Review of My Cape Town

Friday, October 23, 2026

THE WITCHES OF CAMBRIDGE: REVIEW

 

(It is a long time since I have read an Alice Hoffman novel, and there is no doubt that she can tell a pacy, clever story. Review by Margaret von Klemperer, courtesy of The Witness)

 

If you are born with an extra finger on one hand, your blood is black, you can’t drown and you are being followed around by crows, then, in Alice Hoffman’s world, you are a witch.

Fans of the author of her The Witches of Cambridge will of course know this. Hoffman has made the witchy world her own in fiction, and here she is introducing a new cast of witches in a novel which is set in the 1950s world of Radcliffe College, now a part of Harvard but at the time an adjunct where women could receive a university education but without distracting the men. However, of course, Massachusetts had an earlier history with witches, having been the site of the notorious witch trials of the late 17th Century.

One of the residences at Radcliffe is Lilith House, a very secret society where only witches go. And when the novel opens, two new students are invited to join – Ava, a country girl from Maine and Lauren, a wealthy local. Their backgrounds are very different, as are their characters, but of course they have one major similarity. And they become close to each other – at least for some of the time – and their lives become intertwined.

Lilith House may be a comfortable bolt hole for the young witches, but not all goes smoothly. Like most university students, their love-lives take up quite a lot of their time, and do not always go according to plan. But things also seem to be going strangely at Lilith House when senior students suddenly vanish just before their graduation. And they all had some part of their studies in common.

Then Ava finds diaries that date back to the time of the witch trials of the 17th Century, which seem to have links to the 1950s witchery of Ava and Lauren – and show that being a witch may well be a genetic inheritance. These historical sections add an interesting dimension to the novel. However, Hoffman’s linking of the early witch trials to the McCarthy witch hunts of the 1950s sometimes seems a little clumsy. Lauren’s brother – also a witch, of course – is gay, and in Senator McCarthy’s world, gay people had to be hunted down and dealt with. And so that becomes a dimension of the plot as well.

It is a long time since I have read an Alice Hoffman novel, and there is no doubt that she can tell a pacy, clever story, though I am not sure I would describe it as bewitching. Her fans will probably love it, but I’m still not going to be checking out people’s hands when I meet them for signs of an extra finger.- Margaret von Klemperer

The Witches of Cambridge is published by Scribner: ISBN 978-1-3985-6530-2

 

KWAZULU-NATAL INTERNATIONAL ARTS FESTIVAL

 

The inaugural KwaZulu-Natal International Arts Festival (KZNIAF), will bring a vibrant multidisciplinary celebration of arts, culture and heritage to eFolweni, KwaXimba and Durban from October 30 to November 1, 2026.

In partnership with Stained Glass TV and funded by the National Arts Council (NAC) through PESP7, Supported by Inanda Fm, the Festival aims to strengthen KwaZulu-Natal’s creative economy by connecting artists with audiences, creating performance opportunities and celebrating the province’s diverse cultural identity.

Under the spirit of uMqhele, the Festival will showcase the depth of local creativity through community-based Fringe activities followed by a major launch at the Durban University of Technology (DUT).

 

October 30: Fringe Programme Opens at eFolweni

The Festival opens on Friday, October 30, at eFolweni Red Cross Community Hall, where audiences can enjoy a multidisciplinary programme featuring music, visual art exhibitions, theatre and a dance challenge.

The day’s activities will be led and hosted by the eGagasini Trio, with a special performance by the Folweni Gospel Choir. The programme celebrates community talent and brings artistic expression directly to local audiences.

Entrance: R50, with tickets available through Webtickets and at the gate.

 

October 31: KwaXimba Celebrates Theatre, Dance, Music and Heritage

On Saturday, October 31, the Festival moves to Isithumba Adventures in KwaXimba, within the scenic Valley of a Thousand Hills, bringing together established and emerging artists in a celebration of performance, storytelling and visual arts.

The theatrical programme opens with Yemuke Nezibopho, a Zulu drama written and directed by Silindile Maphumulo. Audiences will also experience Pantsula dance choreographed by Lungisa Zondi, known as TjoviTjo on uZalo, bringing township dance culture into a rural setting.

The programme continues with WOMANDLA, an Afro-contemporary and narrative dance production choreographed by Lindokuhle Ziqubu, written and stage-managed by Andiswa Mbanjwa. The work explores the expressive power of dance and storytelling.

Music lovers can look forward to performances by Mr 5-Minutes and Sandile Gwala, alongside local artists. Poetry and spoken-word performances will feature Azibuyele Emasisweni, Kelello Mokhele, and Chris Fallen with his son.

Visual arts will be represented by Wushwini Arts Gallery, Isizotha Arts and Design, and Mlamuli Shozi’s Pencil Arts, showcasing creative talent rooted in KwaZulu-Natal communities.

Special guest artist Zawadi Yamungu will join a conversation exploring cultural music, authenticity and the importance of preserving cultural identity within the music industry.

The programme also includes a free workshop on mastering the business of the arts, supporting the Festival’s commitment to helping artists understand the commercial and professional dimensions of their practice.

Entrance: R50, with tickets available through Webtickets and at the gate.

 

November 1: Main Festival Launch at DUT

The Festival reaches its highlight on Sunday, November 1, at the DUT Courtyard Theatre and Outdoor Spaces in Durban, from 10h00 to 18h30.

The launch will offer audiences a red-carpet experience, food-selling stands, art exhibitions, live drawing, cultural brand displays, creative talks, networking and live performances.

The Jazzy Groove Session, curated by Ncebakazi Zima, will bring a music-focused experience to the programme. Creative talks will feature Dr Mandisi Sindo, a theatre innovator from Cape Town, and Mxolisi Masilela the Great, founder of TX Theatre from Johannesburg.

Representing poetry, Ghubela will contribute to the festival’s literary and spoken-word offering, while Saliwa will showcase Maskandi music through a contemporary cultural lens. Cameron Govender of ParamAthman Dance Theatre will explore multiculturalism through dance.

The programme will also feature members and representatives of Stained Glass TV, highlighting the relationship between television, performance and the wider creative industries.

Comedy theatre will take centre stage through Sabelo Jili’s one-man show, USIPHEPHO, adding a distinctive theatrical experience to the launch.

The day will be guided by programme directors Lungile “Coach” Nkombela and Okuhle Msithwa, whose sign-language contribution supports a more inclusive festival environment.

Entrance: R150, with tickets available through Webtickets and at the gate.

 

Building a Creative Future for KwaZulu-Natal

Beyond the three-day celebration, KZNIAF seeks to establish a long-term platform that progressively reaches all 11 districts of KwaZulu-Natal. Its vision is to bring quality artistic work into rural and community spaces, develop marginalised and emerging talent, and connect artists with professional stages, audiences and industry opportunities.

By bringing together community performers, established practitioners, cultural organisations, government stakeholders and audiences, the Festival aims to demonstrate that KwaZulu-Natal’s landscapes and communities can become stages for stories that travel across the world.

For ticket bookings: Webtickets or purchase at the gate.

 

Festival enquiries: Sibusiso Sithole Founder and Festival Director KwaZulu-Natal International Arts Festival (KZNIAF) Tel: 078 671 1649 Email: kzn.info@gmail.com

ISPA MUSICAL THEATRE SHOWCASE EXTRA SHOW

 


The International School of Performing Arts (ISPA) proudly presents their annual Musical Theatre Showcase starring their talented first, second and third year students.

Join ISPA on Monday October 26 at 18h00** at The Seabrookes Theatre - Durban High School for an unforgettable evening of iconic musical theatre favourites.

The talented students will perform songs from legendary musicals like Les Misérables, Hamilton, Sweeney Todd and Waitress.

This is a unique opportunity for prospective students, parents, and theatre enthusiasts to experience the exceptional training and performance quality that ISPA provides.

Booking is at Webtickets.

 

About ISPA

The International School of Performing Arts (ISPA)is a tertiary academy dedicated to nurturing the talents of up and coming performers. With a focus on musical theatre, ISPA provides students with the opportunity to develop their triple threat skills - dance, drama and vocals as they gain experience in the performing arts.

 

**The Musical Theatre Showcase had its premier performances on October 21 and 22 which were sold out almost immediately, hence the excellent decision to repeat the event.

Tuesday, October 20, 2026

MiTH: OCTOBER 21

MiTH (Music in the Hills) brings another evening of live music to The Knoll Historic Guest Farm, where the Midlands comes together for a proper night out. For just R50, you can catch a hand-picked mix of local and national musicians and performers, with genres, styles and surprises changing from fortnight to fortnight.

Grab something good to eat, order a drink, find a spot and settle in. MiTH isn’t a concert where everyone listens and then goes home. It’s a night of discovering new music, bumping into old friends, meeting new ones and enjoying the wonderfully unpredictable business of live performance. Come curious. Come hungry. Come thirsty. *Most of all, come listen.*

 

Venue: The Knoll Historic Guest Farm

Date: October 21, 2026

Entrance: R50 (cash or Zapper at the door)

Info: 082 331 7271

Join the KZN Midlands Live Shows WhatsApp Group for updates on live shows across the Midlands: https://chat.whatsapp.com/GiBNhzJXO7M6WPP41rRiFu

 

21h00 – Undivided Roots

Undivided Roots ZA is a roots, rock, and reggae band founded by legendary Edendale street musician Nstangu “Roots” Cele. The group is a family ensemble of seven siblings - Black Wadada, Revival Cele, Heaven Cele, Spear Cele, Kingdom Cele, Rainbow Cele, and Judgement Cele - who have built their musical lives through busking, performing, and sharing their unmistakable sound across Pietermaritzburg and beyond.

Their repertoire moves easily between old‑school rock, blues, jazz, and the deep pulse of roots reggae, creating performances that are rhythmic, soulful, and irresistibly dance‑inducing.

Over the years, Undivided Roots has shared stages with major South African and international artists, including Johnny Clegg, Gangs of Ballet, Prime Circle, Queen Ifrica, Watershed, Zahara, and Tony Rebel. With their unmistakable family chemistry and a sound shaped by years of street performance, Undivided Roots remains one of the Midlands’ most authentic and beloved musical institutions.

 

20h00 – Likkewaan

Likkewaan is a South African multilingual original indie‑rock act founded and led by singer, songwriter, and producer Gareth Warren. Originally from Johannesburg and now rooted in KwaZulu‑Natal, Gareth has shaped Likkewaan into a distinctive project that blends surf‑culture guitar grooves, modern indie textures, and electronic production influences.

The result is a fresh, contemporary sound emerging from the KZN Midlands and Durban alternative scene. Drawing on both Afrikaans and English songwriting, Likkewaan’s music is melodic, atmospheric, and rhythmically driven, with Gareth’s production style giving the project its unmistakable character.

Whether performing solo or with a full band, Likkewaan brings an energetic, modern edge to stages across KZN - a growing presence in the region’s evolving indie landscape.

 

19h00 – The Chickpeas

The Chickpeas didn’t materialise out of nowhere - they sprouted from the fertile musical soil of the Hairy‑Legged Lentil Eaters. Raised on legendary local bands, tight harmonies, and a community that thrives on music, their philosophy remains simple: honour the music, surprise the audience, and never miss an opportunity for a well‑timed musical detour.

Performing both original and cover material and influenced by Incubus, Crowded House, and The Cranberries, The Chickpeas build their repertoire around rich vocal harmonies, rhythmic interplay, and reimagined favourites alongside original material. Their performances blend polished musicianship with spontaneous creativity, all wrapped in warm humour and heartfelt delivery.

Now a fresh face of the KZN Midlands music scene, The Chickpeas have quickly become crowd favourites, bringing vibrant, contemporary energy to stages across Hilton, Howick, and the greater Midlands region.

 

ABOUT MiTH

Food and cash bar available on site. The KZN Midlands’ favourite live music venue, MiTH is a platform for beginners, professionals and music lovers to celebrate the joy of live performance. Hosted every second Wednesday at The Knoll Historic Guest Farm, Hilton.

 

DIRECTIONS TO MiTH

Take the N3 to Hilton. Turn into Hilton Village and drive 5.2 km along Hilton Avenue, which becomes Dennis Shepstone Drive. Look for Knoll Drive on your right – the entrance to MiTH is the second left into The Knoll Historic Guest Farm. Info: 082 331 7271, www.mith.co.za or mithbookings@gmail.com

 

 

NATIONAL ARTS FESTIVAL NEWS

 


(Above: A scene from “Magic Maids” at the 2025 National Arts Festival, image by Mark Wessels)

 

The National Arts Festival is looking for an Artistic Director. Deadline for applications is October 30, 2026.

The NAF is looking for someone with creative vision to drive the festival into a new era. The Artistic Director will set the curatorial identity of NAF as the NAF strives to be the leading contemporary African arts festival - known for quality, relevance, discovery and international reach rather than size alone.

The NAF is hiring for a five-year renewable-term for a part-time Artistic Director who will be working alongside the CEO and chairing an Artistic Committee of practising artists, curators and sector experts. The Artistic Director curates across every discipline, from theatre and dance to music, visual art, film and digital work.

It’s also an opportunity to play a role in shaping the sector; leading a New Works programme that commissions and develops fresh work, steering the Fringe as an innovation laboratory and developing emerging talent through a New Voices initiative. The AD will also build exchange with festivals across Africa and the world.

This is an exciting opportunity to shape a new direction while building on 52 years of legacy and integrity. If it’s calling your name, apply below before October 30, 2026 (23h50 SAST).

 Apply to be the next NAF Artistic Director

https://nationalartsfestival.co.za/news/naf-artistic-director-vacancy/

 

 

Don’t miss the Fringe entry window

 


(Above: “12 Dogs” performed at the National Arts Festival. Image Mark Wessels)

 

The window to apply for The Fringe is currently open and closing on November 8, 2026.

https://forms.zohopublic.com/nationalartsfestival/form/NAFFringeProductionApplications/formperma/rtej7_-6ur9SD8TifcXMP24lRxqdHvK5kZyc9rBX_WA

While the Fringe is not curated around artistic consideration, space is limited and demand is very high. The Festival looks at the available space and reviews the geographic origin of work, diversity, language, genre and audience appetite to create a diverse and robust Fringe Festival.

The Fringe is independent and unfunded. This means that creators are responsible for raising the funds to produce and present their work. Ideally fundraising for the project should begin now.

Artists who apply for the Fringe are only registering their interest. This does not guarantee them a place. The Festival will inform all applicants whether their registration has been confirmed by February 1, 2027.

 

Beyond the Stage

The Fringe also lives outside of the theatre. If you have work that lives in the streets, is an event, conversation, idea or experience don’t hesitate to apply.

The Festival is also encouraging artists who are working at the intersection of creativity and technology and who are exploring indigenous knowledge systems to apply.

During the National Arts Festival, new Fringe shows are reviewed by an anonymous Ovations Panel and excellence is awarded through the Ovation Awards. At the end of the Festival, additional Gold, Silver and Bronze Awards are awarded for work that stood out.

Productions who win Ovation Awards get to carry an Ovation Awards badge on their marketing, funding applications and festival applications; an endorsement of positive independent review and a signal to audiences that a newcomer show should be on their watchlist.  

 

NB:

If you’re ready to take the plunge and serious about raising the funds to get to Makhanda in 2027, head to the Fringe application form below and sign up by 23h59 on November 8, 2026!

 

Monday, October 19, 2026

ELF THE MUSICAL JR.

 


The magic of Christmas is coming to The Playhouse Company!

The Young Performers Project, in association with DALRO and The Playhouse Company, proudly presents Elf The Musical JR., a spectacular festive adventure filled with laughter, music, dazzling performances and Christmas cheer!

Based on the beloved 2003 film, this heartwarming musical follows Buddy, a human raised by Santa’s elves at the North Pole, as he embarks on an extraordinary journey to New York City to discover his true identity, reunite with his family and spread the true spirit of Christmas.

Get ready for high-energy musical numbers, spectacular choreography, hilarious moments and plenty of festive surprises! Perfect for the whole family, this magical production promises to bring the joy and wonder of Christmas to life on stage.

Your festive outing awaits:

DATES            December 4 – 20, 2026

VENUE           The Playhouse Company, Drama Theatre

TICKETS        R190 to R225. Booked through Webtickets

 

Come dressed in your Christmas best!

And the festive fun doesn’t end when the curtain falls! Come dressed in your Christmas best and enjoy a special photo opportunity with Santa and his elves after the show!


EVGENY ZHADANOV & ANDREW WARBURTON

 

 

Well-known musicians Evgeny Zhadanov and Andrew Warburton will perform works for violin and piano by Mozart, Beethoven and Grieg on November 14 at 14h30 at the Howard College Theatre, UKZN.

Tickets R100 cash at the door or EFT.

For more details whatsapp 082 853 4540

 

Directions:

Go through Gate 1 of the university until you see the Howard College building with the dome on your right. Park. Walk into the building and bear left.

Sunday, October 18, 2026

THEATRE BY THE SEA

 


(Above: Sea as a source of recreation. Photo by Shelley Kjonstad)

 Alongside Maritime Museum: Sunday October 25, 2026, 09h00 until 16h00

 

Theatre by the Sea: A special one-off free festival honouring the Sea as a force, a resource, a pantry, a playground, a boundary, and source of endless inspiration, mystery, relevance and joy, will be staged in Durban this Sunday, October 25, in the open space alongside the Maritime Museum off Durban’s Esplanade.

The festival will comprise a free programme of street theatre in different performance genres from drama to music to dance, all honouring the sea in different ways.10 groups will be participating – seven from KZN and three from the Eastern Cape.

Funded by the National Arts Council (NAC); in partnership with the Department of Sport, Arts & Culture and Rooted Twins Community Arts Organisation, supported by the Port Natal Maritime Museum and BAT Centre, the festival comprises a day of performances of around 15 minutes each from 10h00 onwards.

The day will open at 09h00 with participants performing a ritual honouring the sea. Thereafter from 09h00 until 10h00 there will be a participative community clean-up of the area around the Maritime Museum.

 

(Deeply Rooted twins - Vumile and Vuma Madlanga. Pic Shelley Kjonstad)

The festival comes out of the notion that Zulu cultural practices suggest twins should not engage with the sea. Vuma and Vumile Madlanga have spent their lives living close to the ocean but having never actually swam, paddled or submerged themselves into the sea water. They set up the festival for art makers to grapple with the various traditions and cultural responses we have with the sea. 

“We are celebrating theatre that connects us to nature, spirit and the wisdom of our ancestors. We will have one stage by the ocean to tell stories that heal, dances that remember and music that moves your soul,” says Vumile.

 “Bring your family. Bring your spirit. Bring your summer joy. This is theatre that breathes with the sea,” concurs Vuma.

Entry is free and all are welcome!

Bring refreshments, water to drink, something to sit on, sunhats, sunscreen and shades.

Park by the BAT Centre / Maritime Museum / Small craft harbour

For enquiries contact Vumile 084 062 2330 or Vuma 074 011 9369 |or email: pinavumile@gmail.co.za

 

 

DAVID SPURRETT FOR ST CLEMENTS

 

(Left: David Spurrett)

 

On the Pieter Scholtz Stage*, an intriguing focus for the November 2nd "Mondays at Six" St Clements programme. During the past six months they’ve had elephants, botanicals and bees. 

Now, a gentle transition: to philosophy and human be-ings with Professor David Spurrett, who will share observations and provocations from his new book, Whose Mind is It Anyway?

David Spurrett calls himself a naturalist philosopher of cognitive science and biology. His current research is about how technology of various kinds can subvert our own thinking processes. He has applied this to a variety of examples including electronic gambling machines, high-heeled shoes, cigarettes and mind-controlling parasites.

At the November Mondays at Six, he will introduce two big ideas in thinking about cognition — ‘hostility’ and ‘scaffolding’ — and explain what happens when they come together. He’ll say a little about the book he’s writing on these topics (Whose Mind is It Anyway?) and answer questions.

To share a paragraph from his website: “Bodies and external resources make significant contributions to cognition by living beings and some artificial ones. This is now widely recognised, but not long ago the mainstream view was that cognition was exclusively internal and neural (or computational). The fact that cognition can extend into bodies and environments is generally presented as good news for users of technologies that augment or improve. There undoubtedly are benefits, but extended cognition brings vulnerabilities. Any agent might be useful to others, so we should expect those vulnerabilities to be found and exploited…”

David Spurrett grew up in South Africa, Zimbabwe and the UK. He studied philosophy at the University of Natal and King’s College London, and is professor of philosophy at UKZN where he has received a distinguished teacher’s award, the vice chancellor’s research award, and a fellowship. He has co-written or co-edited books on addiction, problem gambling, cognition and the will, and philosophy of science. Previous book titles include Midbrain Mutiny and what is addiction? His main hobbies, “which I should have started much younger”, include learning to play the piano and studying Kenjutsu.

— Visit him on his website - https://davidspurrett.com/

The programme takes place at 18h00 on Monday, November 2, 2026.

Table bookings essential: RSVP ST Clements +27 62 582 0980

 Bookings limited to diners in support of St Clements restaurant and staff.

Single folk are welcome to book for one person and join a table.


When the donation box is passed around, the venue requests generosity and a minimum of R50 per person.

Weather permitting, the programme will be outdoors.

Be there in time to open your tab, order at the counter (yes, back to the usual in November) and settle in before the scheduled 1800 start. Please cancel if you book then can’t make it.

St Clements is situated at 191 Musgrave Road in Durban.

 

*A Pieter Scholtz (1937 — 2025) ‘Mondays at Six’ legacy soiree.

KAREN AND ME


 (Above: Shannon Kenny & Alan Judd)

 

Karen Carpenter - in her joyful and poignant renditions of songs written for her, and in her collaborations with other others - never failed to garner life-long fans and admirers. Think We’ve only just begun, Rainy Days and Mondays, Close to You, Sing and her reinterpretation of The Beatles’ Ticket to Ride.

There is a Karen Carpenter-voiced song for every occasion - first love, break-ups, make-ups, introspection and sheer joie de vivre.

In Karen & Me, coming to The Old Mushroom Farm, well-known actress Shannon Kenny is accompanied by virtuoso musician Alan Judd on a unique journey to celebrate an international musical great of the 20th Century through snapshots of Karen Carpenter’s life and illustrious career and its indelible imprint on generations of people around the world from the USA to the UK and on Shannon’s life in good old RSA.

The production is directed by Darren King and takes place on November 14 at 15h00.

Tickets R160 (R140 pensioners) booked through Quicket or watsapp Kath on 082 413984

BYOB – food available on site.

 

THIS SHINING NIGHT




(Yosuke Matsui, principal trumpeter at the KZN Philharmonic. Pic Shelley Kjonstad)


Durban Chamber Choir presents This Shining Night - Music Shining Light into Darkness:

November 1 at 15h00: Kloof Methodist Church

November 8 at 15h00: St Thomas, Musgrave

 

This Shining Night: The Durban Chamber Choir invites audiences to celebrate the joy of choral singing in two beautiful November concerts which focus on Music Shining Light into Darkness.

Building on the success of its first two concerts in May and June this year, the Durban Chamber Choir is back with two concerts in November 2026. The first concert takes place at Kloof Methodist Church on Sunday November 1 and the second at St Thomas in Musgrave on Sunday November 8 both at 15h00. Joining the DCC as a special guest is Yosuke Matsui, principal trumpeter at the KZN Philharmonic.

The Durban Chamber Choir presents a carefully-curated programme of music from Renaissance masters to modern jazz standards; Scandinavian composers to traditional isiZulu songs. Highlights include the accessible Ave Verum Corpus from Jenkins and the Sanctus by Sandström - almost plainchant in manner reminiscent of a body of sacred, unaccompanied vocal music used in the liturgies of the Western and Eastern Christian churches. Setting the tone for the afternoon is Barber’s lyrical neo-Romantic art song, Sure on this Shining Night.

Tickets R120 (concessions R80) are available at the door or through Quicket in advance.

Saturday, October 17, 2026

MIMI MTSHALI BRINGS KHAYA LAMI TO DURBAN

 

(Mimi Mtshali)

Award-winning Afro-Jazz vocalist to perform live at UKZN’s Centre for Jazz and Popular Music on October 21, 2026.

The Centre for Jazz and Popular Music (CJPM) at the University of KwaZulu-Natal (UKZN) is proud to present acclaimed South African Afro-Jazz vocalist, composer and educator Mimi Mtshali on Wednesday, October 21, 2026.

Mtshali brings her latest album, Khaya Lami, to Durban for an evening of soulful African jazz, powerful vocals and captivating storytelling. With a career spanning more than two decades, she seamlessly blends traditional African rhythms with contemporary jazz harmonies, exploring themes of love, heritage, resilience and African identity.

A graduate of the University of Cape Town’s jazz programme, Mtshali has earned recognition for her exceptional vocal ability and commanding stage presence. She has performed alongside renowned artists, including Sibongile Khumalo, Hugh Masekela, Judith Sephuma and international superstar Lauryn Hill, and has appeared at prestigious events such as the Standard Bank Joy of Jazz Festival.

The performance will feature highlights from her acclaimed discography alongside music from her highly-anticipated third studio album, Khaya Lami. She will be joined by an accomplished ensemble of South African jazz musicians: Mdu Mtshali on piano and keyboards, Zolile Mgqatsa on bass, Sbu Zondi on drums, Thabo Sikhakhane on trumpet and Leon Scharnick on saxophone.

Audiences can look forward to an engaging musical experience celebrating African heritage and the vibrant sounds of contemporary jazz.

 

Event:  Mimi Mtshali – Khaya Lami

Date:   Wednesday, October 21, 2026

Doors open:  17h00. Music starts 17h:30

Venue:   Centre for Jazz and Popular Music, Dennis Shepstone Building, Level 2, Howard College Campus, UKZN, Durban.

 

Tickets: General admission R130 | Pensioners R100 | Students R70

Payment: Cash at the door or Webtickets https://www.webtickets.co.za/v2/Performance.aspx?itemid=1605307624

Campus access: Gate 3 or Gate 8, off Rick Turner Road.