(Right: Thami aka Mbongo)
(Article courtesy of artslink)
Thami aka Mbongo: Navigating the dog-eat-dog nature of the cultural and creative industries in South Africa.
The Cultural and Creative Industries (CCI) in South Africa are emblematic of a competitive landscape marked by entrenched hierarchies, gatekeeping, and favouritism within established institutions.
Despite being touted as bastions of creativity and innovation, these spaces often perpetuate a system that stifles dissent and marginalizes emerging voices.
In this context, the rise of Alternative Performance Spaces (APS) emerges as a crucial antidote, offering a platform for marginalized practitioners to thrive on their own terms. This article delves into the challenges plaguing the CCI, the significance of APS, and the imperative for reform to foster a more inclusive and equitable industry.
Challenges in Established Institutions:
Within universities, state-funded institutions, and established cultural entities, the prevalence of red tape, nepotism, and cliques presents formidable barriers to entry for aspiring artists. Speaking truth to power is met with isolation, and challenging the status quo often results in marginalization and labelling. Even accomplished practitioners face systemic obstacles designed to undermine their credibility and restrict their access to platforms for showcasing their work. This toxic environment not only stifles creativity but also perpetuates a culture of conformity, where dissent is punished rather than celebrated.
The Role of Alternative Performance Spaces:
In contrast to the
stifling confines of established institutions, APS emerge as havens of artistic
freedom and inclusivity. These grassroots initiatives provide a platform for
rejected and side-lined practitioners to express themselves authentically, free
from the constraints of mainstream gatekeepers. By democratizing access to
performance spaces and funding opportunities, APS empower artists to create
work that resonates with their values and experiences. Moreover, they serve as
incubators for emerging talents, nurturing a diverse ecosystem of voices that
enriches the cultural landscape.
Addressing Systemic Inequities:
The prevalence of
favouritism and exclusionary practices within the CCI underscores the urgent
need for systemic reform. A comprehensive review of the Cultural Institutions
Act is imperative to dismantle entrenched power structures and promote greater
transparency and accountability. By instituting fair and equitable policies for
funding allocation and programming, policymakers can ensure that resources are
distributed equitably among practitioners, regardless of their affiliation or
background. Additionally, efforts to destigmatize dissent and celebrate
artistic innovation are essential to fostering a culture of inclusivity and
creativity within the industry.
Conclusion:
As South Africa
grapples with the pervasive challenges facing its cultural and creative industries,
the proliferation of Alternative Performance Spaces emerges as a beacon of
hope. By providing a platform for marginalized voices and challenging the
status quo, APS represent a vital catalyst for change within the industry.
However, true transformation can only be achieved through concerted efforts to
address the systemic inequities that perpetuate the dog-eat-dog nature of the
CCI. By embracing inclusivity, transparency, and accountability, policymakers
and practitioners alike can pave the way for a more equitable and vibrant
cultural landscape in South Africa.
Thami aka Mbongo:
akambongo@gmail.com
akaMbongo Foundation
Pty Ltd
http://www.akambongo.co.za
Disclaimer: Artslink.co.za encourages freedom
of speech and the expression of diverse views. The views published do not
necessarily represent the views of Artslink.co.za. Thami
aka Mbongo writes in his personal capacity.
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