Business and Arts South Africa (BASA), in collaboration with BASA Member, artSpace, offer an evening of viewing and networking on December 4.
artSPACE Durban's Annual Affordable Art Show is one of its most popular exhibitions since it's inception eight years ago. In years past, close to 100 participating artists have been exhibited. Some of the contributing artists are Jeannie Kinsler, Andrew Verster, Grace Kotze, David Lloyd, Jennie Castle, Ezequiel Mabote, Coral Spencer Domijan, Marianne Meijer, Roz Cryer, Martha Zettler, Christiaan Diedericks and Pascale Chandler.
This event also gives business professionals, arts managers and BASA members an opportunity to network and engage with BASA's activities.
The artSPACE/BASA evening takes place at 18h00 for 18h30 on December 4. Those wishing to attend should RSVP to Jessica Dennison at jessica@basa.co.za or call 011 832 3000 by December 1 2010. artSPACE Durban is situated at 3 Millar Road (off Umgeni Road), Durban.
Monday, November 29, 2010
MARY CHRISTMAS
Ever popular drag show flows smoothly with great interaction amongst the cast. (Review by Maurice Kort)
The Rhumbelow Theatre stage is now a bar lounge for Mary Christmas, the latest show of The Family Players, the group of comedy drag mime artists (Greg Baptie, Derek Pearce, Alan Quilhampton and Roland Stansell) to whom Rhumbelow owes its existence. Here they are joined by friends Sam Marais, Belinda Dolphin and Lorraine McVean. This makes their ever popular drag show with its large loyal fan base flow more smoothly into a tight show with great interaction amongst the cast.
The effervescent Sam as the omnipresent barman, who also tickles the ivories at every opportunity, and the laid back styles of Belinda (In My Daughter’s Eyes) and Lorraine (Piano Man, Sweet Caroline) nicely balance the over-the-top, in-your-face, performances of the drag numbers. They have the lip syncing down to a fine art and one has to remind oneself constantly that they are not the singers.
Derek is the star of the show, particularly with Nobody Does it like Me, Don’t Rain on My Parade and Every Man I Love Is Married Dead or Gay and a show stopping Backwards Barbie in the most outrageous wig of the evening. Equally accomplished are Better Get This Party Started, I Who Have Nothing and My Baby Just Cares for Me (in very tipsy mode) by Greg and Alan shines with I’m Not Bitter. In other songs, his feigned boredom is a delight. Roland’s Big Spender was suitably camp but he does tend to be a little over the top at times.
Sam Marais does enjoyable renditions of Goodnight Sweetheart, Somebody to Love and Luck Be a Lady Tonight and several duets with Belinda and Loraine who shine with their Midnight Special as do Derek and Alan Quilhampton with Maybe This Time. Then there are the fun Don’t Fence Me In by Greg, Alan and Roland, their Cowgirl routine backing of Belinda’s Whose Bed Has Your Boots Been Under and Witches Brew.
Roland and Alan’s take on Barbie Girl (in German) did not quite hit it off with me, the words were unclear - but the costumes were stunning. The “ladies” outfits are once again highlights of the routines.
Starting to wonder at the relevance of the title of the show to its content, the numbers swing into the Christmas mode with the rollicking Silent Night in red and white costumes that Santa has never seen. Belinda’s hat should be marketed. There is the fun Rooi Rok Bokkie and the sweet All I Want for Christmas is You (Belinda)
Remaining performances of Mary Christmas can be seen at the Rhumbelow Theatre, Cunningham Ave off Bartle Rd on December 3 and 4 at 20h00 as well as December 5 at 18h30. The venue opens 90 minutes before the show for a picnic dinner with braai facilities being available. With a bar available, no alcohol may be brought onto the premises. Tickets R100 booked through Computicket or phone Roland on (h) 031 205 7602, Cell 082 499 8636 or email roland@stansell.za.net – Maurice Kort
The Rhumbelow Theatre stage is now a bar lounge for Mary Christmas, the latest show of The Family Players, the group of comedy drag mime artists (Greg Baptie, Derek Pearce, Alan Quilhampton and Roland Stansell) to whom Rhumbelow owes its existence. Here they are joined by friends Sam Marais, Belinda Dolphin and Lorraine McVean. This makes their ever popular drag show with its large loyal fan base flow more smoothly into a tight show with great interaction amongst the cast.
The effervescent Sam as the omnipresent barman, who also tickles the ivories at every opportunity, and the laid back styles of Belinda (In My Daughter’s Eyes) and Lorraine (Piano Man, Sweet Caroline) nicely balance the over-the-top, in-your-face, performances of the drag numbers. They have the lip syncing down to a fine art and one has to remind oneself constantly that they are not the singers.
Derek is the star of the show, particularly with Nobody Does it like Me, Don’t Rain on My Parade and Every Man I Love Is Married Dead or Gay and a show stopping Backwards Barbie in the most outrageous wig of the evening. Equally accomplished are Better Get This Party Started, I Who Have Nothing and My Baby Just Cares for Me (in very tipsy mode) by Greg and Alan shines with I’m Not Bitter. In other songs, his feigned boredom is a delight. Roland’s Big Spender was suitably camp but he does tend to be a little over the top at times.
Sam Marais does enjoyable renditions of Goodnight Sweetheart, Somebody to Love and Luck Be a Lady Tonight and several duets with Belinda and Loraine who shine with their Midnight Special as do Derek and Alan Quilhampton with Maybe This Time. Then there are the fun Don’t Fence Me In by Greg, Alan and Roland, their Cowgirl routine backing of Belinda’s Whose Bed Has Your Boots Been Under and Witches Brew.
Roland and Alan’s take on Barbie Girl (in German) did not quite hit it off with me, the words were unclear - but the costumes were stunning. The “ladies” outfits are once again highlights of the routines.
Starting to wonder at the relevance of the title of the show to its content, the numbers swing into the Christmas mode with the rollicking Silent Night in red and white costumes that Santa has never seen. Belinda’s hat should be marketed. There is the fun Rooi Rok Bokkie and the sweet All I Want for Christmas is You (Belinda)
Remaining performances of Mary Christmas can be seen at the Rhumbelow Theatre, Cunningham Ave off Bartle Rd on December 3 and 4 at 20h00 as well as December 5 at 18h30. The venue opens 90 minutes before the show for a picnic dinner with braai facilities being available. With a bar available, no alcohol may be brought onto the premises. Tickets R100 booked through Computicket or phone Roland on (h) 031 205 7602, Cell 082 499 8636 or email roland@stansell.za.net – Maurice Kort
FASTEN YOUR SEATBELTS!
Fun musical flight around the world in very well chosen songs, sung and danced by talented fabulously costumed cast. (Review by Maurice Kort)
Westville Theatre Club has once again compiled a very balanced musical evening in the form of a trip around the world visiting many countries by using their most memorable and hummable songs, often very typical of the various areas, but seldom predictable. The backing tracks are excellent, the sound again well handled by Kevin Hiller - as always not too overpowering, unlike so many professional venues. There is the occasional piano accompaniment by Heather Dix, the Musical Director.
It is an extremely full programme, with 44 musical numbers in the two halves, each requiring rapid costume changes, and there were many, all contributing much visual, and often humorous delight, thanks to Lynda Hoddinott for costumes and Kevin Hillier who designed the T-Shirts. Jill Sysum has once again contributed her considerable artistic talents to painting Shirley Emanuel's backdrop, an illustrated map of the world. Working equally hard backstage were Charles Forbes and Nicole Hoskins who kept the stage decorated with imaginative props from each of the countries visited, not forgetting Keith Vassard on lights. Full marks to Shirley Emanuel, the Director, for bringing all this together, a smaller cast than their usual productions but equally professional and entertaining.
It is superfluous to mention specific numbers from the song list as all are memorable, enjoyable and well performed but I particularly liked Gareth Moerdyk's King of the Road, O Solo Mio and Kingston Town; 9 Million Bicycles in Beijing and Sound of Music (Taryn Bowker); Holy City (Jerusalem) and New York New York by Devin Moller; Charles Grey's I Love Paris, Maybe It’s Because I’m a Londoner and Tulips from Amsterdam as well as Edelweiss (with Barbara McMilan); Tyron Cathey’s Donald Where's Yu Troosers? and Viva Las Vegas; Thank God I'm a Country Girl (Laura Lee); and Don't Cry For Me Argentina (Layle Henderson).
Other standouts were Barcelona by Sharon Ditchburn and Gareth Moerdyk, no mean feat; Sarah Joubert’s I Left My Heart in San Francisco and Ciao Ciao Bambino; And All That Jazz (Philisiwe Bhengu, Layle Henderson, Sharon Ditchburn); and Sharon Ditchburn’s How Can You Buy Killarney.
The versatile cast of 11 had to cope with considerable, often intricate, choreography, by Chantal Saunders, assisted by Devin Moller and Coeley van Doorn, which was no mean task and on the whole they handled the dancing well, some better than others, but all put their all into it and their efforts showed. No doubt some might have been nervous and will settle into the sequences. Their River Dance and Zorba the Greek were extremely commendable and a very stout efforts. The cast were very much kept on their toes (I couldn't resist that) the whole evening. The choreography and the dancing complemented the singing in every way and there are some very talented singers.
Fasten Your Seatbelts! can be seen at the Westville Theatre Club, Attercliffe Rd (next door to the Westville Swimming Pool), from November 30 to December 4. Bookings via Shirley on 031 266 8012 (between 08h30 and 13h00) or on 031 267 0682. Tickets are a most reasonable R40 - you get more than your money's worth - with doors opening at 19h00 (curtain up at 20h00) so bring your own picnic basket and drinks. There is a car guard on the premises. – Maurice Kort
Westville Theatre Club has once again compiled a very balanced musical evening in the form of a trip around the world visiting many countries by using their most memorable and hummable songs, often very typical of the various areas, but seldom predictable. The backing tracks are excellent, the sound again well handled by Kevin Hiller - as always not too overpowering, unlike so many professional venues. There is the occasional piano accompaniment by Heather Dix, the Musical Director.
It is an extremely full programme, with 44 musical numbers in the two halves, each requiring rapid costume changes, and there were many, all contributing much visual, and often humorous delight, thanks to Lynda Hoddinott for costumes and Kevin Hillier who designed the T-Shirts. Jill Sysum has once again contributed her considerable artistic talents to painting Shirley Emanuel's backdrop, an illustrated map of the world. Working equally hard backstage were Charles Forbes and Nicole Hoskins who kept the stage decorated with imaginative props from each of the countries visited, not forgetting Keith Vassard on lights. Full marks to Shirley Emanuel, the Director, for bringing all this together, a smaller cast than their usual productions but equally professional and entertaining.
It is superfluous to mention specific numbers from the song list as all are memorable, enjoyable and well performed but I particularly liked Gareth Moerdyk's King of the Road, O Solo Mio and Kingston Town; 9 Million Bicycles in Beijing and Sound of Music (Taryn Bowker); Holy City (Jerusalem) and New York New York by Devin Moller; Charles Grey's I Love Paris, Maybe It’s Because I’m a Londoner and Tulips from Amsterdam as well as Edelweiss (with Barbara McMilan); Tyron Cathey’s Donald Where's Yu Troosers? and Viva Las Vegas; Thank God I'm a Country Girl (Laura Lee); and Don't Cry For Me Argentina (Layle Henderson).
Other standouts were Barcelona by Sharon Ditchburn and Gareth Moerdyk, no mean feat; Sarah Joubert’s I Left My Heart in San Francisco and Ciao Ciao Bambino; And All That Jazz (Philisiwe Bhengu, Layle Henderson, Sharon Ditchburn); and Sharon Ditchburn’s How Can You Buy Killarney.
The versatile cast of 11 had to cope with considerable, often intricate, choreography, by Chantal Saunders, assisted by Devin Moller and Coeley van Doorn, which was no mean task and on the whole they handled the dancing well, some better than others, but all put their all into it and their efforts showed. No doubt some might have been nervous and will settle into the sequences. Their River Dance and Zorba the Greek were extremely commendable and a very stout efforts. The cast were very much kept on their toes (I couldn't resist that) the whole evening. The choreography and the dancing complemented the singing in every way and there are some very talented singers.
Fasten Your Seatbelts! can be seen at the Westville Theatre Club, Attercliffe Rd (next door to the Westville Swimming Pool), from November 30 to December 4. Bookings via Shirley on 031 266 8012 (between 08h30 and 13h00) or on 031 267 0682. Tickets are a most reasonable R40 - you get more than your money's worth - with doors opening at 19h00 (curtain up at 20h00) so bring your own picnic basket and drinks. There is a car guard on the premises. – Maurice Kort
RENE TSHIAKANYI
Charming visiting French-Congolese singer Rene Tshiakanyi will perform at Yossi's in Glenwood for one evening show only on December 10. Singing both in French and English, he describes his music and compositions as a mixture of classic pop; RnB; reggae and Zouk (which is a mixture of French and Caribbean music). His sound is undeniably distinctive. His debut single La presse s’efface celebrates those journalists who have given their lives in the DRC to the pursuit and ideals of media freedom. He pays tribute to other journalists around the world who feel compelled to do the same, in the pursuit of both truth and freedom of expression. It was nominated in the U.K twice as videochocwavesawards by the English magazine the NME Music. Rene Tshiakanyi is now promoting the coming of his debut album.
Ever the proactive instigator of community initiatives, Darryl Hofmann is delighted to provide a platform for Tshiakanyi at his Glenwood eatery. Rene Tshiakanyi will perform at 20h00 on December 10 at Yossi’s. Tickets R30 at the door.
ACOUSTIC FUSION SERIES
(Shaun Lovell)The 3rd round of the Acoustic Fusion Series, celebrates the wrap of 2010 on December 4 in Winston Park. The night begins with Durban-based Shaun Lovell presenting a set of his own acoustic folk rock tunes. He will be followed by the amazing sound of Jaspar Lepak from Minneapolis Minnesota, accompanied by her husband Kale on accordion and highly talented banjo player, Bryan Eaton, who promise to move audiences to their Boot Tapping Folk/Country musings.
The performance takes place at Eagles View, Winston Park at 19h30 on December 4. Tickets R40, booking essential. Bring your own beverages and food. A Brinjal Mozzarella bake is available for dinner @ R30 (Pre Order only). Bookings essential on 074 101 7052 or email: bindu@blissmonkie.com
ROBIN HOOD
( Pic by Illa Thompson. There are two pairs of “Babes”. In blue: Andrew Sutton (9) from Mount Edgecombe and Kiara Teunissen (9) from Westbrook. In red: Josh Arnold (12) from Umbilo and Lindsey Morris (11) from Westville)KickstArt’s Christmas panto, which has become a fast tradition in Durban, will be the delightful Robin Hood and the Babes in the Wood. It will be staged at the Elizabeth Sneddon Theatre to run over the festive season.
It’s panto time again, and what could be more fun than a romp through Sherwood Forest with the dashing Robin Hood and his Merry Men? This journey through the enchanted forests and castles of Medieval England guarantees to thrill and delight audiences of all ages with dragons, forest creatures, transformations, battles and dances, and the fun of familiar songs and witty jokes.
The plot combines elements of babes lost in the forest story based on an old English ballad of 1595 (the original manuscript is preserved in the British Museum), it tells the story of two orphaned children, abandoned deep in the forest upon the orders of their wicked Uncle. This tale is combined with the Robin Hood legend and a huge dollop of comedy in the form of Robin Hood's motley crew of merry men in tights, a really villainous sheriff and an unforgettable dame. Exactly how Robin Hood came to be connected to the story of “The Babes” remains uncertain, but it makes for a great story full of fun and frolic. The fairytale magic essential for a pantomime comes from two figures from the Arthurian Legend, in the fabulous personas of Merlin the Magician and the evil enchantress, Morgan le Fey.
For the magical new KickstArt 2010 version, Steven Stead has masterfully combined the original concept with some fresh ideas and is inspired and influenced by the visionary work of Durban’s master of pantomime, the late John Moss and his watershed NAPAC version.
Produced by KickstArt, the production is directed by Steven Stead and designed by Greg King with lighting design by Tina le Roux. It features Lyle Buxton; Darren King; Londiwe Dhlomo; Peter Court; Bryan Hiles; Ewok; Liesl Coppin and Farai Gwaze.
Robin Hood and the Babes in the Wood runs from December 10 until January 9 at the Elizabeth Sneddon Theatre with performances from Tuesday to Sunday at 14h30 and evening performances on Friday and Saturday at 19h00. There will be no show on Christmas Day, Boxing Day or New Years Day. Tickets R130 (R100 children under 12/pensioners/students) Booking is through Computicket. For more information about KickstArt and their productions, visit www.kickstart-theatre.co.za
KickstArt is grateful to the National Arts Council for their support.
LIVE IT UP
The brainchild of producer Thandeka Sibisi, a well-known personality associated with the Catalina Theatre, Live It Up will honour Women of Courage with a full programme of events on December 1.
“We want to show appreciation and honour the wonderful, full of strength single moms who, because of circumstances handed to them as life often does, battle along, make sacrifices and put their children and families first,” says Thandeka Sibisi. “We recognize them and the mark they make in our society and Live It Up is a fun way of doing just that – to give them a boost to end their year with a bang! Then there are also the other women amongst us who dedicate their time and energy to worthy causes, which in turn , help those in need in varied ways in our communities.”
The project, which is proposed to be an annual one, aims to honour and support these women every step they take as women of courage. This journey begins at home this festive season, to raise funds for the project to be carried around KZN.
Great entertainment is lined up with a guest speaker and inspirational talks, beautiful poetry from Moonchild, live music from Durban’s hot rising talent New Hysteria, inspirational presentation by Gail Snyman, soothing sounds from Thulile Zama (Heels Over Head) and Grant Jacobs. Fashion show/fashion tips from Afrocya will keep everyone updated on latest fashion and there will be an after-party where the audience will receive goodie bags and possibly win one of the great prizes which include a 2-hour cruise from Spirit of ELan, Elizabeth Arden products, Distell hampers and other beauty products or enjoy the finger snacks and welcome drinks!
Live It Up takes place at 19h00 on December 1 at Catalina Theatre at Wilson’s Wharf. Tickets R80 booked on 031 305 6889, online at www.strictlytickets.com or e mail tsibisi@vodamail.co.za
“We want to show appreciation and honour the wonderful, full of strength single moms who, because of circumstances handed to them as life often does, battle along, make sacrifices and put their children and families first,” says Thandeka Sibisi. “We recognize them and the mark they make in our society and Live It Up is a fun way of doing just that – to give them a boost to end their year with a bang! Then there are also the other women amongst us who dedicate their time and energy to worthy causes, which in turn , help those in need in varied ways in our communities.”
The project, which is proposed to be an annual one, aims to honour and support these women every step they take as women of courage. This journey begins at home this festive season, to raise funds for the project to be carried around KZN.
Great entertainment is lined up with a guest speaker and inspirational talks, beautiful poetry from Moonchild, live music from Durban’s hot rising talent New Hysteria, inspirational presentation by Gail Snyman, soothing sounds from Thulile Zama (Heels Over Head) and Grant Jacobs. Fashion show/fashion tips from Afrocya will keep everyone updated on latest fashion and there will be an after-party where the audience will receive goodie bags and possibly win one of the great prizes which include a 2-hour cruise from Spirit of ELan, Elizabeth Arden products, Distell hampers and other beauty products or enjoy the finger snacks and welcome drinks!
Live It Up takes place at 19h00 on December 1 at Catalina Theatre at Wilson’s Wharf. Tickets R80 booked on 031 305 6889, online at www.strictlytickets.com or e mail tsibisi@vodamail.co.za
DAC KZN EVENTS
The Department of Arts & Culture KZN will host a series of events at various venues for the next few months These include Stand Up Comedy at the BAT Centre; Open Mics and Poetry at the Workshop and Poetry and Hip Hop at Stable Theatre.
Bat Centre: Stand-Up Comedy at 20h00 on December 2 and 16, January 6, 13 and 20.
The Workshop: Open Mic sessions at 12h00 on December 3 and 17 and January 7 and 14.
The Workshop: Poetry at 12h00 on December 18, January 8 and 15.
Stable Theatre: Poetry at 18h00 on December 2 and January 6 and 20.
Stable Theatre: Hip-hop at 18h00 on December 4 and January 8 and 15
There will also be an eJazz event on December 16 from 12h00 to 19h00 and on January 2 at 15h00 on North Beach.
Bat Centre: Stand-Up Comedy at 20h00 on December 2 and 16, January 6, 13 and 20.
The Workshop: Open Mic sessions at 12h00 on December 3 and 17 and January 7 and 14.
The Workshop: Poetry at 12h00 on December 18, January 8 and 15.
Stable Theatre: Poetry at 18h00 on December 2 and January 6 and 20.
Stable Theatre: Hip-hop at 18h00 on December 4 and January 8 and 15
There will also be an eJazz event on December 16 from 12h00 to 19h00 and on January 2 at 15h00 on North Beach.
DOLLZ
(Taryn Makaab and Casey Swales)Dollz is Break Thru Dance Company's season finale spectacular.
Break Thru Dance Company (BTDC), the Durban-based fusion dance troupe that wowed enthusiasts with the successful pioneering kaleidoscope concept of dance in Under Construction I and II, continue to raise the bar by bringing ground-breaking performances to its fans and dance enthusiasts alike.
The new season performance, aptly named Dollz, is a take on the complexities of life and choices that a lonely girl needs to take in her journey of life to find happiness. It runs in The Zone at the Suncoast Casino Entertainment World in Durban from December 8 for a short run.
Conceptualized by Taryn Makaab, the director, founder and principal dancer of BTDC, in collaboration with Casey Swales, the acclaimed ballet and contemporary Durban-born and based choreographer, this dynamic duo’s creation will yet again turn the public eye towards the dance act as this year’s Christmas season’s primary source of entertainment.
As in the previous seasons’ offerings, Dollz unites different dance forms such as hip hop, contemporary dance, break dancing, jazz, ballet and beat boxing to complete a truly dynamic storyline that utilises elements of fantasy and dolls characters to represent different journeys and choices towards a desired life.
Thanks to BTDC’s powerful brand alliances – Suncoast (host venue for the show), Microserve (web design), Cdr repro (printers), Black Coffee (sound, lighting and production logistics), Function décor (set and stage design), Scott and Wells hair studios (hair and makeup), ikind media (videography and special effects), D2DI (emerging dancers agents), Hannah Jean and Charmaine Makaab (costumes) - the dance company is able to further deliver on its promise to bring the best of classy acts and performers by way of employing one of the top 16 finalists from the second season of SABC1 TV series, So You Think You Can Dance, Bonwa Mbontsi from Pietermaritzburg who joins the crew in this offering of this year’s Christmas season unique show.
The 30-strong cast members of Dollz are drawn from a spectrum of dancers from different social backgrounds. They continue to uphold the true patriotic story that inspired the nation to successfully host the 2010 World Cup and instil the much-needed pride to mould and propel this country into becoming a power player on the international platform.
Dollz runs at Suncoast Casino from December 8 to 12 at 19h30 with matinees on December 11 and 12. Tickets R130 available from Computicket on 083 915 8000 or www.computicket.co.za
MANDALAS: CIRCLES OF TRANQUILITY
(“Passing Through” by Jutta Faulds)An exhibition of recent work by Jutta Faulds, “Mandalas : Circles of Tranquility” will open at the Schreiner Gallery at the Tatham Art Gallery in Pietermaritzburg (opposite the Town Hall) on December 5.
The circle occurs in nature in the form of cells and many flowers, and on a more cosmic scale in the sun, moon and earth. It is no wonder then, that as a symbol it is regarded by many religions and cultures to represent peace, eternity and even the divine: it symbolises wholeness.
The works on this exhibition are intended as a dialogue between the maker and the viewer. Making art is essentially a lonely occupation, thus reaching out becomes part of the process.
The mandalas included here are constructed from mostly discarded materials, found objects, sometimes humble, sometimes precious, most have a history and form a significant part of personal and communal history.
Jutta Faulds is a fibre artist who enjoys mixed media. The pieces on this exhibition are all densely layered to hint at times past and hidden secrets. The circle has been a recurring theme in her work for many years and has now taken on a strong significance as a symbol and a focus for meditation. The therapeutic value of mandala making as well as mandala contemplation have long been recognised. Modern society tends to concentrate on achievement, it ignores the self in favour of the ego. Mandalas can be a good way of restoring the balance.
The exhibition will be opened by Kobus Moolman on December 5 at 11h00 and will run until January 16, 2011. The Tatham Art Gallery is situated opposite the Town Hall in Chief Albert Luthuli Street, Pietermaritzburg. More information on 033 392 2801.
Saturday, November 27, 2010
JOHN ELLIS AT ST CLEMENTS
John Ellis (Ex Tree63) brings his acoustic ensemble, as seen at White Mountain Festival, to Durban for an intimate courtyard supper gig when he performs at the popular St Clements venue on December 3.
This upbeat acoustic set will feature songs off his recently released debut solo album, Come Out Fighting, as well as a few classic covers and Tree63 hits. One of South Africa's best guitarists, Ellis is well known for interacting with his audience so this intimate gig promises to be a highlight for his Durban fans.
John Ellis performs at 19h30 on December 3 at St Clements which is situated at 191 Musgrave Road on the righthand side a short way down Musgrave after the St Thomas Road intersection. Entrance R50 at the door plus dinner. CD's will be on sale. Space is limited so booking is essential on 031 202 2511. More information on John Ellis at www.johnellis.co.za
This upbeat acoustic set will feature songs off his recently released debut solo album, Come Out Fighting, as well as a few classic covers and Tree63 hits. One of South Africa's best guitarists, Ellis is well known for interacting with his audience so this intimate gig promises to be a highlight for his Durban fans.
John Ellis performs at 19h30 on December 3 at St Clements which is situated at 191 Musgrave Road on the righthand side a short way down Musgrave after the St Thomas Road intersection. Entrance R50 at the door plus dinner. CD's will be on sale. Space is limited so booking is essential on 031 202 2511. More information on John Ellis at www.johnellis.co.za
NOEL 2010
The Noel series of traditional Christmas concerts performed by the Drakensberg Boys Choir School are characterized by a wide variety of well-known Christmas favourites. Traditional Christmas Carols will also be sung where the audience can participate. Audiences are sure to leave the concert filled with the true message that Christmas brings.
Noel 2010 will have a performance on December 2 at 19h00 in the Durban City Hall followed by a performance on December 5 at 15h00 in the Pietermaritzburg City Hall. The show lasts 75 minutes with no interval.
Tickets R90 (R60 children under 12) booked at Computicket.
Noel 2010 will have a performance on December 2 at 19h00 in the Durban City Hall followed by a performance on December 5 at 15h00 in the Pietermaritzburg City Hall. The show lasts 75 minutes with no interval.
Tickets R90 (R60 children under 12) booked at Computicket.
WIPAZ YEAR COURSE
Applications for the 2011 all-in-one WIPAZ part-time year course in acting / scriptwriting / directing / cinematography is now open from the WIPAZ New Filmmaking and Acting Training Centre.
You want to make a career move? Want to explore and develop your potential as a script writer / film director / actor / cinematographer? Or you are already working in the entertainment industry but you want to expand your skills to a multi-tasking level? Or you are completing your Grade 12 year and you have always had a keen interest in arts and entertainment. Your motto in life is “You don’t have to be great to start but you have to start to be great” (Zig Zagler). If this fits your profile then the unique new part-time year course offered by What If Performing Arts Zone (WIPAZ) is your gateway to living your dream.
This course is designed to be presented from a holistic perspective. The success of a film and/or theatre production lies in the ability of each team member not only to collaborate closely and efficiently with fellow team members but also to have knowledge of the workings of every department involved in the production. A script writer who has insight in the functions of actors, directors, cinematographers has a definite advantage above someone who doesn’t have first-hand experience of the medium he is writing for. The same applies to an actor who has to be able to analyse a script in order to create a believable character, and at the same time be able to follow director’s notes, while also being aware of technical issues… Or a director who has to bring a script to life through the use of actors, camera operators, sound and lighting, wardrobe and at the same time has to liaise with the producer.
Whether you are an aspiring actor, director, script writer or cinematographer, first-hand experience of each major team member’s function will help you to perform your specific role in the production with so much more confidence than someone who just studied an isolated category of the whole and the rest was only academic reference. To ensure exposure to the industry in its entirety, a series of master classes by industry professionals will be presented during each module: acting, script writing, directing, cinematography, producing and networking.
The end result of the course is a short film which will be your showreel and passport to the real world of professional filmmaking and acting.
Classes commence on January 8, 2011 at Sasani Studios, Highlands North, Johannesburg. Applications close on December 15 2010. Contact 083 458 2277, e-mail: libe@fourivercasting.co.za or visit www.wipaz.co.za
You want to make a career move? Want to explore and develop your potential as a script writer / film director / actor / cinematographer? Or you are already working in the entertainment industry but you want to expand your skills to a multi-tasking level? Or you are completing your Grade 12 year and you have always had a keen interest in arts and entertainment. Your motto in life is “You don’t have to be great to start but you have to start to be great” (Zig Zagler). If this fits your profile then the unique new part-time year course offered by What If Performing Arts Zone (WIPAZ) is your gateway to living your dream.
This course is designed to be presented from a holistic perspective. The success of a film and/or theatre production lies in the ability of each team member not only to collaborate closely and efficiently with fellow team members but also to have knowledge of the workings of every department involved in the production. A script writer who has insight in the functions of actors, directors, cinematographers has a definite advantage above someone who doesn’t have first-hand experience of the medium he is writing for. The same applies to an actor who has to be able to analyse a script in order to create a believable character, and at the same time be able to follow director’s notes, while also being aware of technical issues… Or a director who has to bring a script to life through the use of actors, camera operators, sound and lighting, wardrobe and at the same time has to liaise with the producer.
Whether you are an aspiring actor, director, script writer or cinematographer, first-hand experience of each major team member’s function will help you to perform your specific role in the production with so much more confidence than someone who just studied an isolated category of the whole and the rest was only academic reference. To ensure exposure to the industry in its entirety, a series of master classes by industry professionals will be presented during each module: acting, script writing, directing, cinematography, producing and networking.
The end result of the course is a short film which will be your showreel and passport to the real world of professional filmmaking and acting.
Classes commence on January 8, 2011 at Sasani Studios, Highlands North, Johannesburg. Applications close on December 15 2010. Contact 083 458 2277, e-mail: libe@fourivercasting.co.za or visit www.wipaz.co.za
HOLIDAY FEVER
The Stirling Theatre presents Holiday Fever, a party show designed to knock the ‘stuff’ out of ‘stuffiness’ with a line-up of festive favourites with rock and pop classics from yesteryear including Come on Eileen, 500 miles and Angel is a Centerfold. The cast includes Lloyd De Gier (bass), Marion Loudon (vocals), Anthony Ellis (drums), Luke Holder (keyboards), Shaun Parrot (guitar), and Dominique Marot (male vocals). Join the party as they roar their way through unforgettable classics including a look back at what 2010 had to offer with the World Cup hit Waka Waka to evergreen favourites from Elvis, Ritchi Valens and Barry White!
Stirling Theatre offers major party time in a show that promises to flood audiences with musical memories from Sonny and Cher and even Tom Jones.
Shows take place every weekend on December 3 to 5; December 10 and 12; December 18 to 19, and December 21 to 24. Show times are 20h00 on Fridays and Saturdays (19h00 Sundays). Tickets R80 pp.
The Stirling Theatre is situated in the Italian Club along Fairway near the Beachwood Golf Course. Take your own picnic or snacks but the venue offers The Italian Club’s optional a la carte menu for patrons wishing to eat, and a fully stocked bar at affordable club prices. There is plenty of secure parking. Bookings through Marion on 082 970 0002 or email bookings@stirlingtheatre.co.za (Regret no Credit Card Facilities)
SAMSARA
(“Richborough Road Temple”: oil on canvas by Aidan Walsh)To commemorate 150 years of the arrival of Indentured Indians to South Africa, the Durban Art Gallery has curated an exhibition of contemporary art. Titled SAMSARA: a continuous pursuit, it opens on November 26. Most of the work is drawn from the permanent collection of the DAG alongside loans from other SA museums and galleries also including independent artists from all areas of the country.
The exhibition is a celebration of Indian influenced art that highlights the impact Indian life has had in a broader South African context. Diverse works by older visionaries sit alongside younger cutting-edge artists exploring similar themes and motifs. The exhibition enables the viewer to see the establishment of cultural traditions juxtaposed against current social preoccupations. Many of the works on the show engage with oeuvres of identity, legacy and heritage.
Overarching themes have been identified and explored to unpack political, religious, cultural and social practice. The majority of work is by artists of Indian descent and we have sought the participation of artists who have been influenced by symbols and identities associated with Indian culture.
Approximately 50 works will be on view spanning a wide range of media including painting, photography through to video and installation. Younger artists such as Zen Marie, Reshma Chhiba, Usha Seejarim and Sharlene Khan deal directly with family histories, expectations and ritual through new media. Ravi Govender and Kiren Thathiah explore spirituality through oils and Ken Godfrey imbues almost a pop approach to cultural icons through vibrant watercolour. Zainab Reddy and Ebrahim Badsha will form the backbone telling stories of histories past.
The exhibition was coordinated and curated by Jenny Stretton and Liesa Hillar from the Durban Art Gallery in collaboration with Selvan Naidoo, an art teacher at Northwood School and National Design Examiner. Guidance in shaping the structure of Samsara was kindly rendered by Riason Naidoo, curator at the South African National Gallery (Iziko) and Vedant Nanackchand, Head of Department, Visual Art Faculty of Art, Design & Architecture University of Johannesburg.
SAMSARA: a continuous pursuit will be opened at the Durban Art Gallery on November 26 by Kiren Thathiah, a professor and HOD of Visual Arts and Design at Vaal University of Technology. The 1860 legacy foundation has also assisted in scheduling this exhibition as one of the many events in the calendar itinerary of celebrating the arrival of Indentured Indians to South Africa since 1860.
This 1860 Legacy Exhibition will run until February 13, 2011.
JESS YALLUP
The House of Theatre in Amanzimtoti will host Jess Yallup, Idols Season 6x finalist performing with Jean Morrison on November 24. The acoustic set starts at 20h00.
Tickets R100pp. The House of Theatre is situated in Galleria Mall, Amanzimtoti. There is a cash bar but patrons should take their own snacks or support local restaurants situated in the Mall. Bookings are essential on 072 412 6390 or 084 630 0868.
(Directions: Travel towards Amanzimtoti and you will pass the vast Galleria mall on your right before you exit the freeway. Turn right and then right again at the traffic lights which now sees you travelling alongside the mall. Follow the “Entertainment” level signs and then take the middle glide-off to enter the mall. The House of Theatre is situated on the floor below the topmost floor of Galleria. Entrance to the theatre is gained from the rooftop parking area. From Spaghetti Junction, it’s about 25km and 15 minutes travelling time.)
Tickets R100pp. The House of Theatre is situated in Galleria Mall, Amanzimtoti. There is a cash bar but patrons should take their own snacks or support local restaurants situated in the Mall. Bookings are essential on 072 412 6390 or 084 630 0868.
(Directions: Travel towards Amanzimtoti and you will pass the vast Galleria mall on your right before you exit the freeway. Turn right and then right again at the traffic lights which now sees you travelling alongside the mall. Follow the “Entertainment” level signs and then take the middle glide-off to enter the mall. The House of Theatre is situated on the floor below the topmost floor of Galleria. Entrance to the theatre is gained from the rooftop parking area. From Spaghetti Junction, it’s about 25km and 15 minutes travelling time.)
HAIRLIP AT THE BARNYARD
If you were a child of the 80’s, prepare for a retro-revival at The Barnyard Theatre at Gateway for one night only when cover band Hairlip return to the venue on November 29, after two sold-out show at the venue in the last two years.
Every once in a while the world needs a super-group to come along that feels like more than just a band, more than just an institution, more than simply, a vibe. It is THE vibe! With a band line-up that is as impressive as the hits they have spawned, or rather should have, Hairlip is nothing short of a phenomenon. Mind-blowing, mercurial and mesmerising, they are the epitome of pompous cool and grandiose sex appeal, fuelled by an endless barrage of foot-stomping 80’s pop and underground class.
Audiences can expect Starship’s We Built This City, The Bangles’ Walk Like An Egyptian, Sade’s Smooth Operator, The Fine Young Cannibals’ She Drives Me Crazy, Depeche Mode’s Just Can't Get Enough, The Cure’s Friday I'm In Love, Underworld’s Underneath The Radar, Men At Work’s Who Can It Be Now, and who could forget Transvision Vamp’s I Want Your Love?.
Hairlip includes Toby Needham-Clark (vocals, guitar and just-can’t-get-enough vibes); Bullet Mayfield (guitar, vocals and underneath-the-radar cool); Bopsy Bought-Won (Bass and all-I-ever-needed groove); Sheeba Deveraux (keyboards, synthesizers, vocals and pure-and-simple-every-time chic), and Trent Duvall (drums and everything counts-in-large-amounts suave).
Tickets R120 pp. For bookings and enquiries, phone The Barnyard Theatre on 031 566 3045, e-mail gateway@barnyardtheatres.co.za or visit www.barnyardtheatres.co.za for more information.
Every once in a while the world needs a super-group to come along that feels like more than just a band, more than just an institution, more than simply, a vibe. It is THE vibe! With a band line-up that is as impressive as the hits they have spawned, or rather should have, Hairlip is nothing short of a phenomenon. Mind-blowing, mercurial and mesmerising, they are the epitome of pompous cool and grandiose sex appeal, fuelled by an endless barrage of foot-stomping 80’s pop and underground class.
Audiences can expect Starship’s We Built This City, The Bangles’ Walk Like An Egyptian, Sade’s Smooth Operator, The Fine Young Cannibals’ She Drives Me Crazy, Depeche Mode’s Just Can't Get Enough, The Cure’s Friday I'm In Love, Underworld’s Underneath The Radar, Men At Work’s Who Can It Be Now, and who could forget Transvision Vamp’s I Want Your Love?.
Hairlip includes Toby Needham-Clark (vocals, guitar and just-can’t-get-enough vibes); Bullet Mayfield (guitar, vocals and underneath-the-radar cool); Bopsy Bought-Won (Bass and all-I-ever-needed groove); Sheeba Deveraux (keyboards, synthesizers, vocals and pure-and-simple-every-time chic), and Trent Duvall (drums and everything counts-in-large-amounts suave).
Tickets R120 pp. For bookings and enquiries, phone The Barnyard Theatre on 031 566 3045, e-mail gateway@barnyardtheatres.co.za or visit www.barnyardtheatres.co.za for more information.
SONGS OF PRAISE
Stand by for an exhilarating Festive Season celebration at the Playhouse, when the KZN Philharmonic Orchestra presents a special concert programme entitled Songs of Praise. With three performances only in the pipeline, early booking is advised for this not-be-missed event.
In keeping with global trends at this time of the year, the Orchestra has put together a richly rewarding programme, featuring traditional sacred songs and Christmas carols, interlaced with well-loved choral classics.
The KZN Philharmonic will be joined by celebrated soprano Linda Bukhosini appearing as guest soloist, as well as the combined Durban Symphonic and African Choirs for this spectacular aural outing.
The favourite items to be performed include extracts from Handel’s Messiah (including, among others, For unto us a child is born and the splendid Hallelujah Chorus); Bach’s Jesu, Joy of Man’s Desiring and Air on the G String; Schubert’s Ave Maria; Guide me, oh Thou Great Jehovah; Mendelssohn’s Hymn of Praise and He, Watching over Israel and Hark! The herald angels sing; and much loved religious songs and carols such as Come, come ye saints, O come all ye faithful, The Holy City, Sleigh Ride, Jingle Bells and Joy to the World.
Songs of Praise will have performances in the Playhouse Drama Theatre, on December 1 and 3 at 19h30, and on December 5 at 15h00. Tickets R60 booked through Computicket on 083 915 8000.
In keeping with global trends at this time of the year, the Orchestra has put together a richly rewarding programme, featuring traditional sacred songs and Christmas carols, interlaced with well-loved choral classics.
The KZN Philharmonic will be joined by celebrated soprano Linda Bukhosini appearing as guest soloist, as well as the combined Durban Symphonic and African Choirs for this spectacular aural outing.
The favourite items to be performed include extracts from Handel’s Messiah (including, among others, For unto us a child is born and the splendid Hallelujah Chorus); Bach’s Jesu, Joy of Man’s Desiring and Air on the G String; Schubert’s Ave Maria; Guide me, oh Thou Great Jehovah; Mendelssohn’s Hymn of Praise and He, Watching over Israel and Hark! The herald angels sing; and much loved religious songs and carols such as Come, come ye saints, O come all ye faithful, The Holy City, Sleigh Ride, Jingle Bells and Joy to the World.
Songs of Praise will have performances in the Playhouse Drama Theatre, on December 1 and 3 at 19h30, and on December 5 at 15h00. Tickets R60 booked through Computicket on 083 915 8000.
Friday, November 26, 2010
ISIGCAWU FESTIVAL
New stage works showcased in KwaMashu. (Acknowledgement to Billy Suter, The Mercury)
Six community theatre groups from KZN will premiere new stage works on Saturday and Sunday (November 27 and 28) at Durban’s Isigcawu festival. Taking place at the Ekhaya Multi-Arts Centre in Kwa Mashu, it will involve plays commissioned as one of ten projects run annually by Twist Theatre Development Projects. Twist works throughout KZN over a period of two years with six selected community theatre organisations.
“The initiative is an attempt to build the capacity of these groups and their ability to become self-sustaining,” says project spokesman Emma Durden. “The theatre project links established and up and coming writers and theatre directors with the six community groups, to work together on a new production for these groups.”
After the performances at the Isigcawu Festival, the group will perform the works in their own communities. The writers will later adapt the six plays for performance at Durban’s annual Musho Festival in January which highlights solo and two-handed plays.
Herewith dates and times for the works commissioned for the project:
November 27 at 10h40: To Be Like This Rock by Umsindo Theatre Projects (Umlazi). Written by Durban’s Neil Coppen and based on a workshop production by the group, it is directed by Debbie Lutge with assistance from Xolani Dlongolo and Musawenkosi Shabalala. This is the harrowing story of five girls working in a quarry breaking rocks. Taken from their homes and into human trafficking, their stories are all different, but their lives all feed the same sex trade. All they wish for now is to be “like this rock’ that they smash and break, but which feels nothing.
November 27 at 13h10: Kwanele: It Was Enough by Uthando Lwabaqulusi (Vryheid) written by Cape Town writer Amy Jephta and directed by Durban’s Themi Venturas. This powerful tale of a woman imprisoned for the murder of the man she once loved is told through a letter to her daughter in which she revisits her lifetime of love and heartache, and her relationships with the men who wooed then abused her.
November 27 at 15h10: Camp Thirteen by KwaMashu’s Just Don’t company written by David Stein and directed by Durban’s Jerry Pooe. This play focuses on four comrades and their commander, who are reunited 15 years after the armed struggle. It tells a story of brotherhood and betrayal, and a secret that could destroy them all.
November 28 at 09h15: The Poisoned Mango by Umphithi Theatre Arts (Pietermaritzburg). It is written by award-winning playwright Anton Krueger and directed by Durban’s Zeph Nzama with assistance from Gcina Mdludli. This play sees the stories of three young boys from the KwaPatha township woven together into an intricate tapestry of lives lived and lives lost.
November 28 at 11h10: Isimangaliso! by the Sakhisizwe Theatre Group (Mnqobokazi, Zululand). It was written by the group with Richards Bay’s Bhekani Thabede, and directed by Durban’s Edmund Mhlongo. This is the story of the Isimangaliso Wetlands Park, which was named the “place of miracles” by King Shaka’s advisor, Jeke, who was forced to flee after Shaka’s death. The play is told through the eyes of a game ranger and explores the interaction between man and nature in this world heritage site.
November 28 at 13h40: The Wedding Goat by KwaMashu’s Ubuntu Productions. A comedy featuring traditional music and dance, it has been written by Dhaveshan Govender, known for his radio plays and work on Radio Lotus, and directed by Durban’s Bheki Mkhwane. A family celebration is broken apart by the theft of a goat on a wedding day. Luckily, the police chief is at the wedding ceremony and an investigation ensues.
The announcement of winners and prizing giving will take place at 14h20. For more Isigcawu Festival information, call Xolani Majozi on 083 621 6338.
Six community theatre groups from KZN will premiere new stage works on Saturday and Sunday (November 27 and 28) at Durban’s Isigcawu festival. Taking place at the Ekhaya Multi-Arts Centre in Kwa Mashu, it will involve plays commissioned as one of ten projects run annually by Twist Theatre Development Projects. Twist works throughout KZN over a period of two years with six selected community theatre organisations.
“The initiative is an attempt to build the capacity of these groups and their ability to become self-sustaining,” says project spokesman Emma Durden. “The theatre project links established and up and coming writers and theatre directors with the six community groups, to work together on a new production for these groups.”
After the performances at the Isigcawu Festival, the group will perform the works in their own communities. The writers will later adapt the six plays for performance at Durban’s annual Musho Festival in January which highlights solo and two-handed plays.
Herewith dates and times for the works commissioned for the project:
November 27 at 10h40: To Be Like This Rock by Umsindo Theatre Projects (Umlazi). Written by Durban’s Neil Coppen and based on a workshop production by the group, it is directed by Debbie Lutge with assistance from Xolani Dlongolo and Musawenkosi Shabalala. This is the harrowing story of five girls working in a quarry breaking rocks. Taken from their homes and into human trafficking, their stories are all different, but their lives all feed the same sex trade. All they wish for now is to be “like this rock’ that they smash and break, but which feels nothing.
November 27 at 13h10: Kwanele: It Was Enough by Uthando Lwabaqulusi (Vryheid) written by Cape Town writer Amy Jephta and directed by Durban’s Themi Venturas. This powerful tale of a woman imprisoned for the murder of the man she once loved is told through a letter to her daughter in which she revisits her lifetime of love and heartache, and her relationships with the men who wooed then abused her.
November 27 at 15h10: Camp Thirteen by KwaMashu’s Just Don’t company written by David Stein and directed by Durban’s Jerry Pooe. This play focuses on four comrades and their commander, who are reunited 15 years after the armed struggle. It tells a story of brotherhood and betrayal, and a secret that could destroy them all.
November 28 at 09h15: The Poisoned Mango by Umphithi Theatre Arts (Pietermaritzburg). It is written by award-winning playwright Anton Krueger and directed by Durban’s Zeph Nzama with assistance from Gcina Mdludli. This play sees the stories of three young boys from the KwaPatha township woven together into an intricate tapestry of lives lived and lives lost.
November 28 at 11h10: Isimangaliso! by the Sakhisizwe Theatre Group (Mnqobokazi, Zululand). It was written by the group with Richards Bay’s Bhekani Thabede, and directed by Durban’s Edmund Mhlongo. This is the story of the Isimangaliso Wetlands Park, which was named the “place of miracles” by King Shaka’s advisor, Jeke, who was forced to flee after Shaka’s death. The play is told through the eyes of a game ranger and explores the interaction between man and nature in this world heritage site.
November 28 at 13h40: The Wedding Goat by KwaMashu’s Ubuntu Productions. A comedy featuring traditional music and dance, it has been written by Dhaveshan Govender, known for his radio plays and work on Radio Lotus, and directed by Durban’s Bheki Mkhwane. A family celebration is broken apart by the theft of a goat on a wedding day. Luckily, the police chief is at the wedding ceremony and an investigation ensues.
The announcement of winners and prizing giving will take place at 14h20. For more Isigcawu Festival information, call Xolani Majozi on 083 621 6338.
NKANYEZI – THE STAR
(Clockwise: Julia Wilson, Khanyisile Jwaha, Thabani Mahlobo, Derosha Moodley and Lyschelle Linderboom)Stable Theatre will host a major celebration on December 10 with the world premiere of its production Nkanyezi – The Star. This production was made possible by internationally renowned playwright, producer, director and choreographer Welcome Msomi who won the arts category of this year’s Johnnie Walker Celebrating Strides Awards. In a move to honour his Durban roots, he identified Stable Theatre as the recipient of the cash prize attached to the award.
In requesting that the creators of the original Stable Theatre motivation see this vision through to a production incorporating his vision of a multi-cultural unity, Msomi also asked that the show be dedicated to Kessie Govender, founder of Stable Theatre and a colleague from his early days as an actor in Durban.
Nkanyezi – The Star is presented by Thuli Dumakude as director and Caroline Smart as scriptwriter (authors of the original motivation) and Faca Kulu as musical director. All three are award-winners in their own right. The cast includes newcomers to the professional theatre scene: Khanyisile Jwaha, Lyschelle Linderboom, Derosha Moodley and Julia Wilson with Thabani Mahlobo and Faca Kulu providing the music interludes.
This is an amusing and heart-warming play offering entertaining fare for the festive season. Four friends from different ethnic backgrounds meet on the night before Christmas Eve to celebrate their successful first year as a co-operative in the fashion business. There's Joan (Julia Wilson), a forthright but emotionally insecure young woman eagerly awaiting the arrival of her mother from overseas who is going to spend Christmas with her. In a downstairs flat, there's the calm and spiritual Gloria (Lyschelle Linderboom) who is the "mothering" figure of them all.
Just arrived back from a successful trip to the US is Nomathemba (Khanyisile Jwaha) whose energetic personality is a major contributor to the efficiency of their business. However, there is a sadness in her life that is difficult for her to overcome. Making up the foursome is bouncy and effervescent Tharusha (Derosha Moodley) who’s just back from India on a trip to drum up new business ... and she's got some surprises up her sleeve.
Then there's an old man outside playing a guitar … who is he and does he want something from them?
Nkanyezi – The Star incorporates the philosophy of the Johnnie Walker Celebrating Strides Award in terms of "strides ahead, "keep walking" and "dream big" while embracing Welcome Msomi's vision of encouraging new talent in a cultural and diverse South African community who share beliefs and values in the true spirit of Ubuntu.
Nkanyezi – The Star will run at Stable Theatre from December 10 to 19 with performances Monday to Saturday evenings at 18h30 (Sunday at 16h00) with Saturday matinees at 14h30. Tickets R30 (R20 students and pensioners).
Bookings from Stable Theatre on 031 309 2513 or email: stabletheatre@telkomsa.net For more information visit www.stabletheatre.co.za
FOM: PIANO PASSION
Thoroughly enjoyable and successful concert. (Review by Michael Green)
The piano still has a drawing power unequalled by any other instrument in classical music. On a wet night about 250 people, turned up at the Durban Jewish Centre for this concert presented by the Friends of Music. It was one of the largest audiences ever to attend a Friends of Music event.
The concert was labelled Piano Passion, and this was no more than the truth. Six pianists gave a programme of music written for two, three and even four simultaneous piano parts, the composers ranging from Mozart to Astor Piazzolla.
All the pianists are connected with the University of KwaZulu-Natal, and I suspect that a large part of the audience consisted of students who came to hear their colleagues or mentors.
The pianists were: Andrew Warburton, who lectures in music and is well known as a performer; Liezl-Maret Jacobs, likewise; Christopher Cockburn, a lecturer who regularly performs as an organist and an accompanist; Jacques Heyns, employed at UKZN as an accompanist; and Lloyd Blackbeard and Brady Wen, both third-year electronic engineering students who are, in addition, working toward a performer’s licentiate in piano. Busy people.
The programme note did not say who was playing what. Between items, various members of the piano team gave brief introductions to the music, but did not say who was playing it. I don’t suppose it matters much. Liezl-Maret Jacobs played in everything, and the others had plenty of opportunity to display their skills.
The programme opened with Mozart’s Sonata in D major, K. 123a, one of several duet sonatas which Mozart wrote for performance by his sister Nannerl and himself. It is a lovely work, brilliant outer movements and a rich, romantic Andante. Then came Gabriel Faure’s six-movement Dolly Suite, a duet written in the 1890’s for the daughter of the composer’s mistress. These ardent Frenchmen. The music is delightful, subtle and unusual.
In strong contrast was the Grand Galop de Concert by Wilhelm Ganz, a 19th century German composer who spent most of his life in England. This was vintage Victoriana, a catchy showpiece. Astor Piazzolla’s Libertango was a typically fascinating work from this Argentine king of the tango, and it provided one of the high points of the evening. And there was a vivid Sonata in One Movement by the Czech composer Biedrich Smetana.
After the interval we were given Schubert’s great Fantasy in F minor, played powerfully and expressively by the two senior pianists of the group, Andrew Warburton and Liezl-Maret Jacobs. Grieg was represented by a typically lyrical Adagio from his Symphonic Pieces and Rachmaninov by Polichinelle (Punch in English) written for solo piano and transcribed for two. An arrangement of Rossini’s well-known Tarantella Napolitana evoked much enthusiasm from the audience, and the concert ended with some amiable clowning as four pianists tried to share one keyboard in the Galop-Marche by Albert Lavignac, a minor French composer of the 19th century.
It was a thoroughly enjoyable and successful concert.
The prelude performer of the evening, funded by the national Lottery, was Janice Atkinson, a flautist who is a pupil at Westville Girls’ High School. Accompanied by Bobby Mills she played pieces by Mozart and Faure with a poise and skill which showed that she is already an accomplished performer. - Michael Green
The piano still has a drawing power unequalled by any other instrument in classical music. On a wet night about 250 people, turned up at the Durban Jewish Centre for this concert presented by the Friends of Music. It was one of the largest audiences ever to attend a Friends of Music event.
The concert was labelled Piano Passion, and this was no more than the truth. Six pianists gave a programme of music written for two, three and even four simultaneous piano parts, the composers ranging from Mozart to Astor Piazzolla.
All the pianists are connected with the University of KwaZulu-Natal, and I suspect that a large part of the audience consisted of students who came to hear their colleagues or mentors.
The pianists were: Andrew Warburton, who lectures in music and is well known as a performer; Liezl-Maret Jacobs, likewise; Christopher Cockburn, a lecturer who regularly performs as an organist and an accompanist; Jacques Heyns, employed at UKZN as an accompanist; and Lloyd Blackbeard and Brady Wen, both third-year electronic engineering students who are, in addition, working toward a performer’s licentiate in piano. Busy people.
The programme note did not say who was playing what. Between items, various members of the piano team gave brief introductions to the music, but did not say who was playing it. I don’t suppose it matters much. Liezl-Maret Jacobs played in everything, and the others had plenty of opportunity to display their skills.
The programme opened with Mozart’s Sonata in D major, K. 123a, one of several duet sonatas which Mozart wrote for performance by his sister Nannerl and himself. It is a lovely work, brilliant outer movements and a rich, romantic Andante. Then came Gabriel Faure’s six-movement Dolly Suite, a duet written in the 1890’s for the daughter of the composer’s mistress. These ardent Frenchmen. The music is delightful, subtle and unusual.
In strong contrast was the Grand Galop de Concert by Wilhelm Ganz, a 19th century German composer who spent most of his life in England. This was vintage Victoriana, a catchy showpiece. Astor Piazzolla’s Libertango was a typically fascinating work from this Argentine king of the tango, and it provided one of the high points of the evening. And there was a vivid Sonata in One Movement by the Czech composer Biedrich Smetana.
After the interval we were given Schubert’s great Fantasy in F minor, played powerfully and expressively by the two senior pianists of the group, Andrew Warburton and Liezl-Maret Jacobs. Grieg was represented by a typically lyrical Adagio from his Symphonic Pieces and Rachmaninov by Polichinelle (Punch in English) written for solo piano and transcribed for two. An arrangement of Rossini’s well-known Tarantella Napolitana evoked much enthusiasm from the audience, and the concert ended with some amiable clowning as four pianists tried to share one keyboard in the Galop-Marche by Albert Lavignac, a minor French composer of the 19th century.
It was a thoroughly enjoyable and successful concert.
The prelude performer of the evening, funded by the national Lottery, was Janice Atkinson, a flautist who is a pupil at Westville Girls’ High School. Accompanied by Bobby Mills she played pieces by Mozart and Faure with a poise and skill which showed that she is already an accomplished performer. - Michael Green
TRIBUTE TO WENDY & ANDILE MSELEKU
On November 28, Rainbow restaurant in Pinetown will host Just Friends with special guest Noluthando Nkomo in a Tribute to Wendy and Andile Mseleku, presented in association with Castle Lager and the Wendy Mseleku Trust.
Just Friends is a five piece afro-jazz outfit featuring Bernard Mndaweni on bass guitar, Lindelani Mathonsi on keyboard, Khaya Dlamini on saxophone, Eric Duma on trumpet and Pantsula Zibane on drums. They made their debut performance as a group at the Rainbow in October and totally rocked the house so when Duma approached us with a proposal to stage a Tribute to the two sibling song-birds, Wendy and Andile Mseleku, we had no hesitation in saying yes.
Wendy's star rose very rapidly in the 1990's, with her second album The Powerhouse being nominated for a South African Music Award in the Best Female Artist Category in 1999. Sadly, a few months after the birth of her second daughter, Nqobile, and the release of her third album Umngenandlini in 2000, Wendy passed away. This tragic loss did not silence the Mseleku family as sister Andile picked up the baton and rapidly made a name for herself in the South African music scene. Besides a busy touring schedule, Andile also managed to record the album The Essence of Joy produced by Themba Mkhize and her father Langa Mseleku. Her life however, was also cut short when she passed away due to complications brought on by sugar diabetes in April 2010.
The Wendy Mseleku Trust was established by her father and other concerned friends to provide for the financial and welfare needs of Wendy's two daughters, Lungile and Nqobile. With the passing of Andile, they also took on the responsibility of her daughter Thando. They hope that one day the Trust will be able to extend this support and assistance to other orphaned children of performing artists. As such, a percentage of the profits from this event will go to the Trust.
Joining Just Friends on vocals, to present the hits from the Mseleku sisters, will be singer Noluthando Nkomo, who is well known to Rainbow audiences as vocalist and trombonist in the Umkhumbane Jazz Ensemble.
The performance takes place on November 28. Doors open at 12h00. Tickets R30 presale/R40 at the door. The Rainbow Restaurant Estd 1981 is situated at 23 Stanfield Lane, Pinetown. More information on 031 702 9161 or 083 463 8044 or email: bandwagon@artslink.co.za or visit www.therainbow.co.za
Just Friends is a five piece afro-jazz outfit featuring Bernard Mndaweni on bass guitar, Lindelani Mathonsi on keyboard, Khaya Dlamini on saxophone, Eric Duma on trumpet and Pantsula Zibane on drums. They made their debut performance as a group at the Rainbow in October and totally rocked the house so when Duma approached us with a proposal to stage a Tribute to the two sibling song-birds, Wendy and Andile Mseleku, we had no hesitation in saying yes.
Wendy's star rose very rapidly in the 1990's, with her second album The Powerhouse being nominated for a South African Music Award in the Best Female Artist Category in 1999. Sadly, a few months after the birth of her second daughter, Nqobile, and the release of her third album Umngenandlini in 2000, Wendy passed away. This tragic loss did not silence the Mseleku family as sister Andile picked up the baton and rapidly made a name for herself in the South African music scene. Besides a busy touring schedule, Andile also managed to record the album The Essence of Joy produced by Themba Mkhize and her father Langa Mseleku. Her life however, was also cut short when she passed away due to complications brought on by sugar diabetes in April 2010.
The Wendy Mseleku Trust was established by her father and other concerned friends to provide for the financial and welfare needs of Wendy's two daughters, Lungile and Nqobile. With the passing of Andile, they also took on the responsibility of her daughter Thando. They hope that one day the Trust will be able to extend this support and assistance to other orphaned children of performing artists. As such, a percentage of the profits from this event will go to the Trust.
Joining Just Friends on vocals, to present the hits from the Mseleku sisters, will be singer Noluthando Nkomo, who is well known to Rainbow audiences as vocalist and trombonist in the Umkhumbane Jazz Ensemble.
The performance takes place on November 28. Doors open at 12h00. Tickets R30 presale/R40 at the door. The Rainbow Restaurant Estd 1981 is situated at 23 Stanfield Lane, Pinetown. More information on 031 702 9161 or 083 463 8044 or email: bandwagon@artslink.co.za or visit www.therainbow.co.za
HIP HOP GIANTS FOR DURBS
Hip hop superstars Busta Rhymes and T-Pain will make an early stopover at Suncoast Casino & Entertainment World ahead of their one-night, Durban-only performance at the Inkosi Albert Luthuli International Convention Centre on November 28 and all fans are invited.
Local fans will have the once-in-a-lifetime chance to scoop an autograph or snap up a photograph with two of hip hop music’s greats when their beefy entourages converge on the casino complex’s ECR stage between 10h00 and 11h30 on November 28. A separate VIP meet and greet will take place for invited guests and public winners from 12 noon.
Their concert is presented by Shabach Productions with support performances by Durban’s biggest live act Big Nuz (featuring DJ Tira) as well as Verd and DJ Waxxy from Channel O.
The autograph signing is free and open to the public. Tickets for the ICC show on November 28 are available from Computicket.
Local fans will have the once-in-a-lifetime chance to scoop an autograph or snap up a photograph with two of hip hop music’s greats when their beefy entourages converge on the casino complex’s ECR stage between 10h00 and 11h30 on November 28. A separate VIP meet and greet will take place for invited guests and public winners from 12 noon.
Their concert is presented by Shabach Productions with support performances by Durban’s biggest live act Big Nuz (featuring DJ Tira) as well as Verd and DJ Waxxy from Channel O.
The autograph signing is free and open to the public. Tickets for the ICC show on November 28 are available from Computicket.
SA NEW PLAY WRITING
All writers are invited to apply to be part of The South African New Play Writing Programme.
“The vision for The South African New Play Writing Programme is that it will provide support to playwrights,” says Ashraf Johaardien, playwright and general manager of the Wits Theatre.
The Wits Theatre, in partnership with the British Council, the Department of Arts and Culture and Sustained Theatre, UK is pleased to announce the launch of The South African New Play Writing Programme.
“The Programme will include the sharing of new play development programmes in the UK with a focus on development of theatre writers in South Africa,” explains Pervaiz Khan of Sustained Theatre, UK. “The process will see writers in SA and the UK sharing extant and new scripts as well as developing a process for the exchange of dramaturgical support. In collaboration with theatres and higher education institutions, the Programme will also seek opportunities for collaboration and co-production with a view to touring work, readings of work in progress, showcases, artists’ and writers’ exchange.”
“For the British Council, this is an opportunity to join South African talent and UK art forms and in so doing, enable them to experience the transformational dialogue effect of the arts,’’ states Deputy Director of the British Council.
“The Department of Arts and Culture sees this as an historic partnership which aims to equip a new generation of South African writers with skills that will enable them to develop dramatic work that resonates with the challenges of the world around them,” states Professor Keorapetse Kgogsitsile, Special Adviser to the Minister of Arts & Culture.
The first phase of the programme will comprise writing workshops in Johannesburg and Cape Town with local writers to be facilitated by Patricia Cumper and Ola Animashawun from the UK who will be joined by two South African writers. The workshops will be aimed at people who are already writing but may not be writing for theatre so it is a chance for them to explore the medium of theatre.
The Johannesburg workshop will take place on January 25 and 26 2011 and the Cape Town workshop on January 27 and 28 2011. Interested writers are invited to submit applications as a single Word document no longer than 5 pages with the following information: one-page CV including contact details, one page letter of motivation, and three-page writing sample.
Applications should be submitted via e-mail to catherine.pisanti@wits.ac.za by no later than November 26 2010. The selection process will be facilitated by The Arts & Culture Trust, South Africa premier independent arts funding and development agency. There will be a number of bursaries covering accommodation and travel for writers selected from outside of Cape Town and Johannesburg.
“The vision for The South African New Play Writing Programme is that it will provide support to playwrights,” says Ashraf Johaardien, playwright and general manager of the Wits Theatre.
The Wits Theatre, in partnership with the British Council, the Department of Arts and Culture and Sustained Theatre, UK is pleased to announce the launch of The South African New Play Writing Programme.
“The Programme will include the sharing of new play development programmes in the UK with a focus on development of theatre writers in South Africa,” explains Pervaiz Khan of Sustained Theatre, UK. “The process will see writers in SA and the UK sharing extant and new scripts as well as developing a process for the exchange of dramaturgical support. In collaboration with theatres and higher education institutions, the Programme will also seek opportunities for collaboration and co-production with a view to touring work, readings of work in progress, showcases, artists’ and writers’ exchange.”
“For the British Council, this is an opportunity to join South African talent and UK art forms and in so doing, enable them to experience the transformational dialogue effect of the arts,’’ states Deputy Director of the British Council.
“The Department of Arts and Culture sees this as an historic partnership which aims to equip a new generation of South African writers with skills that will enable them to develop dramatic work that resonates with the challenges of the world around them,” states Professor Keorapetse Kgogsitsile, Special Adviser to the Minister of Arts & Culture.
The first phase of the programme will comprise writing workshops in Johannesburg and Cape Town with local writers to be facilitated by Patricia Cumper and Ola Animashawun from the UK who will be joined by two South African writers. The workshops will be aimed at people who are already writing but may not be writing for theatre so it is a chance for them to explore the medium of theatre.
The Johannesburg workshop will take place on January 25 and 26 2011 and the Cape Town workshop on January 27 and 28 2011. Interested writers are invited to submit applications as a single Word document no longer than 5 pages with the following information: one-page CV including contact details, one page letter of motivation, and three-page writing sample.
Applications should be submitted via e-mail to catherine.pisanti@wits.ac.za by no later than November 26 2010. The selection process will be facilitated by The Arts & Culture Trust, South Africa premier independent arts funding and development agency. There will be a number of bursaries covering accommodation and travel for writers selected from outside of Cape Town and Johannesburg.
MEET SPUD’S STARS
Spud fans have the chance of enjoying pre-release screenings of the eagerly-awaited film Spud: The Movie at elected Ster-Kinekor cinemas in Johannesburg, Durban and Cape Town on November 27. A bonus will be meeting some of its stars, director Donovan Marsh, author John van de Ruit, and the producers.
Spud is only scheduled to open in South Africa on December 3, but fans will be able to watch the film ahead of general release and meet the various personalities at the three centres.
In Durban, author John van de Ruit, Jamie Royal, who plays Gecko, and producer Brad Logan will be on duty at Ster-Kinekor Gateway, and the event begins at 16h00.
Donovan Marsh’s film, based on the hugely popular John van de Ruit book, stars Troye Sivan as Spud and John Cleese as The Guv, with a large cast of young talent from all over South Africa.
Spud: The Movie takes place in South Africa during the early 1990s, when Nelson Mandela was released and the ANC unbanned, and chronicles John “Spud” Milton’s first year at an elite, boys-only private school. Cursed with parents who have embraced the lunatic fringe, and a senile granny, Spud must negotiate some tricky waters in a dormitory full of strange, off-the-wall characters. It’s a foreign and often hostile environment in which he finds himself, but Spud is imbued with intelligence, wit and a likeable personality.
He overcomes the odds, engages with the Crazy 8, meets a few girls and bonds with the eccentric English teacher, The Guv, played by John Cleese, who teaches him something about life and literature.
Tickets to the screenings can be booked online either on a WAP-enabled cellphone or PC via www.sterkinekor.com or by calling TicketLine 082 16789 (value added service rates apply), or in cinema at the self service terminals (SSTs) or Box Offices.
Spud is only scheduled to open in South Africa on December 3, but fans will be able to watch the film ahead of general release and meet the various personalities at the three centres.
In Durban, author John van de Ruit, Jamie Royal, who plays Gecko, and producer Brad Logan will be on duty at Ster-Kinekor Gateway, and the event begins at 16h00.
Donovan Marsh’s film, based on the hugely popular John van de Ruit book, stars Troye Sivan as Spud and John Cleese as The Guv, with a large cast of young talent from all over South Africa.
Spud: The Movie takes place in South Africa during the early 1990s, when Nelson Mandela was released and the ANC unbanned, and chronicles John “Spud” Milton’s first year at an elite, boys-only private school. Cursed with parents who have embraced the lunatic fringe, and a senile granny, Spud must negotiate some tricky waters in a dormitory full of strange, off-the-wall characters. It’s a foreign and often hostile environment in which he finds himself, but Spud is imbued with intelligence, wit and a likeable personality.
He overcomes the odds, engages with the Crazy 8, meets a few girls and bonds with the eccentric English teacher, The Guv, played by John Cleese, who teaches him something about life and literature.
Tickets to the screenings can be booked online either on a WAP-enabled cellphone or PC via www.sterkinekor.com or by calling TicketLine 082 16789 (value added service rates apply), or in cinema at the self service terminals (SSTs) or Box Offices.
SPLASHY FEN EARLY BIRDS
Early Bird tickets for Splashy Fen 2011 are now on sale at Computicket for just R375, which includes camping for the entire festival from April 21 to 25. This offer is valid until the end of December only and tickets are limited, so don’t miss out!
Tickets R100 for children aged 4 to 11 available at physical Computicket outlets and the festival gate. Children under four get in free. Gates open at 07h00 on April 21 and tickets include camping until April 25. No under 18s without parental supervision. More information on http://www.splashyfen.co.za/tickets.html
From January 1, advance tickets will cost R500 at Computicket. There are a number of new developments in the pipeline for next year (including improved ablution facilities) and festival-goers can look forward to one of the best Splashys ever!
Computicket has outlets around the country, including all Shoprite, Checkers and Checkers Hyper stores. You can also buy your tickets online at www.computicket.com or via the Call Centre at 083 915 8000.
Tickets R100 for children aged 4 to 11 available at physical Computicket outlets and the festival gate. Children under four get in free. Gates open at 07h00 on April 21 and tickets include camping until April 25. No under 18s without parental supervision. More information on http://www.splashyfen.co.za/tickets.html
From January 1, advance tickets will cost R500 at Computicket. There are a number of new developments in the pipeline for next year (including improved ablution facilities) and festival-goers can look forward to one of the best Splashys ever!
Computicket has outlets around the country, including all Shoprite, Checkers and Checkers Hyper stores. You can also buy your tickets online at www.computicket.com or via the Call Centre at 083 915 8000.
Wednesday, November 24, 2010
WHO’S YOUR DADDY
The ever-popular “Gee Jays” get together once again for our Festive Season jaunt on the boards with their smash hit show entitled Who’s Your Daddy.
Come and join Gary McKenzie, Grant Bell and John Didlick as they laugh, joke and sing a few songs as well as and pay tribute to the music of the ‘60's& ‘70's. Adding a little eye candy for the ladies is John’s son Jonothan, who’s fast becoming a seasoned professional at home on the stage. He also bears the brunt of most of the jokes…
The show has the usual, zany looks at life and comic sketches you’ve come to expect from The Gee Jays. It also showcases other songs like Crocodile Rock, Sugar Sugar, Pretty Woman and Runnaway to Bridge Over Troubled Waters, Piano Man, Da Doo Ron Ron, American Pie and Whiter Shade of Pale.
The Gee Jays are backed, once again by Durban’s finest musicians, and Heritage Thetare regulars, Dawn Selby (keyboards), Barry Thomson(guitar), Mally Sewell (drums) and Jason Andrew (bass).
Who’s Your Daddy runs until December 31 at The Heritage Theatre. Tickets R190 pp Wednesday to Saturdays (R165 pp Tuesday evenings and Sunday lunch time(includes a two-course meal.
There will also be selected mid-week lunch time performances to cater for the business/corporate market. This will be in the form of an “abridged” version of the show and a two course meal for R165 pp. Bookings on 031 7654197 or online at www.heritagetheatre.co.za
Come and join Gary McKenzie, Grant Bell and John Didlick as they laugh, joke and sing a few songs as well as and pay tribute to the music of the ‘60's& ‘70's. Adding a little eye candy for the ladies is John’s son Jonothan, who’s fast becoming a seasoned professional at home on the stage. He also bears the brunt of most of the jokes…
The show has the usual, zany looks at life and comic sketches you’ve come to expect from The Gee Jays. It also showcases other songs like Crocodile Rock, Sugar Sugar, Pretty Woman and Runnaway to Bridge Over Troubled Waters, Piano Man, Da Doo Ron Ron, American Pie and Whiter Shade of Pale.
The Gee Jays are backed, once again by Durban’s finest musicians, and Heritage Thetare regulars, Dawn Selby (keyboards), Barry Thomson(guitar), Mally Sewell (drums) and Jason Andrew (bass).
Who’s Your Daddy runs until December 31 at The Heritage Theatre. Tickets R190 pp Wednesday to Saturdays (R165 pp Tuesday evenings and Sunday lunch time(includes a two-course meal.
There will also be selected mid-week lunch time performances to cater for the business/corporate market. This will be in the form of an “abridged” version of the show and a two course meal for R165 pp. Bookings on 031 7654197 or online at www.heritagetheatre.co.za
AR RAHMAN
Grammy and Academy Award winning superstar AR Rahman will be bringing his Jai Ho World Tour to South Africa from November 20 to 26.Best known as the man who has redefined contemporary Indian music and for his work on the score for the Academy Award-winning film Slumdog Millionaire, prolific Indian composer AR Rahman will be making a stopover at Suncoast Casino & Entertainment World to meet fans on November 25.
Members of the public can catch him at the ECR stage at Suncoast where he will be available to sign autographs and take photographs from 18h00 that evening.
AR Rahman’s Jai Ho: The Journey Home Tour has taken him to 16 cities around the world, and in Johannesburg, Cape Town and Durban it will form part of South Africa’s celebrations to mark the arrival of of the first Indians indentured labourers 150 years ago.
This Grammy Award winning superstar’s Durban concert is presented by East Coast Radio and DStv Indian and takes place at the Moses Mabhida Stadium on November 26, presented by Hunta Live Productions in association with DSTV Indian and East Coast Radio. He will be joined by Indian singers, Javed Ali, Blaaze, Neeti Mohan and Shweta Pandit, as well as flautist Naveen.
"DStv Indian is proud to be associated with the AR Rahman Jai Ho Concert. It's the first time that DStv Indian is giving their viewers a chance to experience being part of a live concert of this magnitude. The excitement that surrounds an extravaganza of this enormity is a thrill for DStv Indian to share with their viewers," said Fathima Hassim, from DStv Indian.
Rahman has sold more than 150 million copies of his work including music from more than 100 film soundtracks and albums across over half a dozen languages. TIME magazine has hailed him the 'Mozart of Madras', named him as one of the 100 most influential people in the world, and rated the soundtrack of 'Roja' in the Top 10 of their all time best movie soundtracks of the world!
Booking for the show at Moses Mabhida Stadium on November 26 is at Computicket. The public appearance at Suncoast is free to fans. Further information on 031 328 3000 or visit www.suncoastcasino.co.za
LA ROSA
(Donna Steel, Pieter de Beer and Nompumelelo Ngwenya)Full House Productions presents La Rosa, a hilarious two act comedy about a Spanish soap opera cast and crew by Sli Hlengwa. Directed by Pieter de Beer, the cast includes Donna Steel; Nomonde Matiwane; Fortunate Dhlomo; Roberta Trenor Radwinn van Wyk; Pieter de Beer; James Geel; Musawenkhosi Ntuli and Thobani Mbhele.
Continuing South Africa’s post World Cup affinity with all things Spanish, De Beer has adapted Hlengwa’s text into a rollicking, side-splitting, high-action comedy with a cast of nine playing Spanish soap opera stars and their back stage technical crew.
The Courtyard Theatre management has made the theatre available to employ and empower DUT students and graduates. The project is mentored by UKZN’s Tamar Meskin and DUT’s Tanya van der Walt. There is safe parking on campus and this will be the first production to benefit from the makeover which the Courtyard Theatre foyer is getting in November.
La Rosa runs at the Courtyard Theatre at DUT from December 3 to 19 and serves as the launchpad for Full House Productions. Tickets R60 (R50 students/pensioners). Bookings on 084 244 7425, Helen Richter on 072 953 8169 or e-mail: full_house_theatre@yahoo.com
DOUBLA
(Koobeshen Naidoo and Senzo Mthethwa)This year-end, the Dingalings production company offers in one bumper show, called Doubla - the two hit comedies The Boolulu Uncle and Desperate Husbands which will be performed as a double bill for two nights only at the Suncoast Supernova on November 26 and 27.
These two hugely popular one-man shows have enjoyed sold-out runs this year. Its double bill season affords Durban audiences one last opportunity to catch both these shows for the price of one.
The Boolulu Uncle took two awards at the recent Mercury Durban Theatre Awards – New Performer Male and Solo Performance for its star Senzo Mthethwa. This is a delightful tale based on Senzo’s own experiences of a young Zulu boy who grows up in an Indian home. The story is wry, witty, self-deprecating and gently nostalgic, as he recounts his amazing history growing up in the Chetty household. This warm funny story won the audiences award for the best play at the Musho Festival of one and two person theatre in January this year.
The other Dingaling offering, Desperate Husbands, is an adult comedy featuring comedy heavyweight Koobeshan Naidoo who pushes the boundaries in exploring sexual stereotypes. He takes a candid look at the battle of the sexes and how the Indian male has swopped the boardroom and high-powered jobs for the ironing board and babysitting the kids. Boyish good looks and a strong sense of humour has made Naidoo a favourite with comedy audiences.
Doubla: The Boolulu Uncle and Desperate Husbands runs at Suncoast Supernova on November 26 at 20h30 and on November 27 at 18h00 and 21h30. Tickets R100 booked through Suncoast Cine centre box office on 031 328 3349. The double bill carries a 2-18 age restriction.
The Dingalings are available for year-end parties – contact Kay on 083 793 9969 or email: Dingalingsproductions@gmail.com
Monday, November 22, 2010
THEATRE AWARD WINNERS
The eighth annual awards evening of The Mercury Durban Theatre Awards took place this evening (November 22) at the Elizabeth Sneddon Theatre.
The awards system considered productions originating in Durban and presented between October 1, 2009, and September 30, 2010. Awards were given in the categories of drama and comedy, musical theatre, music revue / music compilation/ cabaret, and children’s theatre, with a total of 46 productions vying for honours at this year’s awards ceremony.
The Mercury Durban Theatre Awards recognise and acknowledge the quality of work produced in Durban in a given year. This work is maintained at a consistently high standard. Nominations for this year’s awards are as follows:
As in the past, the KickstArt theatre company walked off numerous awards for their three productions held over the year: Peter Pan, Duet for One and Miracle. Peter Pan achieved Poster Design (Shirley Berko); Costume Design (Peter Court, Steven Stead and Neil Stuart-Harris); Set Design (Greg King); Musical Theatre Supporting Actress (Shelley McLean); Musical Theatre Lead Actor (Bryan Hiles), Musical Director (Shelley McLean, Evan Roberts and Justin Southey) and Musical Theatre Director (Steven Stead). Peter Pan also won the Musical Theatre Production award.
The acclaimed Duet for One, presented by KickstArt in association with Daphne Kuhn, won the drama production award as well as Lead Actress and Lead Actor awards for Clare Mortimer and Michael Richard and the Director’s award for Steven Stead.
Michael Gritten won the Drama Supporting Actor award for KickstArt’s Miracle.
Peter Court and Bryan Hiles walked off with most of the awards in the Children’s Theatre category for their A Mariner’s Tale which won them both Lead Actor and Director awards each as well as the Production award for their company, Creative Madness.
Daisy Spencer won Lead Actress in the Children’s Theatre category for Marvellous Mixtures.
Ben Voss won the award for Performance in a Comedy by a Male as well as New South African Script for his one-man show, Bend it like Beauty. Senzo Mthethwa won awards for New Performer – Male as well as Solo Performance for The Boolulu Uncle.
Khanyisile Jwaha won the award for New Performer – Female for her performance in The Dictionary.
The Guitar that Rocked the World won Sound Design and Lighting Design for Jackie Cunniffe and Mark Kleinert respectively.
In the Music Revue / Music Compilation / Cabaret category, Andrew Webster won the Performer award for You’re so Vain while Sue Clarence Promotions’ Brutal Tunes won the production award.
In the Musical Theatre Category the Playhouse Company’s My Fair Ladysaw Lisa Bobbert winning the Lead Actress award with Cobus Venter being awarded Supporting Actor and Mark Hawkins receiving the Choreography award.
The Monica Fairall Memorial Award went to Peter Rorvik who is the director of the University of KwaZulu-Natal’s Centre for Creative Arts and the Special Judges Award was presented to Bongumusa Madoda Mtshali for his work on the revitalisation of Stable Theatre. The Mercury Theatre Personality of the Year Award was won by Rory Booth.
This year’s ceremony was hosted by Jailoshini Naidoo of Eastern Mosaic and, as always, was a sophisticated and glamorous celebration of Durban’s theatre industry. Once again, Tim Pullen and ClaviTech made a generous donation of a ClaviTech 61-note keyboard (retailing at approximately R3,000) as the lucky draw.
The awards system considered productions originating in Durban and presented between October 1, 2009, and September 30, 2010. Awards were given in the categories of drama and comedy, musical theatre, music revue / music compilation/ cabaret, and children’s theatre, with a total of 46 productions vying for honours at this year’s awards ceremony.
The Mercury Durban Theatre Awards recognise and acknowledge the quality of work produced in Durban in a given year. This work is maintained at a consistently high standard. Nominations for this year’s awards are as follows:
As in the past, the KickstArt theatre company walked off numerous awards for their three productions held over the year: Peter Pan, Duet for One and Miracle. Peter Pan achieved Poster Design (Shirley Berko); Costume Design (Peter Court, Steven Stead and Neil Stuart-Harris); Set Design (Greg King); Musical Theatre Supporting Actress (Shelley McLean); Musical Theatre Lead Actor (Bryan Hiles), Musical Director (Shelley McLean, Evan Roberts and Justin Southey) and Musical Theatre Director (Steven Stead). Peter Pan also won the Musical Theatre Production award.
The acclaimed Duet for One, presented by KickstArt in association with Daphne Kuhn, won the drama production award as well as Lead Actress and Lead Actor awards for Clare Mortimer and Michael Richard and the Director’s award for Steven Stead.
Michael Gritten won the Drama Supporting Actor award for KickstArt’s Miracle.
Peter Court and Bryan Hiles walked off with most of the awards in the Children’s Theatre category for their A Mariner’s Tale which won them both Lead Actor and Director awards each as well as the Production award for their company, Creative Madness.
Daisy Spencer won Lead Actress in the Children’s Theatre category for Marvellous Mixtures.
Ben Voss won the award for Performance in a Comedy by a Male as well as New South African Script for his one-man show, Bend it like Beauty. Senzo Mthethwa won awards for New Performer – Male as well as Solo Performance for The Boolulu Uncle.
Khanyisile Jwaha won the award for New Performer – Female for her performance in The Dictionary.
The Guitar that Rocked the World won Sound Design and Lighting Design for Jackie Cunniffe and Mark Kleinert respectively.
In the Music Revue / Music Compilation / Cabaret category, Andrew Webster won the Performer award for You’re so Vain while Sue Clarence Promotions’ Brutal Tunes won the production award.
In the Musical Theatre Category the Playhouse Company’s My Fair Ladysaw Lisa Bobbert winning the Lead Actress award with Cobus Venter being awarded Supporting Actor and Mark Hawkins receiving the Choreography award.
The Monica Fairall Memorial Award went to Peter Rorvik who is the director of the University of KwaZulu-Natal’s Centre for Creative Arts and the Special Judges Award was presented to Bongumusa Madoda Mtshali for his work on the revitalisation of Stable Theatre. The Mercury Theatre Personality of the Year Award was won by Rory Booth.
This year’s ceremony was hosted by Jailoshini Naidoo of Eastern Mosaic and, as always, was a sophisticated and glamorous celebration of Durban’s theatre industry. Once again, Tim Pullen and ClaviTech made a generous donation of a ClaviTech 61-note keyboard (retailing at approximately R3,000) as the lucky draw.
SHINE
M-Net Stars on DSTv Channel 105 will be showing Shine on November 22 at 19h30.
This is a true story about an Australian pianist, David Helfgott – it is a delightful movie, charting his early, traumatic years in flashback. We see him as he grows up into a child prodigy while his father abuses him and his siblings. With the memory of his childhood in Europe and the loss of his family in the concentration camps, David finally breaks away from his father and goes overseas to study.He later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.
Directed by Scott Hicks in1996, the film stars Armin Mueller-Stahl and Geoffrey Rush.
This is a true story about an Australian pianist, David Helfgott – it is a delightful movie, charting his early, traumatic years in flashback. We see him as he grows up into a child prodigy while his father abuses him and his siblings. With the memory of his childhood in Europe and the loss of his family in the concentration camps, David finally breaks away from his father and goes overseas to study.He later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.
Directed by Scott Hicks in1996, the film stars Armin Mueller-Stahl and Geoffrey Rush.
Sunday, November 21, 2010
DEATH OF LES FRANKEN
TV presenter and former South African news reader Les Franken (64) - once a fixture on South African television as the host of several game shows before a TV resurgence as mid-morning infomercials presenter - has died.Les Franken passed away on November 15 in the Milpark Hospital in Johannesburg after he broke a leg two months ago, was operated on and developed a lung embolism.
During the late 80’s, Les Franken was the presenter of the blind date game show Cupid on TV4, at that time the show with the second highest viewership in South Africa only trumped by the primetime soap Dynasty. He was also the host of the immensely popular game show Pryswys on TV1 and later also presented the Afrikaans game show Legkaart Bonanza (also on TV1) where he coined a new phrase ''Rol daai wiel!'' [''Spin that wheel!''].
With South Africa's first foray into breakfast TV in October 1986 with Goeiemore Suid-Afrika / Good Morning South Africa [later GMSA] on TV1, Les Franken was one of the original three anchor presenters and read the morning news for two years before he left the show. During this time he got divorced in 1987 from his first wife and later married his second wife Amanda. Les Franken was seen before that as TV reporter, primetime newsreader on TV1, and also hosted special programming like TV1's Artes awards.
After a long absence from South African television following the reorganization of the SABC's 3 TV channels in 1994 (and a self-entitled music album in 1986) Les Franken made a surprising TV comeback as the mid-morning face of infomercials where he became synonymous with Clientele's ''Lasting Dignity Plan'' life insurance and funeral policy over many years. Les Franken's funeral will take place on Monday (November 22) at 10h00 at the Dutch Reformed church Johannesburg South.
AFFORDABLE ART SHOW
artSPACE durban's Annual Affordable Art Show is one of the gallery’s most popular exhibitions since its inception eight years ago.
“We manage to collect and select a wide range of fine art keeping the prices down,” explains artSPACE’s owner Karen Bradtke. “The maximum sale price is R3,500 this year. In past years, we have had close to 100 participating artists and we exhibit a variety of medium from oil paintings, ceramics, sculptures, prints, photographs, and more.”
Some of artSPACE durban’s regular contributing artists are: Jeannie Kinsler, Andrew Verster, Grace Kotze, David Lloyd, Jennie Castle, Ezequiel Mabote, Coral Spencer Domijan, Marianne Meijer, Roz Cryer, Martha Zettler, Christiaan Diedericks, Pascale Chandler, and many, many more!
The Affordable Art Show runs from November 29 to mid-January 2011. artSPACE durban is situated at 3 Millar Road (off Umgeni Road) close to the Waste Centre. More information on 031 312 0793 or visit www.artspacedurban.co.za or www.artspacedurban.blogspot.com
“We manage to collect and select a wide range of fine art keeping the prices down,” explains artSPACE’s owner Karen Bradtke. “The maximum sale price is R3,500 this year. In past years, we have had close to 100 participating artists and we exhibit a variety of medium from oil paintings, ceramics, sculptures, prints, photographs, and more.”
Some of artSPACE durban’s regular contributing artists are: Jeannie Kinsler, Andrew Verster, Grace Kotze, David Lloyd, Jennie Castle, Ezequiel Mabote, Coral Spencer Domijan, Marianne Meijer, Roz Cryer, Martha Zettler, Christiaan Diedericks, Pascale Chandler, and many, many more!
The Affordable Art Show runs from November 29 to mid-January 2011. artSPACE durban is situated at 3 Millar Road (off Umgeni Road) close to the Waste Centre. More information on 031 312 0793 or visit www.artspacedurban.co.za or www.artspacedurban.blogspot.com
PEOPLE, PRINTS AND PROCESS
The Standard Bank Gallery in Johannesburg honours 25 Years at Caversham.
The Caversham Press, founded in 1985 by Malcolm Christian in the Midlands of KwaZulu-Natal, has made an important contribution to the development of printmaking in South Africa and has a memorable history. It is this contribution and history, as much as excellence in printmaking, that People, Prints and Process – 25 Years at Caversham celebrates.
Featuring over 100 works by more than 70 artists, the exhibition presents an opportunity to reflect on the achievements of what was the first comprehensive independent artists' press in southern Africa. It tells a remarkable story of faith in creative people and the processes of human interaction and empowerment, generated through collaborative work underpinned by exacting design and printing processes (etching, lithography, screenprint, and linocut).
The Caversham Press found a home near Lidgetton, KwaZulu-Natal, when master printer, Malcolm Christian, bought a former Wesleyan Methodist chapel surrounded by a graveyard. What was to become a famous art centre happened by chance. Christian, who had taught at many tertiary education institutions, was teaching at Wits when, on his way to Durban, he "wandered down a winding dirt road," as he recalls, and came across the derelict old chapel. His vision was to transform the 1878 church into a studio, with the aim of providing South African artists with access to a professional, collaborative set-up for the production of limited edition prints. Of particular importance to Christian was the idea of nurturing emergent artists from disadvantaged backgrounds.
Caversham is located within an idyllic landscape of rural tranquillity and the studio retains the peaceful aura of its original spiritual structure. The gravestones are now incorporated into the garden and many newer buildings contribute to Caversham's community identity and provide accommodation for residencies and visiting artists. There are no distractions to inhibit dedication to the processes of thinking in visual form and producing handmade, limited edition artists' prints.
Christian believes that everybody is creative. "I think the education systems," he says, "have sucked the creativity from us. And I don't mean the ability to draw. Creativity is far more fundamental than that: it's our innate ability to embrace change." What he seeks at Caversham is to unlock that creativity. "Ultimately my meaning rests in you. I have to find effective ways to build significance within you – and one of those ways is to facilitate your pursuit of excellence. I think that's the whole purpose of Caversham."
Robert Hodgins, who passed way this year, was the first artist to spend time at Caversham. Since then a host of artists have benefited from the Christian touch and approach, as well as the peaceful surroundings. These include Sthembiso Sibisi, William Kentridge, Peter Schütz, Wonderboy Nxumalo, Peter Clarke, Bonnie Ntsalintshali, Deborah Bell, Garth Erasmus, Karel Nel, Peter Clarke, Albert Adams, Derick Nxumalo, Magkabo Helen Sebidi, Andries Botha, Malcolm Payne, Zwelethu Mthethwa and Gabisile Nkosi. All of these artists feature on People, Prints and Process – 25 Years at Caversham.
People, Prints and Process – 25 Years at Caversham runs until December 4 at the Standard Bank Gallery, Corner Simmonds and Frederick Street, Johannesburg. More information on 011 631-1889. The gallery is closed on Sundays and public holidays. Admission is free.
The Caversham Press, founded in 1985 by Malcolm Christian in the Midlands of KwaZulu-Natal, has made an important contribution to the development of printmaking in South Africa and has a memorable history. It is this contribution and history, as much as excellence in printmaking, that People, Prints and Process – 25 Years at Caversham celebrates.
Featuring over 100 works by more than 70 artists, the exhibition presents an opportunity to reflect on the achievements of what was the first comprehensive independent artists' press in southern Africa. It tells a remarkable story of faith in creative people and the processes of human interaction and empowerment, generated through collaborative work underpinned by exacting design and printing processes (etching, lithography, screenprint, and linocut).
The Caversham Press found a home near Lidgetton, KwaZulu-Natal, when master printer, Malcolm Christian, bought a former Wesleyan Methodist chapel surrounded by a graveyard. What was to become a famous art centre happened by chance. Christian, who had taught at many tertiary education institutions, was teaching at Wits when, on his way to Durban, he "wandered down a winding dirt road," as he recalls, and came across the derelict old chapel. His vision was to transform the 1878 church into a studio, with the aim of providing South African artists with access to a professional, collaborative set-up for the production of limited edition prints. Of particular importance to Christian was the idea of nurturing emergent artists from disadvantaged backgrounds.
Caversham is located within an idyllic landscape of rural tranquillity and the studio retains the peaceful aura of its original spiritual structure. The gravestones are now incorporated into the garden and many newer buildings contribute to Caversham's community identity and provide accommodation for residencies and visiting artists. There are no distractions to inhibit dedication to the processes of thinking in visual form and producing handmade, limited edition artists' prints.
Christian believes that everybody is creative. "I think the education systems," he says, "have sucked the creativity from us. And I don't mean the ability to draw. Creativity is far more fundamental than that: it's our innate ability to embrace change." What he seeks at Caversham is to unlock that creativity. "Ultimately my meaning rests in you. I have to find effective ways to build significance within you – and one of those ways is to facilitate your pursuit of excellence. I think that's the whole purpose of Caversham."
Robert Hodgins, who passed way this year, was the first artist to spend time at Caversham. Since then a host of artists have benefited from the Christian touch and approach, as well as the peaceful surroundings. These include Sthembiso Sibisi, William Kentridge, Peter Schütz, Wonderboy Nxumalo, Peter Clarke, Bonnie Ntsalintshali, Deborah Bell, Garth Erasmus, Karel Nel, Peter Clarke, Albert Adams, Derick Nxumalo, Magkabo Helen Sebidi, Andries Botha, Malcolm Payne, Zwelethu Mthethwa and Gabisile Nkosi. All of these artists feature on People, Prints and Process – 25 Years at Caversham.
People, Prints and Process – 25 Years at Caversham runs until December 4 at the Standard Bank Gallery, Corner Simmonds and Frederick Street, Johannesburg. More information on 011 631-1889. The gallery is closed on Sundays and public holidays. Admission is free.
TONY DE FREITAS
Local Drummond artist Tony de Freitas enjoys the public arena with his first showing at the glitzy Crouse Art Gallery simply titled Exhibition on November 26.De Freitas works quickly and methodically. He makes a paint sketch on board and then gets going with his palette knives. He prefers acrylics because they dry rapidly, meaning he can apply layer on layer. As is often the case in jazz music, his process is impromptu and he ad-libs in a very impressionistic manner. As he goes, he changes and modifies, little bits creep through, the painting evolves and the end result is never predictable. He can repeat an identical scene and it won’t ever turn out the same. He finds using a palette knife “forces one to be precise yet loose and it also gives rise to the unexpected as I work.”
“I don’t like a photographic style,” de Freitas continues.” What I like is the eye finishing the picture.” He quotes another artist, Marilyn Simandle. “Painting should be like a conversation and the artist shouldn’t do all the talking”. For de Freitas, adding too much detail results in the artist boringly dominating the conversation. “One has to know when to stop”.
De Freitas is now keen to take his work in new directions, explore new themes and subject matter. “I love capturing the effect of light on things and would like to explore the KZN Midlands more, and become more contemporary in approach and feel”.
Exhibition opens at Crouse Art Gallery on November 26. Gallery hours are 09h00 to 16h00 weekdays (Saturdays 09h00 to 12h00) – however, the gallery will be open on November 28 from 09h00 to 12h00. Crouse Art Gallery is situated at 254 Lillian Ngoyi / Windermere Road. More information on 031 312 2315 or visit www.crouseartkzn.co.za
BATIK
(Batik work by Annie Falconer)Aladdin’s Gallery, Nottingham Road is to present an exhibition of batik work by Annie Falconer simply titled Batik
“This is a very special exhibition not to be missed, the first in 15 year,” says a gallery representative. “Work of such complexity in this unusual medium are seldom seen, and these new works are collector’s pieces.”
Batik opens on November 25 from 17h30. More information from Annie on 079 670 7518 or Louise on 033 266 6460.
NOBEL PEACE PRIZE EXHIBITION
The Luthuli Museum in Groutville is hosting a special 50 year Nobel Peace Prize Exhibition features photographs of Chief Albert Luthuli’s memorable trip to Oslo, Norway in December 1961 when he received the Nobel Peace Prize.
None of these photographs have been exhibited in public before and the exhibition will focus specifically on the time that Chief Albert Luthuli first received the news from his wife Nokukhanya and good friend EV Mahomed on October 23, 1961. Also featured is the ensuing controversy carried in the press both national and international, the journey to Norway and his triumphant return to Groutville.
The photographs and insight into the nomination process, as well as first time interviews with those Norwegians who met and looked after Chief Luthuli and Nokukhanya during his time in this foreign country were conducted by Luthuli Museum Research Officer Barbara Wahlberg.
“It is perhaps fitting that the Luthuli Museum’s special exhibition is due to be launched in December 2010 – the same month that Chief Albert Luthuli received the Nobel Peace Prize. It is also significant to note that Chief Albert Luthuli was awarded the Nobel Peace Prize for the year 1960 but only received it officially a year later,” Luthuli Museum director Brian Xaba.
The exhibition forms part of a range of events and special publications that are to be produced and are already on display at the Luthuli Museum. All of which are designed to raise the profile of Africa’s first Nobel Peace Prize winner.
One of these is the In Conversation: Albert John Mvumbi Luthuli and Nelson Rolihlahla Mandela presented as a dialogue between these two giants of the liberation struggle. The exhibition explores and connects their lives and allows a glimpse into the conversations and legacy debates that surround them.
A special catalogue of some of these images and special edition coffee-table book capturing 50 memorable quotes from Chief Albert Luthuli are going to be produced by the Luthuli Museum next year.
Also on the cards for March 2011 is a high-level academic seminar themed; Reflections and Impressions on the Life and Legacy of Chief Albert Luthuli that will further broaden the public’s understanding and appreciation of the role played by Chief Albert Luthuli, one of the longest serving President Generals of the ANC and Africa’s first Nobel Peace Prize laureate.
“The Luthuli Museum is excited by the groundswell of awareness that is currently circulating in the country around one of South Africa’s iconic leaders Chief Albert Luthuli,” said Luthuli Museum director Brian Xaba, “and is happy to be part of the other significant events planned by the Chief Albert Luthuli Foundation and other organisations. At the same time, though, the Luthuli Museum is acutely aware of the significance of this historic award.”
The Luthuli Museum is situated at 3233 Nokukhanya Luthuli Street in Groutville. More information on 032 559 6822, fax 032 559 6806, email luthulimuseum@luthulimuseum.org.za or visit www.luthulimuseum.org.za
None of these photographs have been exhibited in public before and the exhibition will focus specifically on the time that Chief Albert Luthuli first received the news from his wife Nokukhanya and good friend EV Mahomed on October 23, 1961. Also featured is the ensuing controversy carried in the press both national and international, the journey to Norway and his triumphant return to Groutville.
The photographs and insight into the nomination process, as well as first time interviews with those Norwegians who met and looked after Chief Luthuli and Nokukhanya during his time in this foreign country were conducted by Luthuli Museum Research Officer Barbara Wahlberg.
“It is perhaps fitting that the Luthuli Museum’s special exhibition is due to be launched in December 2010 – the same month that Chief Albert Luthuli received the Nobel Peace Prize. It is also significant to note that Chief Albert Luthuli was awarded the Nobel Peace Prize for the year 1960 but only received it officially a year later,” Luthuli Museum director Brian Xaba.
The exhibition forms part of a range of events and special publications that are to be produced and are already on display at the Luthuli Museum. All of which are designed to raise the profile of Africa’s first Nobel Peace Prize winner.
One of these is the In Conversation: Albert John Mvumbi Luthuli and Nelson Rolihlahla Mandela presented as a dialogue between these two giants of the liberation struggle. The exhibition explores and connects their lives and allows a glimpse into the conversations and legacy debates that surround them.
A special catalogue of some of these images and special edition coffee-table book capturing 50 memorable quotes from Chief Albert Luthuli are going to be produced by the Luthuli Museum next year.
Also on the cards for March 2011 is a high-level academic seminar themed; Reflections and Impressions on the Life and Legacy of Chief Albert Luthuli that will further broaden the public’s understanding and appreciation of the role played by Chief Albert Luthuli, one of the longest serving President Generals of the ANC and Africa’s first Nobel Peace Prize laureate.
“The Luthuli Museum is excited by the groundswell of awareness that is currently circulating in the country around one of South Africa’s iconic leaders Chief Albert Luthuli,” said Luthuli Museum director Brian Xaba, “and is happy to be part of the other significant events planned by the Chief Albert Luthuli Foundation and other organisations. At the same time, though, the Luthuli Museum is acutely aware of the significance of this historic award.”
The Luthuli Museum is situated at 3233 Nokukhanya Luthuli Street in Groutville. More information on 032 559 6822, fax 032 559 6806, email luthulimuseum@luthulimuseum.org.za or visit www.luthulimuseum.org.za
THE REAL HUSTLE
Premiering on BBC Knowledge on December 3 at 21.30; The Real Hustle team return with a new series from the gambling capital of the world, The Real Hustle: Las Vegas.
The series features the Hustlers employing a cunning technique to steal the pot in a blackjack game, and some equally cunning dealer scams. Jess shows how $10 can be turned into $20 in less than two minutes, and poses as the hotel inspector from hell so she can steal guests’ belongings. The team also reveal how the kindness of strangers isn't all it's cracked up to be when they leave two unsuspecting members of the public stranded in the desert, minus their luggage.
The series features the Hustlers employing a cunning technique to steal the pot in a blackjack game, and some equally cunning dealer scams. Jess shows how $10 can be turned into $20 in less than two minutes, and poses as the hotel inspector from hell so she can steal guests’ belongings. The team also reveal how the kindness of strangers isn't all it's cracked up to be when they leave two unsuspecting members of the public stranded in the desert, minus their luggage.
PRIMEVAL
Currently running on Monday evenings at 21h20 on BBC Entertainment (channel 120 on DStv) is the ten-episodes Series 3 of Primeval.
This monster hit roars back onto the screens for a third series, and the action continues to evolve with more new faces joining the team. Still reeling from Stephen’s death, and with the depth of Helen’s betrayal now revealed, Nick Cutter must fight to re-focus his embattled team in order to continue the work they started. But as the anomalies continue to present an unrelenting series of threats, the task at hand seems almost insurmountable.
With events getting even wilder, creatures steeped in ancient folklore begin to appear, and it becomes clear that the origins of myths and legends are linked with the mysterious anomalies. From a Pristichampus, a creature which bears a striking resemblance to the ancient Egyptian crocodile demon Ammut, to a Dracorex being hunted by a deranged Knight who is convinced it’s a dragon he must slay, it seems there’s no limit to the dangers spilling through the anomalies.
But it’s not just the creatures the team has to contend with. The cloak of secrecy behind which they have been working is beginning to slip - as deadlier creatures continue to rampage through the anomalies, questions are being asked as the conspiracy spreads its net ever wider.
The cast includes Douglas Henshall as Professor Nick Cutter, Jason Flemyng as Danny Vernon, Lucy Brown as Jenny Lewis, Hannah Spearritt as Abby Maitland and Andrew Lee Potts as Connor Temple.
This monster hit roars back onto the screens for a third series, and the action continues to evolve with more new faces joining the team. Still reeling from Stephen’s death, and with the depth of Helen’s betrayal now revealed, Nick Cutter must fight to re-focus his embattled team in order to continue the work they started. But as the anomalies continue to present an unrelenting series of threats, the task at hand seems almost insurmountable.
With events getting even wilder, creatures steeped in ancient folklore begin to appear, and it becomes clear that the origins of myths and legends are linked with the mysterious anomalies. From a Pristichampus, a creature which bears a striking resemblance to the ancient Egyptian crocodile demon Ammut, to a Dracorex being hunted by a deranged Knight who is convinced it’s a dragon he must slay, it seems there’s no limit to the dangers spilling through the anomalies.
But it’s not just the creatures the team has to contend with. The cloak of secrecy behind which they have been working is beginning to slip - as deadlier creatures continue to rampage through the anomalies, questions are being asked as the conspiracy spreads its net ever wider.
The cast includes Douglas Henshall as Professor Nick Cutter, Jason Flemyng as Danny Vernon, Lucy Brown as Jenny Lewis, Hannah Spearritt as Abby Maitland and Andrew Lee Potts as Connor Temple.
M-NET VUKA! AWARDS
The annual M-Net Vuka! Awards 2010 invites the public to vote for their favourite charity advert.
Every year M-Net hosts the annual VUKA! Awards, which encourages the film and advertising industry to reach out and make charity adverts or PSA’s (Public Service Announcements) for important social issues. These adverts help charities and NGO’s get much needed exposure whilst offering newcomer filmmakers a chance to get their creative talents spotted by advertising agencies and production companies.
This year the M-Net Vuka! Awards received close to 200 entries and are inviting the public to watch the 28 finalists – professional and newcomer - and vote for the M-Net Vuka! Advert that most touched your heart.
“You have until November 25 to Vote and Win!,” say the organisers. “SMS lines are open and waiting to hear from you because your opinion really matters.”
Go to the M-Net Vuka! Awards website: http://vuka.mnet.co.za and follow the link to the Viewers Choice competition. SMS the number of your favourite Vuka! PSA to: 34599 and the organisers will do the rest (Each SMS is charged at R2.)
Says Koo Govender of M-Net, “It’s important that the M-Net Vuka! Awards do not exist in a vacuum. This annual campaign is about reaching people’s hearts and minds as we seek to help the many organisations who work tirelessly making South Africa a better place for all. The feedback from viewers is essential to us, and the SMS competition is the most direct and speedy method we have of gauging the success of each PSA. Proceeds raised from the SMS line will be donated to the winning charity or cause, so by simply sending off your SMS vote for the M-Net Vuka! PSA you preferred, you’ll be actively helping to make a difference, too!”
One lucky voter stands to win an HD PVR MultiChoice decoder. So start SMS’ing now. All of the 2010 M-Net Vuka! Finalists’ entries are available for viewing on http://vuka.mnet.co.za
Every year M-Net hosts the annual VUKA! Awards, which encourages the film and advertising industry to reach out and make charity adverts or PSA’s (Public Service Announcements) for important social issues. These adverts help charities and NGO’s get much needed exposure whilst offering newcomer filmmakers a chance to get their creative talents spotted by advertising agencies and production companies.
This year the M-Net Vuka! Awards received close to 200 entries and are inviting the public to watch the 28 finalists – professional and newcomer - and vote for the M-Net Vuka! Advert that most touched your heart.
“You have until November 25 to Vote and Win!,” say the organisers. “SMS lines are open and waiting to hear from you because your opinion really matters.”
Go to the M-Net Vuka! Awards website: http://vuka.mnet.co.za and follow the link to the Viewers Choice competition. SMS the number of your favourite Vuka! PSA to: 34599 and the organisers will do the rest (Each SMS is charged at R2.)
Says Koo Govender of M-Net, “It’s important that the M-Net Vuka! Awards do not exist in a vacuum. This annual campaign is about reaching people’s hearts and minds as we seek to help the many organisations who work tirelessly making South Africa a better place for all. The feedback from viewers is essential to us, and the SMS competition is the most direct and speedy method we have of gauging the success of each PSA. Proceeds raised from the SMS line will be donated to the winning charity or cause, so by simply sending off your SMS vote for the M-Net Vuka! PSA you preferred, you’ll be actively helping to make a difference, too!”
One lucky voter stands to win an HD PVR MultiChoice decoder. So start SMS’ing now. All of the 2010 M-Net Vuka! Finalists’ entries are available for viewing on http://vuka.mnet.co.za
ANDRÉ RIEU
The King of Waltz, André Rieu, is to return to South Africa in March 2011.
While there have been certain changes in his schedule, the Durban and Sun City performances will remain as scheduled.
The chart-topping Dutch violinist and conductor has sold over 30 million albums globally, and has broken all classical concert records, packing stadiums with over 700,000 adoring fans each year. He has sold over 300,000 DVD’s in South Africa alone, earning him a special award from Universal Records in recognition of this multi-platinum status.
André Rieu’s Live Tour to South Africa, which is presented by DStv and Hunta Live, will have one performance on March 23 at ICC Durban. Other dates are Sun City, Superbowl (March 18 and 19) and Cape Town, Grand Arena, GrandWest (March 11 and 12)
Booking now open at Computicket (www.computicket.com or on 083 915 8000) and outlets countrywide. For general tour updates and information visit www.andrerieu.com
While there have been certain changes in his schedule, the Durban and Sun City performances will remain as scheduled.
The chart-topping Dutch violinist and conductor has sold over 30 million albums globally, and has broken all classical concert records, packing stadiums with over 700,000 adoring fans each year. He has sold over 300,000 DVD’s in South Africa alone, earning him a special award from Universal Records in recognition of this multi-platinum status.
André Rieu’s Live Tour to South Africa, which is presented by DStv and Hunta Live, will have one performance on March 23 at ICC Durban. Other dates are Sun City, Superbowl (March 18 and 19) and Cape Town, Grand Arena, GrandWest (March 11 and 12)
Booking now open at Computicket (www.computicket.com or on 083 915 8000) and outlets countrywide. For general tour updates and information visit www.andrerieu.com
ELVIS AND L’LOYD TO ROCK SIBAYA
Following their success as the last two finalists in MNet’s Idols, winner Elvis Blue and runner up Durban’s own L’loyd Cele will perform a double bill at the Krakatoa at Sibaya Casino & Entertainment Kingdom on December 2.
In a dramatic announcement, that warmed the hearts of all South Africans, Elivs shared his cash winnings of R500,000 with L’loyd as a demonstration of the close friendship these two young stars had developed during Idols. Now true to form, they join forces to perform as a duo for this concert at Sibaya. They will each perform one set individually and then together for the final set.
Doors open at 19h00 and the gig kicks off at 20h00. Tickets R140 booked through Computicket or purchased at the door on the night. (No under 18’s). More information from Sibaya on 031 580 5100.
In a dramatic announcement, that warmed the hearts of all South Africans, Elivs shared his cash winnings of R500,000 with L’loyd as a demonstration of the close friendship these two young stars had developed during Idols. Now true to form, they join forces to perform as a duo for this concert at Sibaya. They will each perform one set individually and then together for the final set.
Doors open at 19h00 and the gig kicks off at 20h00. Tickets R140 booked through Computicket or purchased at the door on the night. (No under 18’s). More information from Sibaya on 031 580 5100.
BRITISH COUNCIL GLOBAL XCHANGE
British Council Global XChange international volunteer, Jean Benoit Pradeau from Paris, France help with children from Wentworth at a fun day at Moses Mabhida stadium in honour of Children’s DayYouthful volunteers from KZN, United States of American, France, Sierra Leone and the United Kingdom join together to work in an inspired international volunteer exchange programme, entitled Global Xchange, which is co-ordinated by the British Council.
Twenty volunteers from five countries are all currently working and living alongside each other for three months to engage meaningfully with projects and community initiatives in the greater Durban area. Using the BAT Centre in Durban’s Small Craft Harbour as a base, the 16 visiting volunteers are working together with their four South African counterparts. The cities represented in this project are Durban (South Africa); Belfast (UK); Paris (France), Los Angeles (USA) and Free Town (Sierra Leone). While in Durban, the volunteers have rapidly integrated themselves into their new environment and host city. They are working together with some of the most pro-active NGOs and community-based organisations to learn and share with them.
The volunteers – aged between 18 and 25 - have been working on projects as diverse as street poets; HIV Aids prevention; sexual health awareness; youth programmes; street children initiatives; education support organisations; local government sectors; homes for the aged and the disabled; women’s groups; arts projects and education programmes. They work in the communities from Monday to Thursday; and come tougher as a group every Friday at the Bat Centre. The volunteers are based in Phoenix, Wentworth, KwaMashu and the city centre.
On January 2, 2011, all 20 volunteers leave South Africa to go to Northern Ireland where they will spend another three months, this time in the Belfast community. This will be followed by three months of volunteering in a community in Northern Ireland, UK as part of the Global Xchange programme.
Global Xchange gives young people from different countries a unique opportunity to work together, to develop and share valuable skills and to make a practical contribution where it is needed in local communities. The six-month programme works with teams of young people aged 18 to 25, with equal numbers coming from the participating countries. The participants are recruited and the teams formed to reflect the diversity in terms of ability, education, ethnicity, gender and geography. Together the cross-cultural pairs live with host families and work with host communities for up to three months in a host country (South Africa and then in the UK). They also work on a global citizen project aimed at raising awareness of development and diversity within their host communities.
‘‘It is much more than volunteering,’’ says Nise Malange, Director of the BAT Centre. “Young people are there to learn about the local issues but also about the global factors that affect the way things happen. As part of their learning agenda, they will explore poverty and inequality, community development, volunteering and social action.”
Lion Phasha, Project Consultant for the British Council, adds: “For the British Council, our partnership in the Global Xchange programme enables us to build partnerships between South Africans and the UK. Through the project we hope that the experience for the volunteers and the communities they will work with, will build greater inter-cultural understanding, democratic development and bring positive social change.”
More information from Co-ordinator Claire Faithorn on 071 269 1017
BRING NATURE BACK TO YOUR GARDEN
The KZN Coastal Branch of the Botanical Society of South Africa has recently launched the long-awaited, expanded, new edition of Bring Nature Back to your Garden by Charles and Julia Botha.
The new edition features more species, more information and many colour pictures. This comprehensive guide to gardening for the conservation of biodiversity is indispensable to beginners and long-term indigenous gardening enthusiasts alike. Written in the same humorous style as the authors’ previous books, it is an essential addition to any gardening book collection.
Proceeds from the sale of this book go to the Flora & Fauna Publications Trust, the Botanical Society and the Botanical Education Trust.
The new edition features more species, more information and many colour pictures. This comprehensive guide to gardening for the conservation of biodiversity is indispensable to beginners and long-term indigenous gardening enthusiasts alike. Written in the same humorous style as the authors’ previous books, it is an essential addition to any gardening book collection.
Proceeds from the sale of this book go to the Flora & Fauna Publications Trust, the Botanical Society and the Botanical Education Trust.
THE POTTER’S TALE
An elegant and collectable coffee table book on the life and work of acclaimed Shongweni ceramic artist entitled The Potter’s Tale- The Life and Work of Andrew Walford by Neil Wright, would make a unique and special Christmas present for anyone with an interest in the visual arts.
Shongweni ceramic artist Andrew Walford’s work is in homes, galleries and collections worldwide. A private, industrious man, Walford’s work may be accessible, but not always the man himself. Thanks to author Neil Wright, that insight is now available in the form of this carefully crafted and beautifully illustrated book.
The Potter’s Tale can be found at Exclusive Books, KZNSA Gallery, African Art Centre – or ordered directly from the author himself. It retails at R390 and, if ordered from the author, will bring added Christmas cheer by being signed by him, wrapped and posted free of charge within South Africa. Contact Wright on 031 764 0288, or e-mail him- bonisa47@mweb.co.za
See Caroline Smart’s review of The Potter’s Tale at http://news.artsmart.co.za/2010/03/potters-tale-in-africa.html
Shongweni ceramic artist Andrew Walford’s work is in homes, galleries and collections worldwide. A private, industrious man, Walford’s work may be accessible, but not always the man himself. Thanks to author Neil Wright, that insight is now available in the form of this carefully crafted and beautifully illustrated book.
The Potter’s Tale can be found at Exclusive Books, KZNSA Gallery, African Art Centre – or ordered directly from the author himself. It retails at R390 and, if ordered from the author, will bring added Christmas cheer by being signed by him, wrapped and posted free of charge within South Africa. Contact Wright on 031 764 0288, or e-mail him- bonisa47@mweb.co.za
See Caroline Smart’s review of The Potter’s Tale at http://news.artsmart.co.za/2010/03/potters-tale-in-africa.html
NOMUSA XABA LAUNCH
The launch of a touching memoir about an astonishing life.
Ever supportive, Adams Bookshop has agreed to do a display and a book launch/tea/storytelling performance on November 27, featuring Nomusa Xaba, an African American artist, storyteller and activist, the author of It's Been a Long Time Coming.
Mama Nomusa is a multi-talented, multi-disciplined artist and a teacher by profession, she has spent many years teaching in the US, Canada and East Africa. Simultaneously, she raised her five children while performing as a poet and percussionist with her then-exiled South African husband, pianist Ndikho Xaba. In 2000, her many years of teaching and performing experience propelled her to seamlessly wed all of these experiences and leave the classroom in order to become an educational consultant and storyteller. She has shared her storytelling prowess with thousands of students in the US, India and now South Africa.
She will be doing a story- telling performance combined with a book launch about It's Been a Long Time Coming, her tenderly-written, hugely-personal reflection on the incredible life and personal journey.
Nomusa Xaba (known affectionately as Mama Nomusa) took literally decades to complete what was originally planned as a book of poetry. She has written a charming collection – part memoir, part journal – chronicling her life as a veteran of both the civil rights movement in American and the international anti-Apartheid struggle. Her memories are interspersed with poetry, photographs and song lyrics. Its unique style makes it an easy read, a flight book or a holiday read.
Nomusa Xaba’s It's Been a Long Time Coming takes place at Adams Bookshop in Musgrave Centre on November 27 at 11h00. For more information email: cedric@adamsbooks.co.za.
Ever supportive, Adams Bookshop has agreed to do a display and a book launch/tea/storytelling performance on November 27, featuring Nomusa Xaba, an African American artist, storyteller and activist, the author of It's Been a Long Time Coming.
Mama Nomusa is a multi-talented, multi-disciplined artist and a teacher by profession, she has spent many years teaching in the US, Canada and East Africa. Simultaneously, she raised her five children while performing as a poet and percussionist with her then-exiled South African husband, pianist Ndikho Xaba. In 2000, her many years of teaching and performing experience propelled her to seamlessly wed all of these experiences and leave the classroom in order to become an educational consultant and storyteller. She has shared her storytelling prowess with thousands of students in the US, India and now South Africa.
She will be doing a story- telling performance combined with a book launch about It's Been a Long Time Coming, her tenderly-written, hugely-personal reflection on the incredible life and personal journey.
Nomusa Xaba (known affectionately as Mama Nomusa) took literally decades to complete what was originally planned as a book of poetry. She has written a charming collection – part memoir, part journal – chronicling her life as a veteran of both the civil rights movement in American and the international anti-Apartheid struggle. Her memories are interspersed with poetry, photographs and song lyrics. Its unique style makes it an easy read, a flight book or a holiday read.
Nomusa Xaba’s It's Been a Long Time Coming takes place at Adams Bookshop in Musgrave Centre on November 27 at 11h00. For more information email: cedric@adamsbooks.co.za.
ACT BUILDING BLOCKS
The Arts & Culture Trust (ACT) calls for applications for the Building Blocks Programme, sponsored by the Embassy of the Kingdom of the Netherlands.
New, emerging or established South African arts, culture or heritage organisations are invited to submit funding enquiries for Special Grants up to a maximum of R200,000 in total, and Once-off Grants ranging from R10,000 to R50,000.
The ACT Building Blocks Programme aims to build the capacity of South African arts, culture and heritage organisations and other community organisations in order to strengthen these economically, culturally and socially.
The programme is aimed at cultural organisations that serve the community at large and is not intended to serve individual artists. The programme focuses on sustainable capacity building for organisations that provide broad access to the arts.
Applicants are required to complete an Application Form by December 31, 2010. Visit www.act.org.za for more information about the programme, to submit an online application or download instructions on how to submit an application manually.
New, emerging or established South African arts, culture or heritage organisations are invited to submit funding enquiries for Special Grants up to a maximum of R200,000 in total, and Once-off Grants ranging from R10,000 to R50,000.
The ACT Building Blocks Programme aims to build the capacity of South African arts, culture and heritage organisations and other community organisations in order to strengthen these economically, culturally and socially.
The programme is aimed at cultural organisations that serve the community at large and is not intended to serve individual artists. The programme focuses on sustainable capacity building for organisations that provide broad access to the arts.
Applicants are required to complete an Application Form by December 31, 2010. Visit www.act.org.za for more information about the programme, to submit an online application or download instructions on how to submit an application manually.
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