BAROQUE 2000

 

(Above: Ralitsa Péchoux (Cello) - Ralitza Macheva (Violin))

 

The next Baroque 2000 concert will take place on June 28 at 11h30 at St James Church in Venice Road, Musgrave.

Soloists will be Ralitsa Péchoux (Cello) and Ralitza Macheva (Violin)

The programme will be as follows::

Hasse Johann Adolph - Sinfonia in G minor, Op5 No6

Corelli Arcangelo - Concerto grosso in D major, Op6 No4

Vivaldi Antonio - Concerto in B minor for Violin and Cello, RV547

Merula Tarquino - Ciaccona for 2 violins, Op12 No20

Vivaldi Antonio - Concerto in G minor for 2 violins and cello, RV578

 

SPIGA (famous Italian restaurant at 465 Innes Road – opposite Mitchell Park) is generously offering a R50 voucher (to be redeemed against a R250 spend) to each patron attending Baroque 2000 Sunday's concert. These vouchers will be handed out at the tickets selling-desk at St James Church on the concert day.

Tickets R200 at the door. Children enter free.

There is ample, free and secure parking in Venice and Sir Arthur adjacent roads.

Contact: Michel. sursouth@iafrica.com 082 303 5241

SISTER ACT THE MUSICAL

 

(Above: Ensemble of nuns)

 

After 47 years of directing and producing musicals for Northcliff High and 26 years of touring those productions to Durban, this will be the last offering from Nick Jourdan, who will take a final curtain and be calling it a day. The tradition will continue however, in the hands of Northcliff old boy and participant in five Northcliff musicals, Tumelo Kope-Baloyi.

For this, the 26th touring production, it was decided to revive the previously highly successful Sister Act The Musical.  It seemed fitting to end on a high note as this show enjoyed huge popularity with its previous airing and has just completed a highly successful run in Johannesburg.

The cast features a great ensemble and some really outstanding performers among the lead roles.  Palesa Taule, newcomer to Northcliff, gives a notable performance as the lead while there are some real surprises, the likes of Adam Ahmed as gangster Curtis Jackson and Peyton Bala as the postulant Mary Robert. Jaimee Lamont impresses as the Mother Superior.  Audiences have come out of performances beaming and raving. This is the level of entertainment that one has come to expect from this school and the show is highly recommended.

This “divine” musical is based on the original film starring Whoopi Goldberg, who played the lead role, Deloris, a nightclub singer who witnesses her gangland boyfriend, Curtis Jackson, bump off one of his goons for snitching to the police. She makes a quick get-away with gangsters in pursuit. She appeals to the Philadelphia Police Department for help and they make an arrangement for her to hide in a convent with a bunch of nuns until she can testify against Curtis and have him put away.

Her wayward lifestyle clashes with the austere regimens of the convent, leading to hilarious situations. Following a transgression on her part, she is tasked with training the nuns’ choir who are in serious need of reform. This leads to more hilarity but also some astonishing results with, ultimately, a request being made for the choir to perform before His Holiness the Pope!  Lasting and meaningful relationships are formed with ultimate fulfilment in the mix.  This is feel-good theatre of the highest order.

Some of the previous productions to tour from Northcliff High have been Chicago (the first), Joseph and the Amazing Technicolor Dreamcoat, Guys and Dolls, ANNIE, Hello Dolly!, The Adams Family, Spamalot, The Pirates of Penzance, Crazy for You, Anything Goes, High School Musical, Footloose, ‘Me and My Girl, Matilda The Musical, Little Shop of Horrors.

Again, for Sister Act, there is a live orchestra of eleven skilled-professional musicians, led by accomplished musical director, Matthew Vlok, previously from Durban.  The music is top notch!

Likely and potential theatregoers should not miss the opportunity to see this fun musical performed by an outstanding cast. Live theatre such as this, is not often on offer and it should be supported and enjoyed when it happens along.

For so many years Northcliff High Johannesburg has trundled a busload of youngsters into the Durban city centre to perform their hearts out in what many will vouch, is first-rate entertainment.

“Here’s hoping Durban supporters will come and see them!!” says Nick Jourdan.

Performances are from July 1 to 5 with evening performances at 19h30 and matinees on the Saturday at 14h00 and Sunday at 15h00.  Tickets are R120 throughout and R80 for seniors.

Booking for all shows is through Webtickets.

There is secure parking available at the Royal Hotel Parking Garage with security marshals along the street from the Royal to the Playhouse Theatre.

Parking is at a reduced rate when getting your parking ticket validated in the theatre foyer.

WOLF – CIRCA CONTEMPORARY CIRCUS

 

The world is going to the dogs. Be a wolf.

 

Join the pack when internationally acclaimed Australian contemporary circus company Circa brings its thrilling production Wolf to The Playhouse Company for a limited season. Created by Yaron Lifschitz and the Circa Ensemble, Wolf is a gasp-inducing acrobatic thrill ride that pushes the boundaries of contemporary circus through astonishing physicality, primal energy and breath-taking artistry.

Featuring ten extraordinary performers, Wolf explores instinct, freedom and human connection through a captivating fusion of acrobatics, movement and theatrical storytelling. Set to the relentless rhythms of acclaimed Sound Designer Ori Lichtik, enhanced by the striking Costume Design of Libby McDonnell and atmospheric Lighting Design by Alex Berlage, the production transforms the stage into a visceral world where strength, vulnerability and instinct collide.

For Director Yaron Lifschitz, the wolf represents our untameable selves liberating, anarchic and savage. Across two contrasting acts, the wolves evolve from disruptive forces of chaos into a ferocious pack whose intense choreographies overflow with raw energy and astounding physicality.

Since premiering in 2024, Wolf has captivated audiences across Australia, Germany, Canada, Spain and Scotland, earning critical acclaim for its extraordinary acrobatics, innovative staging and artistic vision.

Performances take place from June 24 to 25, 2026, at 19h00 in the Playhouse Drama Theatre. Duration: 60 minutes (No Interval). Age Restriction: 12+

Tickets: R170 – R200. Booking through Webtickets.

Produced by Circa and Chamäleon Berlin. Co-produced by La Comète.

Wolf is circus with fangs. Join the pack.

ANKLE MARC FROM MARK LOTTERING

 

(Marc Lottering)

 

Marc Lottering is one of South Africa’s most loved comedians, famous not only for his award-winning stand-up comedy shows, but also his critically acclaimed original musicals.

 Come to the Elizabeth Sneddon Theatre and hear all that’s been happening in this charismatic comedian’s world of late, including the story as to why it is that he hobbled into 2026 with a fractured ankle and a moonboot!

Marc is very well-respected on the South African entertainment scene, and has received several prestigious theatre awards along the way.  He has recently been inducted into the SA Comics Choice Hall of Fame.

Please note - the show is not suitable for children and there is an age restriction of No Under 16.

Show date and time: Saturday July 4, at 19h30.

Show duration: 70 minutes with no interval.

Ticket price: R220

Age restriction: No under 16

Tickets at https://www.webtickets.co.za/event.aspx?itemid=1593284882 or Webtickets Pick n Pay outlets.

WORLD’S SLAM CHAMPIONS COME TO DURBAN

 

Slam poets from 40 nations and 5 continents will descend in Durban for the 5th World Poetry Slam Competition in October 2026. Hosted by the Centre for Creative Arts at the University of KwaZulu-Natal, the 5th World Poetry Slam Competition will be presented during the 30th edition of the Poetry Africa festival which will run from October 5-10, 2026.

Curated under the theme Every Word a Street, Every Voice a City, the 5th World Poetry Slam Competition and the 30th edition of the Poetry Africa festival will be a global celebration of urban youth spoken word poets commemorating the 50th anniversary of the Soweto Youth Uprising, a defining moment in the South African struggle for freedom and democracy that highlighted the power and courage of young people in shaping the nation’s future.

The festival will also honour the enduring legacy of South Africa’s Poet Laureate, Professor Mazisi Kunene, marking 20 years since his passing and his immeasurable contribution to African literature and cultural identity.

Ismail Mahomed, the Director of the Centre for Creative Arts at the University of KwaZulu-Natal, said: “The long road leading to the main gate of the University of KwaZulu-Natal is named in honour of the late Professor Mazisi Kunene. We want to take this moment to celebrate how his words and legacy continues to resonate in shaping the vision of our university and the future of our city whilst inspiring thousands of young people who walk through the university gates.”

For three decades, the Centre for Creative Arts has presented South Africa’s leading arts festivals namely, the Time of the Writer festival, the JOMBA! Contemporary Dance Festival and the Durban International Film Festival with content that has been inspiring, provocative and challenging.

Mahomed added: “Our award-winning and internationally-networked festivals are a vital part of the University of KwaZulu-Natal’s knowledge economy and to the cultural tourism economy of the city. Our festivals offer youth internships, create jobs for artists and benefit the local hospitality industry whilst constantly framing the festival's curatorial themes to support nation-building and social cohesion.”

This year’s 30th edition of the Poetry Africa festival and the 5th World Poetry Slam Competition also coincides with the 30th anniversary of the first public hearings of the Truth and Reconciliation Commission (TRC), which sought to uncover the truth about apartheid-era human rights violations and promote national healing and unity.

Festival participants will be encouraged to critically reflect on the 30th anniversary of the adoption of South Africa’s Constitution in 1996; and in particular Section 16 --- Freedom of Expression and Freedom of Creative ---- clauses that are a cornerstone of the country’s democratic journey.

The Poetry Africa festival will present an expansive and immersive programme and convention experience specially designed by Poetry Africa’s curator, Siphindile Hlongwa, who championed South Africa’s bid to host the World Poetry Slam Competition.

Siphindile Hlongwa explained: “This year’s festival will be a place where poems give direction and map out pathways and where voices build entire worlds. From the quiet backstreets of reflection to the electric avenues of protest and praise, 40 Slam Poets from 40 Nations will let words inspire us to explore unchartered streets of rhythm, truth and shared humanity as they map out new territories of imagination, reminding us that when voices come together, they create cities that pulse with truth, memory, and possibility.”

The Poetry Africa festival will offer a robust programme featuring workshops, seminars, book launches, panel discussions, and presentations that connect poets, publishers, academics, cultural practitioners, and audiences from around the world. These engagements will provide valuable opportunities for learning, networking, and exploring the intersections between poetry, and the broader cultural economy. The programme will be available on all Poetry Africa’s social media platforms from July 1, 2026, when bookings open with early bird tickets, VIP packages, and the complete festival schedule.

 

ABOUT THE CENTRE FOR CREATIVE ARTS:

The 30-year Centre for Creative Arts is a multi-disciplinary cultural hub in the School of Arts at the University of KwaZulu-Natal. The Centre is renowned for presenting five of South Africa’s leading arts festivals – the Time of the Writer festival (29 years), JOMBA! Contemporary Dance Festival (28 years), Durban International film Festival (46 years), Poetry Africa (30 years) and the Artfluence Human Rights Festival (5 years).

The Centre for Creative Arts is also host of the 5th World Slam Poetry Competition which will present 40 slam poets from forty nations competing for the global title in Durban during October 2026.

 

ABOUT THE POETRY AFRICA FESTIVAL:

Poetry Africa presented by the Centre for Creative Arts marks three decades of celebrating the transformative power of words. The festival continues to create spaces for dialogue, reflection, healing, and cultural exchange across generations and borders. Bringing together poets, storytellers, performers, and audiences from around the world, the festival reaffirms its commitment to fostering meaningful connections through the arts. Since its inception in 1996, the Poetry Africa Festival has grown from a platform dedicated to showcasing poets and their work into the longest-running poetry festival on the African continent; and evolving into a dynamic space for artistic exchange, professional development, and cultural dialogue.

 

NB: To link directly to the Centre for Creative Arts website, click on the logo advert to the right of this article.

 

NEW BOOK CHALLENGES SOUTH AFRICA’S FILM INDUSTRY

 

New book challenges South Africa’s film industry: The Unlegislated Dream Calls for Labour Protection and Legislative Reform.

 

South Africa’s creative economy is rapidly emerging as one of the country’s most significant economic and cultural forces. 

According to recent industry reporting by Business and Arts South Africa (BASA), the cultural and creative industries contribute nearly R300 billion to the country’s GDP - approximately 4% of the national economy while supporting an estimated 1.4 million jobs across multiple sectors.

From film and television to music, fashion, design, gaming, and digital storytelling, South Africa’s creative industries continue to shape global cultural conversations while driving employment, tourism, entrepreneurship, and economic participation.

Yet behind the growth of the screen sector lies a difficult question many within the industry have quietly asked for years:

Who protects the people sustaining the industry?

In his forthcoming publication, The Unlegislated Dream, South African filmmaker and cultural policy practitioner Andile Sinqoto confronts the structural realities facing creative workers in one of the country’s most influential industries.

Far more than a book release, The Unlegislated Dream enters the national conversation as a policy-driven intervention examining the absence of sector-specific legislation, labour protections, institutional safeguards, and long-term sustainability frameworks within South Africa’s film and television industry.

Drawing from nearly two decades of industry experience across filmmaking, governance, labour advocacy, and institutional leadership, Sinqoto argues that while the screen sector continues to contribute significantly to employment, culture, tourism, and international visibility, many creative workers remain vulnerable to freelance precarity, inconsistent labour standards, limited economic participation, and inadequate legal recognition.

 

The publication interrogates issues including:

-freelance labour and worker vulnerability,

-authorship rights and intellectual property,

-residuals and royalties,

-occupational safety,

-governance accountability,

-and the sustainability of African film and television industries.

At the centre of the book is a clear and urgent position:

“Legislation is not an act of intervention. It is an act of governance.”

 

Rather than approaching reform from an ideological perspective, The Unlegislated Dream frames legislative recognition as a matter of governance, economic responsibility, labour protection, and institutional accountability.

The release arrives at a critical moment for South Africa’s creative economy, as conversations surrounding labour instability, transformation, funding structures, industry sustainability, and worker protection continue to intensify across the entertainment sector.

“For too long, the creative industry has operated within systems that celebrate its cultural contribution while overlooking the structural realities faced by the people who sustain it. This book is not an attack on the industry — it is a call for governance, sustainability, and dignity for creative workers,” says Andile Sinqoto.

The Unlegislated Dream is expected to spark discussion among government institutions, labour stakeholders, broadcasters, cultural organisations, filmmakers, producers, unions, and industry professionals across South Africa and the African continent.

This is not simply a conversation about film.

It is a conversation about labour, governance, economic justice, and the future sustainability of the creative economy itself.

The Unlegislated Dream is set for release in June 2026 and will be available on Takealot, Google Play Books, Google Play, Apple Books, Amazon, and Audible.

 

 

ART MAKES A HOME MORE HUMAN - DECORATING WITH ART

 

(Steampunk Victorian filigree beetle Volkswagen by PATIO GURU SA)

 

Whoever you are, wherever you live, a painting, a print, your children’s art beautifully framed, transforms a house into a home. Art complements and elevates your décor, it tells your story

This year’s East Coast Radio House + Garden Show showcases the fine art of framing, the power of statement mirrors, how recycling can be reinvention, and of course, the wonderful work of numerous talented, established, and emerging artists. From June 27 to July 5, the Durban Exhibition Centre plays host to artists from across the spectrum, a superb opportunity for homeowners to bring their walls to life, and choose bold over beige.

The Durban Art Gallery promises a wide and wonderful diversity of work, giving visitors the opportunity to engage with contemporary art and artists. The Gallery will showcase six artists, each of whom brings different concepts and execution to the Show. It’s fresh, exciting art from this group who work in different mediums and genres, from paint to charcoal to lipstick, and self-portraits to abstracts. Each artist is exploring their personal relationship with the human and natural world. Come to the Durban Art Gallery stand, and connect with the work of Bandile Ncanana, Njabulo ‘Vezi’ Mngwengwe, Mlamuli Shozi, Ayanda Mkhize, Lindokuhle Mthembu, and Nhlanhla Shozi.

On the road again are Jodie and Ryan Loubser, travelling artists. They move around the country, painting, exhibiting and selling their art. Jodie says, “It's a good and busy life, and our studio changes constantly.”

And that’s where you, visitors to the Show, come in. The Loubsers will be there, each exhibiting their own distinctive style of art, largely in oils. Jodie paints water lily landscapes and chandelier interiors mainly, and Ryan is known for his Fractionism, Quiver Trees, landscapes and Multi Visions. They love to do commissions for homes, so find them and have a chat about your home and style.

Soekie Human of Ermelo has a very different artistic style. The past 22 years have seen her developing a very distinctive style in both oils and impasto acrylics. With warm, rich colours and loose brushwork, Soekie’s celebration of nature is evident in every painting.

Contemporary art complements or even creates contemporary homes. Sarita Gous has been painting for 15 years, creating modern ocean and cloudscape oil paintings inspired by nature, light, and atmosphere. She’s inspired by the feeling and energy of the sea and sky, and how they shift and move in subtle, powerful ways: “I aim to create a visual portal - offering spaces of calm, reflection, and reconnection within the home,” says Sarita.

A painting, drawing or artwork may be exquisite, but framing spells the difference between mediocre and magical. Thirtieth time exhibiting at the Show, Natal Art Craft Industries (NACI) has been in Durban for over 60 years. They’re renowned for their custom frames using recycled polystyrene, framed or laser-cut mirrors, framed prints, glass art, décor items, and canvas wall art. They’re offering exclusive show specials, including everything up to 60% off, and 20% off custom framing vouchers redeemable in their showroom until the end of August 2026.

Lazarus Kufakunesu is not only the Patio Guru, but a legendary soapstone sculptor and more. He produces canvas paintings, steampunk art, fine art, and patio furniture. "No scrap belongs in the scrap yard," believes recycler extraordinaire Lazarus, as he transforms old car parts, horseshoes, garden tools, and scrap drums into handcrafted masterpieces. His outdoor furniture and light pendants are well worth a trip to his outdoor stand N8.

From young, vibrant, emerging artists to those with decades of experience, there’s a canvas, a sculpture, a print or more, that’s perfect for that beckoning spot on the wall. Listen carefully … it’ll talk to you, and you’ll know it’s for you.

The East Coast Radio House + Garden Show takes place from June 27 to July 5 at the Durban Exhibition Centre.

Tickets are available online via quicket.co.za or housegardenshow.co.za or at the entrance on the day.

RISK LAB LAUNCHES BASICS COURSE

 

(Roberto Pombo. Pic supplied)

 

The Risk Lab launches 8-week Improv Basics Course for Durban’s actors and creatives.

A playful invitation to step beyond the script and rediscover joy, spontaneity, and connection

This June and July, Durban’s creative community is invited to step into the unknown—in the best way possible. The Risk Lab, a new Durban-based creative company, is launching its 8-week Improv Basics Course, designed for actors, performers, and creatives looking to expand their craft, challenge their instincts, and reconnect with the joy of performance.

While open to complete beginners, the course is also geared toward actors and creatives who want to sharpen their skills or try something completely new. Improvisation is not just about being “funny” or quick-witted—it’s about presence, playfulness and trust – allowing yourself to let go of overthinking and embracing the unexpected.

Over eight weeks, participants will be guided through the foundational principles of short-form improvisation, developing skills that are invaluable for any performer: active listening, spontaneity and ensemble awareness.

The course is facilitated by Roberto Pombo, a theatre-maker, performer, and educator who brings a process-focused approach to training—encouraging artists to take creative risks, embrace vulnerability, and move beyond perfectionism in their work.

The Risk Lab itself is rooted in the belief that meaningful, engaging theatre emerges when artists are given the space to experiment, fail, and discover. Alongside producing original performance work, the company offers training and development opportunities aimed at nurturing a more open, connected, and adventurous creative community in Durban.

This course marks the beginning of that vision in action—creating a space where artists can step out of their comfort zones, rediscover play, and build new creative muscles in a collaborative environment.

 

Course Details:

Dates: Tuesdays, 18h30–20h30

June: 2, 9, 23, 30

July: 7, 14, 21, 28

(No session on June 16)

Venue: Kloof Civic Centre

Cost: R2000 (limited reduced-fee spots available)

 

Applications and more information: www.therisklab.co.za

 

Enquiries to: risklabkzn@gmail.com

THE PRINCE OF EGYPT

 

(Ramses, the Pharaoh, played by Matthew Brown, surrounded by members of the cast. Pic by Val Adamson)

 

The Young Performers Project will be staging The Prince of Egypt, a sweeping epic of a musical, over the mid-year school holidays in the Playhouse Opera from July 10 – 19.

Journey through the wonders of Ancient Egypt as Ramses and Moses, two young men raised together as brothers in a kingdom of privilege, find themselves suddenly divided by a secret past. One must rule as Pharaoh, the other must rise up and free his true people; both face a destiny that will change history forever.

The Prince of Egypt is directed by theatrical maestro Roberto Pombo, making his YPP debut, with choreography by Evashnee Pillay, music direction by Des Govender, sound design by Ant Govender, set and prop design by Nicolene Steyn, lighting design by Evan le Roux, and costumes by Kathy Singery.

The cast features 60 senior scholars, and 74 junior scholars from 42 different schools.

The Young Performers Project has, for the past 25 years, faithfully staged an annual musical theatre production with a youthful cast (with at least one professional performer) and a professional production team to provide the next generation of theatre practitioners with valuable experience of performing in a professional context. In recent years, to provide maximum experience for the youngsters, and theatre options for audiences, YPP has staged up to three productions a year: over the Easter, July and Christmas holidays. In recent years they have staged The Little Mermaid Jr, Annie, Shrek, Elf the Musical and Joseph and the Amazing Technicolor Dreamcoat.

The musical is a stage adaptation of the 1998 DreamWorks film, featuring music and lyrics by Stephen Shwartz, multi-Grammy winner and the writer of Wicked, Pocahontas and The Hunchback of Notre Dame, and orchestral composition by the legendary Hanz Zimmer; book by Philip LaZebnik, and 10 new songs written by Schwartz, together with five of his songs from the DreamWorks Animation film. The production features Schwartz’s Academy Award-winning duet, When You Believe made famous by Whitney Houston and Mariah Carey.

Their first show is a special Relaxed Performance on Friday July 10 at 11h00 where theatre etiquette guidelines are relaxed and the performance is consciously calmed, where the auditorium lights are dimmed, but not dark and the audience meet the characters ahead of time. This is ideal for people with sensory issues and for children not experienced in attending theatre shows.

 

Performances:

Fri 10 – 11h00 and 14h30

Sat 11 – 11h00 and 14h30

Sun 12 – 14h30

Tues 14 – 14h30

Wed 15 – 14h30

Thurs 16 – 14h30

Fri 17 – 18h30

Sat 18 – 11h00 and 14h30

Sun 19 – 14h30 / final

 

Tickets through Webtickets.

DURBAN FILMMART STRENGTHENS GLOBAL PARTNERSHIPS

Durban FilmMart Strengthens Global Partnerships for Film Critics and Palestinian Cinema.

The Durban FilmMart Institute (DFMI) continues to expand opportunities for filmmakers, film critics and industry professionals through strategic international partnerships that support talent development, industry access and cross-border collaboration.

Announcements made during the 2026 Cannes Film Festival highlighted two significant initiatives that will further advance support for emerging African film critics and Palestinian filmmakers engaging with the international marketplace.

New Partnership Creates Opportunity for Durban Talents Press Participant

At the Egyptian Pavilion during the Cannes Film Festival, a new collaboration between the Cairo International Film Festival (CIFF), the International Federation of Film Critics (FIPRESCI) and the Durban FilmMart Institute was announced during FIPRESCI's annual reception.

The partnership will see FIPRESCI select an outstanding participant from the Talents Durban Press programme at Durban FilmMart 2026 to receive an award presented by CIFF. The selected critic will be invited to attend the Cairo International Film Festival, cover the festival's activities and contribute to its English-language daily publication.

The initiative represents an important step in strengthening film criticism across the African continent and creating greater opportunities for emerging critical voices to engage with international film culture and discourse.

Managed by DFMI since 2019 the Talents Durban forms part of the global Berlinale Talents network and supports emerging African filmmakers and critics through mentorship, skills development and industry engagement. The Talent Press stream provides a dedicated platform for developing film criticism and nurturing the next generation of African film journalists and critics.

Speaking during the announcement, DFMI Director Magdalene Reddy welcomed the collaboration as a meaningful investment into film criticism, a fading art that the film industry desperately needs to revive.

 

Palestine Film Institute Returns to Durban FilmMart for the Fourth Consecutive Year

The Palestine Film Institute (PFI) has also announced the projects selected for its 2026 Showcase at Durban FilmMart, marking the fourth consecutive year of collaboration between the two organisations.

Four Palestinian feature films currently in development will be presented to international producers, festival programmers, funders and industry representatives attending Durban FilmMart 2026.

The Showcase forms part of PFI's broader mission to develop, promote and preserve Palestinian cinema while creating sustainable international opportunities for Palestinian filmmakers and producers. Through direct engagement with key industry decision-makers, participating teams are able to build partnerships, advance projects and explore pathways towards production, financing and international circulation.

PFI's international showcases remain a central component of its strategy to strengthen the visibility and sustainability of Palestinian cinema. By facilitating meaningful industry encounters, the initiative creates opportunities not only for individual projects but also for the long-term growth and recognition of Palestinian storytelling on the global stage.

The ongoing partnership between the DFMI and the PFI reflects a shared commitment to creating platforms for underrepresented voices, supporting diverse narratives and fostering meaningful industry connections across regions.

 

Selected projects for Durban FilmMart 2026

WITHIN SIGHT AND SOUND by Assia Boundaoui

What the Sand Remembers by Mahmoud Abu Ghalwa

On The Sea Road by Fitnat Waked

Echo from the Unsung by Raji Al Jaru, Sa'ed Al Jaru, Ash Moniz

 

Building Bridges Through Industry Collaboration

These announcements reinforce Durban FilmMart's role as a platform where talent development, industry access and international collaboration intersect. By connecting filmmakers and critics with global networks and opportunities, DFMI continues to contribute to the growth of a more inclusive and interconnected screen industry.

As Durban FilmMart 2026 approaches, these partnerships underscore the importance of building sustainable creative ecosystems that support storytellers, critics and industry professionals from Africa and across the Global South.

The 17th edition Durban FilmMart is funded by the Durban Film Office, eThekwini Municipality, Ford Foundation, the National Film and Video Foundation and IEFTF.

About Durban FilmMart Institute

Durban FilmMart Institute is the business hub of the African film industry in a world where African professionals and content are globally competitive and celebrated. The mission of the Durban FilmMart Institute is to provide appropriate and effective programmes and services to promote, support and facilitate investment in the African film industry. The Durban FilmMart Institute runs year-round developmental programmes and an annual market (Durban FilmMart).  The DFMI is the custodian of Filmmart.africa which is an online tool for filmmakers to connect and which we hope will enhance visibility for African content. 

About the Cairo International Film Festival (CIFF)

The Cairo International Film Festival is one of the oldest internationally accredited film festivals in Africa, the Arab world, and the Middle East. It is one of only 15 festivals globally to hold Category "A" status from the International Federation of Film Producers Associations (FIAPF). The festival is held annually in Cairo during November, screening around 150 films from across the globe across nine sections, with the most prominent competing for the Golden Pyramid and Silver Pyramid awards.

 

About the International Federation of Film Critics (FIPRESCI)

The International Federation of Film Critics (FIPRESCI) is an association of national organizations of professional film critics and film journalists from around the world. Founded in June 1925 in Brussels, it currently has members in over 80 countries. The Federation aims to promote and develop film culture, safeguard the professional interests of critics, and present its awards at major international film festivals.

 

About the Palestine Film Institute (PFI)

The Palestine Film Institute (PFI) is an independent Palestinian-led non-profit organization established in 2019 by a group of Palestinian film workers to support, connect, and sustain the ecosystem of Palestinian cinema across geographies. It emerged from a shared recognition of the need for an infrastructure that strengthens collaboration, solidarity, and the collective agency of Palestinian film workers.

67 BLANKETS, EXCLUSIVE BOOKS AND COMMUNITIES ACROSS SA CELEBRATE WORLDWIDE KNIT IN PUBLIC DAY

 

The children of Malvern Children’s Home in Durban received a shower of warmth when the 67 Blankets for Nelson Mandela Day Organisation handed over knitted blankets and beanies recently. In the shot are Wendy Theunissen, an ambassador of the organisation; Andile Ncamana, Director of Malvern’s Children’s Home, Sue Eslick (67 Blankets for Nelson Mandela Day Organisation ambassador) and Retinah Mugumbate, Malvern Children’s Home supervisor. Pic by Tumi Pakkies, Independent Newspapers)

What if a ball of wool could create a friendship? That is the simple but powerful idea behind a new national partnership between 67 Blankets for Nelson Mandela Day and Exclusive Books, launching this June in the lead-up to and on Worldwide Knit in Public Day.

The initiative, titled Crocheting New Circles of Friendship, will roll out across 15 participating Exclusive Books stores in Gauteng, KwaZulu-Natal and the Western Cape, creating welcoming spaces where communities can gather, learn new skills, share stories and help bring warmth to those in need.

To support the initiative, participating stores will provide venue space, refreshments, wool, crochet hooks and knitting needles, while 67 Blankets Ambassadors and KnitWits will help newcomers learn the basics of crochet and become part of the movement's growing family of #GoodWool volunteers.

Maria Varfis, CMO of Exclusive Books, explains: "We have always believed that books and stories have the power to bring people together, but communities are built through many forms of creativity and connection. So the opportunity to partner with 67 Blankets for Nelson Mandela Day was a natural fit.

“Crocheting New Circles of Friendship is about creating welcoming spaces where people can learn, share, connect and contribute to something larger than themselves. We are delighted to open our stores to a movement that has touched so many lives and inspired such extraordinary acts of kindness.”

Carolyn Steyn, founder of 67 Blankets for Nelson Mandela Day, says the partnership beautifully reflects the heart of the movement. "People often think we are only in the business of making blankets for others," says Steyn. "But what we are also creating are connections, friendships and communities. Every blanket begins with a stitch, but every stitch begins with a person reaching out to another person.”

Annie Robinson Grealy continues, saying: "We are deeply grateful to Exclusive Books for opening their doors to us and for helping us create new circles of friendship across South Africa. Through this partnership, we hope to welcome many new people into the 67 Blankets family, where skills can be shared, kindness can grow and every stitch can become part of a much bigger story."

The initiative forms part of Worldwide Knit in Public Day, celebrated in more than 50 countries around the globe and embraced by thousands of crafters who take their knitting and crocheting into public spaces to share their passion with others.

 

History of 67 Blankets

Since its beginnings in 2013 as a challenge to create 67 blankets in honour of Nelson Mandela's 67 years of service, 67 Blankets has grown into a global movement that has wrapped countless people in warmth while inspiring acts of kindness across communities, generations and borders.

Across South Africa, Ambassadors, KnitWits and supporters will mark the occasion with gatherings that celebrate creativity, connection and giving back to their communities.

The first Crocheting New Circles of Friendship gatherings will take place at participating Exclusive Books stores across Gauteng, KwaZulu-Natal and the Western Cape throughout June, with local 67 Blankets Ambassadors and KnitWits helping to introduce newcomers to the joy of crochet and the spirit of #GoodWool.

Participating stores include Melrose Arch, Gateway, Eastgate, Cresta, Mall of Africa, V&A Waterfront, Pavilion, Fourways Mall, Cavendish, Ballito Junction, Sandton, Paarl, The Grove, Clearwater Mall and Canal Walk.

 

June 6, 2026

Melrose Arch (Gauteng) – 11h00

Gateway (KwaZulu-Natal) – 11h00

Eastgate (Gauteng) – 11h00

Cresta (Gauteng) – 12 noon

 

June 12, 2026

Mall of Africa (Gauteng) – 11h00

 

June 13, 2026 – Worldwide Knit in Public Day

V&A Waterfront (Western Cape) – 11h00

Pavilion (KwaZulu-Natal) – 11h00

Fourways Mall (Gauteng) – 11h00

Cavendish (Western Cape) – 11h00

Constantia (Western Cape – 11h00

 

June 19, 2026

Ballito Junction (KwaZulu-Natal) – 11h00

 

June 20, 2026

Sandton (Gauteng) – 11h00

Clearwater (Gauteng) – 11h00

The Grove, Pretoria (Gauteng) – 11h00

Canal Walk (Western Cape) – 11h00

Paarl (Western Cape) – 11h00

 

June 27, 2026

Clearwater Mall (Gauteng) – 11h00

Canal Walk Shopping Centre (Western Cape) – 11h00

 

More Retailers Help to Celebrate Worldwide Knit in Public Day

In addition to the Exclusive Books activations, other retailers and community partners are also opening their doors on Worldwide Knit in Public Day, helping to grow the circle of friendship, creativity and kindness that sits at the heart of the 67 Blankets movement.

 

George, Western Cape

The George KnitWits will gather on June 13 at Outeniqua Lifestyle Centre from 10h00, welcoming experienced crafters and first-timers alike. Needles, hooks and wool will be available, together with refreshments and plenty of encouragement.

 

Hermanus, Western Cape

On Saturday, June 13, Ocean Basket Hermanus will host a community knit-in from 12noon to 16h00, with participants aiming to complete 67 squares for future blanket projects.

 

Irene, Gauteng

Irene Village Mall, in partnership with the Broll Foundation and The Wool Shoppe, will host a public knitting and crochet event featuring prizes, refreshments, wool and crafting demonstrations on June 13 from 09h00 to 13h00

 

Fourways, Johannesburg

Supporters will gather at Spur Fourways Crossing on June 13 from 09h00 to 13h00 for another celebration of knitting, crocheting and community spirit.

 

Cape Town

Join KnitWits on June 13 from 10h00 to 14h00 at The Blue Route Mall.

 

Makro

On July 11, Makro will partner with 67 Blankets for Nelson Mandela Day to host scarf-making activations at its Amanzimtoti, Montague Gardens and Carnival City stores. Makro has generously supplied the wool for the initiative, while 67 Blankets KnitWits will help members of the public learn to knit and crochet scarves that will ultimately be donated through the movement's ongoing warmth projects. 

 

The initiative reflects the growing number of organisations embracing the spirit of #GoodWool and helping to spread warmth, friendship and hope across South Africa.

The spirit of the 67 Blankets movement extends well beyond this single day. Volunteers are already hard at work creating 388 scarves for Grade 6 and 7 learners at Sundown High School in Sandton, ensuring every learner receives a handmade gift of warmth during Mandela Month. "When people sit together with yarn in their hands, something remarkable happens," says Steyn. "Conversations begin, friendships form and barriers disappear. Whether you've been knitting for 50 years or have never picked up a crochet hook before, there is a place for you at the table. That is what Worldwide Knit in Public Day is all about.”

So bring your enthusiasm, your curiosity and your #GoodWool spirit.

To link to the 67 Blankets website, click on the logo advert alongside this article.

 

DEPARTURE(S): REVIEW

 

Easy to read, thought-provoking and immensely pleasurable. (Book review by Margaret von Klemperer, courtesy of The Witness)

 

According to the blurb, “Departure(s) is a work of fiction – but that doesn’t mean it’s not true”.

It is certainly a book that is almost impossible to classify. It’s not exactly a novel, though there is a novel-ish story inside it. It is not quite a memoir either. It has elements of both, along with meditations on memory, ageing and the prospect of death. And, famously, it is the author’s farewell. Julian Barnes has said publicly as well as in the text that this is his last book, and that, for his many fans, is a great sadness.

Barnes has long been a leading light in his generation of writers. And he has always played with his readers to a certain extent, blurring boundaries, so perhaps the structure of Departure(s) should come as no surprise. The book opens with his musings on memory – what it is, how it works, and what are the possibilities of it changing. He tells us that somewhere in here there will be a story, but it will be a story with a beginning and end, but no middle.

When we get to this story, Barnes is the narrator, and the two characters – who may or may not be fictional – are his friends, Stephen and Jean. Thus the story comes from the narrator’s memory which we have already come to understand may be unreliable.

The trio were friends at university, and, introduced by Barnes, Stephen and Jean became at item, but not one which survived their university days. Then, again through the narrator’s agency, they meet once more, much later in their lives. We read about their subsequent relationship, and the narrator’s role in it, along with many digressions into his own life and his health, his future and his past. And a third major character emerges – Jimmy the Jack Russell dog.

If Stephen and Jean are real people and not a pure fiction - and reading the book it felt to me as if they are, though Barnes could be playing with us again – we are told how they asked him to promise that he would never write about them. He promised, but that is exactly what he does, reporting their conversations with him, Jean about Stephen and Stephen about Jean. I have to admit that this made me slightly uneasy, but then again, what is true?

One of the greatest charms of Barnes as a writer is his dry, often ironic humour, which is on full display here, not least in his digressions into memory as revealed by the writings of Proust and his famous madeleine moment – described by Barnes as a “morsel of soggy cake”. Departure(s) is a short book, only 150 or so pages long, and to this reader at least, it was pure delight. Easy to read, thought-provoking and immensely pleasurable. – Margaret von Klemperer

Julian Barnes’ novel Departure(s) is published by Jonathan Cape - ISBN 978-1-787-33572-1