Student Films announced for the 45th Durban International
Film Festival which will be held in Durban, KwaZulu-Natal from July 18 to 28,
2024.
The Durban International Film Festival (DIFF) has announced the 2024 student film programme. The festival received 478 submissions, from which 21 films have been officially selected to premiere at DIFF and compete for the Best Student Film and Best South African Student Film awards.
“The future of film is in good hands and these young filmmakers are not afraid to delve into the most highly charged social dilemmas of our time”, says Andrea Voges, the Programmes Manager & Head of the Durban International Film Festival.
“The films share an urgent interrogation of our personal relationships with ourselves and with each other in families and broader communities. The everlasting complexities of parental relationships are shown with a frank and piercing insight and the prevalence of loss and fear in so many lives, regardless of where in the world people live, the community they belong to or the dreams they may have is abundantly clear,” she adds.
The six films by South African students, Cloud Line, Dirt, Fisantekraal, Rebooting Memory, Warm and Where's the Chicken? represent a broad variety of universal themes with the common thread of reflecting a uniquely South African perspective. Fisantekraal gives a unique vantage point of the titular area not far from Durbanville, Cape Town. While the images are cinematically beautiful, the end of the film and the harsh reality faced by people living there are less so. The jarring contrast between them results in an engaging and provocative film. Different aspects of grief and ways of mourning are the focus of two local films.
In Cloud Line, Akhona and their father employ very different strategies to deal with the death of their mother and wife but in negotiating a compromise, they find better ways to collectively cope with the void she has left. Manqoba struggles to continue after the death of his wife Nokuthula and disappears into an alternative reality using a virtual reality device where he doesn’t have to face her loss in Rebooting Memory. Continuing with the slightly dystopian theme, Dirt occurs in a fictional universe where Rev Starrek finds herself in a strange situation after stealing what she thought was a harmless artefact. Replete with alien species and very vocal animals, this quirky animated film is a delightful futuristic adventure.
The nation’s ongoing onslaught of violence is addressed in films that both look at domestic violence. Dolly decides to leave her abusive husband, Ngozi in Warm, but not even death can protect her from his patriarchal abuse. Luyanda’s bullying at school is replicated at home where his father believes that beating him is the best way for him to become a man. The inevitable resentment resulting from these beatings is revealed when Luyanda’s father cannot find his prize rooster in Where’s the Chicken? Both films are unflinching in their portrayal of the intergenerational damage and the underlying causes of violence.
The films produced by international students also engage a broad spectrum of topics. Exotismos and Hair Care, are both set in local hair salons but are worlds apart as a young woman embarks on an animated journey through the streets of Côte d’Ivoire in search of her errant hair stylist. Yoná the hair artist in Exotismos is in search of something different, the essence of her clients with diverse identities, self-expression, and sexual orientations who are at odds with the conservative population of Goiânia, the capital of the Brazilian state of Goiás. Conservative roles of women in different societies are highlighted in two other films set in the vastly different landscapes of present-day Pakistan and a futuristic Europe.
Height of the Kite unfolds in a rural area of Balochistan in Pakistan where women are only permitted to sing in private rituals. The film follows a young woman’s struggle to challenge the established restrictions that women encounter. Paragraph 96 from Austria is a powerful commentary on reproductive rights as a mediation session between a couple takes place. In this scenario, men fall pregnant, and women are held accountable for unwanted pregnancies. The gender reversal and resultant hypocrisy makes for a thought-provoking film.
The post-apocalyptic world also features in An Ordinary Day as the end of the world approaches and two students Su-in and Jae-hee with different disabilities decide to face the looming end together. Borrowed Hands broaches the neglected topic of sexuality in the disabled community as a young woman, Clara with cerebral palsy engages the services of a sex worker to explore her burgeoning sexuality. Both films refreshingly feature disability as integral parts of the narrative and not as an afterthought.
The following is a full list of the student films that will be presented at the festival:
An Ordinary Day by
Ju-yeon GIM
South Korea, Korea University of Arts
Borrowed Hands by
Adrián Monroy Molina
Mexico, Centro de Capacitación Cinematográfica, A.C.
Cloud Line by
Minnette Faure
South Africa, The Animation School (PTY)Ltd
Congratulatory Visit
by Muaz Günes
Turkey, Maltepe University
Crust by Jens
Kevin Georg
Germany, Film University Babelsberg KONRAD WOLF
Daisy by Aditi
Dixit, Joffrey Atienza Zamora, Shecid Domínguez Aguilera
Spain, BAU - College of Arts & Design Barcelona
Dirt by Blake
Maverick Davis
South Africa, University of KwaZulu-Natal
Don't Let Go by
Antonia Lorenza Lindner
Germany, University of Television and Film Munich
Exotismos by Alessandra Regina Gama
Brazil, Universidade Estadual de Goiás - UEG
Fisantekraal by
Liziwe Damba
South African, Film School Africa
Hair Care by
Fatima Wardy
Ivory Coast, The University of Texas at Austin
Height Of The Kite
by Mehraneh Salimian, Amin Pakparvar
United States, School of the Art Institute of Chicago
I, Chinese by
Keith Leung
United States, New York University
Golden Ocho by
Jon-David Carollo
United States, Chapman University
Paragraph 96 by
Sophie Maresch, Ivana Vlasich
Austria, Fachhochschule St. Pölten
Rebooting Memory by
Regopotswe Matshelo, Omolemo Molefe
South Africa, AFDA
Sea Salt by Leila
Basma
Czech Republic, FAMU
The Heart Beneath The
Earth by James Lucas
Mexico, Centro de Capacitación Cinematográfica, A.C.
V's Secret by
Bassma Farah
Egypt, Jesuit Cairo Film School
Warm by Lindokuhle
Mthimkhulu
South Africa, AFDA
Where's The Chicken?
by Keila Leniese Kock
South Africa, The University of the Witwatersrand
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