A contemporary look at the historical seems
to dominate the 2013 series of Visual Art Exhibitions presented at the National
Arts Festival, Grahamstown.
In her new solo exhibition titled The purple shall govern, Standard Bank
Young Artist for Visual Art Mary Sibande draws inspiration from a specific
incident in South Africa’s history where, in the late 1980s, people were
marching for equality in Cape Town. During the march, the police sprayed
everyone with a water cannon laced with purple dye to enable them to identify
and arrest anti-apartheid protestors. This act motivated Mary’s interest in the
roles that colour played in the history of this country. Colour remains a
predominant factor in our social interactions and it continues to play a
dominant role in our perceptions of one another as South Africans. In Sibande’s
view it is like a monster that we are all too familiar with. On a personal
level, this new work comes full circle as Mary connects it back to her very
first exhibition, where she displayed a figure - that represented her – in
purple attire.
The
purple shall govern presents the next chapter, in
which Sibande speaks of her own aspirations, desires, fears and anxieties of
being a woman. The concept of rebirth, where she refers to the idea of transitioning
from the person you were before into a new or different idea of yourself –
death and rebirth – is extensively explored.
For the first time, the photographs of
anti-apartheid photographers, Benny Gool, Zubeida Vallie and Adil Bradlow, who,
as young photographers and friends, were to be found with their cameras
documenting apartheid South Africa, is brought together in a group exhibition
entitled Martyrs, Saints and Sellouts;
which attempts to facilitate creative thinking between the lines of emancipation,
liberty and freedom. Their impressive collections show us now, some 19 years
after the first democratic elections in South Africa, a vivid narrative of
violence, loss and injuries, the reverberations of which are subdued in the
rhetoric of the post-apartheid landscape. These images, many of them from 35mm
film negatives, hint of a time that has not yet passed. What they do now is
simple: they offer the viewer the opportunity to think about key questions in
South Africa, including those of archives, history, freedom and repair.
Based on selections from the Standard Bank
Corporate Art Collection, The Art of
Banking: celebrating through collections
provides a journey through South Africa’s history, using art works as points of
departure, or triggers, for telling a story about various eras, episodes,
circumstances and events. Because the show celebrates Standard Bank’s 150th
birthday, this tracing of history through art begins in 1862, when Standard
Bank first opened its doors in Port Elizabeth. The story is told
chronologically, narrated decade by decade. It covers numerous themes, such as
the discovery of gold on the Highveld in 1886, the Second Anglo-Boer War of the
1890s, and the establishment of Sophiatown in 1897. Other themes include the establishment
of Afrikaans as an official language in the 1930s, the student uprising of
1976, and forced removals. The show ends with an exploration of issues of the
new millennium, such as consumerism, the global economic crisis and xenophobia.
The exhibition is curated by Barbara Freemantle and features a host of renowned
South African artists, all of whom are major contributors to the story of art
in this country. These include John Mohl, Walter Battiss, Johannes Phokela,
Durant Sihlali, Alexis Preller, Trevor Makhoba, David Goldblatt, Penny Siopis
and Wim Botha.
Two exhibitions showcase the work of Brent
Meistre - a photographer / filmmaker who works across varying media including
sound and stop-frame animation. Winner of multiple awards and the only South
African video artist to have exhibited at the Bamako Photo Biennale in Mali in
2011, the central notion of movement, journey, and migration within a global
and ‘African’ context is evident throughout Meistre’s varying bodies of
photographic and film work, which consider how these traces and remnants
continue to constitute and speak to the lived experience of people on the
continent. Sojourn is a photographic
exhibition of selected landscape images taken over a period of six years across
Southern Africa. Across My Father’s Fault
is a site-specific stop frame animation installation, shot on location in the
Cradle of Humankind and installed in the cavernous space beneath the Monument’s
Fountain Foyer.
Wilma Cruise’s exhibition Will you, won’t you, join the dance? is
developed as an extension of the ideas latent in Cruise’s previous body Cocks Asses and I: Can’t hear. This new solo exhibition will premiere some new
works together with selected works from her current Alice Diaries exhibition.
An exhibition entitled Women, Our Treasure!, celebrates the strength of South African
women and the manner in which they have held family structures together.
Through their artworks, visual artists from the Province of the Eastern Cape in
collaboration with their counterparts from the craft sector; attempt to raise
questions and to join artists across the country in an artistic expression of
the current national dialogue that seeks to raise awareness about gender
identity and about the scourge of abuse against women and children.
The Province of the Eastern Cape remains a
forerunner in the South African Craft Sector. Many a discerning collector is
given a wide variety of craft to choose from. This year, the Department for
Sport, Recreation, Arts and Culture breaks away from the longstanding craft
fair located within a single tent in favour of a select number of stalls
located around the Village Green.
The Arena programme will feature a showcase
of work drawn from some of the more successful artists who will be exhibiting
on this year’s Fringe programme.
The 39th edition of the National Arts
Festival, Grahamstown will take place from June 27 to July 7 2013.
The National Arts Festival is sponsored by
Standard Bank, The National Lottery Distribution Trust Fund, Eastern Cape
Government, Department of Arts and Culture, National Arts Council, City Press
and M Net.
To link direct to the National Arts Festival's website, click on the large banner ad at the top of this page.
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