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Saturday, April 8, 2017

JUNK STATUS



(Vedarsha Singh)

Sing and Steel manage to successfully mesh stand-up comedy, monologues and even dance into this witty wonder. (Review by Verne Rowin Munsamy)

South Africa has twice, in recent times, been classified as Junk status; this means that we have plunged, financially, below investment grade. Our poor financial crisis, corrupt political system, polluted air, negligent parents and dire straits are all scrutinised in this new South African play, Junk Status.

Written and performed by the ever-so-suave Vedarsha Singh and directed by the oh-so serene Donna Steel, this play, while amusing and very entertaining, forces us to question our everyday actions. The pair make a great team as they manage to successfully mesh stand-up comedy, monologues and even dance into this witty wonder.

We are met by the ghastly sight of filth and rubbish all over the stage and theatre and as the action begins, buried under some trash, emerges a vagrant … one of the many characters that Singh explores to great success. The silence of the vagrant speaks volumes about the lack of voice that we all feel when listening to the state of affairs in our country at present.

One of my favourite characters was a little confused boy, dealing with the pressures of not sounding like the rest of his Indian friends, the strained father/son relationship that he experiences and the neglect faced by kids who are abandoned by parents seeking fortunes at Suncoast.

While I felt that some of his rhythms were monotonous, Singh does very well to glide into the world of each character and reveal to us something pertinent about personal and public politics. The filth of reality and the stench of powerlessness are a rude awakening concocted by Singh.

With a face for radio and a voice for mime, he has chosen well for his first solo endeavour that launched his brand new theatre company, Awehness. With clever writing and smooth acting, I look forward to future works that this extremely talented artist offers us Durban audiences. Singh and Steel remind us that the theatre is not just a place of entertainment but, rather, could be a powerful weapon for change. Perhaps if we clean up our junk, our status will improve. Despite protest marches and strikes on the day, the show opened to a sold-out audience lending support to the phrase, ‘the show must go on’. The final show took place at Seabrooke’s Theatre last night. - Verne Rowin Munsamy