MiTH LINEUP AUGUST 26, 2026

 

(Sandy Elle Band)

The music you love in the place you love with the people you love – join us for a very special MiTH – the Midlands’ beloved Music in The Hills hosted at The Knoll Historic Guest Farm. For just R50, you get access to the perfect blend of great music, and there’s good food, familiar faces, and drinks on sale. Every MiTH night is its own unique little treasure chest.

 

Venue: The Knoll Historic Guest Farm

Entrance: R50.00 (cash or Zapper at the door)

Info: 082 331 7271

Join the KZN Midlands Live Shows WhatsApp Group for updates on live shows across the Midlands: https://chat.whatsapp.com/GiBNhzJXO7M6WPP41rRiFu

 

Programme:

 

21h00 – Sandy Elle Band

Formed in 2021 by drummer Grant Halliday, The Sandy Elle Band brings together a group of experienced musicians united by friendship and a shared love of live music. Although its members have established successful careers as solo performers and musicians across a range of genres, they come together as a band to create an energetic and versatile live experience.

Fronted by Sandy Elle on vocals and percussion, the line-up features Grant Halliday on drums, Lance Goldman on lead guitar and vocals, and Bryan Row on bass and vocals. Drawing on decades of collective musical experience, the band performs an eclectic mix of classic rock, pop, country, blues and contemporary favourites.

The Sandy Elle Band is known for its musicianship, harmonies and strong connection with audiences, bringing live music to venues, festivals, corporate events and private celebrations.

 

20h00 – Suits of Armour

Suits of Armour is a South African duo formed in 2023 by singer-songwriters Melanie Nash and James Robertson. Blending folk, rock, country and pop, the duo brings together Melanie’s velvet-smooth warmth and melodic sensibility with James’s gritty, rock-rooted edge.

Following their breakout debut single, Inside Our Pockets, Suits of Armour have continued to develop a sound built on strong harmonies, heartfelt storytelling and an easy musical chemistry. Their latest release, Lights Out, reveals a brighter, more playful side, combining acoustic textures, driving pop rhythms and country inflections in a carefree anthem about letting go, being present and enjoying the ride.

With Melanie’s seasoned folk sensibilities and James’s experience and instinctive storytelling, Suits of Armour deliver music that is both intimate and anthemic.

 

19h00 – Howick High Band

Led by Mr Mark Houston since 2016, the Howick High Band is a dynamic student ensemble featuring guitars, bass, drums, keyboards, flute and vocals. The current line-up comprises Mark Houston on acoustic, electric and bass guitar; Rebecca Coetzer on keyboard, flute and vocals; Lothisile Mazeka on vocals; Sahara Singh on electric guitar; Tryston Willby on drums; Joshua Harris on keyboard; and Stuart Macaskill on bass guitar.

The band performs lively covers spanning rock, pop and jazz, bringing youthful energy and enthusiasm to school concerts and community events. With its line-up evolving each year, the Howick High Band provides a platform for new musical talent while developing the creativity, confidence and musicianship of its young performers.

 

ABOUT MiTH

Food and cash bar available on site. The KZN Midlands’ favourite live music venue, MiTH is a platform for beginners, professionals and music lovers to celebrate the joy of live performance. Hosted every second Wednesday at The Knoll Historic Guest Farm, Hilton.

 

DIRECTIONS TO MiTH

Take the N3 to Hilton. Turn into Hilton Village and drive 5.2 km along Hilton Avenue, which becomes Dennis Shepstone Drive. Look for Knoll Drive on your right – the entrance to MiTH is the second left into The Knoll Historic Guest Farm.

 

More information on 082 331 7271, www.mith.co.za or mithbookings@gmail.com

 

2026 RMB TALENT UNLOCKED PROGRAMME: APPLICATIONS NOW OPEN

Applications Close: August 24 2026

The KZNSA Gallery is proud to be one of the host organisations for the 2026 RMB TALENT UNLOCKED PROGRAMME, an initiative dedicated to supporting and developing the next generation of South Africa’s emerging creative talent. Known for helping to launch and strengthen the careers of emerging artists across a range of artistic practices, RMB Talent Unlocked provides young creatives with valuable opportunities to develop their practices, build professional networks and gain meaningful experience within South Africa’s visual arts sector.

For 2026, the programme is hosted by KZNSA Gallery in Durban, alongside Artist Proof Studio and Bag Factory Studios x Umhlabathi in Johannesburg.

 

An Opportunity For KZN Artists

As the KwaZulu-Natal host organisation, the KZNSA Gallery encourages emerging visual artists based in KwaZulu-Natal to apply. The programme is designed for full-time practising artists ready to take the next step in developing their artistic practice and building a sustainable career in the arts.

Successful participants will have access to:

- Studio space for the duration of the programme

- Entrepreneurial Capacity-building and professional development

- Mentorship from experienced curators and established arts professionals

 

Who Can Apply?

The programme is open to full-time practising visual artists looking to deepen their practice, expand their professional networks and build a sustainable career in the arts.

To qualify for this opportunity, applicants must fulfil the following criteria:

-Be a full-time practising artist with a strong portfolio

-Hold South African citizenship and be able to be regularly working from the studio

- Between the ages of 18 to 35 years of age.

- Must have a minimum of a NQF 4 qualification e.g. Grade 12 or higher.

- Not be represented by a gallery and not yet had a solo exhibition.

- Commit to having no prior obligations with other galleries or shows from August 2026 to November 2026.

- Acceptance into the RMB Talent Unlocked 2026 programme necessitates full availability to engage in the project and attend all scheduled mentorship and capacity-building sessions.

- Commit to an exclusive 1-week face-to-face programme in Gauteng (transportation and accommodation will be provided) in October/November 2026.

- Non-attendance or failure to meet deliverables may result in attrition from the programme.

 

* Please read application instructions carefully!

Applications Close: August 24 2026

 

For more information, contact talent.unlocked@firstrand.co.za

and ensure the subject line is RMB Talent Unlocked.

Any applications sent via email will be deleted!

 

APPLY HERE

https://www.talentunlocked.firstrand.co.za/?utm_rce=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAcGRvZgJleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA85MzY2MTk3NDMzOTI0NTkAAaenIJ_IkFP6N3x_ykjSFC9W45LyRzarz39jVzpCg1_9kksdJZ-3FaFuMJDg6w_aem_dLHQmd1SUDFhGLaiHwIMzA

 

RED MANGO ARTS FESTIVAL - REPORT

 

Feedback report from Caroline Smart

 

Durban culture audiences were privileged to see the second-year return of the Red Mango Arts festival, founded by acclaimed South African actor, playwright and director Rajesh Gopie.

The festival is hosted in conjunction with Sastri College School, Red Mango Creative Arts (NPC), and the Sastri Alumni Association, with a firm commitment to creating meaningful opportunities for artists, audiences and communities through theatre, music, storytelling, cultural dialogue and artistic collaboration.

The impressive 2026 programme featured a line-up of theatre productions, music concerts, spoken word, heritage programming, youth development initiatives, industry conversations and collaborative international works. Particular emphasis continued to be placed on inter-cultural narratives, contemporary South African storytelling and works that engage themes of humanity, identity, social justice and healing.

I asked Rajesh if this was the largest event he had ever done. His response was typically definite: “Yes, by far,” he says: “A four-day event, costing hundreds of thousands, many months of prep, cross-genre events and programmes- multi-disciplinary in nature, marketing, audience development, mentoring and training, crisis management, space arrangement and festival design- look and feel, logistics, security, medical, compliance and legality ... the list goes on. So, yes, it is safe to say it is a huge undertaking, and definitely the biggest I have worked on.”

My next question was “Why was it called the ‘Red Mango’ festival?” He replied that the mango is a fruit synonymous with Durban. “Red, because it is ripe, fragrant, and juicy. Just like a work of art or event, it is ripe for the plucking, tasting, and appreciating.” Definitely a clearly thought-out answer!

On comparing the 2026 Festival with last year’s event, this year was harder because the festival progressed in size, and there more events to manage. Rajesh adds: “Which brings me to the point that events of such nature tend to grow organically and therefore demands much more of me and team.”

This year the footfall of the festival was more than doubled. There was more diversity and interest from sectors of the community that were not there last year.

Highlights included Sydenham Lightie, Global Ballie by Kurt Egelhof; the poignant Pulitzer nominated drama, Letters of Suresh; the launch of Imraan Coovadia’s latest book, Enemy of the People; Sufis, Mystics and Qawali – an evening of music poetry and spiritual storytelling in a special star-studded concert; the Tshwane University of Technology group were back, this time with the fun sun-soaked frolic, Mama Mia; Tonya Koenderman brought her Getting Old Disgracefully; Comedy Night with Jailoshni Naidoo and Friends; two plays for young people, an open mic, a dance demo, a magic show, line dancing, piano diva, storytelling, a grand finale concert, and more.

Plus, refreshments, outdoor places to relax and meet friends, books for sale, exhibitions and displays.

At a time when many arts organisations continue to face financial strain and diminishing institutional support, Red Mango Arts Festival positions itself as both a reminder of the importance of the arts in society as well as an urgent call to action by seeking meaningful partnerships across the public and private sectors while advocating for the long-term sustainability of the arts in Durban and KZN.

I asked Rajesh to comment on the support from performers/ artists and technicians. He said: that the artists and performers they had were professional and extremely supportive of the aims of the festival. “There was always a professional ethos generally, and we were very happy with the artists who performed. We would need to increase our technical support going forward, but we will cross that bridge next year and beyond.”

He adds: “I think my favourite activity was the line dancing in the open quad. This showed the spirit and spontaneity of community and art in action. Of course, I want to say everything was my favourite, but pick out the line dance because it really expressed the open joy of people there, as well as the ancient ideas that we as humans need to move and engage with each other in a physical/corporeal and connected fashion.”

 

(Right: Caroline Smart & Rajesh Gopie with her Lifetime Achievement Award)

Due to other commitments, I was unfortunately unable to see much of the action-packed programme but I was delighted to see Sufis, Mystics and Qawali. 

What was even more delightful – and a total surprise – was to be presented with a Lifetime Achievement Award. The other recipient being the late Ronnie Govender which made me equally proud.

Rajesh indicated that there was every intention of producing another festival next year but a date has not been finalised yet.

Any development will be announced on my website news.artsmart.co.za – Caroline Smart

Information on the Red Mango Arts Festivals is available on Facebook and Instagram@Red Mango Arts 

DURBAN STREET FOOD FESTIVAL 2026

 

(Pic by Shelley Kjonstad)

 

A Feast for the Senses Returns!

Pavilion Shopping Centre, Entrance 5: September 4 – 6, 2026

One of KwaZulu-Natal's biggest food, music, and lifestyle events, the Durban Street Food Festival 2026 returns to The Pavilion Shopping Centre from September 4 to 6, 2026.

Celebrating the very best of food, music, culture, and community, this year's festival promises to bring together more than 75 food, craft, and lifestyle brands, an exciting entertainment programme, family-friendly attractions, and two of South Africa's most celebrated headline artists.

Leading the 2026 music line-up, is legendary Mafikizolo brought to you by The Pavilion Shopping Centre, and award-winning musician Muzi, who will headline a weekend of live performances alongside an outstanding line-up of local talent, including: the KZN Youth Orchestra; Veranda Panda; Matt Davies and Tim Lewis.

The Durban Street Food Festival has established itself as one of South Africa's leading food and lifestyle festivals, celebrating the diverse flavours, cultures, and creative communities that make Durban one of the country's most exciting culinary destinations.

Festival-goers can expect an incredible selection of international and local street food, artisan desserts, gourmet burgers, seafood, vegan cuisine, authentic cultural dishes, handcrafted beverages, specialty coffee, sweet treats, and much more. Beyond the food, visitors will enjoy lifestyle shopping, artisan goods interactive brand activations, family entertainment, children's activities, and immersive festival experiences designed for every age group.

These businesses represent a wide variety of cuisines, products, and creative enterprises, contributing to local economic growth while showcasing the incredible talent found across the region.

One of the standout additions for 2026 is the DSFF Bokke Bokke Fan Park, where rugby supporters can come together on Saturday, September 5, to watch the Springboks live on the big screen in an electric festival atmosphere. The fan park will feature food vendors, beverage gardens, live entertainment, and activations, creating one of Durban's premier rugby viewing experiences.

Durban Street Food Festival also continues to strengthen its position as a major platform for experiential marketing, offering national brands the opportunity to connect directly with thousands of highly engaged consumers through immersive activations and lifestyle experiences.

Whether you're a passionate foodie, music lover, family looking for a great day out, or someone searching for Durban's best festival experience, the Durban Street Food Festival 2026 promises an unforgettable weekend.

Durban Street Food Festival 2026 takes place at the Pavilion Shopping Centre, Entrance 5 from September 4 to 6, 2026

For more information visit email: durbanstreetfoodfestival@gmail.com

Tickets through Quicket.

 

13TH EUROPEAN FILM FESTIVAL SA PROGRAMME ANNOUNCED

 

The 13th European Film Festival South Africa presents the latest award-winning, critically-acclaimed and star-studded European films for local audiences to experience in cinemas around South Africa from September 17 to 27, 2026. As the world faces ever faster and enormous changes, the festival’s offerings from across the continent paints intimate, human portraits of family in all its different forms as vital to personal, psychological and social survival.

This year’s programme boasts 12 films including new work from Oscar-winning directors Pawel Pawlikowski and Paolo Sorrentino; social realist legends, the Dardenne Brothers; BAFTA-winning feature debutant Akinola Davies Jr.; and intriguing, entertaining, always engaging work from both veteran and emerging European cinematic storytellers. Featuring impressive performances from the cream of European talent including Mads Mikkelsen, Javier Bardem, Sandra Hüller and Carice van Houten, and a host of newcomers ably meeting the challenges of demanding, emotional roles – the 13th edition of South Africa’s premier festival for cinema-lovers explores family and its realities and challenges across time, place and genre.

Opening the festival is The Last Viking, with Denmark’s biggest star Mads Mikkelsen, leading the star-studded cast of this madcap, blackly comic Danish family-drama/crime-caper-noir about brothers, mental health, past secrets, the Beatles and getting by with more than a little bit of help from your friends.

Winner of the BAFTA Award for Outstanding Debut, My Father’s Shadow (UK), British-Nigerian director Akinola Davies Jr’s first feature marks the arrival of a vital, bold new voice in world cinema. Poetically realised with haunting imagery and bustling, vivid, angry life it’s a deeply personal film that’s a tribute not only to its creators’ own father but to all parents who daily face the struggles to keep their families alive and together at all costs.

Germany’s offering Fatherland directed by Oscar-winning director Paweł Pawlikowski (Ida and Cold War), European cinema’s master of visual and narrative precision, delivers a tightly controlled, intimate, and heart-breaking portrait of German literature’s legendary Thomas Mann as he and his daughter make a journey across a nation trying to grapple with grief and the horrors of the past as the Cold War rages. Winner of the Best Director prize at this year’s Cannes Festival, the film stars Oscar-nominated Sandra Hüller (Anatomy of a Fall).

In Young Mothers (Belgium), the multiple award-winning Jean-Pierre and Luc Dardenne paint a small, gritty, and empathetic portrait of the struggles of young mothers. Abandoned by their families and society, these courageous and anxious young women support each other as they make the first of many tough adult decisions of their lives. Winner of the Best Screenplay award at Cannes this year.

Oscar- and BAFTA-winning leading Italian director Paolo Sorrentino (The Great Beauty) reteams with collaborator Toni Servillo in La Grazia (Italy). Servillo won a Best Actor statue at the Venice Film Festival for his performance in this elegantly styled, intimate drama about fathers, daughters, love, duty and the eternal question of “who owns our days?”- set against the grubby backdrop of Italian politics.

Colours of Time (France), directed by Cédric Klapisch is a family drama that weaves together stories from one family’s 19th century past and their 21st-century present. A memorably delightful and touching exploration of art, family and history.

Porcelain War (Ukraine) directed by Brendan Bellomo and this stunning documentary’s key protagonist, Slava Leontyev, is an inspirational Oscar-nominated film in which Leontyev, his wife, and their friend tell, at great personal risk and with footage they shot, the story of how their lives as artists were brutally upended by the war in Ukraine. Now, with roles as Ukrainian soldiers – they’ve never lost their passion for art and nature as they risk everything for family, nation and freedom.

Oscar winner Javier Bardem gives a brooding performance as the fictional, acclaimed, mercurial Spanish film director Esteban Martínez in The Beloved (Spain). Director Rodrigo Sorogoyen’s Martinez returns to his homeland to film a colonial-era period drama set in the Western Sahara. The film unravels the fragile relationship between fathers and daughters and asks difficult questions about personal sacrifices made in service of art.

In A Family (Netherlands) Dutch director Mees Peijnenburg offers a powerful window on divorce in modern Europe, told empathetically through the eyes of a brother and sister trying to each find their own ways - and hopefully a path together - through the aftermath of the bitter war between their parents. It stars Carice van Houten (Game of Thrones) and Pieter Embrechts.

Veteran award-winning Polish director Agnieszka Holland offers an energetic and generally bright biopic about the enigmatic literary genius Franz Kafka, in Franz. The film contemplates its protagonist, his difficult relationship with his father, and imagines how his legacy might be celebrated in the future.

Ireland’s Christy is the debut feature from Brendan Canty that has picked up many nominations and awards at this year’s Irish Film and TV Awards for its tender direction and impressive lead performance from Danny Power as the title character – a teenager with a murkily-remembered tragic past, who, after he’s kicked out of his latest foster home, returns to Cork to stay with his estranged brother. As he tries to figure out his future, he rediscovers the relationship with his brother and begins to imagine a home among people in a place he might yet grow to know and love.

The extraordinary and original, Aquí (Portugal) is director Tiago Guedes’ ambitious, epic and suitably enigmatic adaptation of the Jesus trilogy of novels by South African Nobel laureate J.M. Coetzee. It stays true to its source material’s humanist hopes, despairs and probing of the eternal philosophical questions that keep families and societies eternally (and anxiously) moving onward.

The festival pays tribute to the tireless dedication and vision of a former co-director of the festival Peter Rorvik, who sadly passed away earlier this year. Peter was a passionate supporter of independent films, and nurtured a generation of film lovers and filmmakers across South Africa and beyond for decades.

The 13th European Union Film Festival South Africa takes place from September 17 to 27, 2026 in Johannesburg, Cape Town, Durban and Pretoria.

For the full programme and schedule follow on social media or go to www.eurofilmfest.co.za

 

 

DRAKENSBERG BOYS CHOIR SCHOOL BOARD APPOINTS WILLEM S EKSTEEN AS CHAIRPERSON

 

The Drakensberg Boys Choir School (DBCS) has appointed respected strategist, reputation consultant and governance adviser Willem S Eksteen as Chairperson of its Board.

The appointment marks a new chapter for one of South Africa’s most distinctive independent schools as it intensifies its focus on musical excellence, learner recruitment, long-term sustainability and the continued development of boys through its unique integration of music, academic prowess, sports and Christian values. Elected at the School’s Annual General Meeting on August 3, 2026, Eksteen succeeds Dr Terence G Sibiya, whose exemplary tenure as Board Chairperson concluded at the end of July following more than a decade of leadership and service to the School.

The appointment represents an important step in leadership continuity as the School builds on a strong foundation of governance while preparing for its next phase of sustainable growth. The Board remains committed to ensuring that Drakensberg Boys Choir School continues to rank among the world’s leading centres of musical excellence while providing an outstanding holistic education that develops boys intellectually, spiritually, physically and creatively.

 

Building on an extraordinary legacy

For more than ten years, Dr Sibiya helped guide the school through a period of sustained strategic development, characterised by integrity, humility and an unwavering commitment to safeguarding the School’s unique mission. The Board expressed its sincere appreciation for his outstanding contribution and the lasting impact he has had on the governance and long-term direction of the institution.

Reflecting on his years of service, Dr Sibiya said: “It has been one of the greatest privileges of my life to serve the Drakensberg Boys Choir School over more than a decade. I am deeply grateful to every Board member, Executive Head, member of staff, parent, learner, alumnus and supporter who has walked this journey with me.”

Congratulating his successor, he adds: “Willem has served the School with integrity, wisdom and genuine passion over the past few years, and I have every confidence that he will lead the Board with humility and a servant heart. I wish him, the Board and the entire DBCS family God’s richest blessing as they continue building on the remarkable legacy of this extraordinary institution.”

 

A leader deeply invested in the School

Eksteen brings extensive strategic leadership experience together with a longstanding personal commitment to the School. He first became involved when his son joined as a Drakie New Boy and soon after served on the Drakies Parents’ Association before joining the Board in August 2023, where he has served as the Board Director responsible for Marketing and Fundraising, helping strengthen the School’s strategic positioning, stakeholder engagement and fundraising initiatives.

Professionally, he is the founding Chief Executive of Stone, a strategy, communication and marketing consulting firm he established in 2008. Holding qualifications in both Law and Journalism, Eksteen has advised South African and international organisations on strategy, governance, leadership, stakeholder engagement and organisational transformation.

Accepting his appointment, Eksteen pays tribute to his predecessor. “Dr Terence Sibiya has set an extraordinary standard of leadership and leaves very big shoes to fill. On behalf of the Board and the entire DBCS community, I thank him sincerely for his wisdom, humility and exceptional service.”

Describing the role of Chairperson as one of stewardship rather than status, Eksteen says: “Leadership is never about position. It is about service. Our responsibility is to serve this remarkable institution with humility, unity and wisdom, always placing the interests of the School and every boy entrusted to our care ahead of our own.”

 

Securing the School’s future

Looking ahead, Eksteen said the Board’s immediate priorities will centre on growing learner enrolment, strengthening donor partnerships and ensuring the School remains financially sustainable for generations to come.

“As an independent school, Drakensberg Boys Choir School receives no public operating funding. Our long-term sustainability depends on school fees together with the generosity of donors, alumni, parents, companies, foundations and friends who believe in the transformative work of this remarkable world-class institution. Growing learner recruitment and expanding fundraising are therefore among the Board’s highest strategic priorities. They are investments in safeguarding one of South Africa’s greatest cultural and educational treasures.”

Eksteen says the School offers a unique educational proposition that extends far beyond the internationally acclaimed Drakensberg Boys Choir. “Parents choose Drakensberg Boys Choir School because it develops well-rounded young men. Our world-renowned Drakensberg Boys Choir programme is complemented by strong academics, competitive sport, Christian values, leadership development and a healthy boarding school life within the magnificent mountain environment of the Central Drakensberg. Few schools anywhere in the world offer such a distinctive and holistic educational experience.”

Calling on the wider DBCS community to unite behind the School, he adds: “Every parent, alumnus, donor, supporter and friend has an important role to play in securing the future of Drakensberg Boys Choir School. Together we can ensure that future generations continue to benefit from an education that changes lives through music, character, academic excellence and service.”

Executive Head Hendrik Bekker welcomed Eksteen’s appointment, describing him as a leader who understands both the School’s heritage and its future. “Willem understands that the strength of Drakensberg Boys Choir School lies in the unique balance we achieve between world-class musical excellence, outstanding academics, competitive sport, character formation and healthy boarding school life. His strategic leadership and high work ethic will help ensure that this distinctive school model continues to flourish for generations to come.”

Reaffirming the School’s enduring purpose, Eksteen concludes: “Our motto, ‘Music is our Ministry’, must continue to guide everything we do. If we remain faithful to our Christian values, united in purpose and committed to excellence, the future of this extraordinary School will be every bit as inspiring as its past. Let us continue working hard with a good attitude.”

MUSIC EN MASSE 2026

DLI Hall, Greyville: Sunday, September 13 at 14h30

The British Cultural & Heritage Association presents Music en Masse 2026 – a participative and fun orchestral concert which aims to bring together musicians - anyone who can read and play music - of all ages and cultures in KZN for a concert performed by “the biggest orchestra ever seen in Durban” to take place in the DLI Hall in Greyville on Sunday September 13 at 14h30.

The concert has become an annual event - part of Durban’s musical calendar – featuring a public performance by a massed orchestra, under the baton of Russell Scott, which aims to serve the interests of the arts, culture and musical education in Durban. The organisers are looking for participants to join in!

The concert features a varied programme of orchestral favourites and eclectic musical numbers: National Anthem; Carmen Suite – Habenera; The King and I Selections; Go West!; Music from Lord of the Rings; Themes from Memoirs of a Geisha (strings & percussion); Gabriel’s Oboe; Amparita Rocca; Intermezzo from Cavalleria Rusticana and Can Can from Orpheus in the Underworld.

To participate, or for more information contact - phone: 031-202 6174 / mail bcha1820@global.co.za

FROM STAGE TO SCREEN II

Durban City Orchestra presents more songs from film and musical theatre: From Stage to Screen II

 

Performances:

August 23 at 15h30 at St Agnes, Kloof

August 30 at 15h00 at St Thomas Church

 

The Durban City Orchestra presents their second concert series of the year, following on from their hugely-successful homage to music from film and musical theatre – with a second programme of carefully-curated glorious bouquet of themes from much-loved stage and screen productions to be performed throughout Women’s Month.

Among the pieces to be performed include: Disney at the Movies; Feather Theme from Forrest Gump; theme from Harry Potter; Hook; How to Train your Dragon; Jurassic Park; Lord of the Rings; Phantom of the Opera; Pirates of the Caribbean and Superman.

Sponsored by Mzansi Philharmonic. 

Tickets through Quicket and at the door. 

 

JOMBA! KHULUMA 2026

What Moves When Bodies Gather? JOMBA! 2026 and the Choreographies of Activism — a festival preview

By Clare Craighead (for JOMBA! KHULUMA)

 

JOMBA! Contemporary Dance Experience

Activism is a word with weight. It is also a word we use easily. We recognise its gestures, its slogans, its urgency. But what happens when we place activism alongside dance? What might a body do that a placard cannot? And when does moving, gathering, remembering, teaching, making or simply taking up space become political?

These questions sit inside the 28th JOMBA! Contemporary Dance Experience and its 2026 curatorial provocation, “Choreographies of Activism: Moving Bodies as Disruptive Presencing”.

They are not entirely new questions for this festival.

Across 28 years, JOMBA! has repeatedly made space for contemporary dance that unsettles easy borders: between art and politics, the personal and the public, African and international practice, and the body as something we watch and the body as something lived, social and historical. So perhaps this year’s theme does not announce an entirely new direction. Rather, it brings into sharper focus something that has long moved through the festival.

Across its history, JOMBA! has offered space to artists whose work carries difficult and often unresolved questions: race and colonialism, gender and sexuality, displacement, disability, belonging, memory, environmental crisis and the politics of who gets to appear. But activism cannot only be located in what a dance is about. It may also sit in the longer work of making and holding space — for African contemporary dance, for exchange across borders and generations, for emerging artists, for critical conversation, and for bodies and practices that have not always been afforded equal visibility.

This makes the word activism usefully open.

In 2026, PJ Sabbagha, Mamela Nyamza and Vincent Mantsoe bring very different artistic histories and choreographic languages into the same festival. Their work need not stand for one idea of political dance. Nor do the international artists gathering in Durban need to be folded neatly into a shared language of resistance. Part of what a festival makes possible is this encounter between difference: different histories, different urgencies, different relationships to the body, and different ideas about what dance might be asked to do.

Activism may arrive loudly, through confrontation or refusal. But it might also sit in persistence, memory, ritual, humour, care, survival and community; in who gets to dance, who gets to make, and who gets to be seen. Sometimes it may be found in the sustained act of continuing to make work at all.

The spaces around the main performances stretch these questions further. OPEN HORIZONS creates space for developing and established choreographers; FEMME FORWARD invests in emerging women-identifying dance artists in KwaZulu-Natal; DIGITAL JOMBA! asks how choreography shifts when bodies meet cameras and screens; while workshops, talks and public conversations allow ideas to keep moving after the dancing has stopped.

 

And KHULUMA asks us to write.

The 2026 JOMBA! KHULUMA Dance Writing Residency is already underway, with a new group of 13 emerging writers beginning the work of researching, looking, listening, questioning and finding language for what they are about to encounter. As JOMBA! unfolds, their reviews and reflections will begin to appear too — as part of the conversation that gathers around them.

Perhaps this is where “Choreographies of Activism” becomes most interesting: not as a definition that the programme must prove, but as an invitation to remain attentive.

What kinds of presence become disruptive, and in what circumstances? What histories arrive with the bodies we watch? What does it mean to make space, to hold it, or to shift the terms on which that space has been offered? Where might activism be found in the visible gesture, and where might it be quieter, slower, less immediately legible?

The 28th JOMBA! Contemporary Dance Experience runs in Durban from August 25 to September 6, 2026. Watch this space as the 2026 KHULUMA writers begin sharing their responses throughout the festival — and come and encounter the dancing for yourself.

Book your tickets through Webtickets.

 

MIDNIGHT IN PARYS: REVIEW

 

(Paul Slabolepszy & Bianca Amato. Image taken from a Montecasino poster)

 

Reviewed at the Hilton Theatre during the Hilton Arts Festival. (Review by Shannon Kenny)

 Parys, Free State: Aiden Stromberg (Paul Slabolepszy) and Joanna Devlin (Bianca Amato), strangers, meet in a cafe in this platteland dorp. “Paris with a y” has drawn them both there for different reasons. It is midnight, the Southern Cross is in the sky and the Vredefort Dome, a short distance away, a memorial to cataclysmic and literally earth-shattering events, is also a portent of what might be revealed.

The humour is dark - it’s a Paul Slabolepszy play, after all.

The set evokes a tiredness in the bar furniture, the plastic table-cloths and yellow walls and one even has this sense it must reek of the smoke from myriad cigarettes lit and stubbed out over decades.

What ensues in their encounter is the pealing back of layers of artifice and emotional body-armour. The Beatles’ Norwegian Wood” the phone calls Aiden avoids answering, Joanna’s Northern Ireland (Derry) accent, the absence of partners, references to the Dome, the Southern Cross and Thabiso all begin to make sense. There’s history, love, pain, regret, trust, loss, displacement, choices and grief; troubles personal and political that never allow you to ‘settle’.

Aiden Stromberg is an affluent engineer from Joburg, the last customer in the café owned and run by Joanna Devlin. The rest of her staff have long since gone home and Joanna needs to lock up. Her Derry accent reveals she’s clearly not a Free State platteland native and she has no problem confiscating Aiden’s car keys because he is in no state to drive. She suggests he rather check in at the local holiday chalets before setting off in the morning.

Aiden demands his keys be returned and so this anti-meet-cute proceeds, first flickering, then bursting with the energy of a dozen wildfires, till it dwindles to a smoulder that leaves the audience a lot less comfortable with our assumptions, prejudices, choices and points of view. And at the top of our audience hive-mind is the question: What has brought them here?

The story unfolds as the conversation by turns morphs from parley, to tete a tete, to debate, to counsel, to consolation - each character divulging snippets of their lives, warm reminiscences, and origin stories with inconvenient truths. Probing questions are asked, sometimes gently, sometimes forcefully. Truths are spoken or shouted, sometimes barbed, sometimes with compassion, empathy. And the answers we get aren’t always the ones we expect.

Written by Paul Slabolepszy and directed by Bobby Heaney, this story of deep love of the romantic kind; love of the kind where you would risk any and everything for the precious life of another; of compassion that goes beyond words; of finding sanctuary in remote places - and people; about trust that allows us to escape to find healing peace and looking to the stars to guide us to our eternal home, to the fulfilment of dreams.

Bianca Amato and Paul Slabolepszy breathe life into their characters through their fine-tuned, nuanced and utterly believable performances. Amato’s portrayal of a single mother who has seen it all - troubles personal and political - is superb. Slabolepszy embodies the elderly curmudgeon with such ease. We are invited into the sanctuary they create on stage and held there till the final bow.

This is theatre that forces you to shift uncomfortably in your seat because it is abrasive and raw in what it lays bare about the human heart. That our joy, our despair, our hope can all exist all at once wrapped up inside us and how we wrestle with any or all of them is uniquely ours to contend with.

In the words of a certain young person in my life: “The purpose of any good art is to make you think and feel, challenge - and maybe even change - your point of view. It’s not meant to just stroke your ego or make you feel comfortable with the way things are. In fact, some art should make you feel uncomfortable - and that’s a good thing, I think.”

This is good art - written, directed, performed. If this play ever comes your way, see it! – Shannon Kenny.

AGATHA CHRISTIE’S THE HOLLOW

Agatha Christie’s The Hollow is showing from August 21 to September 5 at Westville Theatre Club. Come and watch the mystery unfold right before your eyes!

Directed by Jill Sysum & Maya Olsen, The Hollow remains an example of classic Christie: a gathering of guests at a country house is disturbed by a sudden death and luckily Poirot is in attendance. The main players include a downtrodden wife, her successful husband, and the reappearance of an old flame.

Lady Angkatell, intrigued by the criminal mind, has invited Hercule Poirot to her estate for a weekend house party. The Belgian detective's arrival at the Hollow is met with an elaborate tableau staged for his amusement: a doctor lies in a puddle of red paint; his timid wife stands over his body with a gun while the other guests look suitably shocked. But this is no charade. The paint is blood and the corpse real!

 

Dates: August 21 - September 5

Saturday & Sunday Matinees: Doors open 14h00 | Curtains up 14h30

Friday & Saturday Evening Shows: Doors open 18h30 | Curtains up 19h00

Dinner-style theatre – bring your own food and drinks!

 Tickets: R120 (R100 for students, pensioners, and members)

Venue: Westville Theatre Club

  

To Book:

WhatsApp Dorothy on +27 83 776 1754

Email: dorothyannoneill@gmail.com

 

28th JOMBA! CONTEMPORARY DANCE EXPERIENCE

Elizabeth Sneddon Theatre / Square Space / Stable Theatre / KZNSA Gallery – August 26 to September 7.

The University of KwaZulu-Natal's Centre for Creative Arts presents the 28th JOMBA! Contemporary Dance Experience, a 13-day celebration taking place from August 26 to September 7, 2026. JOMBA! features internationally-acclaimed choreographers, emerging artists, scholars and audiences in a festival that is one of the continent’s leading platforms for contemporary dance.

This year's programme welcomes artists from South Africa, Spain, France, Jamaica, the Netherlands, Uganda, Ireland, Nigeria, Tanzania and Brazil, presenting an extraordinary programme of performances, artist residencies, workshops, public dialogues, youth platforms and digital dance.

For more information and the full programme, go to www.jomba.ukzn.ac.za or to book, go to Webtickets.

Special full festival passes at a discounted rate are available.