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Saturday, March 7, 2026

MANDISI DYANTYIS SYMPHONIC CELEBRATION

Take the beautiful compositions of Mandisi Dyantyis, add his powerful voice with his regular band and singers, and then, add a Symphonic Orchestra!

Mandisi Dyantyis, in collaboration with Real Wired Music present Mandisi Dyantyis Symphonic Celebration which will culminate as an exclusive offering of two nights, at the beautiful Playhouse Theatre Opera on May 29 and 30.

The arrangements have been well orchestrated, and some of Mandisi's most beautiful songs have been given an extra graceful lift to another level.

Compositions from Cwaka and Somandla and Intlambululu will feature in the night's repertoire, and all with the spectacular support from the KwaZulu-Natal Philharmonic Orchestra.

The last few shows he played at The Playhouse were all SOLD OUT, so don't even think about hesitating to get your tickets!

Come witness an exclusive experience, possibly never to be repeated again.

https://www.webtickets.co.za/v2/event.aspx?itemid=1588684119

SONGBOOK SESSION: MELVIN PETERS

 

(Melvin Peters)

 The Centre for Jazz at UKZN invites music lovers to join them for The Songbook Sessions on March 9, featuring the legendary pianist and educator, Melvin Peters. Peters is a master navigator in his own right and brings decades of insight and improvisation. Together with his sophisticated swing and soulful expression make this performance a must-see.

Ostensibly a Monday night jam session presented in two halves, The Songbook Sessions begins with a curated set of selections chosen by the invited bandleader. Tunes are made available in advance to participants, complete with charts and audio resources, and are graded from beginner and easy to intermediate and advanced levels—creating an inclusive and accessible platform for musicians of varying experience.

The second half of the evening opens into an open jam session, encouraging spontaneous collaboration and musical dialogue. The initiative aims to bring together musicians from diverse backgrounds, alongside other performance practitioners, students, educators, and audiences who value live musical exchange. The series seeks to uncover new repertoires, interrogate the concept of “standards,” acknowledge shared and diverse histories, and celebrate the multicultural landscape of contemporary South African society.

Held weekly on Mondays from 18h00, the sessions take place at the Centre for Jazz and Popular Music, located at the University of KwaZulu-Natal’s Howard College Campus (Dennis Shepstone Building, Level 2, Durban). Entrance is free for participating musicians and artists.

The Songbook Sessions Monday night jam session is made possible through the generous funding support of Concerts SA, Festival Enterprise Catalyst, SAMRO, and the National Treasury Jobs Fund.

Tickets: R130 (R100 (Pensioners), (R70 Students with valid student card).

Tickets available via Webtickets or cash at the door https://www.webtickets.co.za/v2/Performance.aspx?itemid=1587429957  

 

Event: The Songbook Sessions Monday 02

Monday, March 09, 2026

Doors open: 17h30. Concert from 18h00 – 20h00

Venue: Centre for Jazz and Popular Music, UKZN - Howard College Campus, Dennis Shepstone Building, Level 2, Durban

 

For audiences and musicians alike, The Songbook Sessions offers a vibrant platform for collaboration, learning, and musical exploration—continuing its mission to cultivate community through live performance and shared repertoire.

LILLI SLAPSTILLI IN FOR FROCK SAKE

 

South African drag legend Lilly Slapstilli makes a rare trip to Durban to perform at the fabulous brand-new performance space, the Nutcracker Theatre at Macnut Farm in Assagay for a one weekend run on March 13, 14 and 15.

Lilly’s new show, For Frock Sake, takes audiences behind the scenes as she spills the tea on the crazy gigs, shenanigans and requests she’s endured over the past 30 years of drag. Performed in her hilarious signature observations comedy style.

The newly-created intimate 60-seater Nutcracker Theatre aims to recreate the nostalgia of the heyday of supper-theatre, with a fabulous meal complementing the show. Macnut Farm is known for its imaginative, top-quality cuisine served in a magnificent picture-perfect setting. It also boasts a fully stocked bar. The Nutcracker Theatre combines the hospitality and culinary talents of Macnut’s Paul and Hannah Paine, management experience of Gary McKenzie with technical support from Brandon Bunyan.

Tickets are strictly limited to 60 pax per performance. Contact Hannah: 074 603 0000.

 

Performance Information:

Friday, March 13: Arrive 18h00 | Show 19h30

Saturday, March 14: Arrive 18h00 | Show 19h30

Sunday, March 15: Arrive 12h30 | Show 14h00

 

The show carries an age restriction of no under-16s.

Price: R495 per person (includes supper & show). Full bar available on-site

Venue: Macnut Farm, 13 Lello Road, Assagay (down the road from Heidi’s Farm Stall)

Tickets are strictly limited to 60 pax per performance. Contact Hannah: 074 603 0000.

FROM STAGE TO SCREEN

The Durban City Orchestra presents From Stage to Screen, the first concert of the year – a carefully curated glorious bouquet of themes from much-loved movies and evergreen musicals, to be performed either side of the Easter holidays:

 

St Thomas Church, Durban, on Sunday March 15 at 15h00

St Agnes, Kloof, on Sunday April 19 at 15h30

 

Among the pieces to be performed include: How to Train your Dragon, Moon River, My Fair Lady, The Godfather, West Side Story, Schindler’s List, Les Mis, Gladiator, James Bond and Pirates of the Caribbean.

Sponsored by Mzansi Philharmonic. Tickets through Quicket.

KZNPO SUMMER SEASON 2ND CONCERT

 


The KZN Philharmonic’s two-concert 2026 Summer Season running in The Playhouse Opera ends on Thursday March 12, starting at 19h00.

Widely-acclaimed Conrad van Alphen takes the podium for the second and closing concert of the season, conducting a repertoire by Fauré, Chopin and Beethoven. Bulgarian pianist Ludmil Angelov is soloist

 

Concert Two: Thursday March 12

Conductor: Conrad van Alphen

Soloist: Ludmil Angelov, piano

Faure: Masques et bergamasques Op 112

Chopin: Variations on La Ci Darem La Mano, Op 2

Chopin: Grande polonaise brilliante, Op 22

Beethoven: Symphony No 2, Op 36 in D Major

 

Booking through Quicket

Info / booking - call 031-369 9438 / email bookings@kznphil.org.za or visit www.kznphil.org.za

There are also park and ride options for patrons who would prefer not to self-drive to town, from Upper Highway, Westville, North Coast and Berea. Book bus tickets on 031369 9438 / info@kznphil.org.za.

 

To connect to the KZNPO’s website, click on the advert at the top right hand of this page.

NIBS & GUY KZN TOUR

 


(Above: Guy Buttery & Nibs van der Spuy. Pic courtesy of Quicket)

 

“A big hello to all my KwaZulu-Natal friends”, says well-known and loved musician Nibs van der Spuy.

“I am happy to announce my return to South Africa to play some shows with my dear friend Guy Buttery. Also to celebrate my 60th birthday!

“These shows are going to be super special as we also celebrate 25 years of making music together. Now that I’m living in Portugal and Guy is performing all over the world, it’s often challenging to schedule performances together. After a two-year hiatus, the stars have finally aligned, and we are excited to share the stage once again.

“This is going to be a memorable tour, so be sure to book your tickets soon, as places are limited.

“See you on the road!”

 

PERFORMANCES:

 

Venue: Seabrooke Theatre, Durban High School

Date: Thursday, March 19 at 19h00

Address: 255 St Thomas Rd, Musgrave, Durban

Price: R200

Bookings: Quicket

 

Venue: Westville Theatre Club

Date: Friday, March 20 - 19h00 for 19h30

Address:6 St James Ave, Westville, KZN (next to Westville Pool)

Price: R200 (Bring picnic baskets and wine)

Bookings: Quicket

 

Venue: The Clay Pot, Mtunzini

Date: Saturday March 21. Time: Doors open at 16h00

Price: R200

Contact: 060 541 6442 / +27 83 632 5543

 

Venue: The Old Mushroom Farm, Howick

Date: Sunday March 22 at 16h00

Address: 11 Karkloof Road, Howick, KZN Midlands

Price: R200

Bookings: Quicket

Contact:Kath, WhatsApp +27 82 413 9843

EVERYBODY AT ST ANNE’S

 

St Anne’s Diocesan College by arrangement with DALRO (Pty) Limited presents Everybody by Branden Jacobs-Jenkins.

What does it mean to live well? What do we carry with us when everything else falls away? And if Death called on you today, would you be ready?

These timeless questions lie at the heart of Everybody, the acclaimed play by contemporary American playwright Branden Jacobs-Jenkins. Inspired by the medieval morality play Everyman, Everybody transforms a 16th-century allegory into a striking, urgent, and unexpectedly humorous theatrical experience for modern audiences.

The original Everyman told the story of a character summoned by Death and forced to account for their life. In a powerful theatrical twist, Jacobs-Jenkins reinvents this journey for our own era. In a fast-paced, hyperconnected, globalised world driven by productivity, consumerism, and digital identity, this play asks us to pause. It challenges us to consider what has lasting value beyond status, possessions, and social media personas. In a time marked by global uncertainty, climate anxiety, political division, war and widening inequality, Everybody gently but firmly asks: What endures? Who stands beside us when everything else is stripped away?

The 16th-century message of Everyman remains startlingly relevant today. The original morality play urged audiences to reflect on their lives before it was too late which is an invitation that feels even more urgent in our 21st-century global world, where distraction is constant and reflection is rare. Everybody reminds us that wealth, beauty, friendship, and even knowledge may falter, but our actions and choices prevail. The genius of Branden Jacobs-Jenkins’ adaptation lies in its seamless fusion of the ancient and the contemporary: while rooted in the structure and spiritual inquiry of the medieval Everyman, Everybody speaks in a modern voice that is ironic, self-aware, and deeply human; both philosophical and accessible, playful and profound.

Everybody is not a sombre meditation on death; it is a vibrant, surprising exploration of what it means to live. It invites laughter, recognition, and ultimately, introspection. It is theatre that does what theatre has always done at its best: hold a mirror to humanity and ask us who we are.

Everybody is directed by Lynn Chemaly with technical direction by Tebogo Makitla.

 

Performances:

March 18, 19, 23, 24 at 19h00

March 20 at 14h30

The St Anne’s Theatre, Hilton, KZN.

Booking on the QR code. Tickets R70.

Enquiries on 033-343 6100 or lchemaly@stannes.co.za

MiTH: MARCH 11, 2026

 

(Right: Painting so Severe)

 

Where else can you meet with friends and enjoy top South African music in a beautiful setting, with roaring fires, hearty food and a cash bar – all for just R50?

Following is the line-up for March 11 at The Knoll Historic Guest Farm

Entrance: R50. (cash or Zapper at the door)

Info: 082 331 7271

 

20h40 – Painting So Severe

Painting so Severe is a psychedelic fusion of blues and alt rock. The band began in 2019 with Joshua White, the lead guitarist, and Seth Hutton, lead vocalist and trombone player, joined by Jamie Cunningham as bassist and Stuart Hancocks on drums. Together these four individuals come up with trippy jams and whimsical lyrics. Painting so Severe brings the energy.

It's hard to express a good comparison in terms of sound, so instead let’s paint a picture: They sound like an epic sunset on a cloudy day. They sound like someone else's toast toasting in the morning. They sound like the smell of freshly cut grass. They have drawn inspiration from seventies rock, cabaret, blues, and a little bit of jazz. It's fun.

 

19h40 – Ilan Lax and Friends

For this MiTH set, Ilan Lax is joined by a vibrant bunch of younger, extremely talented collaborators to present a sampling of songs drawn from Ilan’s broad collection of original material. This performance brings the talents of Skippy Khubeka (guitars and harmonies), Jes Bedingfield (bass and harmonies), and Paddy Austin (drums), all well-known at MiTH and around the Midlands music scene, to augment Ilan’s offerings (vocals, guitar and flute).

Ilan is a regular at MiTH and has been involved in the Pietermaritzburg live music scene since the early 80s, when he was a founding member of the MMC (Folk Club), MiTH’s predecessor.

The songs performed for this set are drawn from and inspired by Ilan’s lived experience as a husband, father, active citizen, and human in the world, and offer some insight into Ilan’s many interests. These songs also reflect Ilan’s eclectic and varied musical influences, from trad folk through blues, jazz, rock, reggae, classical, and world music.

  

19h00 – The Chickpeas

The Chickpeas didn’t appear out of nowhere — they sprouted from the wonderfully musical soil of the Hairy-Legged Lentil Eaters. Having grown up around legendary local bands, toe-tapping setlists, and a community that thrives on music, their philosophy remains simple: honour the music, surprise the audience, and never miss an opportunity for a well-timed musical detour.

The Chickpeas have all been influenced by bands such as Incubus, Crowded House, and The Cranberries, and build their repertoire around rich, tightly woven vocal harmonies and rhythm, reimagining well-loved favourites alongside original material.

The Chickpeas blend polished musicianship and spontaneous creativity, with a firm belief that every instrument deserves a solo. The result is a performance that feels warm and heartfelt, with just the right amount of silly.

And yes, there may be bongos.

 

ABOUT MiTH

Food and soft drinks are available for sale. Cash bar on site. The KZN Midlands’ favourite live music venue, MiTH is a platform for beginners, professionals and music lovers to celebrate the joy of live performance. Hosted every second Wednesday at The Knoll Historic Guest Farm, Hilton.

 

DIRECTIONS TO MiTH

Take the N3 to Hilton. Turn into Hilton Village and drive 5.2 km along Hilton Avenue, which becomes Dennis Shepstone Drive. Look for Knoll Drive on your right – the entrance to MiTH is the second left into The Knoll Historic Guest Farm. Info: 082 331 7271, www.mith.co.za or mithbookings@gmail.com

Friday, March 6, 2026

ANDILE YENANA FOR CENTRE FOR JAZZ

The Centre for Jazz and Popular Music proudly presents pianist, composer, producer and educator Andile Yenana as he celebrates the release of his new album, Way Out Is In on Wednesday March 11, at 17h30.

After a 20-year hiatus, South African jazz master Andile Yenana returns with Way Out Is In, a powerful live recording captured in Basel, Switzerland at Bird's Eye Jazz Club in June 2018. The album was recorded over three days in front of a live audience, capturing the spontaneity and depth that define Yenana’s artistry.

Reflecting on the long wait between releases, Yenana shares:

“I needed time to strip away everything (that no longer aligned) — old relationships, familiar places, even certain versions of myself — to listen more deeply. In that quiet, I began rediscovering what truly moves me musically and culturally. I went back to the Xhosa folk songs I grew up with — songs that shaped me — and through that process of letting go and returning, I was able to reimagine these songs on the piano.”

This album is the result of a rich cultural exchange between Yenana and Swiss musicians. International collaboration is not new to him; at 26, he participated in a music exchange programme with Norwegian musicians alongside his mentor, Zim Ngqawana. Having previously experienced such cross-cultural partnerships, Yenana had a strong sense of how this creative journey might unfold.

Way Out Is In represents a culmination of his musical quests — a reflection of everything he has learned and continues to learn. For Yenana, learning is an ongoing, lifelong process.

The project was inspired by cultural fellowship, shared ideas, environment, and the freedom to articulate a personal story in a distinctive way. Presenting himself before audiences unfamiliar with his music in Switzerland and experiencing their warm reception further shaped the spirit of this recording.

The album invites listeners to venture into both familiar and unknown territories in search of their true selves. It also aims to offer a sense of resolution and introspection to all who engage with it.

Way Out Is In was officially released on October 24, 2025, and is available on all digital platforms.

Event Details: Andile Yenana Way Out Is In Album:

Date: Wednesday, 11 March 2026

Doors Open: 17h00

Music Starts: 17h30

Venue: University of KwaZulu-Natal – Howard College Campus

Dennis Shepstone Building, Level 2

Centre for Jazz and Popular Music

 

Join up for an evening of profound musical storytelling and celebration of a master artist’s long-awaited return.

Tickets available online or cash at the door: https://fixr.co/event/andile-yenana-way-out-is-in-album-launch-tickets-294113731?region=za

 

JOEY RASDIEN FOR DURBAN

Get ready for an evening of big laughs with Joey Rasdien, one of South Africa’s most recognisable and relatable comedians, live at iZulu Theatre at Sibaya Casino in Durban on April 4, 2026.

With his trademark charm and effortless storytelling, Joey Rasdien delivers hilarious observations on family, relationships, marriage, parenting, and everyday South African life.

Known for his warm stage presence and sharp comedic timing, Joey’s humour resonates across generations, making him a firm favourite with audiences nationwide.

This show promises an entertaining night of laugh-out-loud comedy, packed with honest moments, cultural insight, and Joey’s unmistakable comedic flair - all in the world-class setting of Sibaya Casino.

Whether you’re a long-time fan or seeing him live for the first time, this is a night of comedy not to be missed. Tickets are available at blubloodtickets.com

HAMLET AND OTHELLO: REVIEW

 


“Something is rotten in the state of Denmark”, but not in this show. If there are any public performances, or you don’t mind a student audience and if you are drawn to Shakespeare like a moth to a flame then drag thyself to this nunnery and within, soak in the potent portrait of this bewildering play. (Review by Dr Verne Rowin Munsamy)

 

Brief let me be, or not to be...

ThinkTheatre presents their annual offerings of Shakespeare's classic texts for high school learners, to remind them and have them relish in these wondrous texts, and bold events that give rationale to the human psyche that seem timeless in the Bard's writings.

Co-produced by Maggie Coppen and Clare Mortimer, this year they bring to the stage Hamlet and Othello at the Elizabeth Sneddon Theatre, which is nestled in the greenery of UKZN. These tragic texts are not just claimed as set works for learners in high school to read but when performed also remind us of the layered meaning of these texts that seem to defy times passing. While other texts have been forgotten after their impact, Shakespeare remains firmly placed in our context and will probably surpass this current era and offer the next generation the pleasure and joy of watching these words dazzle trippingly off the tongues of future actors.

Directed by Clare Mortimer, her vision brings fresh meaning to this now-ancient text. The set is a raised area, a well-used walkway on scaffolding. Hung red curtains that are floor to ceiling and used for numerous scenes. These hang above a raised ramp, giving us three distinct levels that allow for diversity in blocking.

The occasional sound effects add a nuanced layer to the direction. The hacky sack beat between Hamlet, Rosencrantz (played by Jeremy Richards) and Guildenstern (played by Tafar Nyatsanza) was quite refreshing and modernized the actions to the ‘puritan’ version of the spoken text. I enjoyed the use of shadow puppets that represented the play within the play, where we see Hamlet seniors’ demise.

The acting was very appealing. I have been following the careers of Mike Gritten and Belinda Henwood since I was a young drama student many moons ago and have always been in awe of their command of the stage, the poise of their character development and sheer omnipotent presence on the stage. Gritten as the King has the appropriate powerful vocal texture that the character requires. His character development and acting skills are admirable as always. Belinda Henwood as Gertrude is ever-graceful and confident. Her eloquent and complex portrayal of the Queen is true to the acting style that she offers to all the roles that I have seen her re-enact.

Darren King, whom I had the honour of being directed by, plays Polonius. I was most enamoured by the wonderful lightness that he brings to the role and the play as he portrays the character with a comedic element thus adding a nice dynamic to the otherwise death, doom and gloom of this tragic play.

The lead actor, Duane Behrens, who plays Hamlet has astute emotional quality for the role. His marvelously moving rendition of this tragic hero, as he quests for revenge for his demised father, is astonishing. He has tenderness, madness and melancholy, ill-begotten sorrow, and vengefulness all at the right proportions. He was the perfect Hamlet!

Laertes, played by JT Medupe, is strong and nuanced in character development. Kaylee McIlroy as Ophelia is the appropriate level of confidence that crumbles under Hamlet’s neglect and actions. Nhlakanipho Manqele who plays Horatio, has some memorable moments but I suppose he is more reserved in waiting for his major role as Othello in this double bill feature. Blessing Xaba as Osric, and Kira Timm as the player Queen round off the cast with impactful performances in rather minor roles.

“Something is rotten in the state of Denmark”, but not in this show. If there are any public performances, or you don’t mind a student audience and if you are drawn to Shakespeare like a moth to a flame then drag thyself to this nunnery and within, soak in the potent portrait of this bewildering play. Playing at the Elizabeth Sneddon Theatre. If you miss this show, then one must repent! - by Dr Verne Rowin Munsamy

Wednesday, March 4, 2026

MARK BANKS AT THE NUTCRACKER THEATRE: REVIEW

 


(Mark Banks. Pic supplied)

 

Well done, Mark! Well done, Hannah and Paul! We look forward to the charmingly chandeliered venue with its red velvet-curtained theatre stage hosting many more artists and audiences well into the future. (Review by Shannon Kenny)

Comedian Mark Banks’ return to Durban with his show, Laughter is on the Menu, heralded the opening of a brand-new theatre venue, The Nutcracker Theatre at MacNut Farm in Assagay.

Banks is much-loved for his quick wit and repartee, and an ability to meet the audience not just where they’re at but where they’re from - be it Gillitts, Waterfall, Kloof or Pinetown. His conversational style works like a charm. Mark connects the dots of the banal and extraordinary that fill our consciousness; thrills us with relatable and sometimes outrageous anecdotes; and is remarkably good at remembering names and places of residence.

He bobs and weaves effortlessly from hilarious stories about relatives in their dotage; to the changing face of the city; properties that seem to be eternal renovation projects and hysterical characterisations of a host of recognisable characters. And occasionally, just occasionally, Mr Banks would unleash a gag with a frisson of taboo. You know that sense of anticipation when watching a comedian and the audience is thinking “you’re-not-going-to-go-there, oh-yes-you-just-did” - and the joke lands just right, because Banks is just so good at reading the temperature of the room.

Banks’ stage legs served him well - the show ran for around an hour and forty-five minutes, much to the delight of his audience. Laughter was certainly on the menu - the perfect starter, main course, dessert and drinks, delivered in funny-man Banks’ unique style.

Speaking of menus, the meal that accompanied the show was a Mediterranean-style mezze of salads, dips, breads and couscous, cleverly placed on Lazy-Susans. Patrons were served their choice of skewered beef kofte, chicken or mushrooms in addition to the mezze offering. Dessert was served post-show. Wait staff (kitted out in Nutcracker bibs) were thoughtful and attentive, ensuring our orders arrived on time from the fully-stocked bar - a cute and cosy hangout for pre or post-show drinks and chats.

The bijou theatre - it seats 60 patrons at round dining tables - is the brainchild of the warm and welcoming MacNut owners, prolific creative Hannah and Paul Paine. They called on the venue management nous of Gary Mckenzie and technical expertise of Brandon Bunyan to assist in bringing their dream to life and launch The Nutcracker onto Durban’s entertainment scene.

The Paine’s enchanting property already plays host to a variety of functions from weddings to conferences, so a theatre seems like a natural progression and so far - yes, it’s still early days and there are some creases that will need ironing out - a great fit. Hannah and Paul are dreamers and doers who are eager to share their creativity, zest for life and love of convivium with those who would make the short trip to their shire-like spot of wonder.

Well done, Mark! Well done, Hannah and Paul! We look forward to the charmingly chandeliered venue with its red velvet-curtained theatre stage hosting many more artists and audiences well into the future. – Shannon Kenny