING STONES
(Pic: Getty Images)Through their long and wild career, The Rolling Stones have made their mark on our culture; from epic albums to famously bad behaviour. Over their 50 year history, journalists have collected a treasure trove of material, but none more prolific than music journalist Hanspeter Kuenzler. The eBook People (www.theebookpeople.com) have partnered with Kuenzler in this new venture from their parent company, The Interview People GmbH (www.theinterviewpeople.com), one of the most respected international interview syndicators.
50 Years: The Rolling Stones – Views from the Inside, Views from the Outside is a massive two-part collection of the best journalistic material spanning the band’s career. Produced as a commemoration of The Rolling Stones 50th stage anniversary on July 12, the ebook includes feature articles from Rolling Stone, The Daily Mail, and Daily Express with everyone from girlfriends and wives to The Stones themselves. Much of the material in 50 Years: The Rolling Stones has previously been unavailable in the US and the book comes in at an unprecedented 2000+ pages with over 150 images.
Part 1, available in July, covers the first 25 years of the band, from their early days in the UK, their arrival in America as part of the “British Invasion,“ and their sell-out tours around the world. Never before has such a landmark collection been available to the public and at a time when both music historians and music lovers are turning their attention to the "world’s greatest rock band.“
“It’s not only a journey through 50 years Rolling Stones,” says publisher Matthias Würfl, “but also the history and evolution of music, press and western society of the last half century.”
Author Hanspeter Kuenzler has interviewed top stars including Paul McCartney, Ringo Starr, Tina Turner, Robert Plant, Mark Knopfler, Blur, Oasis and Radiohead. Today, his features appear in a variety of publications around the world, including Neue Zürcher Zeitung, Sublime Magazine, Loop, Guitar Dreams and Musik Express. He regularly presents a show with the latest music from Britain on national Swiss radio, DRS.
Publisher Matthias Würfl has conducted interviewed stars including Pink, Carlos Santana, P.Diddy, Lionel Richie, Carla Bruni, and Mick Jagger. He founded The Interview People GmbH in 2007 with Michael and Uli Karg. Today they work with outlets in 70 countries, not only selling their own interviews but also features and images from prestigious publishing houses. Recently they launched a new company, The eBook People, which provides quality multimedia e-books using material from their archives.
50 Years: The Rolling Stones is available on Amazon and iTunes, or link to www.theebookpeople.com
NAF FRINGE EXCELLENCE
At a function held towards the end of this year’s National Arts Festival in Grahamstown the coveted Gold and Silver 2012 Standard Bank Ovation Awards were presented by Festival Director Ismail Mahomed.
This represented a total of one Gold and eight Silver awards. In addition, three “Encore” awards were made to emerging companies the Festival wants to see return, and a new “Aha!” award was made to an artist who has created something surprising and innovative.
The Ovations Panel, made up of arts journalists and editors who attended the Festival, was again convened this year by respected arts critic Adrienne Sichel, who encouraged the Fringe artists to continue producing work that is cutting edge and fresh.
“The aim of the Standard Bank Ovation Awards is to acknowledge excellence on the Fringe,” said Festival CEO Tony Lankester. “They demonstrate the huge value there is in investing time and talent into Fringe productions.”
The only Gold award at this year’s Festival was made to Nicola Hanekom for her theatre production Hol, with Jemma Kahn being awarded a Silver for The Epicene Butcher And Other Stories For Consenting Adults and Greg Homan for directing Mike van Graan’s Brothers in Blood.
In the Dance category Vuyani Dance Theatre received a Silver award for their production Mayhem while Jori Snell was awarded a Silver for Kitchen Fables in a Cookie Jar, in the Family Theatre category.
Two winners of 2011 Ovation awards were re-awarded prizes this year. Stuart Lightbody received a Silver for Dark Imaginings as did guitarist Guy Buttery for his collaboration with Nibs van der Spuy in the Music category. A second Music Silver was awarded to The Muffinz.
The final award was made to comedian David Kibuuka, who was given a Silver award in the Comedy & Variety category.
Encore awards are presented to individuals or productions that have made a noteworthy contribution towards the Festival Fringe in various capacities, or who have shown significant potential. Three encores were named - Galeshewe Theatre Organisation for Goon; The Runaway Bunny Collective for Wintersweet; and the Keiskamma Music Academy. Gavin Kraston was given an Aha! award for The Satirical Fruit Salad.
Playwright and activist, Mike van Graan, was given the Standing Ovation Award for his sustained contribution to the Festival over the years.
A variety of productions were invited by members of the World Fringe Alliance to tour their work to other Fringe Festivals as a result of their Grahamstown successes. Follow Spot Productions were given a $5000 travel grant by Fringe World Perth to tour Australia in 2013, and a variety of productions have been invited to present their work New York, Amsterdam, Brighton, Prague, Perth and Adelaide, subject to a fundraising effort to cover costs of flights for the companies.
Among the recipients of an Ovation Award is Edmund Mhlongo’s Ithemba-Tattu produced by K-Cap of Kwa Mashu.
Other winners for 2012 include: Big Girl (Juliet Jenkin); Brothers in Blood (Artscape); Circle (Maserumele Productions); Dark Imaginings (Stuart Lightbody with Follow Spot Productions); David wasn’t built in a day (Podium…the Comedy Merchants); Face the Music (Follow Spot Productions); Ghetto Bang (Emonti Arts Company); Guy Buttery; Hol (Artscape); Just Business/Net Besigheid (Artscape); Keepsake Minus 3 (Nicola Elliott and Underground Dance Theatre); Kitchen Fables in a Cookie Jar (Baba Yaga Theatre); Lord Hamlet (Clayton Boyd); Mayhem (Vuyani Dance Theatre); Nate Maingard; Nibs van der Spuy and Guy Buttery; Okuya Phantsi Kwempumlo/The Meal (Mamela Nyamza); One Woman Farce (Theatreshop Productions); Pants on Fire (Rob van Vuuren and Martin Evans); Puppet Asylum (Podium&he llip;the Comedy Merchants); Seashells (Artscape); Signatures (Moving into Dance Mophatong); The Epicene Butcher and other stories for consenting adults; The Muffinz.
All of these Ovation winners will be invited to submit a proposal to perform on the 2013 Arena Festival.
The National Arts Festival is sponsored by Standard Bank, The Eastern Cape Government, The National Arts Council, The National Lottery Distribution Trust Fund, City Press and M Net.
This represented a total of one Gold and eight Silver awards. In addition, three “Encore” awards were made to emerging companies the Festival wants to see return, and a new “Aha!” award was made to an artist who has created something surprising and innovative.
The Ovations Panel, made up of arts journalists and editors who attended the Festival, was again convened this year by respected arts critic Adrienne Sichel, who encouraged the Fringe artists to continue producing work that is cutting edge and fresh.
“The aim of the Standard Bank Ovation Awards is to acknowledge excellence on the Fringe,” said Festival CEO Tony Lankester. “They demonstrate the huge value there is in investing time and talent into Fringe productions.”
The only Gold award at this year’s Festival was made to Nicola Hanekom for her theatre production Hol, with Jemma Kahn being awarded a Silver for The Epicene Butcher And Other Stories For Consenting Adults and Greg Homan for directing Mike van Graan’s Brothers in Blood.
In the Dance category Vuyani Dance Theatre received a Silver award for their production Mayhem while Jori Snell was awarded a Silver for Kitchen Fables in a Cookie Jar, in the Family Theatre category.
Two winners of 2011 Ovation awards were re-awarded prizes this year. Stuart Lightbody received a Silver for Dark Imaginings as did guitarist Guy Buttery for his collaboration with Nibs van der Spuy in the Music category. A second Music Silver was awarded to The Muffinz.
The final award was made to comedian David Kibuuka, who was given a Silver award in the Comedy & Variety category.
Encore awards are presented to individuals or productions that have made a noteworthy contribution towards the Festival Fringe in various capacities, or who have shown significant potential. Three encores were named - Galeshewe Theatre Organisation for Goon; The Runaway Bunny Collective for Wintersweet; and the Keiskamma Music Academy. Gavin Kraston was given an Aha! award for The Satirical Fruit Salad.
Playwright and activist, Mike van Graan, was given the Standing Ovation Award for his sustained contribution to the Festival over the years.
A variety of productions were invited by members of the World Fringe Alliance to tour their work to other Fringe Festivals as a result of their Grahamstown successes. Follow Spot Productions were given a $5000 travel grant by Fringe World Perth to tour Australia in 2013, and a variety of productions have been invited to present their work New York, Amsterdam, Brighton, Prague, Perth and Adelaide, subject to a fundraising effort to cover costs of flights for the companies.
Among the recipients of an Ovation Award is Edmund Mhlongo’s Ithemba-Tattu produced by K-Cap of Kwa Mashu.
Other winners for 2012 include: Big Girl (Juliet Jenkin); Brothers in Blood (Artscape); Circle (Maserumele Productions); Dark Imaginings (Stuart Lightbody with Follow Spot Productions); David wasn’t built in a day (Podium…the Comedy Merchants); Face the Music (Follow Spot Productions); Ghetto Bang (Emonti Arts Company); Guy Buttery; Hol (Artscape); Just Business/Net Besigheid (Artscape); Keepsake Minus 3 (Nicola Elliott and Underground Dance Theatre); Kitchen Fables in a Cookie Jar (Baba Yaga Theatre); Lord Hamlet (Clayton Boyd); Mayhem (Vuyani Dance Theatre); Nate Maingard; Nibs van der Spuy and Guy Buttery; Okuya Phantsi Kwempumlo/The Meal (Mamela Nyamza); One Woman Farce (Theatreshop Productions); Pants on Fire (Rob van Vuuren and Martin Evans); Puppet Asylum (Podium&he llip;the Comedy Merchants); Seashells (Artscape); Signatures (Moving into Dance Mophatong); The Epicene Butcher and other stories for consenting adults; The Muffinz.
All of these Ovation winners will be invited to submit a proposal to perform on the 2013 Arena Festival.
The National Arts Festival is sponsored by Standard Bank, The Eastern Cape Government, The National Arts Council, The National Lottery Distribution Trust Fund, City Press and M Net.
DURBAN FILMMART 2012
Breaking new grounds into African soil by infiltrating the continent’s film industry was the focal point of the Durban FilmMart 2012 which took place this week.
The event highlighted training and funding opportunities, facilitated skills development and comprehensive industry engagements and promoted interaction between African filmmakers and international key experts.
The annual coproduction and finance market, which was created as a joint programme of the Durban Film Office and the Durban International Film Festival delved deeper into its objectives of driving the visibility of African cinema, stimulating production and facilitating project collaboration between African film-makers.
“It has been our labour of love to promote and develop the African Film Industry which is both our livelihood and passion,” said Durban International Film Festival Director Peter Rorvik at the close of the event. Said Rorvik; “We have walked away from this event remaining true to our African roots and local story-telling in the face of global and commercial film industry trends; this is what our primary message to our delegates has been.”
Durban Film Office Head Toni Monty expressed satisfaction with representation at the event which attracted over 400 delegates from around the continent. Said Monty; “Our large contingent of delegates have shown and expressed their support and appreciation to the Durban FilmMart- a major indication that we are addressing the needs and challenges relevant to African Cinema.”
The Durban Film Mart programme was undertaken in threefold; the development platform Finance Forum which is open to selected documentary and feature film projects and the Master-classes and Africa in Focus range of panel discussions and seminars which are both open to all participants and delegates of the event.
The Durban International Film Festival’s range of Africa in Focus panel discussion sessions highlighted the nitty-gritty of film production in Africa from sourcing international coproduction, access to global funding and training opportunities, film packaging, marketing and distribution to developing authentic African stories and digital and new media technology.
The Africa in Focus programme also includes presentations by the National Film and Video Foundation (NFVF) who present their annual comprehensive industry engagement under the guidance of newly-appointed CEO Zama Mkosi, which provided a platform for industry dialogue between executive management of the national body and the SA film industry and the public.
Also high on the agenda was the significant launch of the KZN Film Commission, a project undertaken by the KZN Department of Economic Development and Tourism which will be mandated to develop, promote and market the province of KZN as a global destination for film production to a local, national and international audience as well as facilitate the investment in the film industry in the province of KZN.
During the period of the Durban FilmMart, African project participants (12 Documentary and 11 Feature film project directors and producers) underwent a gruelling mentorship and skills training which prepared them to pitch to their ‘work in progress’ film projects in one-on-one sessions to international film funders, broadcasters, distributors and sales agents.
The winners, selected by official sponsors of the awards, are:
• The Hubert Bals Fund Award of 5000 €uros towards script and project development for ‘The Most Promising African Project’ was presented by Janneke Langelaan to an outstanding for a fiction project: Live from Zimbabwe; Producer Jackie Cahi and Director Rumbi Katedzi.
• Three producers were awarded the prize to attend the Rotterdam Lab 2013 presented by Bianca Taal of the International Film Festival of Rotterdam’s CineMart. They are David Horler for Flatland (SA), Ikechukwu Omenaihe for In Silence… &In Tears (Nigeria) and Jackie Cahi for Live from Zimbabwe (Zimbabwe)
• Isabel Arrate Fernandez of the International Documentary Festival of Amsterdam (IDFA) and the IDFA Fund presented the Most Promising Documentary Projects, together with Himesh Kar of WorldView which awarded the two travel grant funds totalling 5000 €uros for travel and accommodation for two filmmaker teams to IDFA. The prize was given to Director Anjali Nayar and Director Hawa Essuman for Logs of War (Kenya) and Producer Neil Brandt and Director Riaan Hendricks for The Devils Lair (SA)
• WorldView also awarded a 5000 €uros to The Most Promising Feature Projects presented to Producer and Director David Horler and Jenna Cato Bass of Flatland (SA)
• EAVE CEO Alan Fountain awarded a prize to attend the European Producers Workshop. The award was given to Producer and Director David Horler and Jenna Cato Bass of Flatland (SA)
• Arte France awarded the Best Feature Film Project award of 6000 €uros presented by representative Remi Burah to producer Steven Markovitz and Wanuri Kahiu for Jambula Tree (an SA/Kenya coproduction)
• Canal France International (CFI) awarded the The Most Promising Project prize presented by CFI representative Etienne Fiatte and Audrin Mathe of the Nambian Broadcasting Corporation. The award was given to Joel Karekezi (Director and Producer) for The Mercy of the Jungle (Rwanda)
• Videovision’s Best South African Film Project prize of R75000, presented by Sanjeev Singh was awarded to The Visit, a coproduction by Imraan Jeeva, Omar Khan and Sara Blecher and Directed by Nadia Davids.
For more information on the Durban FilmMart visit www.durbanfilmmart.com
The event highlighted training and funding opportunities, facilitated skills development and comprehensive industry engagements and promoted interaction between African filmmakers and international key experts.
The annual coproduction and finance market, which was created as a joint programme of the Durban Film Office and the Durban International Film Festival delved deeper into its objectives of driving the visibility of African cinema, stimulating production and facilitating project collaboration between African film-makers.
“It has been our labour of love to promote and develop the African Film Industry which is both our livelihood and passion,” said Durban International Film Festival Director Peter Rorvik at the close of the event. Said Rorvik; “We have walked away from this event remaining true to our African roots and local story-telling in the face of global and commercial film industry trends; this is what our primary message to our delegates has been.”
Durban Film Office Head Toni Monty expressed satisfaction with representation at the event which attracted over 400 delegates from around the continent. Said Monty; “Our large contingent of delegates have shown and expressed their support and appreciation to the Durban FilmMart- a major indication that we are addressing the needs and challenges relevant to African Cinema.”
The Durban Film Mart programme was undertaken in threefold; the development platform Finance Forum which is open to selected documentary and feature film projects and the Master-classes and Africa in Focus range of panel discussions and seminars which are both open to all participants and delegates of the event.
The Durban International Film Festival’s range of Africa in Focus panel discussion sessions highlighted the nitty-gritty of film production in Africa from sourcing international coproduction, access to global funding and training opportunities, film packaging, marketing and distribution to developing authentic African stories and digital and new media technology.
The Africa in Focus programme also includes presentations by the National Film and Video Foundation (NFVF) who present their annual comprehensive industry engagement under the guidance of newly-appointed CEO Zama Mkosi, which provided a platform for industry dialogue between executive management of the national body and the SA film industry and the public.
Also high on the agenda was the significant launch of the KZN Film Commission, a project undertaken by the KZN Department of Economic Development and Tourism which will be mandated to develop, promote and market the province of KZN as a global destination for film production to a local, national and international audience as well as facilitate the investment in the film industry in the province of KZN.
During the period of the Durban FilmMart, African project participants (12 Documentary and 11 Feature film project directors and producers) underwent a gruelling mentorship and skills training which prepared them to pitch to their ‘work in progress’ film projects in one-on-one sessions to international film funders, broadcasters, distributors and sales agents.
The winners, selected by official sponsors of the awards, are:
• The Hubert Bals Fund Award of 5000 €uros towards script and project development for ‘The Most Promising African Project’ was presented by Janneke Langelaan to an outstanding for a fiction project: Live from Zimbabwe; Producer Jackie Cahi and Director Rumbi Katedzi.
• Three producers were awarded the prize to attend the Rotterdam Lab 2013 presented by Bianca Taal of the International Film Festival of Rotterdam’s CineMart. They are David Horler for Flatland (SA), Ikechukwu Omenaihe for In Silence… &In Tears (Nigeria) and Jackie Cahi for Live from Zimbabwe (Zimbabwe)
• Isabel Arrate Fernandez of the International Documentary Festival of Amsterdam (IDFA) and the IDFA Fund presented the Most Promising Documentary Projects, together with Himesh Kar of WorldView which awarded the two travel grant funds totalling 5000 €uros for travel and accommodation for two filmmaker teams to IDFA. The prize was given to Director Anjali Nayar and Director Hawa Essuman for Logs of War (Kenya) and Producer Neil Brandt and Director Riaan Hendricks for The Devils Lair (SA)
• WorldView also awarded a 5000 €uros to The Most Promising Feature Projects presented to Producer and Director David Horler and Jenna Cato Bass of Flatland (SA)
• EAVE CEO Alan Fountain awarded a prize to attend the European Producers Workshop. The award was given to Producer and Director David Horler and Jenna Cato Bass of Flatland (SA)
• Arte France awarded the Best Feature Film Project award of 6000 €uros presented by representative Remi Burah to producer Steven Markovitz and Wanuri Kahiu for Jambula Tree (an SA/Kenya coproduction)
• Canal France International (CFI) awarded the The Most Promising Project prize presented by CFI representative Etienne Fiatte and Audrin Mathe of the Nambian Broadcasting Corporation. The award was given to Joel Karekezi (Director and Producer) for The Mercy of the Jungle (Rwanda)
• Videovision’s Best South African Film Project prize of R75000, presented by Sanjeev Singh was awarded to The Visit, a coproduction by Imraan Jeeva, Omar Khan and Sara Blecher and Directed by Nadia Davids.
For more information on the Durban FilmMart visit www.durbanfilmmart.com
Thursday, July 26, 2012
THE CONVENT GIRLS
(Tonya Koenderman and Lisa Bobbert) Lisa Bobbert and Tonya Koenderman are saucier and sassier than ever. (Review by Eiry Myklebust)
Cabaret stars Lisa Bobbert and Tonya Koenderman have been friends for 31 years. They first met at Rosebank Convent, Johannesburg. When they completed school, both girls took up similar careers in show business.
Their show, Convent Girls, is saucier and sassier than ever. Lisa and Tonya take a light-hearted look at the many experiences and ups and downs that they have shared as friends over the years. The show is packed with great songs, humour and irreverence! Convent Girls has won three Theatre Awards, which also included Best Producer and Best Director.
This is a good evening’s entertainment for all ages. Both actresses are exceptionally talented and make an excellent duo with the many popular songs they sing throughout the evening. Tonya does great impersonations of Tina Turner and Shirley Bassey and Lisa has the audience “rolling in the aisles” with her hilarious comedy performances.
Don’t miss this really great show, which is guaranteed to be packed with fun, laughter and terrific songs at the Rhumbelow Theatre this coming weekend only.
Performances of Convent Girls take place at the Rhumbelow Theatre on July 27 and 28 at 20h00 and on July 29 at 18h30.
Don’t forget picnic baskets or you can braai on the braai fires made available to you at the venue. Drinks can be purchased from the well-stocked bar and a car guard is available. Bookings through Roland Stansell on 082 499 8636. - Eiry Myklebust
MICHAEL GREEN’S WINE NOTES # 262
Wine with a real historical significance has been made by the Weltevrede wine estate in the Robertson valley.
The wine comes from seven ancient vines which were discovered seven years ago in the prison garden on Robben Island. It was in this garden that Nelson Mandela buried the handwritten manuscript of his book Long Walk to Freedom.
The Weltevrede (“Well-satisfied”) estate, about 200 kilometres east of Cape Town, near the village of Bonnievale, dates back to 1912 and for the past hundred years it has been in the hands of the Jonker family, the present owner being Philip Jonker.
In 1998 it established an empowerment project, the Weltevrede Aansporingstrust (“Incentive trust”), which resulted in its employees owning a vineyard of pinot noir vines and sharing the profit from it.
In 2005, members of the trust visited Robben Island and were told how Mr Mandela had buried his book in the garden. Vines grew there, and in response to a question the prison guide said “The grapes never ripen because no-one looks after them”.
At Weltevrede this sparked the notion of trying to nurse the old vines back to health. The idea remained dormant until 2008, when it was taken up by Professor Jakes Gerwel, chairman of the Nelson Mandela Foundation.
For three years members of the Weltevrede Aansporingstrust made regular journeys to the island to prune the vines, repair the trellising, manage the foliage and protect the grapes. The main challenges were bad weather and the island birds, which devoured the first two crops. But eventually this year, 2012, the first crop of Robben Island grapes, totalling 182 kilograms, was carried on board the ferry to be shipped to the mainland and to the winery at Weltevrede.
The grapes are being used for two wines: a sweet dessert wine called The Parable and a Methode Cap Classique sparkling wine in magnums called The Manuscript. The first bottle of The Parable is being presented to Mr Mandela for his 94th birthday. The Manuscript is still in the making.
The wines will be sold only at international charity auctions. They are seen, justifiably, as a symbol of South Africa’s healing through hardship and sacrifice. – Michael Green
The wine comes from seven ancient vines which were discovered seven years ago in the prison garden on Robben Island. It was in this garden that Nelson Mandela buried the handwritten manuscript of his book Long Walk to Freedom.
The Weltevrede (“Well-satisfied”) estate, about 200 kilometres east of Cape Town, near the village of Bonnievale, dates back to 1912 and for the past hundred years it has been in the hands of the Jonker family, the present owner being Philip Jonker.
In 1998 it established an empowerment project, the Weltevrede Aansporingstrust (“Incentive trust”), which resulted in its employees owning a vineyard of pinot noir vines and sharing the profit from it.
In 2005, members of the trust visited Robben Island and were told how Mr Mandela had buried his book in the garden. Vines grew there, and in response to a question the prison guide said “The grapes never ripen because no-one looks after them”.
At Weltevrede this sparked the notion of trying to nurse the old vines back to health. The idea remained dormant until 2008, when it was taken up by Professor Jakes Gerwel, chairman of the Nelson Mandela Foundation.
For three years members of the Weltevrede Aansporingstrust made regular journeys to the island to prune the vines, repair the trellising, manage the foliage and protect the grapes. The main challenges were bad weather and the island birds, which devoured the first two crops. But eventually this year, 2012, the first crop of Robben Island grapes, totalling 182 kilograms, was carried on board the ferry to be shipped to the mainland and to the winery at Weltevrede.
The grapes are being used for two wines: a sweet dessert wine called The Parable and a Methode Cap Classique sparkling wine in magnums called The Manuscript. The first bottle of The Parable is being presented to Mr Mandela for his 94th birthday. The Manuscript is still in the making.
The wines will be sold only at international charity auctions. They are seen, justifiably, as a symbol of South Africa’s healing through hardship and sacrifice. – Michael Green
Wednesday, July 25, 2012
SAMRO UNDERGRADUATE BURSARIES
The SAMRO Foundation is awarding two SAMRO/RIESA Special Undergraduate Bursaries for study in music performance for the first time.
Some 18 candidates from nine South African universities were entered for the bursaries. They included students in jazz piano, trombone, trumpet and voice, African music, marimbas, drums, voice and dance, traditional bagpipes, and Western art music piano, voice and clarinet.
The winners of the SAMRO/RIESA Special Undergraduate Bursaries for study in music performance for 2012 are Mfundiseni Ndwalane, African Music and Dance: drummer, singer and dancer (third year at the University of KwaZulu-Natal) and Siyasanga Charles, jazz trombone (third year at the University of Cape Town)
The bursaries have the value of R18,000 each and are available annually to undergraduate students who specialise in music performance in the Traditional, Jazz or Western Art Music genres. Candidates for the bursaries are nominated by the Heads and relevant members of staff of music departments of South African institutions of higher education from among the ranks of their students. The candidates are required to show merit in the field of performance in one or more of these genres. The winners are chosen by the Artistic Committee of the SAMRO Foundation which takes into consideration such criteria as standard of performance, year of study and perceived financial need. In the event that there are no suitable candidates, the bursaries are carried over to the following year.
For more information, contact Naseema Yusuf at the SAMRO Foundation on 011 712 8417, naseema.yusuf@samro.org.za
Some 18 candidates from nine South African universities were entered for the bursaries. They included students in jazz piano, trombone, trumpet and voice, African music, marimbas, drums, voice and dance, traditional bagpipes, and Western art music piano, voice and clarinet.
The winners of the SAMRO/RIESA Special Undergraduate Bursaries for study in music performance for 2012 are Mfundiseni Ndwalane, African Music and Dance: drummer, singer and dancer (third year at the University of KwaZulu-Natal) and Siyasanga Charles, jazz trombone (third year at the University of Cape Town)
The bursaries have the value of R18,000 each and are available annually to undergraduate students who specialise in music performance in the Traditional, Jazz or Western Art Music genres. Candidates for the bursaries are nominated by the Heads and relevant members of staff of music departments of South African institutions of higher education from among the ranks of their students. The candidates are required to show merit in the field of performance in one or more of these genres. The winners are chosen by the Artistic Committee of the SAMRO Foundation which takes into consideration such criteria as standard of performance, year of study and perceived financial need. In the event that there are no suitable candidates, the bursaries are carried over to the following year.
For more information, contact Naseema Yusuf at the SAMRO Foundation on 011 712 8417, naseema.yusuf@samro.org.za
WASHINGTON & TORO
The UKZN Centre for Jazz and Popular Music will present a free lunch-hour concert on July 26 featuring Salim Washington (USA) and Efrain Toro (Puerto Rico) who will perform a selection of standards in a Latin style.
Salim Washington (reeds) and Efrain Toro (drums/percussion) will be joined by Demi Fernandez (guitar), Neil Gonsalves (piano), Sazi Dlamini (guitar) and Philani Ngidi (bass).
The concert takes place at the Centre for Jazz and Popular Music on July 26 at 12h15. Entrance is free. More information from Babalwa Mentjies on 031 260 3353.
Salim Washington (reeds) and Efrain Toro (drums/percussion) will be joined by Demi Fernandez (guitar), Neil Gonsalves (piano), Sazi Dlamini (guitar) and Philani Ngidi (bass).
The concert takes place at the Centre for Jazz and Popular Music on July 26 at 12h15. Entrance is free. More information from Babalwa Mentjies on 031 260 3353.
BLUE GENE
The Centre for Jazz & Popular Music (UKZN) will present the first gig of the third term in 2012 with a performance by Blue Gene on July 25. Blue Gene is a cross- continental collaboration between French guitarist and orchestrator Charles Amblard and South African spoken word Hip Hop artist CreamyEWOKsBaggends.
The project started as a digital exchange of ideas and has evolved into a 5 track self-titled debut E.P. It has been released in France on iTunes and Spotify. Instrumental ideas arrived in Durban from France and were taken to a studio, where Ewok added a vocal layer. The mixing and mastering of the E.P happened in Paris.
The Blue Gene project 2012 is a two week residency at the University of KwaZulu-Natal, with two French musicians, and three South African musicians. The band goes on tour to Cape Town, Johannesburg (for Oppikoppi Festival) and Harare (Zimbabwe). The complete package will include videos, audio, and a documentary film, establishing Blue Gene as a fresh international sound and act
Charles Amblard (guitar) and CreamyEWOKsBaggends (spoken-words) will be joined by Dario Rudy on bass, Jonathan Judge on tenor saxophone, Sakhile Simane on trumpet and Devon Hore on drums.
The performance takes place on July 25 at the Centre for Jazz and Popular Music (CJPM), Level 2, Shepstone Building. The music starts at 18h00 (doors opens at 17h30). Tickets R35 (R20 pensioners, R10 students). More information on 031 260 3385 or email Zamat1@ukzn.ac.za
The project started as a digital exchange of ideas and has evolved into a 5 track self-titled debut E.P. It has been released in France on iTunes and Spotify. Instrumental ideas arrived in Durban from France and were taken to a studio, where Ewok added a vocal layer. The mixing and mastering of the E.P happened in Paris.
The Blue Gene project 2012 is a two week residency at the University of KwaZulu-Natal, with two French musicians, and three South African musicians. The band goes on tour to Cape Town, Johannesburg (for Oppikoppi Festival) and Harare (Zimbabwe). The complete package will include videos, audio, and a documentary film, establishing Blue Gene as a fresh international sound and act
Charles Amblard (guitar) and CreamyEWOKsBaggends (spoken-words) will be joined by Dario Rudy on bass, Jonathan Judge on tenor saxophone, Sakhile Simane on trumpet and Devon Hore on drums.
The performance takes place on July 25 at the Centre for Jazz and Popular Music (CJPM), Level 2, Shepstone Building. The music starts at 18h00 (doors opens at 17h30). Tickets R35 (R20 pensioners, R10 students). More information on 031 260 3385 or email Zamat1@ukzn.ac.za
THREE’S COMPANY
(Géza Kayser, David Smith and Liuben Gardev)Friends of Music’s next recital is titled Three’s Company and features a classical instrumental trio comprising David Smith (piano and harpsichord); Géza Kayser (violin) and Liuben Gardev (cello).
David Smith did his professional training at the University of Cape Town, where he studied piano. He was director of the Durban Chamber Choir from 1992 to 1999. He is an experienced chamber pianist and also a permanent harpsichordist with the Baroque 2000 Ensemble. He was the Head of OSCA from 2002 – 2009.
Géza Kayser is presently a member of the KwaZulu-Natal Philharmonic Orchestra. He has appeared as soloist in orchestral as well as chamber music settings and was chosen to represent South Africa in the World Philharmonic Orchestra.
Liuben Gardev studied at the Bulgarian Academy of Music under Prof. Svetoslav Manolov. After graduating with a Masters degree, he served for ten years as a member of the Sofia Philharmonic Orchestra. In 1990, he moved to South Africa where he rose to co-principal cellist of the KwaZulu-Natal Philharmonic Orchestra.
Their programme will include Arcangelo Corelli’s Sonata for violin and basso continuo in A Major, Op.5, No.6; J S Bach’s Sonata 5 in F minor for violin and harpsichord, BWV 1018; Bohuslav Martinu’s Trio No 1 for violin, cello & piano (Cinq pièces brèves), and Dmitri Shostakovich’s Trio No 2 for violin, cello and piano, Op. 67.
The Durban Girls College Orchestra under the direction of Ted Brien will appear in the Prelude Performers slot. They will play Brahms’s Hungarian Dance No 6, Bartok’s Hungarian Melody andTango by Albeniz.
Three’s Company takes place on August 7 at 19h45 at the Durban Jewish Centre, 44 Old Fort (K E Masinga) Road, Durban. Tickets R70 (R60 FOM members, R20 Orchestral / Students) There is safe parking. Booking is at Computicket. More information at http://www.friendsofmusic.co.za
FOM acknowledges the support of the National Lottery Distribution Trust Fund.
MANDELA
Well-researched publication notable for the abundance of outstanding photographs. (Review by Keith Millar)Mandela - In Celebration of a Great Life by Charlene Smith is an update of the version first published in 1999. It records the life and work of South Africa’s first democratically elected President, Nelson Mandela. It traces his birth and early years in rural Eastern Cape, his move to Johannesburg as a young man and his political evolution with the ANC, the ANC Youth League (ANCYL) and Umkhonto we Sizwe, the ANC armed wing.
The details of his two failed marriages are documented as well as the happiness he has eventually found with marriage to Graça Machel on his 80th birthday.
The grim years of his incarceration on Robben Island are described followed by his release and the traumatic years of negotiation and violence which ultimately led to the first democratic elections in South Africa in April 1994.
The book then outlines Mandela’s years as the first black President of the country and how he became an inspiration for millions of people worldwide and a respected and beloved international statesman.
While essentially about Nelson Mandela, this book falls short of being a comprehensive chronological story of his life. His early years are dealt with only briefly and far more attention is paid to his involvement with the ANC, and the political situation in South Africa at the time as well as the many people who influenced his life. In fact, it could serve as broad history of the ANC and the transformation which took place in this country.
Presented as a coffee table publication, the book is notable for the abundance of outstanding photographs. In both colour and black and white, many are the work of the brave and legendary photographers of the time. This collection in itself could serve as an important photographic record of the period in South Africa’s history.
Charlene Smith is a South African born writer who is now based in the USA. She is the author of 14 books including the highly acclaimed Robben Island. Her credentials to tell this story are beyond doubt as she served as a political journalist and activist throughout the transformation years in South Africa. During this time she met and interviewed many of the leaders of the era, such as FW De Klerk, Archbishop Desmond Tutu, IFP leader Mangosuthu Buthelezi and, on several occasions, Nelson Mandela himself.
Her love and admiration for Mandela is obvious and shines through her writing. She shows deep insight into his character although she is not afraid to criticise his actions when justified. The material is well researched and her writing style makes for easy reading despite the seriousness of the subject matter.
Published by Struik, Mandela: In Celebration of a Great Life is in hardcover with dustjacket and retails at R295. ISBN 9781431700790 – Keith Millar
NAF 2013 MAIN APPLICATIONS WORKSHOPS
The National Arts Festival will host a series of workshops in Johannesburg, Cape Town and Durban to assist artists and companies with their proposals to be considered for the 2013 Main Festival programme.
The 90-minute workshop will take place in Durban on August 10 at 15h00 at the Playhouse Theatre.
Other venues are: Market Theatre, Johannesburg, on July 27 at 15h00 and in Cape Town at the Fugard Theatre on August 3 at 15h00.
The workshops will cover aspects such as general guidelines for the Main programme proposals, budgets, and a discussion of the programme strategy that the committee and the Festival Director use when reviewing applications. Time will also be allocated for question and answer sessions. The workshops are free, and all interested parties can RSVP for the respective workshops by emailing gilly@thefamousidea.co.za
The National Arts Festival will be held in Grahamstown from June 27 to July 7, 2013. A comprehensive Call for Proposals document is available on the Festival’s website: www.nationalartsfestival.co.za Correspondence in regards to Main Festival applications to the Festival Director can be emailed to ismail@nationalartsfestival.co.za
Please address all proposals to:
Festival Director (Please clearly mark “Main Festival Proposal” on the envelope).
National Arts Festival
PO Box 304
Grahamstown
6140
South Africa
All applications received by registered mail will be acknowledged. The Festival does not take responsibility for non-registered mail which does not reach the Festival’s office. All proposals must reach the office of the Festival Director no later than August 18. 2012.
The National Arts Festival is sponsored by Standard Bank, The National Lottery Distribution Trust Fund, The Eastern Cape Government, The National Arts Council, City Press and M Net.
The 90-minute workshop will take place in Durban on August 10 at 15h00 at the Playhouse Theatre.
Other venues are: Market Theatre, Johannesburg, on July 27 at 15h00 and in Cape Town at the Fugard Theatre on August 3 at 15h00.
The workshops will cover aspects such as general guidelines for the Main programme proposals, budgets, and a discussion of the programme strategy that the committee and the Festival Director use when reviewing applications. Time will also be allocated for question and answer sessions. The workshops are free, and all interested parties can RSVP for the respective workshops by emailing gilly@thefamousidea.co.za
The National Arts Festival will be held in Grahamstown from June 27 to July 7, 2013. A comprehensive Call for Proposals document is available on the Festival’s website: www.nationalartsfestival.co.za Correspondence in regards to Main Festival applications to the Festival Director can be emailed to ismail@nationalartsfestival.co.za
Please address all proposals to:
Festival Director (Please clearly mark “Main Festival Proposal” on the envelope).
National Arts Festival
PO Box 304
Grahamstown
6140
South Africa
All applications received by registered mail will be acknowledged. The Festival does not take responsibility for non-registered mail which does not reach the Festival’s office. All proposals must reach the office of the Festival Director no later than August 18. 2012.
The National Arts Festival is sponsored by Standard Bank, The National Lottery Distribution Trust Fund, The Eastern Cape Government, The National Arts Council, City Press and M Net.
DIFF TOP JURY
Award Night at the Durban International Film Festival on July 28 will honour a selection of films that stand out as exemplary works of cinema.
With actress and television presenter Jailoshini Naidoo as MC the awards are announced at the Supernova, Suncoast Cinema, on July 28 immediately prior to the Closing Film, which is the much anticipated South African animation Adventures in Zambezia. The festival, (with principal funding from the National Lottery Distribution Trust Fund) will conclude its 12 day film-feast with a final day of screenings across Durban on July 29.
The celebration of filmic excellence will see prizes being awarded by this year’s International Jury to fiction feature films for the following categories: Best Feature Film (R50,000); Best First Feature Film (R20,000); Best Direction; Best Cinematography; Best Screenplay; Best Actor; Best Actress.
The International Jury comprises Zimbabwean filmmaker, novelist, playwright and activist Tsitsi Dangarembga; Oliver Hermanus - director of the award winning Shirley Adams and Skoonheid; writer, broadcaster and producer Kgomotso Matsunyane, and Peter Wintonick - Eyesteelfilm‘s international producer.
This year’s Competition Features include the South African productions Elelwani; Fynbos; Gog’ Helen, and Sleeper’s Wake – all made in 2012.
The Best South African Feature Film Award (carrying a prize of R30,000) is open to all 16 South African fiction features that are part of the official selection in DIFF, and will be adjudicated by Junaid Ahmed (director and producer, Fineline Productions), Peter Machen (journalist and film critic) and Madoda Ncayiyana (director and producer, Vuleka Productions).
Best Documentary and Best South African Documentary will be adjudicated by Lindiwe Dovey (director of the Film Afrika festival and academic at SOAS, University of London), Rosie Motene (television presenter, actress) and Robbie Thorpe (director and producer, Rififi Pictures).
Best Short Film and Best South African Short Film will be adjudicated by Tiny Mungwe (filmmaker, project co-ordinator, Durban FilmMart), Darren Murray (Producer, Collective Film and Video), and Zandile Tembe (radio journalist, Ukhozi FM).
Carrying a cash prize of 2,500 euro, the Amnesty International Durban Human Rights Award, organized in conjunction with Amnesty International Durban and the Movies that Matter project of Amnesty International, will be presented to the film that is most reflective of human rights issues. The jury for this prize comprises Hylton Alcock (producer, Catch a Fire Production), Anita Khana (producer, Uhuru Productions), Nonhlanhla Mkhize (director, Durban Gay and Lesbian Centre), Lindy Stiebel (Head, School of English, University of KwaZulu-Natal), Coral Vinsen (Amnesty International Durban).
Three further awards are voted for by members of the public: Audience Choice Best Feature Film, Audience Choice Best Documentary, and Audience Choice Best Wavescape Film.
For more details regarding the film festival programme, visit www.durbanfilmfest.co.za
With actress and television presenter Jailoshini Naidoo as MC the awards are announced at the Supernova, Suncoast Cinema, on July 28 immediately prior to the Closing Film, which is the much anticipated South African animation Adventures in Zambezia. The festival, (with principal funding from the National Lottery Distribution Trust Fund) will conclude its 12 day film-feast with a final day of screenings across Durban on July 29.
The celebration of filmic excellence will see prizes being awarded by this year’s International Jury to fiction feature films for the following categories: Best Feature Film (R50,000); Best First Feature Film (R20,000); Best Direction; Best Cinematography; Best Screenplay; Best Actor; Best Actress.
The International Jury comprises Zimbabwean filmmaker, novelist, playwright and activist Tsitsi Dangarembga; Oliver Hermanus - director of the award winning Shirley Adams and Skoonheid; writer, broadcaster and producer Kgomotso Matsunyane, and Peter Wintonick - Eyesteelfilm‘s international producer.
This year’s Competition Features include the South African productions Elelwani; Fynbos; Gog’ Helen, and Sleeper’s Wake – all made in 2012.
The Best South African Feature Film Award (carrying a prize of R30,000) is open to all 16 South African fiction features that are part of the official selection in DIFF, and will be adjudicated by Junaid Ahmed (director and producer, Fineline Productions), Peter Machen (journalist and film critic) and Madoda Ncayiyana (director and producer, Vuleka Productions).
Best Documentary and Best South African Documentary will be adjudicated by Lindiwe Dovey (director of the Film Afrika festival and academic at SOAS, University of London), Rosie Motene (television presenter, actress) and Robbie Thorpe (director and producer, Rififi Pictures).
Best Short Film and Best South African Short Film will be adjudicated by Tiny Mungwe (filmmaker, project co-ordinator, Durban FilmMart), Darren Murray (Producer, Collective Film and Video), and Zandile Tembe (radio journalist, Ukhozi FM).
Carrying a cash prize of 2,500 euro, the Amnesty International Durban Human Rights Award, organized in conjunction with Amnesty International Durban and the Movies that Matter project of Amnesty International, will be presented to the film that is most reflective of human rights issues. The jury for this prize comprises Hylton Alcock (producer, Catch a Fire Production), Anita Khana (producer, Uhuru Productions), Nonhlanhla Mkhize (director, Durban Gay and Lesbian Centre), Lindy Stiebel (Head, School of English, University of KwaZulu-Natal), Coral Vinsen (Amnesty International Durban).
Three further awards are voted for by members of the public: Audience Choice Best Feature Film, Audience Choice Best Documentary, and Audience Choice Best Wavescape Film.
For more details regarding the film festival programme, visit www.durbanfilmfest.co.za
BAIKONUR
Masterful exploration of love, identity and the dreams we all have for the future. (Review by John Harley)
Directed by Veit Helmer with screenplay by Veit Helmer, Sergey Ashkenazy with cinematographer kolya Kano, Baikonur appears on the Durban International Film Festival (DIFF). The cast includes Alexander Asochakov, Marie de Villepin and Sitora Farmonova.
From the director of DIFF hit Tuvalu (1999) comes the story of Iskander, who dreams of being an astronaut and lives in a small village in the rural Kazakh steppes, where residents collect space debris that fall down around them from the nearby Baikonur Space Station.
When Iskander comes across a capsule containing Julie Mahe, the momentum of the movie just takes off! This is truly a masterful rendition of movie making at its very best - simplicity being the key to this captivating cinematic event. The skill in composition, camera movement and lighting in order to capture the images of the story was exceptional, featuring beautifully shot footage of the actual Baikonur Space Station.
The gentle, completely underplayed characterization of the performances created an authenticity almost in the style of a documentary at times- once again enhancing the overall authenticity and believability of the film. The story line was surprisingly simple, yet contained so many meaningful layers, it just kept the audience totally captivated. Themes such as rural life versus modern technology; striving after your dreams no matter what; kissing your sleeping fairy princess to life; dreams versus reality ... were the order of the day.
To top it all, the audience had the wonderful opportunity of engaging with the director in person who shared some fascinating insights in making the movie. One question pertained to the central theme(s) of the film - its very essence! The answer, from the horse’s mouth, as'twere – “don't look too far and wide for your dream, it might just be right under your nose!”
Please do not miss this movie; it satisfies completely on all levels. – John Harley
Directed by Veit Helmer with screenplay by Veit Helmer, Sergey Ashkenazy with cinematographer kolya Kano, Baikonur appears on the Durban International Film Festival (DIFF). The cast includes Alexander Asochakov, Marie de Villepin and Sitora Farmonova.
From the director of DIFF hit Tuvalu (1999) comes the story of Iskander, who dreams of being an astronaut and lives in a small village in the rural Kazakh steppes, where residents collect space debris that fall down around them from the nearby Baikonur Space Station.
When Iskander comes across a capsule containing Julie Mahe, the momentum of the movie just takes off! This is truly a masterful rendition of movie making at its very best - simplicity being the key to this captivating cinematic event. The skill in composition, camera movement and lighting in order to capture the images of the story was exceptional, featuring beautifully shot footage of the actual Baikonur Space Station.
The gentle, completely underplayed characterization of the performances created an authenticity almost in the style of a documentary at times- once again enhancing the overall authenticity and believability of the film. The story line was surprisingly simple, yet contained so many meaningful layers, it just kept the audience totally captivated. Themes such as rural life versus modern technology; striving after your dreams no matter what; kissing your sleeping fairy princess to life; dreams versus reality ... were the order of the day.
To top it all, the audience had the wonderful opportunity of engaging with the director in person who shared some fascinating insights in making the movie. One question pertained to the central theme(s) of the film - its very essence! The answer, from the horse’s mouth, as'twere – “don't look too far and wide for your dream, it might just be right under your nose!”
Please do not miss this movie; it satisfies completely on all levels. – John Harley
MOB FEEL & PRIVY
The two National Arts Festival student shows from UKZN are to be staged as a double bill for one performance only in the Hexagon Studio Theatre in Pietermaritzburg on July 26. The award-winning Mob Feel from Pietermaritzburg and Privy from Durban were both well received at the festival, Kline Smith (director of Mob Feel) won the awards for Best Director and Best Writer.
Mob Feel: Two robust Storytellers (TQ Zondi and Mpilo Nzimande) mesh the age-old traditions of storytelling with physical theatre to create an intimate revisiting of the incidences of gang violence and ethnic rivalry that took place in the township of Westbury, Johannesburg, in the 1950s. A young girl (Pertunia Msani) carefully observes the Storytellers as they weave the narratives of the past. She attempts to speak but is restrained, until finally her silence is substituted with fury. Live music throughout by Mércio Langa enhances the feel of the play.
The performance is a love-story about violence and passion, about Linga, a Xhosa, and Mapula, a Sotho, (a Lethebele and a Russian!) forbidden by rival families to exchange even the slightest of glances. Evocative, vivid and poetic language and imagery is used to articulate the detrimental effects of mob mentalities and township violence, and the dangers of losing one’s sense of individual feeling and responsibility when caught up in a mob feeling.
Privy: In a country like South Africa, we negotiate our way through various cultures, languages, races and beliefs, but it is often difficult to find a common ground. One thing most of us share is our use of that most inconspicuous, yet highly private object, the toilet. Privy aims to explore South Africans in relation to the toilet, looking at how it can be used for recreation, oppression and alleviation of burdens. Using a range of performance styles and influenced by different genres, the show presents a part of the South African story as experienced by ordinary citizens. Written and directed by Bronwyn Botha and Jason Barber.
Mob Feel and Privy runs at the Hexagon Studio Theatre, UKZN in Pietermaritzburg on July 26 at 18h00. Tickets R50 (R25 for seniors/students) at the door only.
Mob Feel: Two robust Storytellers (TQ Zondi and Mpilo Nzimande) mesh the age-old traditions of storytelling with physical theatre to create an intimate revisiting of the incidences of gang violence and ethnic rivalry that took place in the township of Westbury, Johannesburg, in the 1950s. A young girl (Pertunia Msani) carefully observes the Storytellers as they weave the narratives of the past. She attempts to speak but is restrained, until finally her silence is substituted with fury. Live music throughout by Mércio Langa enhances the feel of the play.
The performance is a love-story about violence and passion, about Linga, a Xhosa, and Mapula, a Sotho, (a Lethebele and a Russian!) forbidden by rival families to exchange even the slightest of glances. Evocative, vivid and poetic language and imagery is used to articulate the detrimental effects of mob mentalities and township violence, and the dangers of losing one’s sense of individual feeling and responsibility when caught up in a mob feeling.
Privy: In a country like South Africa, we negotiate our way through various cultures, languages, races and beliefs, but it is often difficult to find a common ground. One thing most of us share is our use of that most inconspicuous, yet highly private object, the toilet. Privy aims to explore South Africans in relation to the toilet, looking at how it can be used for recreation, oppression and alleviation of burdens. Using a range of performance styles and influenced by different genres, the show presents a part of the South African story as experienced by ordinary citizens. Written and directed by Bronwyn Botha and Jason Barber.
Mob Feel and Privy runs at the Hexagon Studio Theatre, UKZN in Pietermaritzburg on July 26 at 18h00. Tickets R50 (R25 for seniors/students) at the door only.
Tuesday, July 24, 2012
WALFORD OPEN DAY
(Andrew Walford with one of his distinctive works, at his studio overlooking the Shongweni Valley)Andrew Walford will hold another of his highly popular Pottery Open Days at the Walford Studio in Shongweni on August 5.
Hear about Andrew's recent trips to Korea and the UK and browse around the exhibition of hundreds of pots. The tables will be laden with hand basins, tiles, splash backs, tea bowls, soup mugs, jumbo and miniature porcelain bowls, Japanese bottles, sculptural vases, stacking boxes, porcelain lidded boxes, Ikebana vases, platters, sushi dishes, teapots, and more …
Meet friends on the lawn over tea and visit the African Frangipani Market to view the Isithebe mats and Zulu beadwork. The Bargain Basement features work by Peter and Christine. Also on offer are home-made cakes and lemonade as well as the famous Open Day breyani.
Walford recently returned from the Mungyeong Tea Bowl Festival in South Korea. This was an international competition and his work was one of 20 international potters to be chosen for inclusion in this prestigious award ceremony. His practice of brush strokes on ceramic for over 40 years was highly acclaimed in the home of ceramics of his genre.
The Open Day on August 5 runs from 10h00 to 18h00. Travel 7 kms past Polo Pony on M46S to Shongweni Valley. More information on 031 769 1363 or 082 794 7796 or visit www.andrewwalford.co.za
BURLESQUE !
Running at the Heritage Theatre in Hillcrest from the end of the month to August 25, is Burlesque!“Burlesque! It‘s not a place. It’s not a time. It is a fantasy. It is intrigue. It is a feast for the senses,” say the organisers.
It is a cheeky, sultry, sizzling extravaganza of song and dance focused on timeless characters who work together, live together love together and even sometimes sleep together. They include Fantasia, the club hostess (Marion Loudon) and the sleazy, cheesy club owner with a superiority complex, The Master of the House (Gary McKenzie). There’s the powerhouse singer and main attraction, Daisy (Lauren Laing) and the exotic and erotic Romanian dancer, Delicia (Liesl Coppin), who says. ”not all lap dancers are from Lapland ... shweetie”.
Historically speaking, Burlesque was one of the most popular forms of entertainment in American theatre from the 1930s to the late 1950s. This was an era in which the art form's true stars possessed not only the most bodacious of bodies, but also extravagant costumes, playful choreography, a powerful sense of humour and, more often than not, an exceptional gimmick.
In recent decades, there has been a revival of the style of Burlesque, with the help of the 2010 film starring Cher and Christina Aguilera and a whole new generation has fallen in love with the art of Burlesque for its intrigue, spectacle and glamour. With an uninhibited atmosphere, Burlesque venues in the 30’s were renowned for their bawdy comedy and female striptease, with the ladies encouraged to show off their often more-than-ample figures.
Conceptualised and directed by Janine Bennewith and written and co-compiled by Gary McKenzie, the music moves from old time burlesque to comedy burlesque to the more modern day style. Expect songs like My Heart Belongs to Daddy, Hey Big Spender and Let Me Entertain You to Patricia the Stripper, When You're Good to Mama, Cell Block Tango and Razzle Dazzle, as well as Master of the House and Welcome to Burlesque. The show also features four dancers including Bennewith herself with Cathy Barry, Geezo Peterson and Danny Guselli.
Each song is innovatively moved and staged by Bennewith and designed to draw audiences into the fantasy and intrigue. With scintillating costumes, audiences are promised a feast as they enter into this magical and enchanting world that is Burlesque!
Burlesque! runs at The Heritage Theatre in Hillcrest from July 31 to August 26 with three promotions specials from July 31 to August 2 where a limited number of tickets for the meal and show are available on a buy-one-get-one-free basis.
Normal ticket prices R195 pp Wednesday to Saturdays (R165 pp Tuesday evenings and Sunday lunch times) include a two-course meal. A non-dining, “show only” option is also offered at R100 pp. Bookings on 031 765 4197 or visit http://www.heritagetheatre.co.za/ This show is rated PG-13.
NOEL AND GERTIE
The Hexagon Theatre and Project Gateway are thrilled to present a delightful fundraising dinner and musical show with Noel and Gertie – In Love Again.
The scene is a cocktail bar in Jamaica, in the 1960’s. A rather bored Noel Coward, ‘Master’ of English comedy, is unexpectedly reunited with his former co-star; the incomparable, gorgeous Gertrude Lawrence.
In the brief, deliciously funny encounter that follows, Noel and his blithe spirit and divine muse, the mischievous Gertie, relive their greatest stage successes, reminisce about their glory days – and sing the songs that made them the toast of the West End, Broadway – and the entire theatre world.
Unforgettable songs like A Room With A View, Mad About The Boy, I’ll See You Again, Some Day I’ll Find You, The Stately Homes of England, Don’t Let’s Be Beastly To The Germans, Mad Dogs and Englishmen, London Pride - and the wickedly funny ‘honeymoon scene’ from Noel’s smash hit, Private Lives.
With experience that stretches from London’s Ritz Hotel to the Royal Shakespeare Company at Stratford-upon-Avon, Cat Simoni and Paul Spence are delighted to offer an enchanted evening, touched by the comedic genius of two of the world’s greatest theatrical talents.
Noel and Gertie – In Love Again has performances from July 26 to 28 at 19h00 for 19h30. Tickets R200 (50% donation to Project Gateway) include a three-course meal (tables seat 10) and there is a cash bar. Bookings on 033 260 5537 or e-mail: hexagon@ukzn.ac.za
The scene is a cocktail bar in Jamaica, in the 1960’s. A rather bored Noel Coward, ‘Master’ of English comedy, is unexpectedly reunited with his former co-star; the incomparable, gorgeous Gertrude Lawrence.
In the brief, deliciously funny encounter that follows, Noel and his blithe spirit and divine muse, the mischievous Gertie, relive their greatest stage successes, reminisce about their glory days – and sing the songs that made them the toast of the West End, Broadway – and the entire theatre world.
Unforgettable songs like A Room With A View, Mad About The Boy, I’ll See You Again, Some Day I’ll Find You, The Stately Homes of England, Don’t Let’s Be Beastly To The Germans, Mad Dogs and Englishmen, London Pride - and the wickedly funny ‘honeymoon scene’ from Noel’s smash hit, Private Lives.
With experience that stretches from London’s Ritz Hotel to the Royal Shakespeare Company at Stratford-upon-Avon, Cat Simoni and Paul Spence are delighted to offer an enchanted evening, touched by the comedic genius of two of the world’s greatest theatrical talents.
Noel and Gertie – In Love Again has performances from July 26 to 28 at 19h00 for 19h30. Tickets R200 (50% donation to Project Gateway) include a three-course meal (tables seat 10) and there is a cash bar. Bookings on 033 260 5537 or e-mail: hexagon@ukzn.ac.za
BAROQUE 2000
(Samantha Goldblatt)Baroque 2000 continues its season with a concert at the Church of the Monastery Mariannhill on July 29. This was a concert that had to be postponed because a number of the musicians were ill.
Samantha Goldblatt will be the soloist in the Suite for recorder and strings by the great Georg Philipp Telemann. The same composer's La Lyra, a suite of dances, is also on the bill. The music of the finest composer of the Austrian Baroque, Johann Joseph Fux, features in the ensemble's repertoire for the first time with a performance of his Trio Sonata K340.
Some of Fux’s works for larger orchestra including oboes trumpets and strings will appear in a forthcoming programme.
The Baroque 2000 concert takes place in the Church of the Monastery Mariannhill at 15h00 on July 29. Tickets R90 at the door for this concert of rarely heard gems. There is plenty of free parking. More information from Michel on 082 303 5241 or email: sursouth@iafrica.com
AULD & CAWTHORN-BLAZEBY FOR TATHAM
The Maritzburg Musicians Club will present a concert at the Tatham Art Gallery in Pietermaritzburg featuring Robin Auld and Anton Cawthorn-Blazeby on July 26.
Following their sell-out shows earlier this year, Robin Auld and Ant Cawthorn-Blazeby will be performing in Durban and KZN between July 25 and 29. The seeds of this collaboration were sown at the Grahamstown festival in 2003, when musicians would come to the Taphuis to jam informally after their respective shows were finished.
Never having met before, Robin and Anton connected musically in an improvised performance that blew the roof off. Doing some shows together has been a long time in coming as they have been following their respective paths, but the idea has always been there waiting for the right moment and Durban’s music lovers are in for a real treat!
Slide guitar, harmonica, African blues guitar styling and soul vocals all feature in the fresh rootspop sound of Robin Auld. Well-known to South Africans from his hits such as Baby you been good, All of woman, Love Kills, Zen Surfing and many others, Robin’s music has evolved from the pop sound of his earlier recordings into a contemporary mix of blues and roots.
Currently based in the UK, he has performed and recorded in New York, London, Glasgow and Nashville, opening for and performing with acts such as Lloyd Cole, Angelique Kidjo, Michelle Shocked and Seasick Steve.
Anton Cawthorn-Blazeby is one of South Africa’s most respected musicians. A classically trained violinist, he has absorbed the influences of Celtic, blues and roots music. Well-known for his work with SAMA nominated instrumentalists Landscape Prayers, which he formed with Nibs van der Spuy, he has also worked with many of SA’s top artists such Steve Newman, Steve Fataar, Guy Buttery, Greg Georgiades and Squeal.
The mix of Celtic and African influences in both artists results in a musical language of vibrant and unique improvisation … an evening of entertainment that will enthuse and uplift!
The performance will take place on July 26 at 19h00 in the Tatham Art Gallery, Pietermaritzburg. Tickets R100 including wine/beer. Contact Michele on 072 8799306 or email: michele.larkin2010@gmail.com
Following their sell-out shows earlier this year, Robin Auld and Ant Cawthorn-Blazeby will be performing in Durban and KZN between July 25 and 29. The seeds of this collaboration were sown at the Grahamstown festival in 2003, when musicians would come to the Taphuis to jam informally after their respective shows were finished.
Never having met before, Robin and Anton connected musically in an improvised performance that blew the roof off. Doing some shows together has been a long time in coming as they have been following their respective paths, but the idea has always been there waiting for the right moment and Durban’s music lovers are in for a real treat!
Slide guitar, harmonica, African blues guitar styling and soul vocals all feature in the fresh rootspop sound of Robin Auld. Well-known to South Africans from his hits such as Baby you been good, All of woman, Love Kills, Zen Surfing and many others, Robin’s music has evolved from the pop sound of his earlier recordings into a contemporary mix of blues and roots.
Currently based in the UK, he has performed and recorded in New York, London, Glasgow and Nashville, opening for and performing with acts such as Lloyd Cole, Angelique Kidjo, Michelle Shocked and Seasick Steve.
Anton Cawthorn-Blazeby is one of South Africa’s most respected musicians. A classically trained violinist, he has absorbed the influences of Celtic, blues and roots music. Well-known for his work with SAMA nominated instrumentalists Landscape Prayers, which he formed with Nibs van der Spuy, he has also worked with many of SA’s top artists such Steve Newman, Steve Fataar, Guy Buttery, Greg Georgiades and Squeal.
The mix of Celtic and African influences in both artists results in a musical language of vibrant and unique improvisation … an evening of entertainment that will enthuse and uplift!
The performance will take place on July 26 at 19h00 in the Tatham Art Gallery, Pietermaritzburg. Tickets R100 including wine/beer. Contact Michele on 072 8799306 or email: michele.larkin2010@gmail.com
ANDRE THE HILARIOUS HYPNOTIST
Back by popular demand, Andre The Hilarious Hypnotist gets set for a long return season to the Elizabeth Sneddon Theatre from August 7.
Celebrating his 20th year on stage, Andre says he cannot wait to perform in the town he’s dubbed the ‘Facebook Stalkers’ as he replies to daily requests for his dates in Durban.
If you have not heard of Andre The Hilarious Hypnotist, where have you been? Known for the ability to take members of the audience and get them to perform eccentric stunts while under his spell, he offers a show the entire family can enjoy.
Nobody can be more excited than Andre himself on his return to Durban. Promising a new look (not just an older face but a slimmer figure as well), a fresh fast-paced show, and a number of new hilarious hypnotic routines that will have friends and family in stitches of laughter, Andre is ready to take on Durban once again!.
Andre The Hilarious Hypnotist runs at the Elizabeth Sneddon Theatre from August 7 to 26 with shows from Tuesday to Saturday at 19h30 (Sundays at 15h00). Tickets R85 (concessions for students pensioners and children) booked at Computicket on 0861 915 8000 or online at www.computicket.com
For more about Andre, visit http://www.andreonline.co.za
Celebrating his 20th year on stage, Andre says he cannot wait to perform in the town he’s dubbed the ‘Facebook Stalkers’ as he replies to daily requests for his dates in Durban.
If you have not heard of Andre The Hilarious Hypnotist, where have you been? Known for the ability to take members of the audience and get them to perform eccentric stunts while under his spell, he offers a show the entire family can enjoy.
Nobody can be more excited than Andre himself on his return to Durban. Promising a new look (not just an older face but a slimmer figure as well), a fresh fast-paced show, and a number of new hilarious hypnotic routines that will have friends and family in stitches of laughter, Andre is ready to take on Durban once again!.
Andre The Hilarious Hypnotist runs at the Elizabeth Sneddon Theatre from August 7 to 26 with shows from Tuesday to Saturday at 19h30 (Sundays at 15h00). Tickets R85 (concessions for students pensioners and children) booked at Computicket on 0861 915 8000 or online at www.computicket.com
For more about Andre, visit http://www.andreonline.co.za
KAGISO LEDIGA – IN A SUIT
(Kagiso Lediga)Legendary comedian Kagiso Lediga brings his new one-man show, Kagiso Lediga IN A SUIT to Suncoast Casino on August 3 and 4.
With over a decade of entertaining audiences in the live space, on the small or big screen and also now from behind the screen – Lediga goes back to where it all began – with just him, a mic and his audience. Recognized as one of the country’s pioneering black comedians – Kagiso Lediga IN A SUIT sees him bring to the fore the comedic genius that people have to come to expect from him.
Kagiso Lediga IN A SUIT sees him share stories about life and the world we live in. A storyteller by talent, this show promises a mouth-watering treat of humorous entertainment. His enigmatic comedy style, a delightful mix of schoolboy charm mixed with creative genius, sharp intelligence and wit is sure to set this show apart.
From humble beginnings in Attridgeville in Pretoria, this UCT drama student commenced his comedy career whilst at university and has now become one of the most influential entertainers of his generation. His illustrious career boasts of performances at all the local major comedy events as well as in the UK, US, Canada, Nigeria, Mauritius, Zimbabwe and Botswana. He has performed with all the best South African comedians and can also boast of being part of an elite group of local comedians that performed at the Edinburgh Comedy Festival.
He started off as the creative director of the hugely successful Phat Joe Show then went on to create the groundbreaking television comedy, Pure Monate Show, which also served to make him a household name nationwide as the anchor. Thereafter he created the cult classic local movie Bunny Chow which won awards the world over with MTV Films on board as partner.
His commercial adverts include the CEO of Nando’s Campaign which was a spoof of the campaign that Cell C did with Trevor Noah – this became an internet viral sensation and Nandos’ agency won a Loerie Award for this. People will also remember Kagiso in the Savannah – the popular and very comical “The DJ was on Fire” Campaign with Barry Hilton.
2011 saw him executive produce another groundbreaking television show – Late Nite News with Loyiso Gola – which is now in its third season and closing in on two million viewers per episode! This year he was chosen to be one of the international judges for the prestigious Emmy Awards. He also wrote and produced the buddy cop comedy movie, Blitz Patrollie.
Kagiso Lediga IN A SUIT is bound to be a delightful mix of comedy styles and will see stand up comedy meeting with sketch, audio-visual and interactive comedy in a multimedia spectacular. The show has performances at Suncoast on August 3 and 4. Booking is through Computicket.
Monday, July 23, 2012
COMPLEAT WRKS
The madcap men-in-tights are back … in Durban! Directed by Peter Court, The Actors Unemployed Company returns home to perform the international smash hit comedy The Compleat Wrks of Wllm Shkspre (ABRIDGED).
Racing through all 37 of the Bard's plays in just 97 minutes, their zany antics have been described as “Vivacious!” by Denis Beckett (Beckett’s Trek, SABC), and “Absolutely bloody marvellous!” by Estelle Sinkins (Arts Editor, Natal Witness). If you like Shakespeare, you’ll love this… and if you hate him, you’ll love it even more! So hold onto your hats, your lunch and your daughters as the boys leave you rolling in the aisles. This show is not to be missed!
The play is 97 minutes long (including a 15 minute interval). It stars Adam Doré, Marc Kay and Clinton Small.
The Compleat Wrks of Wllm Shkspre (ABRIDGED) runs at Catalina Theatre until July 29 with performances at 19h30 from Tuesday to Saturday (18h00 on Sundays). There are also matinees on Saturdays and Sundays at 14h00. Tickets R75 (concessions for students and pensioners) booked through the Catalina or StrictlyTickets.
Racing through all 37 of the Bard's plays in just 97 minutes, their zany antics have been described as “Vivacious!” by Denis Beckett (Beckett’s Trek, SABC), and “Absolutely bloody marvellous!” by Estelle Sinkins (Arts Editor, Natal Witness). If you like Shakespeare, you’ll love this… and if you hate him, you’ll love it even more! So hold onto your hats, your lunch and your daughters as the boys leave you rolling in the aisles. This show is not to be missed!
The play is 97 minutes long (including a 15 minute interval). It stars Adam Doré, Marc Kay and Clinton Small.
The Compleat Wrks of Wllm Shkspre (ABRIDGED) runs at Catalina Theatre until July 29 with performances at 19h30 from Tuesday to Saturday (18h00 on Sundays). There are also matinees on Saturdays and Sundays at 14h00. Tickets R75 (concessions for students and pensioners) booked through the Catalina or StrictlyTickets.
AUDITIONS FOR RHYTHM DUDES
Ilanga Newspaper is sponsoring the fun and inter-active edutainment project, Rhythm Dudes, through Stable Theatre. This project is handled by well-known arts practitioners: director Caroline Smart and facilitators Thabani Mahlobo and Faca Kulu.
The project includes a season of 25 performances to schools presented in isiZulu and auditions will be held for two male actors on July 27.
The criteria is as follows:
- Actors must be Zulu-speaking or have an excellent command of the language.
- Aged between 18 and 25 (ID documents required)
- They need to be fit and have stamina
- They will need strong comedy skills
- They will need an excellent sense of rhythm
- Must be able to make themselves available from July 30 to September 24
Auditions will take place on July 27 at 11h00 at Stable Theatre. Registration begins at 10h00. To book an audition space, contact Stable Theatre on 031 309 2513.
The project includes a season of 25 performances to schools presented in isiZulu and auditions will be held for two male actors on July 27.
The criteria is as follows:
- Actors must be Zulu-speaking or have an excellent command of the language.
- Aged between 18 and 25 (ID documents required)
- They need to be fit and have stamina
- They will need strong comedy skills
- They will need an excellent sense of rhythm
- Must be able to make themselves available from July 30 to September 24
Auditions will take place on July 27 at 11h00 at Stable Theatre. Registration begins at 10h00. To book an audition space, contact Stable Theatre on 031 309 2513.
IMBUMBA 2012
(Some of the young people who will be performing at this year's event. Pic by Val Adamson)A vibrant dance performance in celebration of the province's youth will ignite the Durban beachfront on July 29.
Presented by KZN DanceLink, in association with eThekwini Municipality's Arts and Living Cultures Department, Imbumba at the Beachfront features works by nine exciting young Durban dance groups.
Showcasing the work of many of KZN DanceLink's member groups, the programme, puts the spotlight on a diverse and exciting range of dance styles from urban street hip hop and Bollywood to kathak and African contemporary. The dance groups are uBuhleBesintu, Pravika's Kathak Kendra, Bright Sparks, God's Golden Acre, Nateshwar, IguguLabasha Clermont, BellyFusion, IguguLabasha Saturday and Wentworth's Dance Movement.
"This is the first time KZN DanceLink has worked in partnership with eThekwini Municipality's Arts and Living Cultures and we are excited to be involved with their programme of social cohesion," said KZN DanceLink chairman Lynn Maree. "KZN DanceLink is about linking and sharing through dance as we reclaim the public space for all who live in and love our city."
Imbumba takes place on July 29 from 12 noon to 14h00. The performance is free and guests are invited to bring the family, grab a snack at the Amphimarket and enjoy this vibrant event.
KZN DanceLink is funded by the National Lotteries Board.
2 DAYS IN NEW YORK
Frothy cross-cultural romp. (Review by John Harley)
Forming part of the Durban International Film Festival, 2 Days In New York is written and directed by Julie Delpy who also appears in the lead female role.
In this sequel to 2 Days in Paris, Marion (Delpy) has broken up with Jack and lives in New York with their young son and her new American boyfriend, Mingus (Chris Rock). When her family decide to visit from France, Marion fails to consider the explosive possibilities presented by the different cultural backgrounds of Mingus, her outrageously eccentric father and her sister, who had decided to bring her boyfriend (also Marion’s ex) along.
True to form, this adds another engagingly honest (at times idiosyncratic) film to her extensive body of work.
There are no super, fancy special effects in this situational comedy which runs along at a steady pace creating a light-hearted sense of comedy which does not burst at the seams, yet also does not put one to sleep.
Although English subtitles were advertised in the programmes, they were nowhere to be seen on the screen and this impacted in a significant way. This stilted the dialogue at times and made the audience miss a lot of the inherent humour of the film – even though the plot was rather simple to follow - with a bit of imagination.
The pace of the piece was fast and furious and typical of European movies; with some outrageous camera angles and shots creating a most unusual visual impact. There was an easy, relaxed sense of flow throughout the film with moments of high humour, but mostly creating a sense of amusement rather than loud outbursts or raucous laughter.
Performances also reflected the ultra-naturalistic European style of film-making, keeping one on one’s toes to catch little gems of comedy that suddenly pop into the mix. As the momentum developed, different layers of meaning began to appear lending promise to a film that could be more than just a mere light-hearted romp but would rather take its audience into more profound levels related to the complexities of relationships, not only on cross-cultural levels but even in so-called normal circumstances.
There were great opportunities to take this movie to these levels but somehow they were never exploited. A good example was the scene when Marion sells her soul, and then wants it back – this triggered some deep moments of insight into the human psyche and, if explored further, would have given much greater substance to the film. After all, can we sell our souls? If so - if we sell it, does it still exist – and how would it feel without one’s soul?
All these aspects (and others) gave evidence at an attempt to make this film really take off – moving it into new dimensions and greater significances .... yet it never quite reached such profound levels. In the end, this was a movie that was pleasing to watch (and listen to); never really having the audience in stitches but fully engaging them to the very end. A worthwhile experience – see it! (Review by John Harley)
Forming part of the Durban International Film Festival, 2 Days In New York is written and directed by Julie Delpy who also appears in the lead female role.
In this sequel to 2 Days in Paris, Marion (Delpy) has broken up with Jack and lives in New York with their young son and her new American boyfriend, Mingus (Chris Rock). When her family decide to visit from France, Marion fails to consider the explosive possibilities presented by the different cultural backgrounds of Mingus, her outrageously eccentric father and her sister, who had decided to bring her boyfriend (also Marion’s ex) along.
True to form, this adds another engagingly honest (at times idiosyncratic) film to her extensive body of work.
There are no super, fancy special effects in this situational comedy which runs along at a steady pace creating a light-hearted sense of comedy which does not burst at the seams, yet also does not put one to sleep.
Although English subtitles were advertised in the programmes, they were nowhere to be seen on the screen and this impacted in a significant way. This stilted the dialogue at times and made the audience miss a lot of the inherent humour of the film – even though the plot was rather simple to follow - with a bit of imagination.
The pace of the piece was fast and furious and typical of European movies; with some outrageous camera angles and shots creating a most unusual visual impact. There was an easy, relaxed sense of flow throughout the film with moments of high humour, but mostly creating a sense of amusement rather than loud outbursts or raucous laughter.
Performances also reflected the ultra-naturalistic European style of film-making, keeping one on one’s toes to catch little gems of comedy that suddenly pop into the mix. As the momentum developed, different layers of meaning began to appear lending promise to a film that could be more than just a mere light-hearted romp but would rather take its audience into more profound levels related to the complexities of relationships, not only on cross-cultural levels but even in so-called normal circumstances.
There were great opportunities to take this movie to these levels but somehow they were never exploited. A good example was the scene when Marion sells her soul, and then wants it back – this triggered some deep moments of insight into the human psyche and, if explored further, would have given much greater substance to the film. After all, can we sell our souls? If so - if we sell it, does it still exist – and how would it feel without one’s soul?
All these aspects (and others) gave evidence at an attempt to make this film really take off – moving it into new dimensions and greater significances .... yet it never quite reached such profound levels. In the end, this was a movie that was pleasing to watch (and listen to); never really having the audience in stitches but fully engaging them to the very end. A worthwhile experience – see it! (Review by John Harley)
M-NET ACTION
Movies coming up this week on the M-Net Action channel are:
July 25 at 20h30: Murder Inthe First (1995) Directed by Marc Rocco and starring Christian Slater and Kevin Bacon. Based on a true story, a young lawyer argues inhumane treatment in the murder defence of a 1930s Alcatraz convict. (16VL)
July 28 at 20h00: The Bourne Identity (2002) directed by Doug Liman and starring Franka Potente and Matt Damon. A woman helps an amnesiac, who has a dangerous past, to dodge assassins as he tries to learn about himself.
July 25 at 20h30: Murder Inthe First (1995) Directed by Marc Rocco and starring Christian Slater and Kevin Bacon. Based on a true story, a young lawyer argues inhumane treatment in the murder defence of a 1930s Alcatraz convict. (16VL)
July 28 at 20h00: The Bourne Identity (2002) directed by Doug Liman and starring Franka Potente and Matt Damon. A woman helps an amnesiac, who has a dangerous past, to dodge assassins as he tries to learn about himself.
THROUGH THE CRIMSON MIRROR
Through the Crimson Mirror is a no-holds-barred look at growing up in today’s world. It is a story that is not often told – that of parenting from a child’s point of view. A roller coaster of emotions awaits readers as the author chronicles the highs and many lows of his life. It blends sound research and experience with gentle storytelling to show parents the effect their parenting has on their children.
Daniel Dinnie wrote Through the Crimson Mirror inspired by his life’s journey so far, while growing up in dysfunction. He opens up his life in order to help others better understand the human condition, and ultimately prevent other children from growing up the way he did. His aim is to help parents notice the signs of dysfunction. More importantly, to do something about it before it is too late. In addition, to tell others who grew up lonely, or in imperfect circumstances, that they are not alone.
Dinnie spares no feelings in the quest to tell the truth. Many of the topics dealt with are visceral. He rreveals a world deep down within ourselves: a side of life about which we do not speak often. The topics will challenge your beliefs and social conventions. If you take this journey with the author, you may better understand yourself, and problems you have had, as well as your children.
Through the Crimson Mirror is written as a trilogy with each of the books containing about 150 pages. The chapters are short and punchy, making the information easy to absorb and therefore an ideal read for busy parents. It is not a light-hearted read, though. Many of the topics dealt with are of an adult nature. For this reason, the books come with a warning for children under the age of 13. However, all teenagers who read it should do so with parental supervision.
The first of the three books deals primarily with, defining parenting, education, communication, and secret and lies. The stronger content is in the second book and takes a realistic look at relationships, sex, family planning, health and mental illness, as well as addiction.
The price is about R100, varying slightly depending on the outlet.
To obtain a copy contact Daniel Dinnie on Facebook: www.facebook.com/daniel.dinnie.book; Twitter: @daniel_dinnie or web: http://daniel-dinnie.wozaonline.co.za
Alternatively, check the events pages on his web site for details of upcoming book signings http://daniel-dinnie.wozaonline.co.za/Events or visit Imagikids online bookstore www.imagikids.co.za
Daniel Dinnie wrote Through the Crimson Mirror inspired by his life’s journey so far, while growing up in dysfunction. He opens up his life in order to help others better understand the human condition, and ultimately prevent other children from growing up the way he did. His aim is to help parents notice the signs of dysfunction. More importantly, to do something about it before it is too late. In addition, to tell others who grew up lonely, or in imperfect circumstances, that they are not alone.
Dinnie spares no feelings in the quest to tell the truth. Many of the topics dealt with are visceral. He rreveals a world deep down within ourselves: a side of life about which we do not speak often. The topics will challenge your beliefs and social conventions. If you take this journey with the author, you may better understand yourself, and problems you have had, as well as your children.
Through the Crimson Mirror is written as a trilogy with each of the books containing about 150 pages. The chapters are short and punchy, making the information easy to absorb and therefore an ideal read for busy parents. It is not a light-hearted read, though. Many of the topics dealt with are of an adult nature. For this reason, the books come with a warning for children under the age of 13. However, all teenagers who read it should do so with parental supervision.
The first of the three books deals primarily with, defining parenting, education, communication, and secret and lies. The stronger content is in the second book and takes a realistic look at relationships, sex, family planning, health and mental illness, as well as addiction.
The price is about R100, varying slightly depending on the outlet.
To obtain a copy contact Daniel Dinnie on Facebook: www.facebook.com/daniel.dinnie.book; Twitter: @daniel_dinnie or web: http://daniel-dinnie.wozaonline.co.za
Alternatively, check the events pages on his web site for details of upcoming book signings http://daniel-dinnie.wozaonline.co.za/Events or visit Imagikids online bookstore www.imagikids.co.za
SHOWCASE
The next regular Showcase feature at Musketeers Restaurant at the German Club will take place on August 1. Hosted by Tiffany, the programme offers an eclectic line-up.
The Meditators are Durban’s own reggae band and normally comprise seven full time members in Dan Msomi (guitar), Sfiso Mpanza (keys), Bunny Mkhize (drums), Shante Bekwa (vocals/guitar). Albert Chemane (percussion), Simphiwe Mtembu (trombone)and Barret Hlela (bass).
They have tailored their sound so as to offer something more acoustic for the Durban showcase audience. With four albums to their credit, with a fifth due in December 2012, their performance highlights include a curtain raiser for Rita Marley and I-threes. The Meditators have been resident at uShaka Marine World since 2004.
Krystle T has a vocal range that enables her to sing most genres, and she has an impressive CV of theatrical productions and contest placings. She resigned from her day job to compete in Idols in 2009 and recently released her first album, Closer to the Fire, which features the work of John Ellis and Josh Klynsmith. This feisty, upbeat artist is following her passion in life - to sing and to make her voice heard.
Anika Hari is a South African now living in Switzerland, who writes soulful acoustic music. Her first performances took place at the age of 15 in folk clubs in KZN. Since 2000, she has focused on her career as singer/songwriter. Her albums include Killing Time (2002) and Hovering (2005). Samples of her material can be heard on her website http://www.anikahari.ch/ For this month only she is back to show her love for her mother country and has to grace audiences with her clear and vibrant voice.
Raven "Ray" Rudolph says that music is his passion, and part of every aspect of his life. Inspiration for his songs come from within him but he acknowledges the following influences: Jimi Hendrix, Eric Clapton, Stevie Ray Vaughn, John Mayer and Jack Johnson.
The Showcase takes place at its usual venue, the Musketeers Restaurant at the German Club in Barham Road, Westville. The music starts at 19h30 but if you arrive early, you get to hear the soundchecks! Tickets R30 - bookings through Gena on 031 266 0839.
The Meditators are Durban’s own reggae band and normally comprise seven full time members in Dan Msomi (guitar), Sfiso Mpanza (keys), Bunny Mkhize (drums), Shante Bekwa (vocals/guitar). Albert Chemane (percussion), Simphiwe Mtembu (trombone)and Barret Hlela (bass).
They have tailored their sound so as to offer something more acoustic for the Durban showcase audience. With four albums to their credit, with a fifth due in December 2012, their performance highlights include a curtain raiser for Rita Marley and I-threes. The Meditators have been resident at uShaka Marine World since 2004.
Krystle T has a vocal range that enables her to sing most genres, and she has an impressive CV of theatrical productions and contest placings. She resigned from her day job to compete in Idols in 2009 and recently released her first album, Closer to the Fire, which features the work of John Ellis and Josh Klynsmith. This feisty, upbeat artist is following her passion in life - to sing and to make her voice heard.
Anika Hari is a South African now living in Switzerland, who writes soulful acoustic music. Her first performances took place at the age of 15 in folk clubs in KZN. Since 2000, she has focused on her career as singer/songwriter. Her albums include Killing Time (2002) and Hovering (2005). Samples of her material can be heard on her website http://www.anikahari.ch/ For this month only she is back to show her love for her mother country and has to grace audiences with her clear and vibrant voice.
Raven "Ray" Rudolph says that music is his passion, and part of every aspect of his life. Inspiration for his songs come from within him but he acknowledges the following influences: Jimi Hendrix, Eric Clapton, Stevie Ray Vaughn, John Mayer and Jack Johnson.
The Showcase takes place at its usual venue, the Musketeers Restaurant at the German Club in Barham Road, Westville. The music starts at 19h30 but if you arrive early, you get to hear the soundchecks! Tickets R30 - bookings through Gena on 031 266 0839.
SLEEPER'S WAKE
DIFF film offers a powerful, thought provoking challenge (Review by John Harley)
Appearing on the Durban International Film Festival, Sleeper's Wake offers a powerful, thought provoking challenge to the viewer. It is the debut feature from South African television director Barry Berk. Based on the novel by Alistair Morgan, the film is described as a “riveting slice of psychological film noir”. It is directed by Barry Berk who also wrote the screenplay with Willie Nel as cinematographer. The cast includes Lionel Newton, Jay Anstey and Deon Lotz.
Shot on location in Port Edward and Johannesburg, mention is also made of this film as a “sexual thriller”, which follows a man named John who has recently lost his family in a car accident after falling asleep at the wheel. A further comment made in a press release refers to John's journey of self-discovery.
All in all, I found that the film made a powerful visual statement indeed, which was strongly supported by a very intense, dynamic and mood-provoking sound track. Daniel Caleb must be highly commended for this. At times it almost felt as if the entire momentum of the movie was being driven by the haunting sound effects and music.
The overall visual impact of the movie was also constantly contrasted by stunning views of the natural environment, juxtaposed by intense, highly dramatic action sequences - combining to create most absorbing viewing! The performances throughout were compelling and utterly convincing.
Placing this film within a specific genre was very difficult, however. As much as I felt the immense visual and emotional impact, I just could not seem to identify the overall motive behind the movie - somehow the intellectual focus of the film escaped me, ie the true motive behind the story line.
For example, John's “journey of self-discovery” had me baffled! What, indeed, did he discover about himself? And how does that reflect on the unbearable grief of a man who has just lost his whole family because he fell asleep behind the wheel? Perhaps this is precisely what the director wants to leave his viewer with, to reflect on?
Nothing takes away from the fact that this is a carefully crafted and very creative bit of film-making, loaded with moments of high drama and intensity that will keep you rooted to your seat. It comes highly recommended - perhaps the answers to some of my questions lie precisely in the diversity of the universal impact of the movie. You be the judge. – John Harley
Appearing on the Durban International Film Festival, Sleeper's Wake offers a powerful, thought provoking challenge to the viewer. It is the debut feature from South African television director Barry Berk. Based on the novel by Alistair Morgan, the film is described as a “riveting slice of psychological film noir”. It is directed by Barry Berk who also wrote the screenplay with Willie Nel as cinematographer. The cast includes Lionel Newton, Jay Anstey and Deon Lotz.
Shot on location in Port Edward and Johannesburg, mention is also made of this film as a “sexual thriller”, which follows a man named John who has recently lost his family in a car accident after falling asleep at the wheel. A further comment made in a press release refers to John's journey of self-discovery.
All in all, I found that the film made a powerful visual statement indeed, which was strongly supported by a very intense, dynamic and mood-provoking sound track. Daniel Caleb must be highly commended for this. At times it almost felt as if the entire momentum of the movie was being driven by the haunting sound effects and music.
The overall visual impact of the movie was also constantly contrasted by stunning views of the natural environment, juxtaposed by intense, highly dramatic action sequences - combining to create most absorbing viewing! The performances throughout were compelling and utterly convincing.
Placing this film within a specific genre was very difficult, however. As much as I felt the immense visual and emotional impact, I just could not seem to identify the overall motive behind the movie - somehow the intellectual focus of the film escaped me, ie the true motive behind the story line.
For example, John's “journey of self-discovery” had me baffled! What, indeed, did he discover about himself? And how does that reflect on the unbearable grief of a man who has just lost his whole family because he fell asleep behind the wheel? Perhaps this is precisely what the director wants to leave his viewer with, to reflect on?
Nothing takes away from the fact that this is a carefully crafted and very creative bit of film-making, loaded with moments of high drama and intensity that will keep you rooted to your seat. It comes highly recommended - perhaps the answers to some of my questions lie precisely in the diversity of the universal impact of the movie. You be the judge. – John Harley
Sunday, July 22, 2012
RHYTHM DUDES FOR ILANGA
(Thabani Mahlobo and Faca Kulu. Pic by Val Adamson)Ilanga Newspaper and Stable Theatre have combined in a vibrant youth project aimed at school learners aged 10 to 12.
Titled Rhythm Dudes, this Stable Theatre production is the brainchild of popular multi award-winning veteran actress, director and writer, Caroline Smart.
The writing of the script was sponsored by The KZN Performing Arts Trust through Friends of Music and sees two actors taking their audiences through an innovative edutainment programme with the use of rhythm.
Rhythm Dudes offers a fun, crazy, rhythmic journey for young people introducing them to various rhythms while spreading the message of harmony, teamwork and respect of one’s leaders (teachers, parents and elders - not to mention, future bosses) as well as fellow learners and friends.
The two “dudes” are rhythm crazy and will prove that you can have fun with rhythm without the expense of instruments because plastic bottles work just as well.
Spearheading the project under Smart’s direction are veteran Durban actors Faca Kulu and Thabani Mahlobo. Both well-known and popular actors with a delightful sense of humour and a strong flair for comedy, they have worked closely with her in compiling the various rhythm sections, acting out the script and translating it into isiZulu.
Kulu and Mahlobo have a compassion for young people and the desire to educate through entertainment. They have appeared in many professional theatre productions in Durban and Kulu spent several years touring the United States, UK and Europe with Sarafina and The Lion King.
The first phase of Rhythm Dudes is the Ilanga 25, a series of 25 performances for schools in isiZulu. A strong focus of the production will be to remind young Zulu speakers of the importance of respecting their parents and elders as well as respecting the merit of their proud culture and heritage. This leads to the value of responsible behaviour both at home and in public.
Schools interested in seeing the production in isiZulu should contact Thembeka Shandu at Ilanga Newspaper on 031 334 6709.
An English version for schools will be available shortly, contact Stable Theatre for more details on 031 309 2513.
Saturday, July 21, 2012
MEET BRO SIX TWO
(Wiseman Mncube as Bro Six Two. Photo by Val Adamson)Mlambo/Mncube team pulls in the laughs at Stable Theatre. (Review by Caroline Smart)
Currently running at Stable Theatre for a short season is Meet Bro Six Two, written and directed by Samson M Mlambo and featuring Wiseman Mncube.
At the outset, I have to admit to a vested interest as Mlambo and Mncube were one of my voice (speech) students in this year’s Playhouse Community Arts Festival. I was impressed at the time by their commitment and focus and this professionalism is evident in their work.
In her artSMart review of Meet Bro Six Two at this year’s Musho Festival, Philisiwe Sithole acknowledged Mncube’s excellent performance and the rest of her comments are as follows:
“Meet Bro Six Two is a hard-hitting play that looks head-on at the stark realities of unemployment. The protagonist of this tragi-comic piece takes his name from the number of the street in the township where he lives (it also happens to be his favourite gambling number).
“As the story unfolds, we learn he grew up in poverty in a rural area where he stole farm produce in order to survive. After finding employment, he gets framed by a policeman and loses his job. Forced back into a position of poverty and hunger, he takes to crime as he seeks revenge.
“Meet Bra Six Two is about a young ordinary man justifying why he continues to deal in crime and break the law. He believes it is merely because the country is filled with corruption, and one finds ways to survive. So why is he judged?
“It was a joy to watch this masterpiece. Wiseman Mncube is an excellent actor. He clearly paints beautiful characters distinctively in posture, tone and accents. He creatively uses mime and sound to enhance the story and illusion. The play is influenced by the genre of poor theatre (ie minimum set and costumes with actors making any relevant sound effects). “
Performing at Musho at the Catalina and for the 2012 Community Arts Festival performances in the Playhouse Loft, Mncube now faces a new challenge with the much wider – and higher – stage of Stable Theatre which requires stronger projection and more controlled articulation.
He generates much laughter from the audience with Mlambo’s highly amusing script. It is well deserved that he received the Best Actor/Performer and Standing Ovation awards at this year’s annual Musho Festival.
The Mlambo/Mncube team has very strong potential and I look forward to their future work. This one-man one act show should be supported - you’ll be highly entertained in the process.
Meet Bro Six Two has only two more performances at Stable Theatre on July 21 at 19h00 and on July 22 at 14h00. Tickets R30. Bookings through Stable Theatre on 031 309 2513. – Caroline Smart
Subscribe to:
Posts (Atom)
Posts
